Planet Groove: The Shaun Ryder Session

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Voodoo Ray
producer:
Chapter (UK electronic production duo Aniff Akinola & Colin Thorpe) and Gerald Simpson
arranger:
Gerald Simpson
samples:
Bo Duddley by Derek and Clive
instrumental versions:
Voodoo Ray (instrumental) by A Guy Called Gerald
recording of:
Voodoo Ray
composer:
Gerald Simpson
A Guy Called Gerald4.154:28
2Summertime
recording of:
Summertime
lyricist:
Will Smith (US actor aka The Fresh Prince)
writer:
Hula & K. Fingers
composer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Lamar Hula Mahone, Robert Spike Mickens, Craig Simpkins, Claydes Smith, Will Smith (US actor aka The Fresh Prince), Alton Taylor, Dennis “D.T.” Thomas (Kool & The Gang) and Ricky West (Kool & The Gang member)
is based on:
Summer Madness
DJ Jazzy Jeff & the Fresh Prince5:38
3It’s a Family Affair
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 57) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 138)
recording of:
Family Affair
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:05
4Just Be Good to Me
producer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
recording of:
Just Be Good to Me
composer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The S.O.S. Band9:02
5One Nation Under a GrooveFunkadelic3.67:30
6It Takes Two
recording of:
It Takes Two (It Takes Two/2 Way)
writer:
James Brown (The Godfather of Soul) and Robert Ginyard
Rob Base & DJ E‐Z Rock4:21
7Confusion
engineer:
Michael Johnson (UK recording engineer and producer)
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Confusion
writer:
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Shakin’ Baker Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
New Order3.354:43
8Movin’ Too FastArtful Dodger & Romina Johnson6:32
9It Was a Good Day
producer:
D.J. Pooh
phonographic copyright (℗) by:
Priority Records, Inc. (company credits only! do not file releases here) (in 1992) and Priority Records, LLC (company credits only! do not file releases here) (in 2015)
samples:
Footsteps in the Dark, Parts 1 & 2 by The Isley Brothers
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 352) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 433)
recording of:
It Was a Good Day
lyricist and composer:
Ice Cube
Ice Cube54:22
10How Many Licks
vocals and performer:
Lil’ Kim (US rapper) and Sisqó
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2000) and Undeas Recording, LLC (in 2000)
recording of:
How Many Licks?
writer:
Kimberly Jones (US rapper), Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy) and Mario Winans
publisher:
Butter Jinx Music, Inc., EMI April Music Inc., Justin Combs Publishing, Notorious K.I.M. Music, Undeas Music, Warner–Tamerlane Music Publishing and Yellow Man Music
Lil’ Kim feat. Sisqó3.353:55
11Ever So ClearBushwick Bill15:59
12Mind of a Lunatic
Geto Boys5:11
2CD
#TitleArtistRatingLength
1Do You Know the Way to San Jose
vocals:
Dionne Warwick
phonographic copyright (℗) by:
WEA International Inc (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
Do You Know the Way to San Jose
lyricist:
Hal David (in 1968)
composer:
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. and JAC Music Co., Inc.
Dionne Warwick2:57
2Night Nurse
Gregory Isaacs4:06
3We Are Family
recording of:
We Are Family
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:27
4Teardrops
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack3:56
5Mack the Knife
Bobby Darin3:10
6Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Nilsson3.92:44
7Across 110th Street
performer:
Peace (funk/soul, Bobby Womack collaborator, e.g "Across 110th Street")
recording of:
Across 110th Street
writer:
J.J. Johnson (jazz/bop trombonist/session leader) and Bobby Womack
Bobby Womack4.53:48
8The Harder They Come
producer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Island Music (Island Music Ltd.)
recording of:
The Harder They Come
lyricist and composer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Ackee Music Inc., Island Music Ltd., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Jimmy Cliff43:06
9It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:01
10Maggie May
producer:
Rod Stewart
acoustic guitar:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) and Rod Stewart (in 1971-01)
bass:
Andy Pyle (in 1971-01)
bass guitar, guitar and pedal steel guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
double bass:
Danny Thompson (English double bass player) (in 1971-01)
drums (drum set):
Micky Waller (in 1971-01)
organ:
Ian McLagan (in 1971-01)
piano:
Pete Sears (in 1971-01)
slide guitar:
Sam Mitchell (in 1971-01)
violin:
Dick Powell (Violinist and double-bass player) (in 1971-01)
lead vocals:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
compilation of:
Henry by Rod Stewart and Maggie May (without “Henry” prelude) by Rod Stewart
music videos:
Maggie May by Rod Stewart
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 130) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 141)
recording of:
Henry (prelude to “Maggie May”) (in 1971-01)
composer:
Martin Quittenton (guitarist for Steamhammer)
recording of:
Maggie May (in 1971-01)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.155:48
11Black Magic Woman
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-04)
congas:
Michael Carabello (percussionist) (on 1970-07-04) and Jose Chepito Áreas (on 1970-07-04)
guitar:
Carlos Santana (on 1970-07-04)
keyboard:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-04)
membranophone:
Michael Shrieve (drummer) (on 1970-07-04)
timbales:
Jose Chepito Áreas (on 1970-07-04)
vocals:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-04) and Carlos Santana (on 1970-07-04)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco (on 1970-07-04)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 28)
cover recording of:
Black Magic Woman (on 1970-07-04)
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
Santana3.83:20
12Je t’aime… moi non plus
producer:
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) and Serge Gainsbourg (in 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
lyricist and composer:
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. and Shapiro Bernstein & Co. Ltd.
Jane Birkin & Serge Gainsbourg44:19