Telarc Classical - Celebrating 25 Years

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Firebird (excerpt)
choir vocals:
Atlanta Symphony Orchestra Chorus
orchestra:
Atlanta Symphony Orchestra
conductor:
Robert Shaw (conductor)
partial recording of:
Firebird Suite (catch‐all for unknown versions)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
is based on:
L’Oiseau de feu (The Firebird)
Igor Stravinsky4:29
2First Suite: March
orchestra:
The Cleveland Symphonic Winds
conductor:
Frederick Fennell (conductor)
recording of:
First Suite in E-flat for Military Band, op. 28 no. 1: III. March
composer:
Gustav Holst (composer) (in 1909)
part of:
First Suite in E-flat for Military Band, op. 28 no. 1
Gustav Holst2:54
31812 Overture (excerpt)
orchestra:
Cincinnati Symphony Orchestra
conductor:
Erich Kunzel (conductor)
partial recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Pyotr Ilyich Tchaikovsky4:54
4Pictures at an Exhibition (excerpt)
orchestra:
The Cleveland Orchestra
conductor:
Lorin Maazel (conductor)
partial recording of:
Pictures at an Exhibition (catch-all for arrangements)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
arrangement of:
Pictures at an Exhibition (original piano version)
Modest Mussorgsky8:55
5Carmen Suite No. 2: Danse bohème
orchestra:
Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra)
conductor:
Leonard Slatkin (conductor)
recording of:
Carmen Suite no. 2: VI. Danse bohème
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:45
6Symphony No. 3, Mvt. 2 (excerpt)
organ:
Michael Murray (organist and liner notes)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns2:57
7Toccata und Fuge d‐Moll, BWV 565: I. Toccata
organ:
Michael Murray (organist and liner notes)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:53
8Piano Concerto No. 5, Mvt. 2 (excerpt)
piano:
Rudolf Serkin (pianist)
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
Ludwig van Beethoven4:41
9The Four Seasons: Presto from Summer
recording engineer:
Jack Renner (engineer for Telarc) (on 1981-10-10)
producer:
Robert Woods (classical music producer, founder of TELARC)
violin:
Joseph Silverstein (violinist and conductor) (on 1981-10-10)
orchestra:
Boston Symphony Orchestra (on 1981-10-10)
conductor:
Seiji Ozawa (conductor and composer) (on 1981-10-10)
recorded at:
The Houghton Chapel in Wellesley (on 1981-10-10)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (on 1981-10-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:47
10Fanfare for the Common Man
recording engineer:
Jack Renner (engineer for Telarc) (on 1982-05-24)
producer:
Robert Woods (classical music producer, founder of TELARC) (on 1982-05-24)
orchestra:
Atlanta Symphony Orchestra (on 1982-05-24)
conductor:
Louis Lane (American conductor) (on 1982-05-24)
recorded at:
Atlanta Symphony Hall in Atlanta (on 1982-05-24)
recording of:
Fanfare for the Common Man (for brass and percussion orchestra) (on 1982-05-24)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland3:19
11Symphony No. 2, Mvt. 5 (excerpt)
contralto vocals:
Maureen Forrester (contralto)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra)
conductor:
Leonard Slatkin (conductor)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:28
12Romeo and Juliet: Montagues & Capulets (excerpt)
orchestra:
The Cleveland Orchestra
conductor:
Yoel Levi (conductor)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Prokofiev1:40
13Symphony No. 3, Mvt. 4 (excerpt)
orchestra:
The Cleveland Orchestra
conductor:
Christoph von Dohnányi (German conductor)
Ludwig van Beethoven3:32
14Introduction / Star Wars: Main Title
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
compilation of:
Introduction by Erich Kunzel (conductor), Cincinnati Pops Orchestra and Star Wars: Main Title by Erich Kunzel (conductor), Cincinnati Pops Orchestra
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
John Williams7:14
15Requiem: Dies irae (excerpt)
choir vocals:
Atlanta Symphony Orchestra Chorus
orchestra:
Atlanta Symphony Orchestra
conductor:
Robert Shaw (conductor)
partial recording of:
Requiem, op. 5: II. Dies irae et Tuba mirum
composer:
Hector Berlioz (French composer)
part of:
Requiem, op. 5 « Grande Messe des Morts »
Hector Berlioz2:21
16Eine kleine Nachtmusik, Mvt. 1 (excerpt)
orchestra:
Prague Chamber Orchestra
conductor:
Sir Charles Mackerras (Australian conductor)
