Das Cambridge Buch der Musik

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

This is a set of five Compact Discs accompanying a book that was published in 1994 (first edition) by Zweitausendeins, Frankfurt a. M.: "Das Cambridge Buch der Musik", Stanley Sadie/Alison Latham (editors).

Link to a database entry for the first CD: http://snipurl.com/ikuc

Annotation last modified on 2012-06-12 13:47 UTC.

Tracklist

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1The Young Person’s Guide to the Orchestra, op. 34 (II. A, S. 65)
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1963-03)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
phonographic copyright (℗) by:
Decca Music Group Limited (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London) (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell) (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
part of:
Works of Benjamin Britten by opus number (number: op. 34)
Benjamin Britten16:34
2Chanterai por mon corage (IV. A, S. 107)
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
recording of:
Chanterai por mon corage
lyricist:
Guiot de Dijon
Guiot de Dijon4:17
3Organum “Viderunt Omnes”: Beginn (IV. B, S. L 10)
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
partial recording of:
Viderunt omnes
lyricist:
[traditional] (special purpose artist)
composer:
Pérotin (European composer, fl. c. 1200 CE)
is based on:
Viderunt omnes
Pérotin2:21
4Messe de Nostre Dame: Kyrie I (IV. C, S. L 13)
bass vocals:
Prof. Jakob Stämpfli (operatic bass / recording engineer) and Kurt Widmer (operatic bass)
choir vocals:
Schola Cantorum Basiliensis
tenor vocals:
Ernst Haefliger (tenor) and Friedreich Melzer (tenor)
conductor:
August Wenzinger (Swiss viola da gamba player and conductor)
partial recording of:
Messe de Nostre Dame: I. Kyrie
lyricist:
[traditional] (special purpose artist)
composer:
Guillaume de Machaut (French medieval poet & composer)
part of:
Messe de Nostre Dame
Guillaume de Machaut3:04
5Ecco la primavera (IV. D, S. L 15)
orchestra and performer:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
recording of:
Ecco la primavera
composer:
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini1:17
6O rosa bella (IV. E, S. L 18)
choir vocals:
Purcell Consort of Voices
conductor:
Grayston Burgess (counter tenor / conductor)
recording of:
O rosa bella
composer:
John Bedingham (English Renaissance composer)
previously attributed to:
John Dunstable (English Renaissance composer)
part of:
Chansonnier Cordiforme
John Dunstable4:28
7Ce moys de may (V. A, S. 129)
orchestra:
The Medieval Ensemble of London (UK 1970/80s early music group) (from 1980-03 until 1980-07)
recorded at:
Decca Studios: Studio 3 in West Hampstead (from 1980-03 until 1980-07)
recording of:
Ce moys de may (from 1980-03 until 1980-07)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:07
8Nymphes des bois (V. B, S. 135)
choir vocals:
Purcell Consort of Voices
conductor:
Grayston Burgess (counter tenor / conductor)
recording of:
Nymphes des boys
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:08
9Alma redemptoris mater (V. C, S. 138)
choir vocals:
Christ Church Cathedral Choir, Oxford
conductor:
Simon Preston (organist, conductor, composer)
recording of:
Alma Redemptoris mater (unspecified version)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
version of:
Alma Redemptoris mater à 5
version of:
Alma Redemptoris mater a 6, S. xiii, 108 (One of the four by Lassus)
version of:
Alma Redemptoris mater à 8
version of:
Alma Redemptoris mater I à 6
Orlande de Lassus3:54
10Missa Brevis: Kyrie (V. D, S. 140)
choir vocals:
Choir of St John’s College, Cambridge
conductor:
George Guest (organist and conductor)
recording of:
Missa Brevis: I. Kyrie
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Brevis
Giovanni Pierluigi da Palestrina3:24
11Canzon XIII septimi e octavi toni (1597) (V.E, S. 145)
orchestra:
London Cornett and Sackbut Ensemble
conductor:
Andrew Parrott (conductor)
recording of:
Canzon septimi et octavi toni a 12, Ch. 182 (Sacrae symphoniae, Liber 1)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 182)
part of:
Sacrae symphoniae, Liber 1
Giovanni Gabrieli3:00
12I Must Depart All Hapless (V. F, S. 147)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
I must depart all hapless
composer:
Luca Marenzio (Italian late Renaissance composer & singer)
Luca Marenzio2:22
13Motette “Ave verum corpus” (V. G, S. 150)
choir vocals:
Choir of King’s College, Cambridge (in 1959-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1959-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
King’s College Chapel in Cambridge
recording of:
Ave verum corpus, T 92 (à 4, Gradualia I (1605)) (in 1959-07)
composer:
William Byrd (English composer)
publisher:
Oxford University Press
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 92)
part of:
Gradualia ac cantiones sacrae, Liber 1 (1605)
William Byrd4:30
14As Vesta Was From Latmos Hill Descending (V. H, S. 155)
orchestra:
The Wilbye Consort
conductor:
Peter Pears (tenor)
recording of:
As Vesta Was From Latmos Hill Descending
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
