Quartet “Mir ist so wunderbar” From Fidelio
~ Recording by Matthias Hölle, Elizabeth Norberg-Schulz, Michael Schade, Deborah Voigt, Sir Colin Davis, Symphonieorchester des Bayerischen Rundfunks
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.8 | Quartet “Mir ist so wunderbar” From Fidelio | 4:47 | Ludwig van Beethoven | Beethoven for Relaxation | Ludwig van Beethoven | Album + Compilation |
| RCA Victor | 09026-63328-2 |
Relationships
| bass vocals: | Matthias Hölle (operatic bass) |
|---|---|
| soprano vocals: | Elizabeth Norberg-Schulz (soprano) Deborah Voigt (soprano) |
| tenor vocals: | Michael Schade (tenor) |
| orchestra: | Sir Colin Davis (English conductor) Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) |
| recording of: | Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) |
|---|
Related works
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
| composer: | Ludwig van Beethoven (German composer) (in 1805) |
|---|---|
| additional librettist: | Georg Friedrich Treitschke |
| librettist: | Jean-Nicolas Bouilly |
| revised by: | Ludwig van Beethoven (German composer) (in 1814) |
| translator: | Joseph Sonnleithner |
| part of: | Fidelio, op. 72: Akt I (order: 6) |
|---|
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