Mercury Living Presence: The Collector's Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Moussorgsky / Ravel: Pictures at an Exhibition / Bartók: Music for Strings, Percussion and Celesta
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1Pictures at an Exhibition: Promenade
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:25
2Pictures at an Exhibition: Gnomus
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: I. Gnomus (Pictures at an Exhibition: I. Gnomus, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel2:10
3Pictures at an Exhibition: Promenade
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza, orchestrated by Ravel, 2nd promenade) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel0:54
4Pictures at an Exhibition: Il Vecchio Castello
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel4:01
5Pictures at an Exhibition: Promenade
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato non tanto, pesante, orchestrated by Ravel, 3rd promenade) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel0:26
6Pictures at an Exhibition: Tuileries
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:09
7Pictures at an Exhibition: Bydlo
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: IV. Bydlo (Pictures at an Exhibition: IV. Bydło, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel2:31
8Pictures at an Exhibition: Promenade
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Tranquillo, orchestrated by Ravel, 4th promenade) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel0:40
9Pictures at an Exhibition: Ballet des poussins dans leurs coques
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:10
10Pictures at an Exhibition: Samuel Goldenberg and Schmuyle
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle (Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” (Pictures at an Exhibition: Samual Goldenberg and Schmuÿle, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:55
11Pictures at an Exhibition: Limoges—Le marché
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:19
12Pictures at an Exhibition: Catacombae (Sepulchrum Romanum)
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) (Pictures at an Exhibition: VIII. Catacombae (Sepulchrum romanum), orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:40
13Pictures at an Exhibition: Cum mortis in lingua mortua
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: Cum Mortuis in lingua mortua (Pictures at an Exhibition: Cum Mortuis in lingua mortua, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:51
14Pictures at an Exhibition: La cabane sur des pattes de poule
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (Pictures at an Exhibition: XIV. The Hut on Fowl’s Legs (Baba-Yaga), orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel3:05
15Pictures at an Exhibition: La grande porte de Kiev
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel4:37
16Music for Strings, Percussion and Celesta: I. Andante tranquillo
recorded in:
United States (in 1951-04)
celesta:
Irwin Fischer (in 1951-04)
percussion:
Thomas Glenecke (in 1951-04), Allan Graham (in 1951-04) and Lionel Sayers (in 1951-04)
piano:
George Schick (in 1951-04)
timpani:
Edward Metzenger (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (in 1951-04)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók9:02
17Music for Strings, Percussion and Celesta: II. Allegro
recorded in:
United States (in 1951-04)
celesta:
Irwin Fischer (in 1951-04)
percussion:
Thomas Glenecke (in 1951-04), Allan Graham (in 1951-04) and Lionel Sayers (in 1951-04)
piano:
George Schick (in 1951-04)
timpani:
Edward Metzenger (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (in 1951-04)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:15
18Music for Strings, Percussion and Celesta: III. Adagio
recorded in:
United States (in 1951-04)
celesta:
Irwin Fischer (in 1951-04)
percussion:
Thomas Glenecke (in 1951-04), Allan Graham (in 1951-04) and Lionel Sayers (in 1951-04)
piano:
George Schick (in 1951-04)
timpani:
Edward Metzenger (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (in 1951-04)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:19
19Music for Strings, Percussion and Celesta: IV. Allegro molto
recorded in:
United States (in 1951-04)
celesta:
Irwin Fischer (in 1951-04)
percussion:
Thomas Glenecke (in 1951-04), Allan Graham (in 1951-04) and Lionel Sayers (in 1951-04)
piano:
George Schick (in 1951-04)
timpani:
Edward Metzenger (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (in 1951-04)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók6:49
2▼CD: Má vlast
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1Má vlast: Vyšehrad "The High Castle"
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: I. Vyšehrad, JB 1:112/1
composer:
Bedřich Smetana (composer) (from 1872 until 1874-11-18)
part of:
