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recording of:Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1989-01)

Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir)

orchestrator:Franz Xaver Süßmayr
additional composer:Joseph Leopold Eybler (Austrian composer)
Franz Xaver Süßmayr (from 1791 until 1792)
composer:Wolfgang Amadeus Mozart (classical composer) (in 1791)
later translated versions:Ağıt
part of:Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition) (movement) (order: 6)
is the basis for:L’art du chant appliqué au piano, op. 70: No. 5a, Lacrimosa, tiré du Requiem de Mozart, op. 70 no. 5.
Lacrimosa (Mozart: Requiem In D Minor, K.626 - 3.) (Soundtrack of Path to Nowhere)
has revision:Requiem in D Minor, K. 626: II. Sequentia: 8. Lacrimosa (Michael Ostrzyga Edition)
arrangements:Zwei Transcriptionen aus Mozarts Requiem, S. 550: 2. Lacrimosa (for solo piano, Liszt)

Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)

composer:Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:Requiem in D minor, K. 626 (catch-all for unknown editions) (order: 8)
is the basis for:Lacrimosa
Lacrymosa
Lullaby to Eternity