Brava Berganza!: A Birthday Tribute

~ Release by Teresa Berganza (see all versions of this release, 1 available)

Annotation

El sombrero de tres picos
Recording: Boston Symphony Hall, 1976.10

El amor brujo
Recording: London, Henry Wood Hall, 1978.01

La vida breve:
Recording: London, Henry Wood Hall, 1978.01

Salud: Teresa Berganza (mezzo-soprano)
La abuela: Alicia Nafé (mezzo-soprano)
Carmela / Vendedora: Paloma Penez Iñigo (soprano)
Paco: José Carreras (tenor)
El tio sarvaor: Juan Pons (baritone)
El cantaor: Manuel Mairena (baritone)
Manuel: Ramón Contreras (baritone)
Una voz.: Manuel Cid (tenor)

El gato montes
Recording: Torrelodones (Madrid), Teatro Bulevar, 1991.12

Recording: Munich, Alter Herkules-Saal: 1976.12 (1-13) / 1975.03 (14-30)

Annotation last modified on 2008-06-14 10:50 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1El sombrero de tres picos: Introducción
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1976-10)
orchestra:
Boston Symphony Orchestra (in 1976-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1976-10)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1976-10)
recorded at:
Symphony Hall (Boston) in Boston (in 1976-10)
recording of:
El amor brujo: I. Introducción (in 1976-10)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
recording of:
El sombrero de tres picos: Introducción (in 1976-10)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla1:26
2El sombrero de tres picos: Danza del molinero
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1976-10)
orchestra:
Boston Symphony Orchestra (in 1976-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1976-10)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Symphony Hall (Boston) in Boston (in 1976-10)
partial recording of:
El sombrero de tres picos: Parte II. Danza del molinero (Farruca) (in 1976-10)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El sombrero de tres picos (ballet)
Manuel de Falla1:21
3El amor brujo: Canción del amor dolido
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Garcia Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1978-01)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
recording of:
El amor brujo: III. Canción del amor dolido (in 1978-01)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:36
4El amor brujo: Canción del fuego fatuo
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Garcia Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1978-01)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
recording of:
El amor brujo: X. Canción del fuego fatuo (in 1978-01)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:38
5El amor brujo: Danza del juego de amor
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Garcia Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1978-01)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
recording of:
El amor brujo: XII. Danza del juego del amor (in 1978-01)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla2:53
6El amor brujo: Final. Las campanas del amanecer
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Garcia Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1978-01)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
recording of:
El amor brujo: XIII. Final (Las campanas del amanecer) (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:31
7La vida e breve: Act I, Scene I. "Andra la tarea, que hay que trabajar!" (Coro)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto I (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla2:54
8La vida e breve: Act I, Scene I. "Mi querer e como el hierro" (Una Voz en la frague, La abuela, Coro, Le voz de un vendedor)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
Ramón Contreras (in 1978-01)
mezzo-soprano vocals:
Alicia Nafé (mezzo-soprano) (in 1978-01)
soprano vocals:
Paloma Penez Iñigo (in 1978-01)
tenor vocals:
Manuel Cid (tenor) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto I (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla5:18
9La vida e breve: Act I, Scene I. "Abuela, no viene!" (Salud, La abuela)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01) and Alicia Nafé (mezzo-soprano) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto I (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla4:06
10La vida e breve: Act I, Scene I. "Ah!... Ah!... Ande la terea..." (Coro)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto I (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla1:27
11La vida e breve: Act I, Scene I. "Vivan los que rien!" (Salud, Coro)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978-01)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto I (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla4:58
12La vida e breve: Act I, Scene I. "Salud!" - "Qué? Qué pasa?" (La abuela, Salud)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01) and Alicia Nafé (mezzo-soprano) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto I (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla0:52
13La vida e breve: Act I, Scene I. "Paco! Paco!" - "Mi Salud!" (Salud, Paco)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01)
tenor vocals:
José Carreras (Spanish tenor) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto I (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla3:11
14La vida e breve: Act I, Scene I. "Paco! Paco! Sempre tuyo!" - "Mi chavala" (Salud, Paco, La abuela, Coro, El tío Sarvaor, Una voz en la frague, Una voz lejana)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
Ramón Contreras (in 1978-01) and Juan Pons (baritone) (in 1978-01)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01) and Alicia Nafé (mezzo-soprano) (in 1978-01)