B. number catalogue by František Bartoš (number: B. 110)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana14:49
2Má vlast: Vltava "The Moldau"
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana11:54
3Má vlast: Šárka
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: III. Šárka, JB 1:112/3
composer:
Bedřich Smetana (composer) (in 1875)
part of:
B. number catalogue by František Bartoš (number: B. 113)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana9:26
4Má vlast: Z českých luhů a hájů "From Bohemia's Meadows and Forests"
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: IV. Z českých luhů a hájů, JB 1:112/4 (My Country: IV. From Bohemia's Woods and Fields, From Bohemia's Woods and Fields)
composer:
Bedřich Smetana (composer) (in 1875)
part of:
B. number catalogue by František Bartoš (number: B. 114)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:46
5Má vlast: Tábor
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: V. Tábor, JB 1:112/5
composer:
Bedřich Smetana (composer) (in 1878)
part of:
B. number catalogue by František Bartoš (number: B. 120)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:28
6Má vlast: Blaník
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: VI. Blaník, JB 1:112/6
composer:
Bedřich Smetana (composer) (on 1879-03-09)
part of:
B. number catalogue by František Bartoš (number: B. 121)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:56
3▼CD: Fiesta in Hi-Fi
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1Mexican Rhapsody
recorded in:
United States (in 1956-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Mexican Rhapsody
composer:
Robert McBride (American composer)
Robert McBride11:16
2Savannah River Holiday
recorded in:
United States (in 1956-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Savannah River Holiday
composer:
Ron Nelson (American composer)
Ron Nelson8:44
3Kentucky Mountain Portraits: Cindy
recorded in:
United States (in 1956-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Kentucky Mountain Portraits: I. Cindy
composer:
Lyndol Mitchell
part of:
Kentucky Mountain Portraits
Lyndol Mitchell5:00
4Kentucky Mountain Portraits: Ballad
recorded in:
United States (in 1956-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Kentucky Mountain Portraits: II. Ballad
composer:
Lyndol Mitchell
part of:
Kentucky Mountain Portraits
Lyndol Mitchell4:39
5Kentucky Mountain Portraits: Shivaree
recorded in:
United States (in 1956-05)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Kentucky Mountain Portraits: III. Shivaree
composer:
Lyndol Mitchell
part of:
Kentucky Mountain Portraits
Lyndol Mitchell4:24
6Joe Clark Steps Out
recorded in:
United States (in 1956-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Joe Clark Steps Out
composer:
Charles Gildersleeve Vardell
Charles G. Vardell, Jr.3:34
7Sahdji (Ballet): Part 1
recorded in:
United States (in 1959-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
partial recording of:
Sahdji
composer:
William Grant Still (American composer)
William Grant Still11:30
8Sahdji (Ballet): Part 2
recorded in:
United States (in 1959-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
partial recording of:
Sahdji
composer:
William Grant Still (American composer)
William Grant Still9:01
9Overture to the Creole "Faust"
recorded in:
United States (in 1959-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Obertura para el "Fausto" criollo, op. 9
composer:
Alberto Ginastera (Argentinean composer) (in 1943)
part of:
Works of Alberto Ginastera by opus number (number: op. 9)
Alberto Ginastera8:02
4▼CD: Antal Dorati Conducts Kodály and Bartók
#TitleArtistRatingLength
1"Háry János" Suite: I. Prelude. The Fairy Tale Begins
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: I. Prelude: The Fairy Tale Begins: Con moto
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály3:26
2"Háry János" Suite: II. Viennese Musical Clock
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: II. Viennese Musical Clock: Allegretto
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály2:10
3"Háry János" Suite: III. Song
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: III. Song: Andante, poco rubato
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály4:56
4"Háry János" Suite: IV. The Battle and Defeat of Napoleon
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: IV. The Battle and Defeat of Napoleon: Alla marcia
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály3:33
5"Háry János" Suite: V. Intermezzo
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: V. Intermezzo: Andante maestoso, ma con fuoco
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály4:41
6"Háry János" Suite: VI. Entrance of the Emperor and his Court
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: VI. Entrance of the Emperor and His Court: Alla marcia
