Liz Phair

~ Release by Liz Phair (see all versions of this release, 8 available)

Tracklist

1▼CD
#TitleRatingLength
1Extraordinary
recording engineer:
The Matrix (songwriters/producers collective) and Krish Sharma (drums (drum set))
producer:
The Matrix (songwriters/producers collective)
mixer:
Serban Ghenea
drums (drum set):
Victor Indrizzo
guitar:
Corky James
additional vocals:
The Matrix (songwriters/producers collective) and The Wizardz of Oz
arranger:
The Matrix (songwriters/producers collective)
recorded at:
Decoy Studios in Studio City and House of Blues Studios in Encino (drums (drum set))
mixed at:
Windmark Recording in Virginia Beach
recording of:
Extraordinary
writer:
Lauren Christy, Graham Edwards, Liz Phair and Scott Spock
publisher:
Civil War Days Music (in 2003), Graham Edwards Songs (ASCAP) (in 2003), Hollylodge Music (in 2003), Rainbow Fish (in 2003), Scott Spock Songs (in 2003), Sony/ATV Tunes LLC (ASCAP) (in 2003) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2003)
53:25
2Red Light Fever
recording engineer and producer:
Michael Penn
additional engineer:
Howard Willing
assistant engineer:
Mike Glines (engineer)
mixer:
Tom Lord‐Alge
bass:
Mike Elizondo
drums (drum set):
Matt Chamberlin (misspelling, chamberlain)
guitar:
Michael Penn
keyboard:
Patrick Warren
percussion:
Lenny Castro
background vocals:
Alison Clark
vocals:
Liz Phair
additionally recorded at:
Sage and Sound Recording in Hollywood, Sonora Recorders in Los Angeles and Sunset Sound in Hollywood
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood
mixed at:
South Beach Studios in Miami Beach
additionally engineered at:
Sunset Sound in Hollywood
recording of:
Red Light Fever
writer:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L) and Liz Phair
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) (in 2003), Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (ASCAP) (in 2003)
44:52
3Why Can’t I?
recording engineer:
The Matrix (songwriters/producers collective) and Krish Sharma (drums (drum set))
producer:
The Matrix (songwriters/producers collective)
mixer:
Serban Ghenea
drums (drum set):
Victor Indrizzo
guitar:
Corky James
additional vocals:
The Matrix (songwriters/producers collective) and The Wizardz of Oz
arranger:
The Matrix (songwriters/producers collective)
recorded at:
Decoy Studios in Studio City and House of Blues Studios in Encino (drums (drum set))
mixed at:
Windmark Recording in Virginia Beach
recording of:
Why Can’t I
writer:
Lauren Christy, Graham Edwards, Liz Phair and Scott Spock
publisher:
Civil War Days Music (in 2003), Graham Edwards Songs (ASCAP) (in 2003), Hollylodge Music (in 2003), Rainbow Fish (in 2003), Scott Spock Songs (in 2003), Sony/ATV Tunes LLC (ASCAP) (in 2003) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2003)
53:28
4It’s Sweet
recording engineer and producer:
Michael Penn
assistant engineer:
Mike Glines (engineer)
mixer:
Serban Ghenea
bass:
Michael Penn
drums (drum set):
John Sands (drummer)
guitar:
Michael Penn, Liz Phair and R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
vocals:
Liz Phair
additionally recorded at:
Sage and Sound Recording in Hollywood, Sonora Recorders in Los Angeles and Sunset Sound in Hollywood
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood
mixed at:
Windmark Recording in Virginia Beach
recording of:
It’s Sweet
writer:
Liz Phair
publisher:
Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (ASCAP) (in 2003)
42:55
5Rock Me
recording engineer:
The Matrix (songwriters/producers collective) and Krish Sharma (drums (drum set))
assistant engineer:
Andrew Nast
producer:
The Matrix (songwriters/producers collective)
mixer:
Tom Lord‐Alge
drums (drum set):
Victor Indrizzo
guitar:
Corky James
additional vocals:
The Matrix (songwriters/producers collective)
arranger:
The Matrix (songwriters/producers collective)
recorded at:
Decoy Studios in Studio City and Master Control in Burbank (drums (drum set))
mixed at:
South Beach Studios in Miami Beach
recording of:
Rock Me
writer:
Lauren Christy, Graham Edwards, Liz Phair and Scott Spock
publisher:
Civil War Days Music (in 2003), Graham Edwards Songs (ASCAP) (in 2003), Hollylodge Music (in 2003), Rainbow Fish (in 2003), Scott Spock Songs (in 2003), Sony/ATV Tunes LLC (ASCAP) (in 2003) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2003)
53:20
6Take a Look
recording engineer and producer:
Michael Penn
additional engineer:
Howard Willing
assistant engineer:
Mike Glines (engineer)
mixer:
Serban Ghenea
bass:
Mike Elizondo
drums (drum set):
Matt Chamberlin (misspelling, chamberlain)
guitar:
Wendy Melvoin and Michael Penn
keyboard:
Patrick Warren
percussion:
Lenny Castro
vocals:
Liz Phair
additionally recorded at:
Sage and Sound Recording in Hollywood, Sonora Recorders in Los Angeles and Sunset Sound in Hollywood
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood
mixed at:
