Totentanz

~ Recording by Michael Ponti, Berlin Symphony Orchestra, Volker Schmidt-Gertenbach

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.1Totentanz15:12Franz LisztThe 50 Darkest Pieces of Classical MusicVarious ArtistsAlbum + Compilation
  • -2011
X5 Music Group

Relationships

piano:Michael Ponti (pianist)
orchestra:Berlin Symphony Orchestra (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:Volker Schmidt‐Gertenbach
recording of:Totentanz, S. 126/2 (for piano and orchestra, published version)

Totentanz, S. 126/2 (for piano and orchestra, published version)

composer:Franz Liszt (Hungarian composer, pianist and conductor)
dedicated to:Hans von Bülow (German conductor and composer)
premiered by:Hans von Bülow (German conductor and composer) (on 1865-04-15)
premiered at:[concert] (1865-04-15)
parts:1. Totentanz, S. 126: I. Andante - Allegro - Allegro moderato (for piano and orchestra)
2. Totentanz, S. 126: II. Variation I (for piano and orchestra)
3. Totentanz, S. 126: III. Variation II (for piano and orchestra)
4. Totentanz, S. 126: IV. Variation III (for piano and orchestra)
5. Totentanz, S. 126: V. Variation IV (for piano and orchestra)
6. Totentanz, S. 126: VI. Variation V (for piano and orchestra)
7. Totentanz, S. 126: VII. Cadenza (for piano and orchestra)
8. Totentanz, S. 126: VIII. Variation VI (for piano and orchestra)
9. Totentanz, S. 126: IX. Cadenza (for piano and orchestra)
10. Totentanz, S. 126: X. Allegro animato (for piano and orchestra)
is based on:Missa pro defunctis: Sequentia “Dies irae” (plainchant)
is the basis for:Dies irae (Epic Fail) Piano variations, op.15
revision of:Totentanz, S. 126/1 (early unpublished version)
arrangements:Totentanz, S. 525, R. 188 (for solo piano)
Totentanz, S. 652 (for two pianos)