Music of Lou Harrison

~ Release by Lou Harrison (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Concerto in Slendro: I. Allegro
recording engineer:
Richard Beggs (sound designer) (in 1972), Tony Gnazzo (in 1972) and Vincent Wong (engineer) (in 1972)
celesta:
Patricia Jennerjohn (in 1972)
gong [6 gongs], percussion [4 galvanized iron garbage cans] and triangle [6 triangles]:
Don Marconi (in 1972) and Jerome Neff (in 1972)
tack piano [tack piano I]:
Machiko Kobialka (in 1972)
tack piano [tack piano II]:
James Barbagallo (pianist) (in 1972)
violin:
Daniel Kobialka (in 1972)
conductor:
Robert Hughes (conductor, composer) (in 1972)
recording of:
Concerto in Slendro: I. Allegro (in 1972)
composer:
Lou Harrison (American composer) (in 1961)
part of:
Concerto in Slendro
3:06
2Concerto in Slendro: II. Molto adagio
recording engineer:
Richard Beggs (sound designer) (in 1972), Tony Gnazzo (in 1972) and Vincent Wong (engineer) (in 1972)
celesta:
Patricia Jennerjohn (in 1972)
claves and percussion [iron pipes]:
James Barbagallo (pianist) (in 1972) and Machiko Kobialka (in 1972)
gong [6 gongs], percussion [4 galvanized iron garbage cans] and triangle [6 triangles]:
Don Marconi (in 1972) and Jerome Neff (in 1972)
violin:
Daniel Kobialka (in 1972)
conductor:
Robert Hughes (conductor, composer) (in 1972)
recording of:
Concerto in Slendro: II. Molto adagio (in 1972)
composer:
Lou Harrison (American composer) (in 1961)
part of:
Concerto in Slendro
4:19
3Concerto in Slendro: III. Allegro, molto vigoroso
recording engineer:
Richard Beggs (sound designer) (in 1972), Tony Gnazzo (in 1972) and Vincent Wong (engineer) (in 1972)
celesta:
Patricia Jennerjohn (in 1972)
gong [6 gongs], percussion [4 galvanized iron garbage cans] and triangle [6 triangles]:
Don Marconi (in 1972) and Jerome Neff (in 1972)
tack piano [tack piano I]:
Machiko Kobialka (in 1972)
tack piano [tack piano II]:
James Barbagallo (pianist) (in 1972)
violin:
Daniel Kobialka (in 1972)
conductor:
Robert Hughes (conductor, composer) (in 1972)
recording of:
Concerto in Slendro: III. Allegro, molto vigoroso (in 1972)
composer:
Lou Harrison (American composer) (in 1961)
part of:
Concerto in Slendro
2:17
4Main Bersama-Sama
recording engineer:
George Craig (in 1979) and Jennifer Craig (in 1979)
gamelan:
Gamelan Sekar Kembar (in 1979)
solo French horn:
Scott L. Hartmann (American horn player) (in 1979)
recording of:
Main Bersama-Sama (in 1979)
composer:
Lou Harrison (American composer) (in 1978)
7:21
5Threnody for Carlos Chavez
recording engineer:
George Craig (in 1979) and Jennifer Craig (in 1979)
gamelan:
Gamelan Sekar Kembar (in 1979)
viola:
Susan Bates (violist/violinist) (in 1979)
recording of:
Threnody for Carlos Chavez (in 1979)
composer:
Lou Harrison (American composer) (in 1979)
dedicated to:
Carlos Chávez (Mexican composer/conductor)
7:06
6Serenade
recording engineer:
George Craig (in 1979) and Jennifer Craig (in 1979)
gamelan:
Gamelan Sekar Kembar (in 1979)
instruments:
Gamelan Sekar Kembar
suling:
Lou Harrison (American composer) (in 1979)
recording of:
Serenade for Betty Freeman and Franco Assetto (in 1979)
composer:
Lou Harrison (American composer)
dedicated to:
Franco Assetto and Betty Freeman
5:54
7String Quartet Set: I. Variations
recording engineer:
Wallace Buck (on 1980-12-17)
producer:
Carter Harman
editor:
George Craig
cello:
Joan Jeanrenaud (on 1980-12-17)