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály3:08
7Hungarian Sketches
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Hungarian Sketches, Sz. 97, BB 103
orchestrator:
Bartók Béla (Béla Bartók, composer)
composer:
Bartók Béla (Béla Bartók, composer) (in 1931)
part of:
Béla Bartók's Works (BB) (number: BB 103) and Bartók Béla válogatott zenei írásai (number: Sz. 97)
Béla Bartók11:04
8Roumanian Folk Dances
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Romanian Folk Dances, Sz. 56, BB 68
composer:
Bartók Béla (Béla Bartók, composer) (in 1915)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 56) and Béla Bartók's Works (BB) (number: BB 68)
Béla Bartók6:04
9Marosszék Dances
recorded in:
Austria (in 1958-02)
orchestra:
Philharmonia Hungarica
conductor:
Antal Doráti (conductor)
recording of:
Dances of Marosszék (for orchestra)
orchestrator:
Kodály Zoltán (Zoltán Kodály, Hungarian composer) (in 1929)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer) (from 1923 until 1927)
orchestration of:
Dances of Marosszék (for piano)
Zoltán Kodály13:43
10Dances of Galánta
recorded in:
Austria (in 1958-02)
orchestra:
Philharmonia Hungarica
conductor:
Antal Doráti (conductor)
recording of:
Galántai táncok (Dances of Galánta)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer) (in 1933)
dedicated to:
Budapesti Filharmóniai Társaság (Budapest Philharmonic Society)
premiered at:
[concert] (1933-10-23) (premiere concert for Kodaly's Galántai táncok)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1934)
Zoltán Kodály15:09
5▼CD: Violin Concerto no. 2 / Second Suite
#TitleArtistRatingLength
1Violin Concerto no. 2: I. Allegro non troppo
recorded in:
United States (in 1957-02)
violin:
Yehudi Menuhin (violinist)
orchestra:
Minneapolis Symphony Orchestra (in 1957-02)
conductor:
Antal Doráti (conductor) (in 1957-02)
recorded at:
Carnegie Hall in Midtown Manhattan (in 1957-02)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: I. Allegro non troppo (in 1957-02)
composer:
Bartók Béla (Béla Bartók, composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók15:31
2Violin Concerto no. 2: II. Andante tranquillo
recorded in:
United States (in 1957-02)
violin:
Yehudi Menuhin (violinist)
orchestra:
Minneapolis Symphony Orchestra (in 1957-02)
conductor:
Antal Doráti (conductor) (in 1957-02)
recorded at:
Carnegie Hall in Midtown Manhattan (in 1957-02)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: II. Andante tranquillo (in 1957-02)
composer:
Bartók Béla (Béla Bartók, composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók9:09
3Violin Concerto no. 2: III. Allegro molto
recorded in:
United States (in 1957-02)
violin:
Yehudi Menuhin (violinist) (in 1957-02)
orchestra:
Minneapolis Symphony Orchestra (in 1957-02)
conductor:
Antal Doráti (conductor) (in 1957-02)
recorded at:
Carnegie Hall in Midtown Manhattan (in 1957-02)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: III. Allegro molto (in 1957-02)
composer:
Bartók Béla (Béla Bartók, composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók11:08
4Second Suite (revised 1943 version): I. Comodo
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: I. Comodo
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
Béla Bartók7:58
5Second Suite (revised 1943 version): II. Allegro scherzando
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: II. Allegro scherzando
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
Béla Bartók8:26
6Second Suite (revised 1943 version): III. Andante
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: III. Andante
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
Béla Bartók7:47
7Second Suite (revised 1943 version): IV. Comodo
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: IV. Comodo
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
Béla Bartók7:45
6▼CD: Hi-Fi a la Española and Popovers
#TitleArtistRatingLength
1Brazilian Sleigh Bells
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Brazilian Sleigh Bells (in 1957-03)
composer:
Percy Faith
Percy Faith3:13
2Andalucia
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Andalucía (Suite española): II. Andaluza (in 1957-03)
composer:
Ernesto Lecuona
part of:
Andalucía (Suite española) (for solo piano)
Ernesto Lecuona2:43
3Malagueña
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Andalucía (Suite española): VI. Malagueña (for solo piano) (in 1957-03)
composer:
Ernesto Lecuona
publisher:
Marks Music
part of:
Andalucía (Suite española) (for solo piano)
Ernesto Lecuona4:11
4Intermezzo from "Goyescas"
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Goyescas, H.65: Cuadro I. Intermedio (for orchestra) (in 1957-03)
composer:
Enrique Granados (composer)
part of:
Goyescas, H.65 (opera)
Enrique Granados4:47
5Jamaican Rumba
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Jamaican Rumba (for orchestra) (in 1957-03)
