The Chess Box

~ Release by Chuck Berry (see all versions of this release, 1 available)

Tracklist

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1▼CD: 1955–1958
#TitleRatingLength
1Maybellene
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
maracas [possibly]:
Leonard Chess (on 1955-05-21) and Jerome Green (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1955-05-21)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 102)
recording of:
Maybellene (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
3.92:21
2Wee Wee Hours
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-05-21)
drums (drum set):
Ebby Hardy (on 1955-05-21)
guitar and lead vocals:
Chuck Berry (on 1955-05-21)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-05-21)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1955-05-21)
recording of:
Wee Wee Hours (on 1955-05-21)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
33:05
3Thirty Days
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (in 1955-09)
drums (drum set):
Ebby Hardy (in 1955-09)
guitar and lead vocals:
Chuck Berry (in 1955-09)
maracas:
Jerome Green (in 1955-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1955-09)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (in 1955-09)
recording of:
Thirty Days (in 1955-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
3.52:24
4You Can’t Catch Me
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-12-20)
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar and lead vocals:
Chuck Berry (on 1955-12-20)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1955-12-20)
recording of:
You Can’t Catch Me (on 1955-12-20)
lyricist and composer:
Chuck Berry
publisher:
Snapper Music
32:44
5No Money Down
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-12-20)
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar and lead vocals:
Chuck Berry (on 1955-12-20)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
vocals:
Chuck Berry (in 1955-12)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1955-12-20)
recording of:
No Money Down (on 1955-12-20)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
42:59
6Downbound Train
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1955-12-20)
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar and lead vocals:
Chuck Berry (on 1955-12-20)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1955-12-20)
recording of:
Down Bound Train (on 1955-12-20)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
3.352:50
7Brown Eyed Handsome Man
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1956-04-19)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 375)
recording of:
Brown Eyed Handsome Man (on 1956-04-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
32:18
8Drifting Heart
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
tenor saxophone:
Leroy C. Davis (on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1956-04-19)
recording of:
Drifting Heart (on 1956-04-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
32:49
9Roll Over Beethoven
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Melvin Billups (on 1956-04-19)
guitar and lead vocals:
Chuck Berry (on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-04-19)
tenor saxophone:
Leroy C. Davis (on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
phonographic copyright (℗) by:
Geffen Records (in 1956)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1956-04-19)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 97)
recording of:
Roll Over Beethoven (on 1956-04-19)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
4.152:25
10Too Much Monkey Business
recorded in:
Chicago (in 1956-02)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (in 1956-02)
double bass:
Willie Dixon (on 1956-04-19)
drums (drum set):
Fred Below (in 1956-02) and Melvin Billups (on 1956-04-19)
guitar:
Chuck Berry (in 1956-02, on 1956-04-19)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1956-02, on 1956-04-19)
tenor saxophone:
Leroy C. Davis (in 1956-02, on 1956-04-19)
trumpet:
Vincent Pitts (on 1956-04-19)
lead vocals:
Chuck Berry (on 1956-04-19)
vocals:
Chuck Berry (in 1956-02)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1956-04-19)
recording of:
Too Much Monkey Business (in 1956-02)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
recording of:
Too Much Monkey Business (on 1956-04-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
3.352:56
11Havana Moon
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1956-10-29)
guitar:
Chuck Berry (on 1956-10-29) and Jimmy Rogers (blues artist) (on 1956-10-29)
lead vocals:
Chuck Berry (on 1956-10-29)
phonographic copyright (℗) by:
Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1956-10-29)
recording of:
Havana Moon (on 1956-10-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Tristan Music Ltd.
2.353:08
12School Day
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (on 1956-12-15)
guitar:
Chuck Berry (on 1956-12-15) and Hubert Sumlin (Chicago blues guitarist and singer) (on 1956-12-15)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1956-12-15)
lead vocals:
Chuck Berry (on 1956-12-15)
vocals:
Chuck Berry
phonographic copyright (℗) by:
N2K and Geffen Records (in 2003)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1956-12-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 3)
recording of:
School Day (Ring! Ring! Goes the Bell) (on 1956-12-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Nightlight Music Pty Ltd.
