Listen (brief fifth edition)

~ Parution par Joseph Kerman & Gary Tomlinson (afficher toutes les versions de cette parution, 2 proposées)

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1▼CD
noTitreArtisteÉvaluationDurée
1Vere Dignum
recording of :
Die verkaufte Braut: II. Furiant (The Bartered Bride: II. Furiant)
compositeur :
Bedřich Smetana (composer) (du 1863 au 1870)
partie de :
Three Dances from "The Bartered Bride"
[anonymous]2:14
2In Paradisum
[anonymous]1:23
3Columba Aspexit
chœurs :
Gothic Voices (UK vocal group specialising in 11th–15th c. repertoire)
voix de soprano :
Emma Kirkby (soprano)
conductor :
Christopher Page (conductor and medieval music scholar)
recording of :
Symphonia armonie celestium revelationem: Columba aspexit
compositeur :
Hildegard von Bingen (German medieval saint)
partie de :
Symphonia armonie celestium revelationum
Hildegard von Bingen3:52
4La Dousa Votz
interprète :
Martin Best
recording of :
La dousa votz ai auzida
parolier et compositeur :
Bernart de Ventadorn (French poet-composer troubadour, fl. 12th century)
Bernart de Ventadorn2:07
5Alleluia. Difffusa Est Gratia
voix :
Lionheart (vocal ensemble)
Pérotin3:35
6Quant en moi
recording of :
Quant en moy / Amour et biaute / Amara valde
compositeur :
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut2:18
7Ave Maris Stella
recording of :
Ave maris stella
compositeur :
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:50
8Pange Lingua Mass, Kyrie
recording of :
Missa Pange lingua: I. Kyrie
compositeur :
Josquin des Prez (Franco-Flemish renaissance composer)
partie de :
Missa Pange lingua
Josquin des Prez3:03
9Pange Lingua Mass, Kyrie
recording of :
Missa Pange lingua: II. Gloria
compositeur :
Josquin des Prez (Franco-Flemish renaissance composer)
partie de :
Missa Pange lingua
Josquin des Prez2:13
10Pope Marcellus Mass, Qui tollis
recording of :
Missa Papae Marcelli: II. Gloria
compositeur :
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
partie de :
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina3:34
11As Vesta Was from Latmos Hill Descending
recording of :
As Vesta Was From Latmos Hill Descending
compositeur :
Thomas Weelkes (English composer & organist, c. 1576–1623)
partie de :
The Triumphs of Oriana (numéro : 18)
Thomas Weelkes3:11
12Daphne
[anonymous]3:12
13Kemp's Jig
[anonymous]1:42
14O Magnum Mysterium
recording of :
O magnum mysterium à 8, Ch. 3
parolier et compositeur :
Giovanni Gabrieli (composer)
partie de :
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (numéro : Ch. 3)
partie de :
Concerti di Andrea et di Giovanni Gabrieli
Giovanni Gabrieli3:14
15Tornerai?