composer:
Arthur Benjamin (Australian composer / pianist / conductor) (in 1938)
part of:
Two Jamaican Pieces (for orchestra)
Arthur Benjamin2:11
6Batuque
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Reisado do pastoreio: III. Batuque (in 1957-03)
composer:
Oscar Lorenzo Fernández (Brazilian composer) (in 1930)
part of:
Reisado do pastoreio (A Pastoral Epiphany)
Oscar Lorenzo Fernández3:34
7Amparito Roca
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Amparito Roca (in 1957-03)
composer:
Jaime Texidor (in 1925)
Jaime Texidor2:26
8Ritual Fire Dance from "El Amor Brujo"
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
El amor brujo: VIII. Danza ritual del fuego (in 1957-03)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla4:02
9The Bullfighter's Prayer
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
La oración del torero, op. 34 (for string orchestra) (in 1957-03)
composer:
Joaquín Turina (Spanish composer) (from 1925-03-31 until 1925-05-06)
arranger:
Joaquín Turina (Spanish composer) (in 1926-12)
arrangement of:
La oración del torero, op. 34 (for lute quartet)
Joaquin Turina8:10
10Brazilian Dance
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Dansa Brasileira (Brazilian Dance, for orchestra) (in 1957-03)
composer:
M. Camargo Guarnieri (Brazilian composer) (in 1928)
version of:
Dansa Brasileira (for piano)
Camargo Mozart Guarnieri2:11
11Hora Staccato
recorded in:
United States (in 1959-05)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recording of:
Hora Staccato (for violin and orchestra, Heifetz) (in 1959-05)
orchestrator:
Jascha Heifetz (violinist)
composer:
Grigoraș Dinicu (Romanian violin virtuoso and composer)
arrangement of:
Hora Staccato (for violin and piano, arr. Heifetz)
Gheorghe Dinicu2:18
12Liebestraum
recorded in:
United States (in 1959-05)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recording of:
Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”, S. 541 Nr. 3 (catch-all for arrangements) (in 1959-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Franz Liszt4:25
13Love's Dream After the Ball
recorded in:
United States (in 1959-05)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recording of:
Love's Dream After the Ball, op. 356 (in 1959-05)
composer:
Alphons Czibulka
Alphons Czibulka4:06
14Finlandia
recorded in:
United States (in 1959-05)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recording of:
Finlandia, op. 26 (for orchestra) (in 1959-05)
premiered in:
Helsinki (on 1900-07-02)
composer:
Jean Sibelius (Finnish composer) (in 1899)
revised by:
Jean Sibelius (Finnish composer) (in 1900)
premiered at:
Konsertti (1900-07-02)
publisher:
Breitkopf & Härtel (in 1905)
part of:
Works of Jean Sibelius by opus number (number: op. 26)
version of:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
Jean Sibelius8:15
15Clair de Lune
recorded in:
United States (in 1959-05)
producer:
Wilma Cozart Fine
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recorded at:
Eastman Theatre in Rochester (in 1959-05)
recording of:
Clair de lune from Suite bergamasque (orch. Mouton) (in 1959-05)
orchestrator:
Henri Mouton (composer)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:33
16Polka from "The Golden Age"
recorded in:
United States (in 1959-05)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recording of:
Suite from "The Age of Gold", op. 22a: III. Polka (in 1959-05)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite from "The Age of Gold", op. 22a
Dmitri Shostakovich2:21
7▼CD: Scythian Suite / Suite from "The Love for Three Oranges" / Symphony no. 5
#TitleArtistRatingLength
1Scythian Suite, op. 20: I. Invocation to Veles and Ala
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: I. Поклонение Велесу и Але (Scythian Suite, op. 20: I. The Adoration of Veles and Ala) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Serge Prokofiev5:47
2Scythian Suite, op. 20: II. The Evil God and Dance of the Pagan Monsters
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: II. Чужбог и пляска нечисти (Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Serge Prokofiev3:09
3Scythian Suite, op. 20: III. Night
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: III. Ночь (Scythian Suite, op. 20: III. Night) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Serge Prokofiev5:46
4Scythian Suite, op. 20: IV. Lolli's Pursuit of the Evil God, and Sunrise
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: IV. Поход Лоллия и шествие Солнца (Scythian Suite, op. 20: IV. The Glorious Departure of Lolly and Procession of the Sun) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Serge Prokofiev4:50
5Suite from "The Love for Three Oranges", op. 33a: I. Les ridicules
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: I. Les ridicules (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev3:04