4.252:42
13Rock and Roll Music
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (from 1957-05-06 until 1957-05-15)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 128)
recording of:
Rock and Roll Music (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
4.352:33
14Oh Baby Doll
producer:
Leonard & Phil Chess (legendary US production duo) (in 1957-05)
bass and double bass:
Willie Dixon (from 1957-05-06 until 1957-05-15)
drums (drum set):
Fred Below (from 1957-05-06 until 1957-05-15)
electric guitar, guitar and lead vocals:
Chuck Berry (from 1957-05-06 until 1957-05-15)
piano:
Lafayette Leake (from 1957-05-06 until 1957-05-15)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (from 1957-05-06 until 1957-05-15)
recording of:
Oh Baby Doll (from 1957-05-06 until 1957-05-15)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
42:38
15I’ve Changed
drums (drum set):
Ebby Hardy (on 1955-12-20)
guitar and lead vocals:
Chuck Berry (on 1955-12-20)
piano [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1955-12-20) and Otis Spann (on 1955-12-20)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago (on 1955-12-20)
recording of:
I’ve Changed (on 1955-12-20)
lyricist and composer:
Chuck Berry
3:07
16Reelin’ and Rockin’
producer:
Leonard & Phil Chess (legendary US production duo) (in 1957-12)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar and lead vocals:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago (from 1957-12-29 until 1957-12-30)
recording of:
Reelin’ and Rockin’ (from 1957-12-29 until 1957-12-30)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
3.53:17
17Rockin’ at the Philharmonic
producer:
Leonard & Phil Chess (legendary US production duo) (in 1957-12)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago (from 1957-12-29 until 1957-12-30)
recording of:
Rock at the Philharmonic (from 1957-12-29 until 1957-12-30)
composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
43:23
18Sweet Little Sixteen
double bass:
Willie Dixon (in 1957-12)
drums (drum set):
Jasper Thomas (in 1957-12)
guitar and lead vocals:
Chuck Berry (in 1957-12)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1957-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago (in 1957-12)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 272)
recording of:
Sweet Little Sixteen (in 1957-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
0.13:11
19Johnny B. Goode
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-01-06)
drums (drum set):
Jasper Thomas (on 1958-01-06)
guitar and lead vocals:
Chuck Berry (on 1958-01-06)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-01-06)
recorded at:
Sheldon Recording Studios, Inc. in Chicago (on 1958-01-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (on 1958-01-06)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
4.252:39
20Time Was
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
guitar and lead vocals:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1957-12-29 until 1957-12-30)
recorded at:
Sheldon Recording Studios, Inc. in Chicago (from 1957-12-29 until 1957-12-30)
cover recording of:
Time Was (from 1957-12-29 until 1957-12-30)
lyricist:
Gabriel Luna de la Fuente
composer:
Miguel Prado
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Peer International (BMI)
1:57
21Around & Around
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Jasper Thomas (on 1958-02-28)
electric bass guitar:
Bob Bushnell (on 1958-02-28)
guitar and lead vocals:
Chuck Berry (on 1958-02-28)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-02-28)
recorded at:
Sheldon Recording Studios, Inc. in Chicago (on 1958-02-28)
recording of:
Around and Around (on 1958-02-28)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Good-Tunes-Music AG, Isalee Music Publishing Company and Rock ’n’ Roll Music
3.52:41
22Beautiful Delilah
producer:
Leonard & Phil Chess (legendary US production duo) (on 1958-06-12)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago (on 1958-06-12)
recording of:
Beautiful Delilah (on 1958-06-12)
lyricist and composer:
Chuck Berry Music Inc.
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
32:15
23House of Blue Lights
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago (on 1958-06-12)
cover recording of:
The House of Blue Lights (on 1958-06-12)
writer:
Don Raye and Freddie Slack
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corp.