part of:
The Triumphs of Oriana (number: 18)
Thomas Weelkes3:13
15Coranto “Alarm” (V.L.S. 158)
virginal:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Coranto: Alarm (V.L.S. 158)
composer:
John Bull (16th century composer)
John Bull1:22
16I Must Complain (V.J.S. 160)
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Consort of Musicke (British early-music group)
conductor:
Anthony Rooley (lute player / conductor)
recording of:
The Third Booke of Songs or Ayres, No. 17: "I must complain"
composer:
John Dowland (composer and lutenist) (in 1603)
part of:
The Third Booke of Songs or Ayres
John Dowland3:24
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1Orfeo: II. Akt: Ausschnitt (VI. A, S. 169)
harpsichord:
Colin Tilney (harpsichordist)
tenor vocals:
Ian Partridge (tenor) and Nigel Rogers (tenor)
recording of:
L'Orfeo: Atto secondo. Mira, deh mira, Orfeo (Pastore)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi7:07
2Dido und Aeneas: III. Akt: When I am laid in earth (Vi. B, S.189)
mezzo-soprano vocals:
Tatiana Troyanos (mezzo-soprano)
orchestra:
Kammerorchester des Norddeutschen Rundfunks (German chamber orchestra)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:46
3Hippolyte et Aricie: Schlusszene des IV. Aktes (VI. C, S. 196)
harpsichord:
Thurston Dart (conductor and keyboard player)
choir vocals:
St. Anthony Singers
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
recording of:
Hippolyte et Aricie: Acte IV. "Quelle plainte en ces lieux m'appelle"
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Hippolyte et Aricie: Acte IV
Jean‐Philippe Rameau4:56
4Violinkonzert a-moll, op. 3: No. 6 (VI. D, S. 205)
harpsichord:
Christopher Hogwood (conductor, harpsichordist)
violin:
Catherine Mackintosh (violinist)
orchestra:
Academy of Ancient Music
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356
miscellaneous support:
Gian Francesco Malipiero (Italian composer) (task: editor)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/176) and Ryom-Verzeichnis (number: RV 356)
part of:
L’estro armonico, op. 3
Antonio Vivaldi3:04
5Brandenburgisches Konzert No. 4 G-dur, BWV 1049 (VI. E, S. 216)
recorder:
Rachel Beckett (flute and recorder player) and Philip Pickett (musician)
violin:
Simon Standage (English violinist and conductor)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
dedicated to:
Christian Ludwig (Margrave of Brandenburg)
part of:
Bach-Werke-Verzeichnis (number: BWV 1049)
part of:
Six concerts avec plusieurs instruments (Brandenburg Concertos, Brandenburg concertos)
Johann Sebastian Bach15:33
6Wohltemperiertes Klavier: Teil l: Praeludium und Fuge in c-moll (VI. F, S. 219)
harpsichord:
Kenneth Gilbert (harpsichordist, organist & musicologist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 2 in C minor, BWV 847.2/847
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 847), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 847.2), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 847), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 847) and Bach Compendium (number: BC L 81)
part of:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach3:35
7Acis and Galatea: Love in her eyes sits playing (VI. G, S. 239)
vocals:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Acis and Galatea, HWV 49: Act I, no. 7. Aria "Love in her eyes sits playing" (Acis)
composer:
George Frideric Handel (German‐British baroque composer) (in 1718)
librettist:
John Gay (English poet and dramatist) (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
Georg Friedrich Händel6:59
8Messias: Halleluja Chor (VI. H, S. 244)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
instruments and orchestra:
Academy of Ancient Music (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:
Judith Nelson (soprano)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:52
9Symphonie no. 104 D-Dur (VII. A, S.268)
orchestra:
Concertgebouw Kamerorkest (Concertgebouw Chamber Orchestra)
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Symphony no. 104 in D major, Hob. I:104 “London”
composer:
Joseph Haydn (composer) (in 1795)
premiered at:
His Majesty’s Theatre (Haymarket, London) in London (Greater London) (on 1795-05-04)
Joseph Haydn8:33
10Streichquartett C-Dur, op. 76: No. 3 (VII. B, S. 271)
string quartet:
Quartetto Italiano (Italian Quartet, 1945—1980)
partial recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
composer:
Joseph Haydn (composer) (from 1796 until 1797)
part of:
Hoboken-Verzeichnis (number: Hob. III:77)
part of:
String Quartets, op. 76
Joseph Haydn13:36
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1Le nozze di Figaro: I. Akt, Terzett (VII.C, S. 281)
partial recording of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:21
2Klavierkonzert in G-Dur, KV 453 (VII.E, S. 286)
partial recording of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1784-04-12)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 453) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 453)
Wolfgang Amadeus Mozart12:16
3Symphonie no. 3 in Es-Dur, op. 55 “Eroica” (VII.E, S. 302)
partial recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
