Le nozze di Figaro, K. 492, no. 20: “Dove sono i bei momenti”

~ Recording by Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
30.26Le nozze di Figaro: Atto III. 19. Aria: “Dove sono i bei momenti” (Contesa)4:58Wolfgang Amadeus MozartThe Originals: Legendary Recordings Vol. 2Various ArtistsAlbum + Compilation
  • -2016-08-26
Deutsche Grammophon479 6018

Relationships

executive producer:Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:Gundula Janowitz (soprano) (in 1968-03)
orchestra:Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1968-03)
recording of:Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1968-03)

Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)

composer:Wolfgang Amadeus Mozart (classical composer)
librettist:Lorenzo Da Ponte
later translated versions:Die Hochzeit des Figaro: Akt III. Rezitativ und Arie „Und Susanna kommt nicht“ – „Wohin flohen die Wonnestunden“ (Gräfin)
part of:Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III) (order: 12)
arrangements:Le nozze di Figaro, K. 492: Aria “Dove sono i bei momenti” (catch-all for arrangements)
Le nozze di Figaro: 11. Dove sono i bei momenti. Aria (for 8 winds and double bass, arr. Wendt)