2:28
24Carol
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-06-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-06-12)
guitar and lead vocals:
Chuck Berry (on 1958-06-12)
percussion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1958-06-12)
piano:
Paul Gayten (US R&B) (on 1958-06-12)
recorded at:
Sheldon Recording Studios, Inc. in Chicago (on 1958-06-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 10)
recording of:
Carol (on 1958-06-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
3.752:49
2▼CD: 1958–1964
#TitleRatingLength
1Memphis
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Fred Below (on 1958-09-26) and Jasper Thomas (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1958-09-26)
live recording of:
Memphis, Tennessee (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
32:13
2Anthony Boy
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Jasper Thomas (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
piano:
Otis Spann (on 1958-09-26)
background vocals:
Willie Dixon (on 1958-09-26), Otis Spann (on 1958-09-26) and Jasper Thomas (on 1958-09-26)
vocals:
Chuck Berry (on 1958-09-26), Willie Dixon (on 1958-09-26), Otis Spann (on 1958-09-26) and Jasper Thomas (on 1958-09-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1958-09-26)
recording of:
Anthony Boy (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2.651:54
3Jo Jo Gunne
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Jasper Thomas (on 1958-09-26)
guitar:
Chuck Berry (on 1958-09-26)
vocals:
Chuck Berry (on 1958-09-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1958-09-26)
recording of:
Jo Jo Gun (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
32:46
4Sweet Little Rock ’n’ Roller
recorded in:
Chicago (on 1958-09-26)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (on 1958-09-26)
drums (drum set):
Fred Below (on 1958-09-26)
guitar and lead vocals:
Chuck Berry (on 1958-09-26)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1958-09-26)
recording of:
Sweet Little Rock and Roller (on 1958-09-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:22
5Merry Christmas Baby
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
vocals:
Chuck Berry (on 1958-11-19)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1958-11-19)
recording of:
Merry Christmas Baby (on 1958-11-19)
writer:
Lou Baxter and Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music, Inc.
43:13
6Run Rudolph Run
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
vocals:
Chuck Berry (on 1958-11-19)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1958-11-19)
recording of:
Run Rudolph Run (on 1958-11-19)
writer:
Marvin Brodie (songwriter, known for “Run Rudolph Run”) and Johnny Marks (American songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Chappell Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) and St. Nicholas Music Inc. (in 1958)
4.52:44
7Little Queenie
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar and lead vocals:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1958-11-19)
recording of:
Little Queenie (on 1958-11-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
4.352:42
8Almost Grown
producer:
Leonard & Phil Chess (legendary US production duo)
bass and double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17) and Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Chuck Barksdale (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Marvin Gaye (on 1959-02-17), Etta James (on 1959-02-17), The Marquees (on 1959-02-17), The Moonglows (1950s Cleveland R&B group) (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
lead vocals:
Chuck Berry (on 1959-02-17)
vocals:
Chuck Berry (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1959-02-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 6)
recording of:
Almost Grown (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
3.652:21
9Back in the U.S.A.
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Fred Below (on 1959-02-17)
guitar and lead vocals:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Etta James (on 1959-02-17) and The Marquees (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1959-02-17)
recording of:
Back in the U.S.A. (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:29
10Betty Jean
bass:
Willie Dixon (from 1959-07-27 until 1959-07-29)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (from 1959-07-27 until 1959-07-29)
recording of:
Betty Jean (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
42:31
11Childhood Sweetheart
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (in 1959-07)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (from 1959-07-27 until 1959-07-29)
recording of:
Childhood Sweetheart (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
42:45
12Let It Rock
recorded in:
Chicago (in 1959-07)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (in 1959-07)
drums (drum set):
Fred Below (in 1959-07, from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (in 1959-07, from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1959-07, from 1959-07-27 until 1959-07-29)
lead vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (in 1959-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (from 1959-07-27 until 1959-07-29)
recording of:
Let It Rock (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Isalee Music Publishing Company
recording of:
Let It Rock (in 1959-07)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Isalee Music Publishing Company
3.651:47
13Too Pooped to Pop
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
tenor saxophone:
Leroy C. Davis (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (from 1959-07-27 until 1959-07-29)
recording of:
Too Pooped to Pop (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis)
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
42:35
14Bye Bye Johnny
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-03-29)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-03-29)
guitar:
Chuck Berry (on 1960-03-29) and Matt Murphy (US blues guitarist) (on 1960-03-29)
piano:
Lafayette Leake (on 1960-03-29)
lead vocals:
Chuck Berry (on 1960-03-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1960-03-29)
recording of:
Bye Bye Johnny (on 1960-03-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
42:06
15Jaguar and Thunderbird
recorded in:
Chicago (on 1960-03-29)
recording of:
Jaguar and Thunderbird (on 1960-03-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Inc.