partial recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
composed in:
Wien (Vienna) (until 1987-08-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1787-08-10)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 525), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 525), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 525) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 525)
partial recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:36
17Moonlight Sonata, Mvt. 1
piano:
John O’Conor (pianist) (from 1985-05-15 until 1985-05-17)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley (from 1985-05-15 until 1985-05-17)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1985-05-15 until 1985-05-17)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven5:50
18The Planets: Mars (excerpt)
orchestra:
Royal Philharmonic Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
partial recording of:
The Planets, op. 32: I. Mars, the Bringer of War
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst3:12
19Nutcracker: Trepak
engineer:
Jack Renner (engineer for Telarc) (from 1986-05-13 until 1986-05-16)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor) and Elaine Martone (engineer)
orchestra:
London Symphony Orchestra (from 1986-05-13 until 1986-05-16)
conductor:
Charles Mackerras (Australian conductor) (from 1986-05-13 until 1986-05-16)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (from 1986-05-13 until 1986-05-16)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12d. Дивертисмент (г) Трепак: русский танец (Trepak: Russian dance) (from 1986-05-13 until 1986-05-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:10
20Italian Concerto: Presto
synthesizer:
Don Dorsey
recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto)
part of:
Italienisches Konzert F-Dur, BWV 971 (catch-all for arrangements)
Johann Sebastian Bach3:28
2▼CD
#TitleArtistRatingLength
1Also sprach Zarathustra (excerpt)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:54
2Vespers: Rejoice, O Virgin
miscellaneous support:
Thomas Knab (editor) and John Newton (editor, engineer mixer)
engineer:
Jack Renner (engineer for Telarc)
assistant producer:
Elaine Martone (engineer)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Rosalind Ilett (Telarc editor)
choir vocals:
Robert Shaw Festival Singers (from 1989-07-26 until 1989-07-28)
conductor and chorus master:
Robert Shaw (conductor) (from 1989-07-26 until 1989-07-28)
recorded at:
Eglise Saint-Pierre de Gramat in Gramat (from 1989-07-26 until 1989-07-28)
recording of:
Всенощное бдение, op. 37: 6. Богородице Дево, радуйся (All-Night Vigil, Op. 37: VI. Rejoice, O Virgin) (from 1989-07-26 until 1989-07-28)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1915)
part of:
Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)
Sergei Rachmaninoff3:08
3Ride of the Valkyries (excerpt)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Lorin Maazel (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner2:38
4Canzon septimi toni No. 2
orchestra:
Empire Brass and Friends (US / Boston brass quintet)
Giovanni Gabrieli3:01
5The Magnificent Seven
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
Elmer Bernstein5:32
6Oedipus Tex: “Howdy there”
orchestra:
The Greater Hoople Area Off‐Season Philharmonic
conductor:
Newton Wayland
recording of:
Oedipus Tex: Aria with chorus: 'Howdy There'
composer:
Peter Schickele (American composer)
previously attributed to:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
P.D.Q. Bach5:36
7The Magic Flute: “Ach, ich fühl’s”
engineer:
Jack Renner (engineer for Telarc)
producer:
James Mallinson (producer)
soprano vocals [Pamina]:
Barbara Hendricks (soprano) (from 1991-07-13 until 1991-07-22)
orchestra:
Scottish Chamber Orchestra (from 1991-07-13 until 1991-07-22)
conductor:
Charles Mackerras (Australian conductor) (from 1991-07-13 until 1991-07-22)
recorded at:
Usher Hall in Edinburgh (from 1991-07-13 until 1991-07-22)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (from 1991-07-13 until 1991-07-22)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:00
8Messiah: “And he shall purify”
miscellaneous support:
John Newton (editor, engineer mixer) (in 1992-05)
engineer:
Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:
Elaine Martone (engineer) (in 1992-05)
producer:
James Mallinson (producer) (in 1992-05)
