A Rock & Roll Collection

~ Veröffentlichung von Buddy Holly (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼12"-Vinyl: Sides 1 & 4 (track 7)
Nr.TitelBewertungLänge
A1Rave On
recorded in:
New York, New York, Vereinigte Staaten (am 1958-01-25)
Produzent(in):
Milton DeLugg, Norman Petty und Bob Thiele (producer & songwriter)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-01-25, am 1958-01-26)
Gitarre:
Donald Amone (am 1958-01-25), Al Caiola (am 1958-01-25) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-26)
Klavier:
Norman Petty (am 1958-01-25, am 1958-01-26)
Schlagzeug:
Jerry Allison (am 1958-01-25, am 1958-01-26)
Hintergrundgesang:
Robert Bollinger (am 1958-01-25), Robert Harter (am 1958-01-25), Abby Hoffer (am 1958-01-25), William Marine (am 1958-01-25) und Merril Ostrus (am 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-25, am 1958-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1958-01-26)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 154)
cover recording of:
Rave On (am 1958-01-26)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) und Wren Music Co.
4.21:45
A2Tell Me How
recording of:
Tell Me How
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
BMG Platinum Songs US und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
1:56
A3Peggy Sue Got Married
recording of:
Peggy Sue Got Married
Komponist(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
1:47
A4Slippin’ and Slidin’
cover recording of:
Slippin’ and Slidin’
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
2:30
A5Oh Boy!
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
Hintergrundgesang:
Bob Lapham (am 1957-08-18), Bill Pickering (am 1957-08-18) und John Pickering (vocalist and leader of The Picks) (am 1957-08-18)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis (am 1957-07-01, am 1957-08-18)
recording of:
Oh, Boy! (von 1957-07-01 bis 1957-08-18)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
42:07
A6Not Fade Away
recording of:
Not Fade Away
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
2:19
D1Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
4.52:28
D2Brown Eyed Handsome Man
recording engineer:
Norman Petty (von 1956-12 bis 1957-01)
Produzent(in):
Norman Petty
Bass:
Larry Welborn (von 1956-12 bis 1957-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
Schlagzeug:
Jerry Allison (von 1956-12 bis 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
aufgenommen bei:
Norman Petty Studios in Clovis (von 1956-12 bis 1957-01)
cover recording of:
Brown Eyed Handsome Man (von 1956-12 bis 1957-01)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
3.352:04
D3You’re So Square
cover recording of:
(You’re So Square) Baby I Don’t Care
Texter:
Jerry Leiber (in 1957)
Komponist(in):
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
1:34
D4Crying, Waiting, Hoping
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recording of:
Crying, Waiting, Hoping
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic (UK) Limited und Southern Music Pub. Co. Ltd.
2:10
D5Ready Teddy
cover recording of:
Ready Teddy
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
1:29
D6It Doesn’t Matter Anymore
Produzent(in):
Dick Jacobs (arranger, musician and bandleader) und Norman Petty
Bassgitarre:
Sanford Bloch (Bass player) (am 1958-10-21)
Bratsche / Viola:
Howard Kay (Violin player) (am 1958-10-21) und David Schwartz (violist) (am 1958-10-21)
Cello:
Maurice Bialkin (am 1958-10-21) und Maurice Brown (jazz cellist) (am 1958-10-21)
Geige / Violine:
Herbert Bourne (am 1958-10-21), Ray Free (am 1958-10-21), Julius Held (am 1958-10-21), Leo Kruczek (am 1958-10-21), Leonard Posner (am 1958-10-21), Sylvia Shulman (am 1958-10-21), Irving Spice (violinist, concertmaster and strings) (am 1958-10-21) und Paul Winter (violin) (am 1958-10-21)
Gitarre:
Al Caiola (am 1958-10-21)
Harfe:
Doris Johnson (harpist) (am 1958-10-21)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-10-21)
Schlagzeug:
Cliff Leeman (am 1958-10-21)
Tenorsaxophon:
Abraham “Boomie” Richman (am 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-10-21)
Orchester:
Dick Jacobs & His Orchestra (am 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (am 1958-10-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1959) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
aufgenommen bei:
Pythian Temple in Lincoln Square (am 1958-10-21)
recording of:
It Doesn’t Matter Anymore (am 1958-10-21)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Robert Mellin Ltd.
2.752:01
2▼12"-Vinyl: Sides 2 & 3 (track 7)
Nr.TitelBewertungLänge
B1Bo Diddley
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
cover recording of:
Bo Diddley
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
52:19
B2What to Do
recording of:
What to Do
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
51:52
B3Heartbeat
Produzent(in):
Norman Petty
Bass:
George Atwood (von 1958-05-25 bis 1958-05-26)
Gitarre:
Tommy Allsup (von 1958-05-25 bis 1958-05-26) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
Schlagzeug:
Jerry Allison (von 1958-05-25 bis 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis (von 1958-05-25 bis 1958-05-26)
recording of:
Heartbeat (von 1958-05-25 bis 1958-05-26)
Verfasser(in):
Bob Montgomery (USA) und Norman Petty
publisher:
Melody Lane Publications Inc. und Peermusic (UK) Limited
4.652:07
B4Well All Right
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-02-12)
Becken:
Jerry Allison (am 1958-02-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis (am 1958-02-12)
recording of:
Well… All Right (am 1958-02-12)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Music Publishing Inc.
42:12
B5Words of Love
recording of:
Words of Love (Buddy Holly song)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. und Southern Music Publishing Company Limited
1:53
B6Love’s Made a Fool of You
recording of:
Love’s Made a Fool of You
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Bob Montgomery (USA)
publisher:
Southern Music Ltd. (publisher) (in 1981)
2:00
C1Reminiscing
recording of:
Reminiscing
Texter und Komponist(in):
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) und Nor-Va-Jak Music, Inc
51:55
C2Lonesome Tears
recorded in:
Clovis (am 1958-05-25)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-05-25)
Gitarre:
Tommy Allsup (am 1958-05-25) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-05-25)
Schlagzeug:
Jerry Allison (am 1958-05-25)
Hintergrundgesang:
The Roses (American rock backing vocal trio) (am 1958-05-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-05-25)
recording of:
Lonesome Tears (von 1958-05-25 bis 1958-05-27)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
1:46
C3Listen to Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
aufgenommen bei:
Norman Petty Studios in Clovis (am 1957-07-01)
recording of:
Listen to Me (von 1957-06-29 bis 1957-07-01)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
Verfasser(in):
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
3.52:19
C4Maybe Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City (am 1957-09-29) und Norman Petty Studios in Clovis (von 1957-10-12 bis 1957-10-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 14)
recording of:
Maybe Baby (von 1957-09-29 bis 1957-10-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Pub und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:00
C5Down the Line
recording of:
Down the Line
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter), Bob Montgomery (USA) und Norman Petty
publisher:
Wren Music Co.
2:01
C6That’ll Be the Day
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
2:14

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Veröffentlichung

gedruckt in:Vereinigte Staaten