Opera Arias

~ Veröffentlichung von Ileana Cotrubas, Kiri Te Kanawa, Renata Scotto, Placido Domingo (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1L’elisir d’amore: “Una furtiva lagrima”
Chorgesang:
Chorus of the Royal Opera House, Covent Garden
Tenor-Gesang:
Placido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
John Pritchard (conductor)
aufgenommen bei:
EMI Studios (London) in St John's Wood (von 1977-01 bis 1977-05)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
Komponist(in):
Gaetano Donizetti (Italian opera composer) (in 1832)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
L’elisir d’amore: Atto II
Gaetano Donizetti4:33
2Norma: “Casta diva”
Produzent(in):
Roy Emerson (producer, engineer, classical) und Paul Myers (classical record producer)
Soprangesang:
Renata Scotto (operatic soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London) (von 1979-06 bis 1979-07)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
Vincenzo Bellini5:29
3Otello: “Ave Maria”
Soprangesang:
Renata Scotto (operatic soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Gianandrea Gavazzeni (conductor)
aufgenommen bei:
St. Peter’s Church (Morden) in Morden (in 1974-01)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01, in 1887)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
Giuseppe Verdi4:11
4Madama Butterfly: “Un bel dì, vedremo”
Soprangesang:
Renata Scotto (operatic soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:05
5Madama Butterfly: “Bimba dagli occhi”
Soprangesang:
Renata Scotto (operatic soprano)
Tenor-Gesang:
Placido Domingo (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini10:53
6Le nozze di Figaro: “Deh vieni, non tardar”
Soprangesang:
Ileana Cotrubas (Romanian soprano)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
John Pritchard (conductor)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London) (am 1976-02-24)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Arrangement von:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
Teil von:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:51
7Rigoletto: “Caro nome che il mio cor”
Soprangesang:
Ileana Cotrubas (Romanian soprano)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
John Pritchard (conductor)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London) (am 1976-11-09)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi5:13
8Gianni Schicchi: “Oh! mio babbino caro”
Produzent(in):
Roy Emerson (producer, engineer, classical) und Paul Myers (classical record producer)
Soprangesang [Lauretta]:
Kiri Te Kanawa (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
John Pritchard (conductor)
aufgenommen bei:
EMI Studios (London) in St John's Wood (in 1981-09)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:29
9La bohème: “Sì. Mi chiamano Mimì”
Soprangesang:
Ileana Cotrubas (Romanian soprano)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
John Pritchard (conductor)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London) (am 1976-12-04)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:22
10Madama Butterfly: “Addio fiorito asil”
Baritongesang:
Ingvar Wixell (baritone)
Tenor-Gesang:
Placido Domingo (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:03
11Tosca: “Vissi d’arte”
Produzent(in):
Roy Emerson (producer, engineer, classical) und Paul Myers (classical record producer)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
John Pritchard (conductor)
aufgenommen bei:
EMI Studios (London) in St John's Wood (in 1981-09)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:32
12La bohème: “Quando me’n vo’ soletta per la via”
Produzent(in):
Roy Emerson (producer, engineer, classical) und Paul Myers (classical record producer)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
John Pritchard (conductor)
aufgenommen bei:
EMI Studios (London) in St John's Wood (in 1981-09)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:34
13Don Giovanni: “Ah, fuggi il traditor”
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
Orchestre de l’Opéra national de Paris
conductor:
Lorin Maazel (conductor)
aufgenommen bei:
Église de Liban in Paris (in 1978-06)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:09
14Don Giovanni: “Mi tradì quell’ alma ingrata”
Soprangesang [Donna Elvira]:
Kiri Te Kanawa (soprano) (von 1978-06 bis 1978-07)
Orchester:
Orchestre de l’Opéra national de Paris (von 1978-06 bis 1978-07)
conductor:
Lorin Maazel (conductor) (von 1978-06 bis 1978-07)
aufgenommen bei:
Église Notre‐Dame du Liban in Paris (von 1978-06 bis 1978-07)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (von 1978-06 bis 1978-07)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
Teil von:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart4:12
15L’elisir d’amore: “Venti scudi”
Baritongesang:
Ingvar Wixell (baritone)
Tenor-Gesang:
Placido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
John Pritchard (conductor)
recording of:
L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
L’elisir d’amore: Atto II
Gaetano Donizetti7:05

Nennungen

Veröffentlichung

Techniker(in):John A. Johnson (engineer)