editor:
Tony Bridge (mastering engineer)
orchestra:
Boston Baroque Orchestra and Chorus (in 1992-05)
conductor:
Martin Pearlman (US conductor, harpsichordist, composer) (in 1992-05)
recorded at:
Campion Center in Weston (in 1992-05)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:10
9The Pirates of Penzance: “I am the very model of a modern Major‐General”
baritone vocals:
Richard Suart (baritone singer)
choir vocals:
Chorus of the Welsh National Opera
orchestra:
Orchestra of the Welsh National Opera
conductor:
Charles Mackerras (Australian conductor)
recording of:
The Pirates of Penzance: Act I, no. 13. “I am the very model of a modern Major‐General” (Major‐General, Chorus)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I
Gilbert & Sullivan2:52
10Church Windows: St. Michael the Archangel (excerpt)
orchestra:
Cincinnati Symphony Orchestra
conductor:
Jesús López Cobos (conductor)
edit of:
Church Windows: Saint Michael the Archangel by Cincinnati Symphony Orchestra, Jesús López Cobos (conductor)
partial recording of:
Vetrate di chiesa, P. 150: II. San Michele Arcangelo
composer:
Ottorino Respighi (composer) (until 1925)
part of:
Vetrate di chiesa, P. 150
Ottorino Respighi3:37
11La Fille aux cheveux de lin
harp:
Yolanda Kondonassis (harpist)
arranger:
Yolanda Kondonassis (harpist)
recording of:
Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair, catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
arrangement of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Claude Debussy2:26
12Daphnis and Chloé, scene 3 (excerpt)
choir vocals:
Atlanta Symphony Orchestra Chorus
orchestra:
Atlanta Symphony Orchestra
conductor:
Yoel Levi (conductor)
Maurice Ravel4:29
13Sonata No. 2, Mvt. 2
piano:
Lang Lang (Chinese pianist)
Sergei Rachmaninoff4:56
14Quarter in A minor, Mvt. 5
string quartet:
Cleveland Quartet
Ludwig van Beethoven6:56
15Scheherazade (excerpt)
orchestra:
Atlanta Symphony Orchestra
conductor:
Robert Spano (conductor and pianist)
Nikolai Rimsky-Korsakov4:08
16Suite espanola: Asturia (excerpt)
classical guitar:
David Russell (classical guitarist)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz2:22
17Carmina Burana: In taberna quando sumus
assistant engineer:
Robert Friedrich (American Grammy-award winning engineer) and Andrew Mendelson (engineer)
engineer:
Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
choir vocals:
Atlanta Symphony Orchestra Chorus (from 2000-11-04 until 2000-11-05)
orchestra:
Atlanta Symphony Orchestra (from 2000-11-04 until 2000-11-05)
conductor:
Donald Runnicles (conductor) (from 2000-11-04 until 2000-11-05)
recorded at:
Atlanta Symphony Hall in Atlanta (from 2000-11-04 until 2000-11-05)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 2000-11-04 until 2000-11-05)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:03
18Symphony No. 5, Mvt. 4 (excerpt)
harp:
Aline Brewer (harpist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Benjamin Zander (English conductor)
edit of:
Symphony no. 5: Part III. IV. Adagietto – Sehr langsam by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Benjamin Zander (English conductor)
partial recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler7:02
19Symphony No. 2, Mvt. 4 (excerpt)
assistant engineer:
Michael Bishop (Telarc engineer/producer) (from 2001-12-01 until 2001-12-02) and James Yates (engineer) (from 2001-12-01 until 2001-12-02)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Symphony Orchestra (from 2001-12-01 until 2001-12-02)
conductor:
Paavo Järvi (conductor) (from 2001-12-01 until 2001-12-02)
recorded at:
Music Hall (Cincinnati) in Cincinnati (from 2001-12-01 until 2001-12-02)
edit of:
Symphony no. 2 in D major, op. 43: IV. Allegretto moderato by Cincinnati Symphony Orchestra, Paavo Järvi (conductor)
partial recording of:
Sinfonia nro 2 D-duuri, op. 43: IV. Finale. Allegro moderato (Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius4:45
20Simple Gifts – Shaker Hymn Tune
organ:
John Longhurst (organist)
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
Orchestra at Temple Square
conductor:
Craig Jessop
arranger:
Mack Wilberg
recording of:
Simple Gifts
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist and composer:
Joseph Brackett (in 1848)
arranger:
Mark Hayes (American composer and arranger, predominantly of Christian choral music)
Joseph Brackett3:07