6Suite from "The Love for Three Oranges", op. 33a: II. Scène infernale
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: II. Scène infernale (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev3:33
7Suite from "The Love for Three Oranges", op. 33a: III. Marche
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-04)
recording of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev1:36
8Suite from "The Love for Three Oranges", op. 33a: IV. Scherzo
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: IV. Scherzo (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev1:36
9Suite from "The Love for Three Oranges", op. 33a: V. Le prince et la princesse
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: V. Le prince et la princesse (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev3:47
10Suite from "The Love for Three Oranges", op. 33a: VI. La fuite
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: VI. La fuite (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev2:17
11Symphony no. 5, op. 100: I. Andante
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: I. Andante (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Serge Prokofiev11:04
12Symphony no. 5, op. 100: II. Allegro marcato
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Serge Prokofiev7:53
13Symphony no. 5, op. 100: III. Adagio
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: III. Adagio (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Serge Prokofiev10:11
14Symphony no. 5, op. 100: IV. Allegro giocoso
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Serge Prokofiev10:09
8▶CD: Howard Hanson: The Composer and His Orchestra
9▶CD: Tchaikovsky: 1812 Festival Overture, op. 49 / Capriccio Italien / Beethoven: Wellington's Victory
10▶CD: Slavonic Dances, op. 46 and 72 (Complete)
11▶CD: Grofé: Grand Canyon Suite / Mississippi Suite / Herbert: Cello Concerto no. 2
12▶CD: British and American Band Classics
13▶CD: Petrouchka / Le sacre du printemps / Four Etudes for Orchestra
14▶CD: Suppé: Overtures / Auber: The Bronze Horse / Fra Diavolo / Masaniello
15▶CD: Symphonie Fantastique / Marches / Roman Carnival Overture
16▶CD: Fennell Conducts Sousa: "Sound Off!" and "Sousa on Review", 24 Favorite Marches
17▶CD: Enesco: Roumanian Rhapsody no. 1 / Liszt: Hungarian Rhapsodies nos. 1–6
18▶CD: Khachaturian: Gayne Ballet / Shostakovich: Symphony no. 5
19▶CD: Enesco: Roumanian Rhapsody no. 2 / Brahms: Hungarian Dances / Variations on a Theme of Haydn
20▶CD: The Civil War: Its Music and Its Sounds, Part 1: Fort Sumter to Gettysburg
21▶CD: The Civil War: Its Music and Its Sounds, Part 2: Gettysburg to Appomattox
22▶CD: Piano Concerto no. 2 / Piano Concerto no. 3
23▶CD: Appalachian Spring / Billy the Kid / Danzón Cubano / El Salón México
24▶CD: Byron Janis Plays Moussorgsky: Pictures at an Exhibition
25▶CD: Prokofiev: Romeo and Juliet / Moussorgsky: A Night on Bald Mountain
26▶CD: Schumann: Piano Concerto in A minor, op. 54 / Tchaikovsky: Piano Concerto no. 1 in B-flat minor, op. 23
27▶CD: Flamenco!
28▶CD: The Romeros: The Royal Family of the Spanish Guitar
29▶CD: Screamers, Circus Marches / March Time
30▶CD: Balalaika Favorites
31▶CD: Liszt: Piano Concertos nos. 1 and 2 / Byron Janis: Encores
32▶CD: Prokofiev: Piano Concerto no. 3 / Rachmaninoff: Piano Concerto no. 1
33▶CD: Dvořák: Cello Concerto in B minor, op. 104 / Bruch: Kol Nidrei / Tchaikovsky: Variations on a Rococo Theme
34▶CD: Schumann: Cello Concerto in A minor, op. 129 / Lalo: Cello Concerto in D minor / Saint-Saëns: Cello Concerto in A minor, op. 33
35▶CD: The Nutcracker, op. 71 / Serenade in C major, op. 48, Part 1
36▶CD: The Nutcracker, op. 71 / Serenade in C major, op. 48, Part 2
37▶CD: Brahms: Violin Concerto in D major / Khachaturian: Violin Concerto (1940)
38▶CD: Bluebeard's Castle
39▶CD: Brahms: Piano Concerto no. 2 / Variations on a Theme by Paganini, Book 2 / Liszt: Hungarian Rhapsody no. 12 / Beethoven: Sonata, op. 14 no. 1
40▶CD: Szeryng Plays Kreisler and Other Treasures for the Violin
41▶CD: Suites for Solo Cello / Sonatas in G & D Major, Part 1
42▶CD: Suites for Solo Cello / Sonatas in G & D Major, Part 2
43▶CD: Piano Concerto no. 4 / Piano Concerto no. 5 "Emperor"
44▶CD: Piano Concertos 1 and 2
45▶CD: Ravel: Gaspard de la nuit / Debussy: Three Preludes / Pour le piano / Stravinsky: 3 Movements From Petrouchka
46▶CD: Brahms: Cello Sonatas 1 and 2 / Mendelssohn: Cello Sonata no. 2
47▶CD: Schumann: Violin Concerto in D minor / Mendelssohn: Violin Concerto in E minor
48▶CD: The Firebird
49▶CD: Janos Starker Plays Boccherini, Bach, Vivaldi, Corelli, Locatelli, Valentini
50▶CD: Rodrigo: Concierto de Aranjuez / Concierto Andaluz / Vivaldi: Guitar Concertos
51▶CD: Recording "Pictures at an Exhibition" and "Ma Vlast" / An Interview with Wilma Cozart Fine
52▶CD: Vaughan Williams Delius Piano Concertos
53▶CD: A Sea Symphony