Master of Orchestral Texture

~ Release by Charles Mackerras (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Symphony no. 40 in G minor, K. 550: I. Molto allegro
producer:
John Boyden (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1975-04-15)
conductor:
Charles Mackerras (Australian conductor) (on 1975-04-15)
balance engineer:
John Boyden (producer) (on 1975-04-15)
recorded at:
Barking Town Hall in London (Greater London) (on 1975-04-15)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (on 1975-04-15)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:53
2Symphony no. 40 in G minor, K. 550: II. Andante
producer:
John Boyden (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1975-04-15)
conductor:
Charles Mackerras (Australian conductor) (on 1975-04-15)
balance engineer:
John Boyden (producer) (on 1975-04-15)
recorded at:
Barking Town Hall in London (Greater London) (on 1975-04-15)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version) (on 1975-04-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:05
3Symphony no. 40 in G minor, K. 550: III. Menuetto & Trio
producer:
John Boyden (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1975-04-15)
conductor:
Charles Mackerras (Australian conductor) (on 1975-04-15)
balance engineer:
John Boyden (producer) (on 1975-04-15)
recorded at:
Barking Town Hall in London (Greater London) (on 1975-04-15)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version) (on 1975-04-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:23
4Symphony no. 40 in G minor, K. 550: IV. Allegro assai
producer:
John Boyden (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1975-04-15)
conductor:
Charles Mackerras (Australian conductor) (on 1975-04-15)
balance engineer:
John Boyden (producer) (on 1975-04-15)
recorded at:
Barking Town Hall in London (Greater London) (on 1975-04-15)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (on 1975-04-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart9:32
5Symphony no. 7 in D minor, op. 70: I. Allegro maestoso
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1991-05-21 until 1991-05-23)
conductor:
Charles Mackerras (Australian conductor) (from 1991-05-21 until 1991-05-23)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1991-05-21 until 1991-05-23)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London) (from 1991-05-21 until 1991-05-23)
recording of:
Symphony no. 7 in D minor, op. 70: I. Allegro maestoso (from 1991-05-21 until 1991-05-23)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Wolfgang Amadeus Mozart10:29
6Symphony no. 7 in D minor, op. 70: II. Poco adagio
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1991-05-21 until 1991-05-23)
conductor:
Charles Mackerras (Australian conductor) (from 1991-05-21 until 1991-05-23)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1991-05-21 until 1991-05-23)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London) (from 1991-05-21 until 1991-05-23)
recording of:
Symphony no. 7 in D minor, op. 70: II. Poco adagio (from 1991-05-21 until 1991-05-23)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Wolfgang Amadeus Mozart10:23
7Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1991-05-21 until 1991-05-23)
conductor:
Charles Mackerras (Australian conductor) (from 1991-05-21 until 1991-05-23)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1991-05-21 until 1991-05-23)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London) (from 1991-05-21 until 1991-05-23)
recording of:
Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace - Poco meno mosso (from 1991-05-21 until 1991-05-23)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Wolfgang Amadeus Mozart7:30
8Symphony no. 7 in D minor, op. 70: IV. Allegro
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1991-05-21 until 1991-05-23)
conductor:
Charles Mackerras (Australian conductor) (from 1991-05-21 until 1991-05-23)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1991-05-21 until 1991-05-23)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London) (from 1991-05-21 until 1991-05-23)
recording of:
Symphony no. 7 in D minor, op. 70: IV. Finale: Allegro (from 1991-05-21 until 1991-05-23)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Wolfgang Amadeus Mozart8:48
2▼CD
#TitleArtistRatingLength
1Cello Concerto in D (reconstructed by Mackerras): I. Allegro moderato (cadenza: Mackerras)
producer:
Andrew Keener (engineer/editor/producer)
cello:
Julian Lloyd Webber (cellist) (from 1986-04-21 until 1986-04-22)
orchestra:
London Symphony Orchestra (from 1986-04-21 until 1986-04-22)
conductor:
Charles Mackerras (Australian conductor) (from 1986-04-21 until 1986-04-22)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1986-04-21 until 1986-04-22)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1986-04-21 until 1986-04-22)
recording of:
Cello Concerto in D major: I. Allegro moderato (from 1986-04-21 until 1986-04-22)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
Cello Concerto in D major
Arthur Sullivan3:29
2Cello Concerto in D (reconstructed by Mackerras): II. Andante espressivo
producer:
Andrew Keener (engineer/editor/producer)
cello:
Julian Lloyd Webber (cellist) (from 1986-04-21 until 1986-04-22)
orchestra:
London Symphony Orchestra (from 1986-04-21 until 1986-04-22)
conductor:
Charles Mackerras (Australian conductor) (from 1986-04-21 until 1986-04-22)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1986-04-21 until 1986-04-22)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1986-04-21 until 1986-04-22)
recording of:
Cello Concerto in D major: II. Andante espressivo (from 1986-04-21 until 1986-04-22)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
Cello Concerto in D major
Arthur Sullivan6:56
3Cello Concerto in D (reconstructed by Mackerras): III. Molto vivace
producer:
Andrew Keener (engineer/editor/producer)
cello:
Julian Lloyd Webber (cellist) (from 1986-04-21 until 1986-04-22)
orchestra:
London Symphony Orchestra (from 1986-04-21 until 1986-04-22)