viola:
Hank Dutt (on 1980-12-17)
violin:
David Harrington (US violinist, member of Kronos Quartet) (on 1980-12-17) and John Sherba (on 1980-12-17)
performer:
Kronos Quartet (on 1980-12-17)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (on 1980-12-17)
recording of:
String Quartet Set: I. Variations on Walter Von der Vogelweide's "Song of Palestine" (on 1980-12-17)
composer:
Lou Harrison (American composer) (from 1978 until 1979)
part of:
String Quartet Set
5:20
8String Quartet Set: II. Plaint
recording engineer:
Wallace Buck (on 1980-12-17)
producer:
Carter Harman
editor:
George Craig
cello:
Joan Jeanrenaud (on 1980-12-17)
viola:
Hank Dutt (on 1980-12-17)
violin:
David Harrington (US violinist, member of Kronos Quartet) (on 1980-12-17) and John Sherba (on 1980-12-17)
performer:
Kronos Quartet (on 1980-12-17)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (on 1980-12-17)
recording of:
String Quartet Set: II. Plaint (on 1980-12-17)
composer:
Lou Harrison (American composer) (from 1978 until 1979)
part of:
String Quartet Set
4:12
9String Quartet Set: III. Estampe
recording engineer:
Wallace Buck (on 1980-12-17)
producer:
Carter Harman
editor:
George Craig
cello:
Joan Jeanrenaud (on 1980-12-17)
viola:
Hank Dutt (on 1980-12-17)
violin:
David Harrington (US violinist, member of Kronos Quartet) (on 1980-12-17) and John Sherba (on 1980-12-17)
performer:
Kronos Quartet (on 1980-12-17)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (on 1980-12-17)
recording of:
String Quartet Set: III. Estampie (on 1980-12-17)
composer:
Lou Harrison (American composer) (from 1978 until 1979)
part of:
String Quartet Set
4:01
10String Quartet Set: IV. Rondeaux
recording engineer:
Wallace Buck (on 1980-12-17)
producer:
Carter Harman
editor:
George Craig
cello:
Joan Jeanrenaud (on 1980-12-17)
viola:
Hank Dutt (on 1980-12-17)
violin:
David Harrington (US violinist, member of Kronos Quartet) (on 1980-12-17) and John Sherba (on 1980-12-17)
performer:
Kronos Quartet (on 1980-12-17)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (on 1980-12-17)
recording of:
String Quartet Set: IV. Rondeaux (on 1980-12-17)
composer:
Lou Harrison (American composer) (from 1978 until 1979)
part of:
String Quartet Set
8:20
11String Quartet Set: V. Usul
recording engineer:
Wallace Buck (on 1980-12-17)
producer:
Carter Harman
editor:
George Craig
cello:
Joan Jeanrenaud (on 1980-12-17)
viola:
Hank Dutt (on 1980-12-17)
violin:
David Harrington (US violinist, member of Kronos Quartet) (on 1980-12-17) and John Sherba (on 1980-12-17)
performer:
Kronos Quartet (on 1980-12-17)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (on 1980-12-17)
recording of:
String Quartet Set: V. Usul (on 1980-12-17)
composer:
Lou Harrison (American composer) (from 1978 until 1979)
part of:
String Quartet Set
4:40
12Suite for Percussion: I. Moderato
recording engineer:
Robert E. Blake (engineer) (on 1965-01-28)
bass drum:
Richard Allen (on 1965-01-28) and Howard Zwickler (on 1965-01-28)
bell and snare drum:
Edward Burnham (on 1965-01-28)
celesta [celesta-piano]:
Norman Bergen (percussionist) (on 1965-01-28)
cymbal and percussion [clockcoils]:
Alan Silverman (percussionist) (on 1965-01-28)
cymbal [suspended cymbals], percussion [thundersheet] and percussion [washtub]:
Wayne Brotherton (on 1965-01-28)
gong, gong [tam-tam] and xylophone:
Howard Zwickler (on 1965-01-28)
