Cornet Chop Suey

~ Release by Ruby Braff (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Cornet Chop Suey
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
recording of:
Cornet Chop Suey (from 1991-03-27 until 1991-03-28)
composer:
Louis Armstrong
5:09
2Nancy With the Laughing Face
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
instrumental recording of:
Nancy (With the Laughing Face) (from 1991-03-27 until 1991-03-28)
lyricist:
Phil Silvers (actor)
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
4:29
3Ooh, That Kiss
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
clarinet:
Ken Peplowski (from 1991-03-27 until 1991-03-28)
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
instrumental recording of:
Ooh, That Kiss (from 1991-03-27 until 1991-03-28)
lyricist:
Mort Dixon and Joe Young (US lyricist)
composer:
Harry Warren (US composer and lyricist)
5:12
4Do It Again
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
instrumental recording of:
Do It Again (from 1991-03-27 until 1991-03-28)
lyricist:
Buddy DeSylva
composer:
George Gershwin (composer)
publisher:
Harms, Inc. (in 1922)
4:33
5Love Me or Leave Me
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
recording of:
Dickie’s Dream (from 1991-03-27 until 1991-03-28)
writer and composer:
Count Basie (pianist) and Lester Young (saxophonist)
instrumental recording of:
Love Me or Leave Me (from 1991-03-27 until 1991-03-28)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
4:56
6It’s the Same Old South
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
clarinet:
Ken Peplowski (from 1991-03-27 until 1991-03-28)
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
instrumental recording of:
It’s the Same Old South (from 1991-03-27 until 1991-03-28)
writer:
Edward Eliscu and Jay Gorney
4:38
7It Had to Be You
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
clarinet:
Ken Peplowski (from 1991-03-27 until 1991-03-28)
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
instrumental recording of:
It Had to Be You (from 1991-03-27 until 1991-03-28)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
4:32
8I Must Have That Man
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
recording of:
I Must Have That Man (from 1991-03-27 until 1991-03-28)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
3:45
9Sweet and Slow
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
instrumental recording of:
Sweet and Slow (from 1991-03-27 until 1991-03-28)
lyricist and composer:
Fats Waller
writer:
Al Dubin and Harry Warren (US composer and lyricist)
4:15
10Shoe Shine Boy
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
clarinet:
Ken Peplowski (from 1991-03-27 until 1991-03-28)
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
instrumental recording of:
Shoe Shine Boy (from 1991-03-27 until 1991-03-28)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
6:24
11High Society Medley
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
medley including a instrumental recording of:
I Love You, Samantha (High Society musical romantic comedy film) (from 1991-03-27 until 1991-03-28)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Chappell & Co Ltd.
medley including a instrumental recording of:
True Love (High Society) (from 1991-03-27 until 1991-03-28)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
medley including a instrumental recording of:
You’re Sensational (High Society musical romantic comedy film) (from 1991-03-27 until 1991-03-28)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp.
part of:
High Society (stage musical)
4:35
12Lover, Come Back to Me
assistant engineer:
Blaise Sires
engineer:
Ed Trabanco
clarinet:
Ken Peplowski (from 1991-03-27 until 1991-03-28)
cornet:
Ruby Braff (US trumpet & cornet player) (from 1991-03-27 until 1991-03-28)
double bass [bass]:
Frank Tate (bass) (from 1991-03-27 until 1991-03-28)
drums (drum set):
Ronald Zito (percussionist) (from 1991-03-27 until 1991-03-28)
guitar:
Howard Alden (from 1991-03-27 until 1991-03-28)
remixer:
Phil Edwards (recording engineer)
recorded at:
Penny Lane Studios in New York, New York, United States (from 1991-03-27 until 1991-03-28)
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (from 1991-03-27 until 1991-03-28)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
7:03

Credits

Release

manufactured in:U.S.A.