partiel recording of :
L’ Incoronazione di Poppea: Act 1
compositeur :
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
partie de :
L’incoronazione di Poppea, SV 308
Claudio Monteverdi2:26
16Speranza, Tu Mi Vai
recording of :
L' Incoronazione di Poppea: Act 1, Scene 4 Speranza, Tu Mi Vai
compositeur :
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
partie de :
L’ Incoronazione di Poppea: Act 1
Claudio Monteverdi1:32
17Thy Hand, Belinda / When I Am Laid
voix de mezzo-soprano :
Lorraine Hunt (American soprano / mezzo)
orchestre :
Philharmonia Baroque Orchestra
conductor :
Nicholas McGegan
recording of :
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
recording of :
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell34:01
18With Drooping Wings
Henry Purcell2:21
19Suite (Canzona)
Girolamo Frescobaldi1:16
20Suite (Balletto)
Girolamo Frescobaldi0:47
21Suite (Corrente)
Girolamo Frescobaldi0:57
22Suite (Passacaglia)
Girolamo Frescobaldi2:27
23Violin Concerto in G, Op. 4, No.12 (I)
recording of :
Violin Concerto in G major, op. 4 no. 12, RV 298: I. Spirituoso e non presto
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1716)
partie de :
Violin Concerto in G major, op. 4 no. 12, RV 298
Antonio Vivaldi2:46
24Violin Concerto in G, Op. 4, No.12 (II)
recording of :
Violin Concerto in G major, op. 4 no. 12, RV 298: II. Largo
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1716)
partie de :
Violin Concerto in G major, op. 4 no. 12, RV 298
Antonio Vivaldi2:59
25Violin Concerto in G, Op. 4, No.12 (III)
recording of :
Violin Concerto in G major, op. 4 no. 12, RV 298: III. Allegro
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1716)
partie de :
Violin Concerto in G major, op. 4 no. 12, RV 298
Antonio Vivaldi4:03
26The Art of Fugue, Contrapunctus 4
Johann Sebastian Bach1:29
27The Art of Fugue, Contrapunctus 4
Johann Sebastian Bach2:03
28Qur'anic Recitation, Ya Sin
[anonymous]1:59
29Hawai'ian Chant, "Mele Pule"
[anonymous]1:10
30Navajo Song, "K'adnikini'ya'"
[anonymous]1:22
31Hymn, "Hanaq Pachap Kusikuynin"
[anonymous]1:17
32Sudanese Song with Lyre Accompaniment
Doogus Idris1:49
33Elephant-Hunt Song
[anonymous]2:48
2▼CD
noTitreArtisteÉvaluationDurée
1Brandenburg Concerto No.5, I
orchestre :
Boston Baroque
partiel recording of :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Concerto D-Dur, BWV 1050a: I. Allegro
partie de :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:28
2Brandenburg Concerto No.5, I
orchestre :
Boston Baroque
partiel recording of :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Concerto D-Dur, BWV 1050a: I. Allegro
partie de :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach1:50
3Brandenburg Concerto No.5, I
orchestre :
Boston Baroque
partiel recording of :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Concerto D-Dur, BWV 1050a: I. Allegro
partie de :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:15
4Brandenburg Concerto No.5, I
orchestre :
Boston Baroque
partiel recording of :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Concerto D-Dur, BWV 1050a: I. Allegro
partie de :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:57
5Brandenburg Concerto No.5, I
orchestre :
Boston Baroque
partiel recording of :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Concerto D-Dur, BWV 1050a: I. Allegro
partie de :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach0:29
6Orchestral Suite No.3 in D, "Air"
violon [violon concertant] :
Fabio Biondi (conductor/violinist) (le 1990-08)
chœurs :
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble) (le 1990-08)
orchestre :
Le Concert des Nations (le 1990-08)
conductor :
Jordi Savall (viol player, conductor and composer) (le 1990-08)
enregistré à :
Grande Salle (Arsenal de Metz) dans Metz (le 1990-08)
recording of :
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (le 1990-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1730)
partie de :
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:59
7Orchestral Suite No.3 in D, "Gavotte" I and II
recording of :
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:50
8"La Giustizia"
voix de mezzo-soprano :
Lorraine Hunt Lieberson (American soprano / mezzo)
orchestre :
Philharmonia Baroque Orchestra
Georg Friedrich Händel4:15
9"There Were Shepherds" / "Glory to God"
ingénieur :
Martin Atkinson (engineer) et John Dunkerley (engineer)
instruments et orchestre :
Academy of Ancient Music (le 1979)
chœurs :
Christ Church Cathedral Choir, Oxford (le 1979)
voix de soprano :
Judith Nelson (soprano) (le 1979)
conductor :
Christopher Hogwood (conductor, harpsichordist) (le 1979)
chorus master :
