Switched‐On Bach (Terre Haute pressing)

~ Release by Walter Carlos (see all versions of this release, 10 available)

Annotation

Release is similar but not identical to this Discogs release.

Runout

Side 1: XSM137961‒2D T
Side 2: o XXSM137962‒2F T

Annotation last modified on 2022-02-16 08:06 UTC.

Tracklist

1▼12" Vinyl
#TitleRatingLength
1Sinfonia to Cantata No. 29
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968)
arranger:
Wendy Carlos
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia (catch-all for arrangements) (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
3:27
2Air on the G String
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968)
arranger:
Wendy Carlos
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
2:33
3Two Part Invention in F major
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968) and Benjamin Folkman (in 1968)
arranger:
Wendy Carlos
recording of:
Inventio Nr. 8 F-Dur, BWV 779 (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 8) and Bach-Werke-Verzeichnis (number: BWV 779)
0:43
4Two Part Invention in B‐flat major
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968) and Benjamin Folkman (in 1968)
arranger:
Wendy Carlos
recording of:
Inventio Nr. 14 B-Dur, BWV 785 (catch-all for arrangements) (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Inventio Nr. 14 B-Dur, BWV 785
1:30
5Two Part Invention in D minor
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968) and Benjamin Folkman (in 1968)
arranger:
Wendy Carlos
recording of:
Inventio Nr. 4 d-Moll, BWV 775 (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 4) and Bach-Werke-Verzeichnis (number: BWV 775)
recording of:
Inventio Nr. 4 d-Moll, BWV 775 (catch-all for arrangements) (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Inventio Nr. 4 d-Moll, BWV 775
0:52
6Jesu, Joy of Man’s Desiring
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968)
arranger:
Wendy Carlos
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
2:59
7Prelude and Fugue No. 7 (from Well‐Tempered Clavier, Book I)
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968)
arranger:
Wendy Carlos
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 7 in E-flat major, BWV 852 (catch all for arrangements) (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 7 in E-flat major, BWV 852
7:11
8Prelude and Fugue No. 2 (from Well‐Tempered Clavier, Book I)
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968)
arranger:
Wendy Carlos
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847 (catch all for arrangements) (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847.2/847
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847: Prelude (catch-all for arrangements) (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847: Prelude
2:47
9Chorale Prelude “Wachet Auf”
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968)
arranger:
Wendy Carlos
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (catch-all for arrangements) (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
3:39
10Brandenburg Concerto No. 3: I. Allegro
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968)
arranger:
Wendy Carlos
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
6:29
11Brandenburg Concerto No. 3: II. Andante
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968)
arranger:
Wendy Carlos
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence)) (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for unknown versions) (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
2:51
12Brandenburg Concerto No. 3: III. Allegro
producer:
Rachel Elkind and Trans-Electronic Music Productions, Inc.
Moog:
Wendy Carlos (in 1968)
arranger:
Wendy Carlos
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (in 1968)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
5:11

Credits

Release

printed in:United States