dedicated to:
Joseph Franz von Lobkowitz
premiered at:
Theater an der Wien in Mariahilf (on 1805-04-07)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 55)
Ludwig van Beethoven15:23
4Streichquintett in C-Dur, D 956 (VIII.A, S. 335)
partial recording of:
String Quintet in C major, D. 956
composer:
Franz Schubert (composer) (in 1828)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 956)
Franz Schubert15:01
5Dichterliebe, “Im wunderschönen Monat Mai” (VIII.B, S. 352)
recording of:
Dichterliebe, op. 48: I. Im wunderschönen Monat Mai
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:37
6Mazurka in g-moll, op. 67 no. 2 (VIII.C, S. 358)
recording of:
Mazurka no. 43 in G minor, op. 67 no. 2
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin National Edition: WN Catalogue (number: WN 64), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 93) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 167)
part of:
Mazurkas, op. 67
Frédéric Chopin1:41
7Ouvertüre “Carnaval romain” (VIII.D, S. 370)
recording of:
Le Carnaval romain, ouverture pour orchestre, op. 9 (The Roman Carnival Overture for Orchestra, op. 9)
composer:
Hector Berlioz (French composer) (in 1843)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 95)
Hector Berlioz9:00
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1Tristan und Isolde: Vorspiel (VIII, E, S. 399)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner12:36
2Erste Symphonie c-moll, op. 68: Erster Satz (VIII. F, S. 406)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: I. Un poco sostenuto – Allegro
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)
Johannes Brahms12:44
3Vierte Symphonie f-moll, op. 36: Erster Satz (IX. A, S. 420)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky18:09
4Das Lied von der Erde: “Der Trunkene im Frühling” (IX. B, S. 448)
tenor vocals:
Jon Vickers (tenor)
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Das Lied von der Erde: V. Der Trunkene im Frühling (The Song of the Earth: V. The Drunkard in Spring)
composed in:
Toblach (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
春日醉起言志
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler4:36
5Till Eulenspiegels lustige Streiche, op. 28 (IX. C, S. 452)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra)
conductor:
Eugen Jochum (conductor)
recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss14:37
5▼CD
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1Prélude à l’après-midi d’un faune (IX. D, S. 456)
orchestra:
Amsterdam Concertgebouw Orchestra (Royal Concertgebouw Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy11:17
2Pierrot lunaire, op. 21 Nr. 1 “Mondestrunken”
soprano vocals:
Mary Thomas (British soprano)
orchestra:
London Sinfonietta
conductor:
David Atherton (conductor)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 1. „Mondestrunken“
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schönberg1:44
3Sechs Bagatellen op. 9: Nr. 4
recording of:
Six Bagatelles for String Quartet, op. 9: IV. Sehr langsam
composer:
Anton Webern (composer) (from 1911 until 1913)
part of:
Six Bagatelles for String Quartet, op. 9
Anton Webern0:51
4Symphonie C-Dur: 1. Satz (X. C, S. 502)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Charles Dutoit (conductor)
recording of:
Symphony in C major: I. Moderato alla breve
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1938 until 1940)
part of:
Symphony in C major
Igor Stravinsky9:25
5Konzert für Orchester: 1. Satz (X. D, S. 510)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1981-01)
conductor:
Sir Georg Solti (conductor) (in 1981-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1981-01)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace (in 1981-01)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:08
6Three Places in New England: Nr. 2 “Putnam’s Camp, Redding, Connecticut” (X. E, S. 520)
orchestra:
Boston Symphony Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
recording of:
Orchestral Set No. 1, S. 7 "Three Places in New England": II. Putnam's Camp, Redding, Connecticut
composer:
Charles Ives (American composer)
part of:
Orchestral Set No. 1, S. 7 "Three Places in New England"
Charles Ives6:03
7Serenade op. 31 “Elegy” (X. F, S. 546)
horn:
Barry Tuckwell (hornist / conductor)
strings:
London Symphony Orchestra
tenor vocals:
Peter Pears (tenor)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: IV. Elegy
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten4:08
8Vingt regards sur l’Enfant Jésus: No. 18 “Regard de l’onction terrible” (X. G, S. 550)
piano:
John Ogdon (pianist and composer)
recording of:
Vingt regards sur l’enfant Jésus: XVIII. Regard de l’onction terrible
composer:
Olivier Messiaen (composer and organist) (in 1944)
part of:
Vingt regards sur l’enfant Jésus
Olivier Messiaen8:35
9Gesang der Jünglinge: Eröffnungsabschnitt (X. H, S. 555)
partial recording of:
Gesang der Jünglinge, Nr. 8
composer:
Karlheinz Stockhausen (composer) (from 1955 until 1956)
dedicated to:
Doris Stockhausen-Andreae
publisher:
Stockhausen‐Verlag
part of:
Works of Karlheinz Stockhausen by Werk Nr. (number: Nr. 8)
Karlheinz Stockhausen13:03