conductor:
Charles Mackerras (Australian conductor) (from 1986-04-21 until 1986-04-22)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1986-04-21 until 1986-04-22)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1986-04-21 until 1986-04-22)
recording of:
Cello Concerto in D major: III. Molto vivace (from 1986-04-21 until 1986-04-22)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
Cello Concerto in D major
Arthur Sullivan7:13
4Sinfonietta, op. 60: I. Allegretto
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (engineer) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: I. Allegretto - Allegro - Maestoso (Fanfares) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček2:26
5Sinfonietta, op. 60: II. Andante
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (engineer) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: II. Andante - Allegretto (The Castle) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček6:19
6Sinfonietta, op. 60: III. Moderato
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (engineer) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: III. Moderato (The Queen's Monastery) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček5:54
7Sinfonietta, op. 60: IV. Allegretto
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (engineer) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: IV. Allegretto (The Street) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček3:06
8Sinfonietta, op. 60: V. Andante con moto
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (engineer) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: V. Andante con moto (The Town Hall) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček7:43
9Le sacre du printemps: Part I "The Adoration of the Earth": Introduction
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:36
10Le sacre du printemps: Part I "The Adoration of the Earth": The Augurs of Spring – Dance of the Maidens
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:11
11Le sacre du printemps: Part I "The Adoration of the Earth": Ritual of Abduction
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:17
12Le sacre du printemps: Part I "The Adoration of the Earth": Spring Rounds
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:45
13Le sacre du printemps: Part I "The Adoration of the Earth": Ritual of the Rival Tribes
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:47
14Le sacre du printemps: Part I "The Adoration of the Earth": Procession of the Sage
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:40
15Le sacre du printemps: Part I "The Adoration of the Earth": Adoration of the Earth
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:21
16Le sacre du printemps: Part I "The Adoration of the Earth": Dance of the Earth
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:14
17Le sacre du printemps: Part II "The Sacrifice": Introduction
engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:06
18Le sacre du printemps: Part II "The Sacrifice": Mystic Circles of the Maidens
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:12
19Le sacre du printemps: Part II "The Sacrifice": Glorification of the Chosen One
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:31
20Le sacre du printemps: Part II "The Sacrifice": Evocation of the Ancestors
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky0:44
21Le sacre du printemps: Part II "The Sacrifice": Ritual Action of the Ancestors
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:23
22Le sacre du printemps: Part II "The Sacrifice": Sacrificial Dance (The Chosen One)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:39
3▼CD
#TitleArtistRatingLength
1Paris: The Song of a Great City
producer:
John H. West (classical engineer/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-06-01 until 1991-06-03)
conductor:
Charles Mackerras (Australian conductor) (from 1991-06-01 until 1991-06-03)
balance engineer:
Mike Hatch (engineer/editor) (from 1991-06-01 until 1991-06-03)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool (from 1991-06-01 until 1991-06-03)
recording of:
Paris, a Nightpiece: The Song of a Great City, RT vi/14 (from 1991-06-01 until 1991-06-03)
composer:
Frederick Delius (English composer) (from 1899 until 1900)
Frederick Delius21:54
2Variations on an Original Theme, op. 36 “Enigma”: Introduction
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:32
3Variations on an Original Theme, op. 36 “Enigma”: Variation I (C.A.E.)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:58
4Variations on an Original Theme, op. 36 “Enigma”: Variation II (H.D.S.-P.)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:44
5Variations on an Original Theme, op. 36 “Enigma”: Variation III (R.B.T.)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:25
6Variations on an Original Theme, op. 36 “Enigma”: Variation IV (W.M.B.)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:30
7Variations on an Original Theme, op. 36 “Enigma”: Variation V (R.P.A.)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:02
8Variations on an Original Theme, op. 36 “Enigma”: Variation VI (Ysobel)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:10
9Variations on an Original Theme, op. 36 “Enigma”: Variation VII (Troyte)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:54
10Variations on an Original Theme, op. 36 “Enigma”: Variation VIII (W.N.)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:46
11Variations on an Original Theme, op. 36 “Enigma”: Variation IX (Nimrod)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1985-03-11 until 1985-03-13)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:19
12Variations on an Original Theme, op. 36 “Enigma”: Variation X (Intermezzo: Dorabella)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:35
13Variations on an Original Theme, op. 36 “Enigma”: Variation XI (G.R.S.)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:55