tenor vocals:
José Carreras (Spanish tenor) (in 1978-01) and Manuel Cid (tenor) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto I (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla4:10
15La vida e breve: Act I, Scene II. Intermedio
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto I (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla6:42
16La vida e breve: Act II, Scene I. "Olé! Olé ya!" - "Ay! Yo canto por soleares!" (Coro, El cantaor)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
Manuel Mairena (Flamenco singer) (in 1978-01)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto II (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla2:44
17La vida e breve: Act II, Scene I. Danza
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto II (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla3:19
18La vida e breve: Act II, Scene I. "Allí está! Ryendo, junto á esa mujer!" (Salud, El cantaor, Coro)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
Manuel Mairena (Flamenco singer) (in 1978-01)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978-01)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto II (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla3:52
19La vida e breve: Act II, Scene I. "No te dije? La vés?" (El tío Sarvaor, La abuela, Salud, Coro, Carmela, Paco, Manuel)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
Juan Pons (baritone) (in 1978-01)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978-01)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01) and Alicia Nafé (mezzo-soprano) (in 1978-01)
soprano vocals:
Paloma Penez Iñigo (in 1978-01)
tenor vocals:
José Carreras (Spanish tenor) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto II (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla4:37
20La vida e breve: Act II, Scene I. Intermedio
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto II (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla2:45
21La vida e breve: Act II, Scene II. Danza
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto II (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla3:42
22La vida e breve: Act II, Scene II. "Carmela mía!" (Paco, Carmela, Manuel, El tío Sarvaor)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
Juan Pons (baritone) (in 1978-01)
soprano vocals:
Paloma Penez Iñigo (in 1978-01)
tenor vocals:
José Carreras (Spanish tenor) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto II (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla1:44
23La vida e breve: Act II, Scene II. "Qué gracia! Qué buscan ustedes aquí?" (Manuel, Coro, El tío Sarvaor, Paco, Salud, Carmela, La abuela)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
Juan Pons (baritone) (in 1978-01)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978-01)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-01) and Alicia Nafé (mezzo-soprano) (in 1978-01)
soprano vocals:
Paloma Penez Iñigo (in 1978-01)
tenor vocals:
José Carreras (Spanish tenor) (in 1978-01)
orchestra:
London Symphony Orchestra (in 1978-01)
conductor:
Luis Antonio García Navarro (conductor) (in 1978-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-01)
partial recording of:
La vida breve: Acto II (in 1978-01)
composer:
Manuel de Falla (Spanish composer)
part of:
La vida breve
Manuel de Falla4:05
24El gato montés: Act I. "Salú p'a la gente güena!"
executive producer:
Pål Christian Moe
producer:
Werner Mayer (classical producer)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1991-12)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1991-12)
conductor:
Miguel Roa (conductor) (in 1991-12)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Teatro Bulevar in Torrelodones, Comunidad de Madrid (Community of Madrid) (in 1991-12)
partial recording of:
El gato montés (in 1991-12)
composer and librettist:
Manuel Penella Moreno (the son, prominent zarzuela and opera composer)
Manuel Penella7:28
2▼CD
#TitleArtistRatingLength
1Carmen: Act I, IV. Havanaise. "L'amour est un oiseau rebelle" (Carmen, Chœur)
recorded in:
London (Greater London) (in 1977-09)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-09)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:25
2Carmen: Act I, IX. Chanson (Séguedille) et Duo. "Près des remparts de Séville" (Carmen, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:34
3Carmen: Act II, XI. Chanson. "Les triangles des sistres tintaient" (Carmen, Mercédès, Frasquita)
recorded in:
London (Greater London) (in 1977-09)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1977-09) and Alicia Nafé (mezzo-soprano) (in 1977-09)
soprano vocals:
Yvonne Kenny (Australian soprano) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:12
4Il barbiere di Seviglia: Act I, V. Cavatina. "Una voce poco fa" (Rosina)
mezzo-soprano vocals [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:36
5Il barbiere di Seviglia: Act I, VII. Duetto. "Dunque io son... tu non m'ingianni?" (Rosina, Figaro)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°7b. “Ora mi sento meglio” (Rosina, Bartolo) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:55
6Il barbiere di Seviglia: Act II, Xi. Aria. "Contro un cor che accende amore" (Rosina, Conte)
mezzo-soprano vocals [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:43
7La clemenza di Tito: Act I, IX. Aria. "Parto, ma tu ben mio" (Sesto)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
bass clarinet:
Joachim Müller (engineer) (in 1979-01)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:48
