Soubrette Sings Broadway Hit Songs

~ Release by Blossom Dearie (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Guys and Dolls
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-19)
vocals:
Blossom Dearie (on 1960-02-19)
orchestra:
Russell Garcia's Orchestra (on 1960-02-19)
conductor:
Russell Garcia (on 1960-02-19)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-19)
recording of:
Guys and Dolls (on 1960-02-19)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
2:52
2Confession
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-22)
vocals:
Blossom Dearie (on 1960-02-22)
orchestra:
Russell Garcia's Orchestra (on 1960-02-22)
conductor:
Russell Garcia (on 1960-02-22)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-22)
recording of:
Confession (on 1960-02-22)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
2:45
3Rhode Island Is Famous for You
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-19)
vocals:
Blossom Dearie (on 1960-02-19)
orchestra:
Russell Garcia's Orchestra (on 1960-02-19)
conductor:
Russell Garcia (on 1960-02-19)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-19)
recording of:
Rhode Island Is Famous for You (on 1960-02-19)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
2:15
4To Keep My Love Alive
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-22)
vocals:
Blossom Dearie (on 1960-02-22)
orchestra:
Russell Garcia's Orchestra (on 1960-02-22)
conductor:
Russell Garcia (on 1960-02-22)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-22)
recording of:
To Keep My Love Alive (on 1960-02-22)
orchestrator:
Don Walker (orchestrator)
lyricist:
Lorenz Hart (in 1943)
composer:
Richard Rodgers (composer) (in 1943)
part of:
A Connecticut Yankee
3:27
5Too Good for the Average Man
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-22)
vocals:
Blossom Dearie (on 1960-02-22)
orchestra:
Russell Garcia's Orchestra (on 1960-02-22)
conductor:
Russell Garcia (on 1960-02-22)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-22)
recording of:
Too Good for the Average Man (on 1960-02-22)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
part of:
On Your Toes
3:32
6The Gentleman Is a Dope
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-19)
vocals:
Blossom Dearie (on 1960-02-19)
orchestra:
Russell Garcia's Orchestra (on 1960-02-19)
conductor:
Russell Garcia (on 1960-02-19)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-19)
recording of:
The Gentleman Is a Dope (Allegro) (on 1960-02-19)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Allegro (Rodgers & Hammerstein musical)
4:19
7Always True to You in My Fashion
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-19)
vocals:
Blossom Dearie (on 1960-02-19)
orchestra:
Russell Garcia's Orchestra (on 1960-02-19)
conductor:
Russell Garcia (on 1960-02-19)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-19)
recording of:
Always True to You in My Fashion (on 1960-02-19)
lyricist and composer:
Cole Porter (composer) (in 1948)
part of:
Kiss Me, Kate (musical)
2:53
8Napoleon
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-19)
vocals:
Blossom Dearie (on 1960-02-19)
orchestra:
Russell Garcia's Orchestra (on 1960-02-19)
conductor:
Russell Garcia (on 1960-02-19)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-19)
recording of:
Napoleon (Arlen/Harburg song, from the musicals “Hooray for What!” and “Jamaica”) (on 1960-02-19)
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Glocca Morra Music Corp. and Harwin Music Corporation
4:20
9Life Upon the Wicked Stage
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-22)
vocals:
Blossom Dearie (on 1960-02-22)
orchestra:
Russell Garcia's Orchestra (on 1960-02-22)
conductor:
Russell Garcia (on 1960-02-22)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-22)
recording of:
Life Upon the Wicked Stage (Show Boat) (on 1960-02-22)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
2:43
10The Physician
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-22)
vocals:
Blossom Dearie (on 1960-02-22)
orchestra:
Russell Garcia's Orchestra (on 1960-02-22)
conductor:
Russell Garcia (on 1960-02-22)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-22)
recording of:
The Physician (from the musical “Nymph Errant”) (on 1960-02-22)
lyricist and composer:
Cole Porter (composer) (in 1933)
part of:
Nymph Errant (Cole Porter Musical)
2:15
11Love Is the Reason
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-19)
vocals:
Blossom Dearie (on 1960-02-19)
orchestra:
Russell Garcia's Orchestra (on 1960-02-19)
conductor:
Russell Garcia (on 1960-02-19)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-19)
recording of:
Love Is the Reason (on 1960-02-19)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Arthur Schwartz
3:37
12Buckle Down, Winsocki
producer:
Norman Granz
piano:
Blossom Dearie (on 1960-02-22)
vocals:
Blossom Dearie (on 1960-02-22)
orchestra:
Russell Garcia's Orchestra (on 1960-02-22)
conductor:
Russell Garcia (on 1960-02-22)
arranger:
Russell Garcia
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-02-22)
recording of:
Buckle Down, Winsocki (Martin/Blane song, from the musical “Best Foot Forward”) (on 1960-02-22)
writer:
Ralph Blane and Hugh Martin
1:49

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printed in:U.S.A.