Windmark Recording in Virginia Beach
recording of:
Take a Look
writer:
Liz Phair
publisher:
Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (ASCAP) (in 2003)
43:29
7Little Digger
recording engineer and producer:
Michael Penn
additional engineer:
Ryan Freeland
assistant engineer:
Mike Glines (engineer)
mixer:
Serban Ghenea
bass and guitar:
Michael Penn
drums (drum set):
John Sands (drummer)
piano:
Patrick Warren
sampler:
Michael Penn and Liz Phair
vocals:
Liz Phair
additionally recorded at:
Sage and Sound Recording in Hollywood, Sonora Recorders in Los Angeles and Sunset Sound in Hollywood
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood
mixed at:
Windmark Recording in Virginia Beach
recording of:
Little Digger
writer:
Liz Phair
publisher:
Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (ASCAP) (in 2003)
43:36
8Firewalker
engineer:
Doug Boehm
producer:
Liz Phair
mixer:
Serban Ghenea
bass:
David Sutton (American bass player)
drums (drum set):
Mario Calire
guitar and background vocals:
Buddy Judge
keyboard:
Jebin Bruni
vocals:
Liz Phair
mixed at:
Windmark Recording in Virginia Beach
engineered at:
Grandmaster Recorders in Hollywood and Third Stone Recording in North Hollywood
recording of:
Firewalker
writer:
Liz Phair
publisher:
Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (ASCAP) (in 2003)
54:29
9Favorite
assistant recording engineer:
Andrew Nast
recording engineer and producer:
The Matrix (songwriters/producers collective)
drums (drum set) programming:
Krish Sharma
mixer:
Tom Lord‐Alge
drums (drum set):
Victor Indrizzo
guitar:
Corky James
additional vocals:
The Matrix (songwriters/producers collective)
arranger:
The Matrix (songwriters/producers collective)
recorded at:
Decoy Studios in Studio City and Master Control in Burbank (drums (drum set))
mixed at:
South Beach Studios in Miami Beach
recording of:
Favorite
writer:
Lauren Christy, Graham Edwards, Liz Phair and Scott Spock
publisher:
Civil War Days Music (in 2003), Graham Edwards Songs (ASCAP) (in 2003), Hollylodge Music (in 2003), Rainbow Fish (in 2003), Scott Spock Songs (in 2003), Sony/ATV Tunes LLC (ASCAP) (in 2003) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2003)
43:24
10Love/Hate
additional engineer and additional producer:
R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
engineer:
Doug Boehm
producer:
Liz Phair
mixer:
Serban Ghenea
bass:
David Sutton (American bass player)
drums (drum set):
Mario Calire
electric guitar and background vocals:
Buddy Judge
keyboard:
Jebin Bruni
recording of:
Love/Hate
writer:
Liz Phair
43:43
11H.W.C.
engineer and producer:
R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
mixer:
Tom Lord‐Alge
bass and harmonica:
R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
drums (drum set) and guitar:
Pete Yorn
vocals:
Liz Phair
recorded at:
Mesmer Proper Studios
mixed at:
South Beach Studios in Miami Beach
recording of:
H.W.C.
writer:
Liz Phair
publisher:
Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (ASCAP) (in 2003)
42:56
12My Bionic Eyes
additional engineer and additional producer:
R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
engineer:
Doug Boehm
producer:
Liz Phair
mixer:
Tom Lord‐Alge
bass:
David Sutton (American bass player)
drums (drum set):
Mario Calire
electric guitar:
Buddy Judge and R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
keyboard:
Jebin Bruni
background vocals:
Buddy Judge
vocals:
Liz Phair
mixed at:
South Beach Studios in Miami Beach
engineered at:
Grandmaster Recorders in Hollywood and Third Stone Recording in North Hollywood
recording of:
My Bionic Eyes
writer:
Liz Phair
publisher:
Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (ASCAP) (in 2003)
43:52
13Friend of Mine
recording engineer and producer:
Michael Penn
assistant engineer:
Mike Glines (engineer)
mixer:
Serban Ghenea
bass:
Wendy Melvoin
drums (drum set):
Abe Laboriel Jr.
guitar and background vocals:
Michael Penn
keyboard:
Patrick Warren
vocals:
Liz Phair
additionally recorded at:
Sage and Sound Recording in Hollywood, Sonora Recorders in Los Angeles and Sunset Sound in Hollywood
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood
mixed at:
Windmark Recording in Virginia Beach
recording of:
Friend of Mine
lyricist and composer:
Liz Phair
publisher:
Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (ASCAP) (in 2003)
43:44
14Good Love Never Dies
engineer and producer:
R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
mixer:
Serban Ghenea
bass, guitar, Wurlitzer electric piano and background vocals:
R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
drums (drum set):
Mike Stinson
vocals:
Liz Phair
recorded at:
Mesmer Proper Studios
mixed at:
Windmark Recording in Virginia Beach
recording of:
Good Love Never Dies
writer:
Liz Phair
publisher:
Civil War Days Music (in 2003) and Sony/ATV Tunes LLC (ASCAP) (in 2003)
42:59

Credits

Release

printed in:United States