8La clemenza di Tito: Act II, XIX. Rondo. "Deh per questo istante solo" (Sesto)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart7:24
9La Cenerentola: Finale II, Rondo. "Nacqui all'affanno e al pianto"
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals:
Renato Capecchi (baritone) (in 1971-09)
bass vocals:
Paolo Montarsolo (operatic bass) (in 1971-09) and Ugo Trama (operatic bass) (in 1971-09)
choir vocals:
Scottish Opera Chorus (in 1971-09)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1971-09) and Laura Zannini (soprano) (in 1971-09)
soprano vocals:
Margherita Guglielmi (soprano) (in 1971-09)
tenor vocals:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
George Watson’s College in Edinburgh (in 1971-09)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini7:06
10Madama Butterfly: Act II, Part I. Duetto. "Scuotti quella fronda di ciliegio" (Butterfly, Suzuki)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1987-04)
soprano vocals:
Mirella Freni (soprano) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1987-04)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:39
11Madama Butterfly: Act II, Part II. "Chi sia?" - "Zitta! Non la destar!" (Suzuki, Sharpless, Pinkerton)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
baritone vocals:
Juan Pons (baritone) (in 1987-04)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1987-04)
tenor vocals:
José Carreras (Spanish tenor) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1987-04)
recording of:
Madama Butterfly: Atto III. “Chi sia?” (Suzuki, Pinkerton) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini3:09
12Madama Butterfly: Act II, Part II. "Io so che alle sue pene no ci sono conforti" (Sharpless, Pinkerton, Suzuki)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
baritone vocals:
Juan Pons (baritone) (in 1987-04)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1987-04)
tenor vocals:
José Carreras (Spanish tenor) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1987-04)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:28
13Pulcinella: VII. Allegretto: "Contento forse vivere"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Wolfgang Stengel
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1978-05)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-05)
tenor vocals:
Ryland Davies (tenor) (in 1978-05)
orchestra:
London Symphony Orchestra (in 1978-05)
conductor:
Claudio Abbado (conductor) (in 1978-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-05)
recording of:
Pulcinella: Ancora poco meno "Contento forse vivere" (in 1978-05)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
Pulcinella (ballet)
Игорь Фёдорович Стравинский2:06
14Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Wolfgang Stengel
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1978-05)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-05)
tenor vocals:
Ryland Davies (tenor) (in 1978-05)
orchestra:
London Symphony Orchestra (in 1978-05)
conductor:
Claudio Abbado (conductor) (in 1978-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1978-05)
recording of:
Pulcinella: Allegro "Ncè sta quaccuna po" (in 1978-05)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
Pulcinella (ballet)
recording of:
Pulcinella: Andante "Sento dire no'ncè pace" (in 1978-05)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
Pulcinella (ballet)
recording of:
Pulcinella: Presto "Una te falan zemprece" (in 1978-05)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
Pulcinella (ballet)
Игорь Фёдорович Стравинский4:55
15Siete canciones populares españolas: I. El Paño moruno
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich) (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 1: El paño moruno (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:12
16Siete canciones populares españolas: II. Seguidilla murcina
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1976-12, from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1976-12, from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich) (in 1976-12, from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 2: Seguidilla murciana (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
recording of:
Siete canciones populares españolas, G. 40, nº 2: Seguidilla murciana (in 1976-12)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:26
17Siete canciones populares españolas: III. Asturiana
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich) (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 3: Asturiana (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla2:03
18Siete canciones populares españolas: IV. Jota
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich) (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 4: Jota (catch-all for arrangements) (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arrangement of:
Siete canciones populares españolas, G. 40, nº 4: Jota
Manuel de Falla3:00
19Siete canciones populares españolas: V. Nana
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1976-12, from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1976-12, from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich) (in 1976-12, from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 5: Nana (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
recording of:
Siete canciones populares españolas, G. 40, nº 5: Nana (in 1976-12)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:28
20Siete canciones populares españolas: VI. Canción