14Variations on an Original Theme, op. 36 “Enigma”: Variation XII (B.G.N.)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:51
15Variations on an Original Theme, op. 36 “Enigma”: Variation XIII (Romanza: ***)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:52
16Variations on an Original Theme, op. 36 “Enigma”: Variation XIV (E.D.U.)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (from 1985-03-11 until 1985-03-13)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1985-03-11 until 1985-03-13, on 1985-03-13)
conductor:
Charles Mackerras (Australian conductor) (from 1985-03-11 until 1985-03-13) and Sir Charles Mackerras (Australian conductor) (on 1985-03-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1985-03-11 until 1985-03-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-03-11 until 1985-03-13) and Abbey Road Studios in St John's Wood (on 1985-03-13)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1985-03-11 until 1985-03-13)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:54
17The Merrymakers: Miniature Overture
producer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (from 1956-05-23 until 1956-05-24)
conductor:
Charles Mackerras (Australian conductor) (from 1956-05-23 until 1956-05-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-05-23 until 1956-05-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1956-05-23 until 1956-05-24)
recording of:
The Merrymakers (A Miniature Overture) (from 1956-05-23 until 1956-05-24)
composer:
Eric Coates (composer)
Eric Coates4:35
18Summer Days: Suite
producer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (from 1956-05-23 until 1956-05-24)
conductor:
Charles Mackerras (Australian conductor) (from 1956-05-23 until 1956-05-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-05-23 until 1956-05-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1956-05-23 until 1956-05-24)
recording of:
Summer Days (for orchestra) (from 1956-05-23 until 1956-05-24)
composer:
Eric Coates (composer) (in 1918)
Eric Coates4:07
19By the Sleepy Lagoon
producer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (from 1956-05-23 until 1956-05-24)
conductor:
Charles Mackerras (Australian conductor) (from 1956-05-23 until 1956-05-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-05-23 until 1956-05-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1956-05-23 until 1956-05-24)
recording of:
By the Sleepy Lagoon (BBC Desert Island Discs theme) (from 1956-05-23 until 1956-05-24)
lyricist:
Jack Lawrence (US songwriter) (in 1940)
composer:
Eric Coates (composer) (in 1930)
Eric Coates3:10
20The Three Bears: Phantasy
producer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
London Symphony Orchestra (from 1956-05-23 until 1956-05-24)
conductor:
Charles Mackerras (Australian conductor) (from 1956-05-23 until 1956-05-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-05-23 until 1956-05-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1956-05-23 until 1956-05-24)
recording of:
The Three Bears (from 1956-05-23 until 1956-05-24)
composer:
Eric Coates (composer) (in 1926)
Eric Coates9:20
4▼CD
#TitleArtistRatingLength
114 Volks-Kinderlieder: No. 4. Sandmännchen
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1957-06-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1957-06-01)
conductor:
Charles Mackerras (Australian conductor) (on 1957-06-01)
balance engineer:
Francis Dillnutt (engineer) (on 1957-06-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (on 1957-06-01)
recording of:
14 Volks-Kinderlieder, WoO 31: 4. "Sandmännchen" (on 1957-06-01)
composer:
Johannes Brahms (German composer)
part of:
14 Volks-Kinderlieder, WoO 31
Johannes Brahms2:56
2Panis angelicus
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1957-06-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1957-06-25)
conductor:
Charles Mackerras (Australian conductor) (on 1957-06-25)
balance engineer:
Francis Dillnutt (engineer) (on 1957-06-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (on 1957-06-25)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (on 1957-06-25)
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck4:50
3Symphony no. 5 in C-sharp minor: I. Trauermarsch
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-01-11 until 1990-01-13)
conductor:
Charles Mackerras (Australian conductor) (from 1990-01-11 until 1990-01-13)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-01-11 until 1990-01-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool (from 1990-01-11 until 1990-01-13)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (from 1990-01-11 until 1990-01-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Arthur Sullivan13:47
4Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-01-11 until 1990-01-13)
conductor:
Charles Mackerras (Australian conductor) (from 1990-01-11 until 1990-01-13)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-01-11 until 1990-01-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool (from 1990-01-11 until 1990-01-13)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (from 1990-01-11 until 1990-01-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Arthur Sullivan14:43
5Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-01-11 until 1990-01-13)
conductor:
Charles Mackerras (Australian conductor) (from 1990-01-11 until 1990-01-13)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-01-11 until 1990-01-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool (from 1990-01-11 until 1990-01-13)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (from 1990-01-11 until 1990-01-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Arthur Sullivan16:23
6Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-01-11 until 1990-01-13)
conductor:
Charles Mackerras (Australian conductor) (from 1990-01-11 until 1990-01-13)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-01-11 until 1990-01-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool (from 1990-01-11 until 1990-01-13)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1990-01-11 until 1990-01-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Arthur Sullivan10:02
7Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-01-11 until 1990-01-13)
conductor:
Charles Mackerras (Australian conductor) (from 1990-01-11 until 1990-01-13)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-01-11 until 1990-01-13)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool (from 1990-01-11 until 1990-01-13)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (from 1990-01-11 until 1990-01-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Arthur Sullivan15:02
5▼CD
#TitleArtistRatingLength
1Ruddigore (or The Witch’s Curse): Overture
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1956-06-09)
conductor:
Charles Mackerras (Australian conductor) (on 1956-06-09)
balance engineer:
Francis Dillnutt (engineer) (on 1956-06-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (on 1956-06-09)
recording of:
Ruddigore: Overture (on 1956-06-09)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Geoffrey Toye (in 1920)
part of:
Ruddigore
revision of:
Ruddigore: Overture (original version)
Arthur Sullivan6:30
2The Mikado (or The Town of Tiputu): Overture
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1956-06-09)
conductor:
Charles Mackerras (Australian conductor) (from 1956-06-09 until 1956-09)
balance engineer:
Francis Dillnutt (engineer) (on 1956-06-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (on 1956-06-09)
recording of:
The Mikado: Overture (on 1956-06-09)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Mikado
Arthur Sullivan8:29
3Pineapple Poll (arr. Mackerras): Scene One. Opening Dance
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene I. Opening Dance (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan3:40
4Pineapple Poll (arr. Mackerras): Scene One. Poll’s Solo & Pas de deux
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene I. Poll’s Solo and Pas de deux (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan3:38
5Pineapple Poll (arr. Mackerras): Scene One. Belaye’s Solo
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene I. Belaye’s Solo (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan3:22
6Pineapple Poll (arr. Mackerras): Scene One. Pas de trois
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene I. Pas de trois (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan3:03
7Pineapple Poll (arr. Mackerras): Scene One. Finale
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene I. Finale (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan3:57
8Pineapple Poll (arr. Mackerras): Scene Two. Poll’s Solo
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene III. Poll’s Solo (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan3:59
9Pineapple Poll (arr. Mackerras): Scene Two. Jasper’s Solo
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene II. Jasper’s Solo (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan3:50
10Pineapple Poll (arr. Mackerras): Scene Three. Belaye’s Solo and Sailors’ Dance
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene III. Belaye’s Solo and Sailors’ Drill (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan3:27
11Pineapple Poll (arr. Mackerras): Scene Three. Poll’s Solo
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene III. Poll’s Solo (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan4:38
12Pineapple Poll (arr. Mackerras): Scene Three. Entry of Belaye with Blanche as Bride
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene III. Entry of Belaye with Blanche as Bride (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan3:31
13Pineapple Poll (arr. Mackerras): Scene Three. Reconciliation
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene III. Reconciliation (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Sir Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan3:03
14Pineapple Poll (arr. Mackerras): Scene Three. Grande Finale
producer:
Peter Andry (producer)
orchestra:
Royal Philharmonic Orchestra (from 1960-10-03 until 1960-10-05)
conductor:
Charles Mackerras (Australian conductor) (from 1960-10-03 until 1960-10-05)
balance engineer:
Francis Dillnutt (engineer) (from 1960-10-03 until 1960-10-05)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1960-10-03 until 1960-10-05)
recording of:
Pineapple Poll: Scene III. Grande Finale (from 1960-10-03 until 1960-10-05)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
arranger:
Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll Suite (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan5:41
15Messiah: Part I. For unto us child is born
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06-29 until 1966-08-09)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
arranger:
Basil Lam (English producer, harpsichordist)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Kingsway Hall in London (Greater London) (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:23
16Messiah: Part II. I know that my Redeemer liveth
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Elizabeth Harwood (soprano) (from 1966-06-29 until 1966-08-09)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
recorded at:
Kingsway Hall in London (Greater London) (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:43
17Messiah: Part III. Hallelujah
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06-29 until 1966-08-09)
solo vocals:
Dame Janet Baker (mezzo‐soprano and alto), Paul Esswood (countertenor), Elizabeth Harwood (soprano), Raimund Herincx (bass-baritone) and Robert Tear (tenor)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
arranger:
Basil Lam (English producer, harpsichordist)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Kingsway Hall in London (Greater London) (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:04

Credits

Release

part of:ICON (EMI Classics/Warner Classics compilations) (order: 8)
ASIN:UK: B005AAVFHM [info]