Simon Preston (organist, conductor, composer) (le 1979)
droits phonographiques (℗) par :
The Decca Record Company Limited (not a release label; for copyrights use only) (le 1980)
enregistré à :
St Jude‐on‐the‐Hill dans Hampstead (le 1979)
recording of :
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (le 1979)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
partie de :
Messiah, HWV 56: Part I
recording of :
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (le 1979)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
partie de :
Messiah, HWV 56: Part I
recording of :
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (le 1979)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
partie de :
Messiah, HWV 56: Part I
recording of :
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (le 1979)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
partie de :
Messiah, HWV 56: Part I
Georg Friedrich Händel53:24
10Hallelujah Chorus
ingénieur :
Martin Atkinson (engineer) et John Dunkerley (engineer)
instruments et orchestre :
Academy of Ancient Music (le 1979)
chœurs :
Christ Church Cathedral Choir, Oxford (le 1979)
voix de soprano :
Judith Nelson (soprano)
conductor :
Christopher Hogwood (conductor, harpsichordist) (le 1979)
chorus master :
Simon Preston (organist, conductor, composer) (le 1979)
droits phonographiques (℗) par :
The Decca Record Company Limited (not a release label; for copyrights use only) (le 1980)
enregistré à :
St Jude‐on‐the‐Hill dans Hampstead (le 1979)
recording of :
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (le 1979)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
librettiste :
Charles Jennens
partie de :
Messiah, HWV 56: Part II
Georg Friedrich Händel53:49
11Cantata No.4 "Christ Lag In Todesbanden"
voix de ténor :
Charles Daniels (tenor) (le 1993-04)
orchestre :
The Taverner Choir, Consort & Players (le 1993-04) et Taverner Players (le 1993-04)
conductor :
Andrew Parrott (conductor) (le 1993-04)
enregistré à :
St Jude‐on‐the‐Hill dans Hampstead (le 1993-04)
recording of :
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (le 1993-04)
composé en :
Mühlhausen (du 1707 au 1708)
révisé en :
Leipzig (du 1724 au 1725)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1707)
librettiste :
Martin Luther (German theologian of the Reformation) (le 1524)
partie de :
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:59
12Cantata No.4 "Christ Lag in Todesbanden"
chœurs :
Taverner Choir (le 1993-04)
orchestre :
The Taverner Choir, Consort & Players (le 1993-04) et Taverner Players (le 1993-04)
conductor :
Andrew Parrott (conductor) (le 1993-04)
enregistré à :
St Jude‐on‐the‐Hill dans Hampstead (le 1993-04)
recording of :
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (le 1993-04)
composé en :
Mühlhausen (du 1707 au 1708)
révisé en :
Leipzig (du 1724 au 1725)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1707)
librettiste :
Martin Luther (German theologian of the Reformation) (le 1524)
partie de :
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:31
13Cantata No.4 "Christ Lag in Todesbanden"
chœurs :
Taverner Choir (le 1993-04)
orchestre :
The Taverner Choir, Consort & Players (le 1993-04) et Taverner Players (le 1993-04)
conductor :
Andrew Parrott (conductor) (le 1993-04)
enregistré à :
St Jude‐on‐the‐Hill dans Hampstead (le 1993-04)
recording of :
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (le 1993-04)
composé en :
Mühlhausen (du 1707 au 1708)
révisé en :
Leipzig (du 1724 au 1725)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1707)
librettiste :
Martin Luther (German theologian of the Reformation) (le 1524)
partie de :
Breitkopf 389 Choralgesänge (numéro : 41)
partie de :
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:08
14Choral Prelude, "Christ Lag in Todesbanden"
orgue :
Hans Helmut Tillmanns (German organist)
recording of :
Choralvorspiele für Orgel in a-Moll, BWV 625 "Christ lag in Todesbanden"
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Das Orgel-Büchlein (numéro : 27) et Bach-Werke-Verzeichnis (numéro : BWV 625)
Johann Sebastian Bach1:21
15Symphony No.40 in G Minor, K. 550 I
orchestre :
Bamberger Symphoniker (Orchestre Symphonique de Bamberg)
conductor :
Eugen Jochum (conductor)
partiel recording of :
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrateur :
Neal Desby et Edward Trybek
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-07-25)
partie de :
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:53
16Symphony No.40 in G Minor, K. 550 I
orchestre :
Bamberger Symphoniker (Orchestre Symphonique de Bamberg)
conductor :