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich) (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 6: Canción (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:05
21Siete canciones populares españolas: VII. Polo
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich) (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 7: Polo (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:43
3▼CD
#TitleArtistRatingLength
1Lamento di Cassandra: "L'alma fiacca scanì" (arr. Raymond Leppard)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Francesco Cavalli5:48
2"Son ancor pergoletta" (arr. Arne Dørumsgaard)"
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Francesco Cavalli2:07
3"Non, non si speri" (arr. Arne Dørumsgaard)"
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Giacomo Carissimi3:50
4"Vittoria, mio cuore" (arr. Luigi Dallapiccola)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Giacomo Carissimi2:58
5"Se Florindo è fedele" (arr. Alessandro Parisotti)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Alessandro Scarlatti2:05
6Se delitto è l'adorarti: "Qual mia colpa, o sventura" (arr. Alessandro Parisotti)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Alessandro Scarlatti3:20
7Canzonetta: "Chi vuole innamorarsi" (arr. Félix Lavilla)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Alessandro Scarlatti1:15
8Le violette: "Rugiadose, odorose violette graziose" (arr. Alessandro Parisotti)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Alessandro Scarlatti2:16
9"Selve amiche" (arr. Luigi Dallapiccola)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Antonio Caldara2:32
10"Come raggio di sol" (arr. Alessandro Parisotti)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Antonio Caldara2:32
11"Un certo non so che" (arr. Alessandro Parisotti)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Antonio Vivaldi2:59
12"Piango, gemo" (arr. Félix Lavilla)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Antonio Vivaldi5:40
13"Se tu m'ami" (arr. Alessandro Parisotti)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Giovanni Battista Pergolesi2:50
14Aria di Martia: "Confusa, smarrita" (arr. Max Spicker)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
piano:
Ricardo Requejo (pianist) (in 1978-11)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Studio Lankwitz in Lankwitz (in 1978-11)
Giovanni Battista Pergolesi3:42
15Rosa das rosas
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
recording of:
Cantiga de Santa María no. 10 "Rosa das rosas e Fror das frores" (in 1974-06)
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
part of:
Cantigas de Santa Maria (number: 10)
part of:
Cantigas de Santa María
Alfonso X el Sabio2:44
16Pérdida de Antequera
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
Miguel de Fuenllana2:51
17Dindirindin
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
recording of:
Dindirindin (Cancionero Musical de Palacio (work no. 445)) (in 1974-06)
composer:
[anonymous] (special purpose artist)
version of:
Dindirindin (catch-all work)
[anonymous]1:38
18Triste estaua el rey David
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
recording of:
Triste estaba el rey David (in 1974-06)
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra2:28
19Dime, triste corazón
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
recording of:
Dime, triste coraçón (in 1974-06)
composer:
Francisco de la Torre
Francisco de la Torre0:51
20De dónde venís, amore?
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
recording of:
De donde venis, amore? (in 1974-06)
composer:
Enríquez de Valderrábano
Enríquez de Valderrábano1:13
21Toda mi vida os amé
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
recording of:
El Maestro: Toda mi vida hos amé (in 1974-06)
lyricist:
[anonymous] (special purpose artist)
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán4:54
22Dínos, madre del donsel
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
recording of:
Dinos madre del donsel (in 1974-06)
composer:
Juan de Triana (15th century composer)
Juan de Triana2:19
23Si me llaman a mí
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
Alonso Mudarra2:16
24Romerico
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
Juan del Encina3:37
25Vos me matastes (arr. Miguel de Fuenllana)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
Juan Vázquez2:05
26Claros y frescos ríos
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
recording of:
Claros y frescos ríos (Canción III) (in 1974-06)
lyricist and composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra2:17
27Ysabel, perdiste la tu faxa
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
recording of:
Isabel, perdiste la tu faxa (a villancico) (in 1974-06)
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra2:03
28Con qué la lavaré
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
recording of:
Los seys libros del Delphín de música, Libro quinto: Con que la lavare (in 1974-06)
composer:
Luis de Narváez (16th century composer) (in 1538)
Luis de Narváez2:22
29En la fuente del rosel (arr. Diego Pisador)
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
recording of:
En la fuente del rosel (in 1974-06)
composer:
Juan Vásquez (16th century composer)
Juan Vázquez0:56
30Santa María
executive producer:
Rudolf Werner (producer at Deutsche Grammophon)
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1974-06)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1974-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Phonogram Studio (Madrid) in Madrid (in 1974-06)
Alfonso X el Sabio2:08
4▶CD

Credits

Release

ASIN:DE: B0007DHPRG [info]