1:51
16Down the Road Apiece
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1960-04-12)
cover recording of:
Down the Road Apiece (on 1960-04-12)
lyricist and composer:
Don Raye
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal Music Corp. (USA, affiliated with ASCAP)
2:16
17Confessin’ the Blues
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1960-04-12)
cover recording of:
Confessin’ the Blues (on 1960-04-12)
writer:
Walter Brown (US jazz/blues singer) and Jay McShann
publisher:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
2:09
18Thirteen Question Method
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-04-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1960-04-12)
recording of:
Thirteen Question Method (on 1960-04-12)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher)
42:14
19Crying Steel
recorded in:
Chicago (on 1960-04-12)
recording of:
Crying Steel (on 1960-04-12)
composer:
Chuck Berry
2:34
20I’m Just a Lucky So and So
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1960-04-12)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1960-04-12)
guitar:
Chuck Berry (on 1960-04-12) and Matt Murphy (US blues guitarist) (on 1960-04-12)
piano:
Lafayette Leake (on 1960-04-12)
lead vocals:
Chuck Berry (on 1960-04-12)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1960-04-12)
cover recording of:
I’m Just a Lucky So and So (on 1960-04-12)
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:51
21I’m Talking About You
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Phil Thomas (US blues drummer) (on 1961-01-19)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1961-01-19)
guitar and lead vocals:
Chuck Berry (on 1961-01-19)
piano:
Lafayette Leake (on 1961-01-19)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1961-01-19)
recording of:
I’m Talking About You (on 1961-01-19)
lyricist, writer and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
1:50
22Come On
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Ebby Hardy (on 1961-08-03) and Phil Thomas (US blues drummer) (on 1961-08-03)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (on 1961-08-03)
guitar and lead vocals:
Chuck Berry (on 1961-08-03)
instruments:
Matt Murphy (US blues guitarist) (on 1961-08-03)
piano:
Lafayette Leake (on 1961-08-03)
tenor saxophone:
John Jackson (American jazz saxophonist) (on 1961-08-03) and Abb Locke (on 1961-08-03)
background vocals and other vocals:
Martha Berry (on 1961-08-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1961-08-03)
recording of:
Come On (on 1961-08-03)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
41:50
23Nadine (Is It You?)
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar and lead vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (from 1964-01-07 until 1964-01-09)
recording of:
Nadine (Is It You?) (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Limited
recording of:
Nadine
lyricist and composer:
Chuck Berry
publisher:
Tristan Music Ltd.