Eugen Jochum (conductor)
partiel recording of :
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrateur :
Neal Desby et Edward Trybek
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-07-25)
partie de :
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart3:17
17Symphony No.40 in G Minor, K. 550 I
orchestre :
Bamberger Symphoniker (Orchestre Symphonique de Bamberg)
conductor :
Eugen Jochum (conductor)
partiel recording of :
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrateur :
Neal Desby et Edward Trybek
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-07-25)
partie de :
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:16
18Symphony No.40 in G Minor, K. 550 I
orchestre :
Bamberger Symphoniker (Orchestre Symphonique de Bamberg)
conductor :
Eugen Jochum (conductor)
partiel recording of :
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrateur :
Neal Desby et Edward Trybek
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-07-25)
partie de :
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:16
19Symphony No.40 in G Minor, K. 550 I
orchestre :
Bamberger Symphoniker (Orchestre Symphonique de Bamberg)
conductor :
Eugen Jochum (conductor)
partiel recording of :
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrateur :
Neal Desby et Edward Trybek
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-07-25)
partie de :
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart1:13
20Symphony No.40 in G Minor, K. 550 I
orchestre :
Bamberger Symphoniker (Orchestre Symphonique de Bamberg)
conductor :
Eugen Jochum (conductor)
partiel recording of :
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrateur :
Neal Desby et Edward Trybek
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-07-25)
partie de :
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:24
21Symphony No.95 in C Minor, I
Joseph Haydn3:33
22Symphony No.95 in C Minor, I
Joseph Haydn1:09
23Symphony No.95 in C Minor, I
Joseph Haydn1:49
24Symphony No.95 in C Minor, II
Joseph Haydn1:06
25Symphony No.95 in C Minor, II
Joseph Haydn0:59
26Symphony No.95 in C Minor, II
Joseph Haydn0:52
27Symphony No.95 in C Minor, II
Joseph Haydn0:42
28Symphony No.95 in C Minor, II
Joseph Haydn0:37
29Symphony No.95 in C Minor, III
Joseph Haydn2:12
30Symphony No.95 in C Minor, III
Joseph Haydn1:34
31Symphony No.95 in C Minor, III
Joseph Haydn1:11
32Symphony No.95 in C Minor, IV
Joseph Haydn0:58
33Symphony No.95 in C Minor, IV
Joseph Haydn1:07
34Symphony No.95 in C Minor, IV
Joseph Haydn1:10
35Symphony No.95 in C Minor, IV
Joseph Haydn0:29
36Piano Sonata in B Flat, K. 570, III
partiel recording of :
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto
compositeur :
Wolfgang Amadeus Mozart (classical composer)
partie de :
Sonata for Piano no. 17 in B-flat major, K. 570
Wolfgang Amadeus Mozart1:54
37Piano Sonata in B Flat, K. 570, III
partiel recording of :
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto
compositeur :
Wolfgang Amadeus Mozart (classical composer)
partie de :
Sonata for Piano no. 17 in B-flat major, K. 570
Wolfgang Amadeus Mozart0:51
38Piano Sonata in B Flat, K. 570, III
partiel recording of :
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto
compositeur :
Wolfgang Amadeus Mozart (classical composer)
partie de :
Sonata for Piano no. 17 in B-flat major, K. 570
Wolfgang Amadeus Mozart0:54
39"Ho capito" (excerpt)
recording of :
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto)
compositeur :
Wolfgang Amadeus Mozart (classical composer)
librettiste :
Lorenzo Da Ponte
partie de :
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:32
40"Alfin siam liberati" (excerpt)
recording of :
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina)
compositeur :
Wolfgang Amadeus Mozart (classical composer)
librettiste :
Lorenzo Da Ponte
partie de :
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:45
41"La ci darem la mano" (excerpt)
voix de baryton [Don Giovanni] :
Ingvar Wixell (baritone)
voix de soprano [Zerlina] :
Mirella Freni (soprano)
orchestre :
Orchestra of the Royal Opera House, Covent Garden
conductor :
Sir Colin Davis (English conductor)
recording of :
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
compositeur :
Wolfgang Amadeus Mozart (classical composer)
librettiste :
Lorenzo Da Ponte
partie de :
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:00
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Crédits

Parution

compilateur :Gary Tomlinson (musicologist)
Joseph Kerman
ASIN :US: B074RDGZHX [info]

Groupe de parution

partie de :Listen (accompanying discs for the books by Kerman and Kerman/Tomlinson) (numéro : 5) (ordre : 4)