harp:
Barbara Bondelid (on 1965-01-28)
percussion:
The Manhattan Percussion Ensemble (on 1965-01-28)
percussion [brake drums]:
Edward Burnham (on 1965-01-28), Richard Fitz (American percussionist) (on 1965-01-28) and Alan Silverman (percussionist) (on 1965-01-28)
temple blocks, triangle [triangles] and vibraphone:
Richard Fitz (American percussionist) (on 1965-01-28)
timpani:
Fred Eckler (on 1965-01-28)
wood block [wood blocks]:
Thomas Maguire (percussionist) (on 1965-01-28)
conductor:
Paul Price (American percussionist, composer and conductor) (on 1965-01-28)
recording of:
Suite for Percussion: I. Moderato (on 1965-01-28)
composer:
Lou Harrison (American composer) (in 1942)
part of:
Suite for Percussion
3:45
13Suite for Percussion: II. Slow
recording engineer:
Robert E. Blake (engineer) (on 1965-01-28)
bass drum:
Richard Allen (on 1965-01-28) and Howard Zwickler (on 1965-01-28)
bell and snare drum:
Edward Burnham (on 1965-01-28)
celesta [celesta-piano]:
Norman Bergen (percussionist) (on 1965-01-28)
cymbal and percussion [clockcoils]:
Alan Silverman (percussionist) (on 1965-01-28)
cymbal [suspended cymbals], percussion [thundersheet] and percussion [washtub]:
Wayne Brotherton (on 1965-01-28)
gong, gong [tam-tam] and xylophone:
Howard Zwickler (on 1965-01-28)
harp:
Barbara Bondelid (on 1965-01-28)
percussion:
The Manhattan Percussion Ensemble (on 1965-01-28)
percussion [brake drums]:
Edward Burnham (on 1965-01-28), Richard Fitz (American percussionist) (on 1965-01-28) and Alan Silverman (percussionist) (on 1965-01-28)
temple blocks, triangle [triangles] and vibraphone:
Richard Fitz (American percussionist) (on 1965-01-28)
timpani:
Fred Eckler (on 1965-01-28)
wood block [wood blocks]:
Thomas Maguire (percussionist) (on 1965-01-28)
conductor:
Paul Price (American percussionist, composer and conductor) (on 1965-01-28)
recording of:
Suite for Percussion: II. Slow (on 1965-01-28)
composer:
Lou Harrison (American composer) (in 1942)
part of:
Suite for Percussion
3:10
14Suite for Percussion: III. Recitative
recording engineer:
Robert E. Blake (engineer) (on 1965-01-28)
bass drum:
Richard Allen (on 1965-01-28) and Howard Zwickler (on 1965-01-28)
bell and snare drum:
Edward Burnham (on 1965-01-28)
celesta [celesta-piano]:
Norman Bergen (percussionist) (on 1965-01-28)
cymbal and percussion [clockcoils]:
Alan Silverman (percussionist) (on 1965-01-28)
cymbal [suspended cymbals], percussion [thundersheet] and percussion [washtub]:
Wayne Brotherton (on 1965-01-28)
gong, gong [tam-tam] and xylophone:
Howard Zwickler (on 1965-01-28)
harp:
Barbara Bondelid (on 1965-01-28)
percussion:
The Manhattan Percussion Ensemble (on 1965-01-28)
percussion [brake drums]:
Edward Burnham (on 1965-01-28), Richard Fitz (American percussionist) (on 1965-01-28) and Alan Silverman (percussionist) (on 1965-01-28)
temple blocks, triangle [triangles] and vibraphone:
Richard Fitz (American percussionist) (on 1965-01-28)
timpani:
Fred Eckler (on 1965-01-28)
wood block [wood blocks]:
Thomas Maguire (percussionist) (on 1965-01-28)
conductor:
Paul Price (American percussionist, composer and conductor) (on 1965-01-28)
recording of:
Suite for Percussion: III. Recitative (on 1965-01-28)
composer:
Lou Harrison (American composer) (in 1942)
part of:
Suite for Percussion
2:44

Credits

Release

remastering:Charles Harbutt (sound engineer and reissue producer)