42:36
24Crazy Arms
recorded in:
Chicago (in 1964-01)
recording of:
Crazy Arms (in 1964-01)
writer:
Ralph Mooney (in 1954) and Chuck Seals (in 1954)
publisher:
Champion Music Corp., Leeds Music, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Sony/ATV Tree Publishing (in 1956) and MCA Music Svenska AB (in 1978)
2:13
25You Never Can Tell
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
4.152:43
26The Things You Used to Do
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (from 1964-01-07 until 1964-01-09)
cover recording of:
The Things That I Used to Do (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Eddie Jones (US blues guitarist, aka Guitar Slim)
publisher:
Sony/ATV Songs LLC and Venice Music
42:43
27Promised Land
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
double bass:
Willie Dixon (on 1964-02-20)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-02-20)
guitar and lead vocals:
Chuck Berry (on 1964-02-20)
piano:
Lafayette Leake (on 1964-02-20)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1964-02-20)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 342)
recording of:
Promised Land (on 1964-02-20)
lyricist:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Limited
is based on:
Wabash Cannonball
recording of:
The Promised Land
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:22
3▼CD: 1964–1973
#TitleRatingLength
1No Particular Place to Go
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-03-26)
electric bass guitar:
Louis Satterfield (on 1964-03-26)
guitar:
Chuck Berry (on 1964-03-26)
piano:
Paul Williams (US blues/jazz saxophonist) (on 1964-03-26)
vocals:
Chuck Berry (on 1964-03-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1964-03-26)
recording of:
No Particular Place to Go (on 1964-03-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
4.52:43
2Liverpool Drive
recorded in:
Chicago (on 1964-03-26)
recording of:
Liverpool Drive (on 1964-03-26)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:55
3You Two
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-03-26)
guitar:
Chuck Berry (on 1964-03-26)
piano:
Paul Williams (US blues/jazz saxophonist) (on 1964-03-26) and Paul Williams (Pianist, played with Chuck Berry) (on 1964-03-26)
vocals:
Chuck Berry (on 1964-03-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1964-03-26)
recording of:
You Two (on 1964-03-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:10
4Chuck’s Beat
recorded in:
Chicago (on 1964-03-26)
engineer:
Ron Malo
guitar:
Chuck Berry (on 1964-03-26) and Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1964-03-26)
maracas:
Jerome Green (on 1964-03-26)
piano:
Lafayette Leake (on 1964-03-26)
recording of:
Chuck's Beat (on 1964-03-26)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
410:36
5Little Marie
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-08-16)
guitar and lead vocals:
Chuck Berry (on 1964-08-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1964-08-16)
recording of:
Little Marie (on 1964-08-16)
lyricist and composer:
Chuck Berry
2:36
6Dear Dad
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Bill Bixler (on 1964-12-16)
drums (drum set):
Howard Jones (US session drummer) (on 1964-12-16)
guitar:
Chuck Berry (on 1964-12-16) and Jules Blattner (on 1964-12-16)
lead vocals:
Chuck Berry (on 1964-12-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1964-12-16)
recording of:
Dear Dad (on 1964-12-16)
lyricist and composer:
Chuck Berry
publisher:
Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
41:50
7Sad Day, Long Night
recorded in:
Chicago (in 1965)
recording of:
Sad Day, Long Night (in 1965)
composer:
Chuck Berry
2:44
8It’s My Own Business
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-01)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-01)
guitar and lead vocals:
Chuck Berry (on 1965-09-01)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-01)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1965-09-01)
recording of:
It's My Own Business (on 1965-09-01)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
42:10
9It Wasn’t Me
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
additional guitar:
Mike Bloomfield (guitarist, songwriter) (on 1965-09-03)
additional harmonica:
Paul Butterfield (on 1965-09-03)
bass guitar:
Bryce Roberson (on 1965-09-03)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-03)
guitar and lead vocals:
Chuck Berry (on 1965-09-03)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1965-09-03)
recording of:
It Wasn't Me (on 1965-09-03)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
42:34
10Ramona Say Yes
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Louis Satterfield (on 1966-04-13)
drums (drum set):
Maurice White (Earth, Wind & Fire) (on 1966-04-13)
guitar:
Chuck Berry (on 1966-04-13), Pete Cosey (on 1966-04-13) and Bryce Roberson (on 1966-04-13)
keyboard and organ:
Sonny Thompson (US R&B bandleader and pianist) (on 1966-04-13)
lead vocals:
Chuck Berry (on 1966-04-13)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1966-04-13)
recording of:
Ramona Say Yes (on 1966-04-13)
lyricist and composer:
Chuck Berry
2:42
11Viva Viva Rock ’n’ Roll
recorded in:
Chicago (on 1966-04-13)
recording of:
Viva Viva Rock 'n' Roll (on 1966-04-13)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music Publishing Company
2:01
12Tulane
engineer:
Malcolm Chisholm
bass:
Phil Upchurch (on 1969-11-21)
guitar and lead vocals:
Chuck Berry (on 1969-11-21)
harmonica:
Bob Baldori (on 1969-11-21)
piano:
Lafayette Leake (on 1969-11-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1969-11-21)
recording of:
Tulane (on 1969-11-21)
composer:
Chuck Berry
publisher:
Carlin Music Corp., Esalle Music Publ. and Isalee Music
32:38
13Have Mercy Judge
engineer:
Malcolm Chisholm
bass:
Phil Upchurch (on 1969-11-21)
guitar and lead vocals:
Chuck Berry (on 1969-11-21)
harmonica:
Bob Baldori (on 1969-11-21)
piano:
Lafayette Leake (on 1969-11-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago (on 1969-11-21)
recording of:
Have Mercy Judge (on 1969-11-21)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
42:40
14My Dream
recorded in:
Lansing (in 1971-01)
recording of:
My Dream (in 1971-01)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music Publishing Company
5:58
15Reelin’ and Rockin’ (live)
recorded in:
Coventry (in 1972-02)
live recording of:
Reelin’ and Rockin’ (in 1972-02)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
7:06
16My Ding‐A‐Ling (single edit, live)
recorded in:
Coventry (in 1972-02)
live recording of:
My Ding‐A‐Ling (in 1972-02)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music Publishing Company
is based on:
My Ding-a-Ling
version of:
My Tambourine
4:22
17Johnny B. Goode (live)
recorded in:
Coventry (in 1972-02)
live recording of:
Johnny B. Goode (in 1972-02)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
3:15
18A Deuce
producer:
Esmond Edwards
bass:
David Torretta (engineer) (on 1973-03-01)
drums (drum set):
Rick Carrell (on 1973-03-01)
guitar:
Billy Peek (on 1973-03-01)
guitar and piano and lead vocals:
Chuck Berry (on 1973-03-01)
recorded at:
Technisonic Studios in Clayton (on 1973-03-01)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
A Deuce (on 1973-03-01)
lyricist and composer:
Chuck Berry
publisher:
Carlin Music Corporation
2:33
19Woodpecker
producer:
Esmond Edwards
bass:
Gary Van Scyoc (US rock and roll bassist) (from 1973-05-30 until 1973-05-31)
drums (drum set):
Rick Frank (US drummer, fl. 1970's) (from 1973-05-30 until 1973-05-31)
guitar:
Chuck Berry (from 1973-05-30 until 1973-05-31) and Wayne Gabriel (from 1973-05-30 until 1973-05-31)
handclaps:
Esmond Edwards (from 1973-05-30 until 1973-05-31) and Linda Solomon (Liner Notes writer) (from 1973-05-30 until 1973-05-31)
piano:
Adam Ippolito (from 1973-05-30 until 1973-05-31)
tambourine and background vocals:
Esmond Edwards (from 1973-05-30 until 1973-05-31)
tenor saxophone:
Stan Bronstein (from 1973-05-30 until 1973-05-31)
recorded at:
Sound Exchange Studio in New York, New York, United States (from 1973-05-30 until 1973-05-31)
recording of:
Woodpecker (from 1973-05-30 until 1973-05-31)
composer:
Chuck Berry
43:34
20Bio
producer:
Esmond Edwards
bass:
Gary Van Scyoc (US rock and roll bassist) (from 1973-05-30 until 1973-05-31)
drums (drum set):
Rick Frank (US drummer, fl. 1970's) (from 1973-05-30 until 1973-05-31)
guitar:
Chuck Berry (from 1973-05-30 until 1973-05-31) and Wayne Gabriel (from 1973-05-30 until 1973-05-31)
piano:
Adam Ippolito (from 1973-05-30 until 1973-05-31)
lead vocals:
Chuck Berry (from 1973-05-30 until 1973-05-31)
recorded at:
Sound Exchange Studio in New York, New York, United States (from 1973-05-30 until 1973-05-31)
recording of:
Bio (from 1973-05-30 until 1973-05-31)
lyricist and composer:
Chuck Berry
54:26

Credits

Release

manufactured in:United States