Trois siècles de mélodies espagnoles : XVIe - XVIIe - XVIIIe

~ Release by Isabel Garcisanz, Jean‐Patrice Brosse (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Quien amores ten
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
El Maestro: Quien amores ten a fin (in 1981)
lyricist:
[anonymous] (special purpose artist)
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán1:23
2En esta larga ausencia
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
En esta larga ausencia (in 1981)
composer:
[anonymous] (special purpose artist)
Anonyme3:26
3Pase el agua, ma julieta
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
Pase el agoa, ma Julieta (Ma Julieta, Dama) (in 1981)
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Palacio
Anonyme1:41
4Ay triste que vengo
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
Ay, triste, que vengo (in 1981)
composer:
Juan del Encina (Spanish composer, poet, priest, playwright, c. 1468-1529/30)
part of:
Cancionero de Palacio
Juan del Encina0:57
5Falai miña amor
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
El Maestro: Falai, miña amor, falaime (in 1981)
lyricist:
[anonymous] (special purpose artist)
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán1:49
6Ay luna que reluces
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
Ay Luna que reluzes (in 1981)
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Uppsala (number: 21)
Anonyme2:06
7Aquel caballero, madre
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
El Maestro: Aquel cavallero, madre (in 1981)
lyricist:
[anonymous] (special purpose artist)
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán3:31
8De donde venis, amore?
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
De donde venis, amore? (in 1981)
composer:
Enríquez de Valderrábano
Enríquez de Valderrábano1:19
9De los alamos vengo, madre
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
De los alamos vengo, madre (in 1981)
composer:
Miguel de Fuenllana
Miguel de Fuenllana1:17
10En la fuente del rosel
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
En la fuente del rosel (in 1981)
composer:
Juan Vásquez (16th century composer)
Juan Vásquez/Pisador1:16
11Pastorcico, non te aduermas
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
Pastorcico, non te aduermas (in 1981)
composer:
[anonymous] (special purpose artist)
Anonyme1:57
12Duelete de mi, señora
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
organ:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recorded at:
Cathédrale Notre-Dame de Saint-Bertrand-de-Comminges in Saint-Bertrand-de-Comminges (in 1981)
recording of:
Duelete de mi, señora (in 1981)
composer:
Miguel de Fuenllana
Miguel de Fuenllana2:58
13Seguidilla dolorosa de una enamorada
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
harpsichord:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recording of:
Seguidilla dolorosa de una enamorada (in 1981)
composer:
Luis Misón
Luis Misón3:56
14Sept ariettes : La preghiera
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
harpsichord:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recording of:
12 canzonette italiane: No. 1. La preghiera (in 1981)
composer:
Vicente Martín y Soler (Spanish composer)
part of:
12 canzonette italiane
Vicente Martín y Soler2:08
15Sept ariettes : La mercede
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
harpsichord:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recording of:
12 canzonette italiane: No. 2. La mercede (in 1981)
composer:
Vicente Martín y Soler (Spanish composer)
part of:
12 canzonette italiane
Vicente Martín y Soler1:17
16Sept ariettes : La speranza
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
harpsichord:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recording of:
12 canzonette italiane: No. 3. La speranza (in 1981)
composer:
Vicente Martín y Soler (Spanish composer)
part of:
12 canzonette italiane
Vicente Martín y Soler1:25
17Sept ariettes : Amore e gelosia
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
harpsichord:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recording of:
12 canzonette italiane: No. 5. Amore e gelosia (in 1981)
composer:
Vicente Martín y Soler (Spanish composer)
part of:
12 canzonette italiane
Vicente Martín y Soler2:25
18Sept ariettes : La costanza
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
harpsichord:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recording of:
12 canzonette italiane: No. 7. La constanza (in 1981)
composer:
Vicente Martín y Soler (Spanish composer)
part of:
12 canzonette italiane
Vicente Martín y Soler2:15
19Sept ariettes : La volubile
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
harpsichord:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recording of:
12 canzonette italiane: No. 12. La volubile (in 1981)
composer:
Vicente Martín y Soler (Spanish composer)
part of:
12 canzonette italiane
Vicente Martín y Soler1:45
20Sept ariettes : La natura
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
harpsichord:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recording of:
12 canzonette italiane: No. 8. La natura (in 1981)
composer:
Vicente Martín y Soler (Spanish composer)
part of:
12 canzonette italiane
Vicente Martín y Soler1:34
21La canción de cuna
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
harpsichord:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recording of:
La canción de cuna (in 1981)
composer:
[anonymous] (special purpose artist)
Anonyme2:18
22Confiado jilguerillo
recording engineer:
Claude Morel (Artistic director of label Arion; producer, sound engineer)
harpsichord:
Jean‐Patrice Brosse (in 1981)
soprano vocals:
Isabel Garcisanz (soprano) (in 1981)
recording of:
Confiado jilguerillo (in 1981)
composer:
Antonio de Literes
Antonio Líteres-Carrión3:00

Credits

Release

phonographic copyright (℗) by:Arion (French classical / world music) (in 1981, in 1991)