The Complete RCA Recordings

~ Release by Seiji Ozawa, Chicago Symphony Orchestra (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Piano Concerto no. 1, Sz. 83: I. Allegro moderato - Allegro
solo piano:
Peter Serkin (pianist)
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: I. Allegro moderato
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók9:47
2Piano Concerto no. 1, Sz. 83: II. Andante - attacca
solo piano:
Peter Serkin (pianist)
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: II. Andante
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók9:20
3Piano Concerto no. 1, Sz. 83: III. Allegro molto
solo piano:
Peter Serkin (pianist)
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: III. Allegro molto
composer:
Bartók Béla (Béla Bartók, composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók7:19
4Piano Concerto no. 3, Sz. 119: I. Allegretto
solo piano:
Peter Serkin (pianist)
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: I. Allegretto
composer:
Bartók Béla (Béla Bartók, composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók7:14
5Piano Concerto no. 3, Sz. 119: II. Adagio religioso
solo piano:
Peter Serkin (pianist)
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: II. Adagio religioso
composer:
Bartók Béla (Béla Bartók, composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók11:36
6Piano Concerto no. 3, Sz. 119: III. Allegro vivace
solo piano:
Peter Serkin (pianist)
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: III. Allegro vivace
composer:
Bartók Béla (Béla Bartók, composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók6:58
2▼CD
#TitleArtistRatingLength
1Pictures at an Exhibition: Promenade #1
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:37
2Pictures at an Exhibition: Gnomus
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: I. Gnomus (Pictures at an Exhibition: I. Gnomus, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky2:17
3Pictures at an Exhibition: Promenade #2
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza, orchestrated by Ravel, 2nd promenade) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:01
4Pictures at an Exhibition: The Old Castle
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky4:03
5Pictures at an Exhibition: Promenade #3
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato non tanto, pesante, orchestrated by Ravel, 3rd promenade) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky0:34
6Pictures at an Exhibition: Tuileries
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:07
7Pictures at an Exhibition: Bydlo
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: IV. Bydlo (Pictures at an Exhibition: IV. Bydło, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky2:27
8Pictures at an Exhibition: Promenade #4
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Tranquillo, orchestrated by Ravel, 4th promenade) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky0:48
9Pictures at an Exhibition: Ballet of the Unhatched Chicks
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:10
10Pictures at an Exhibition: Samuel Goldenburg & Schmuyle
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle (Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” (Pictures at an Exhibition: Samual Goldenberg and Schmuÿle, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky2:16
11Pictures at an Exhibition: The Market at Limoges
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:27
12Pictures at an Exhibition: Roman Burial Catacombs
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) (Pictures at an Exhibition: VIII. Catacombae (Sepulchrum romanum), orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:37
13Pictures at an Exhibition: With the Dead in the Language of Death
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: Cum Mortuis in lingua mortua (Pictures at an Exhibition: Cum Mortuis in lingua mortua, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:49
14Pictures at an Exhibition: Baba Yaga
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (Pictures at an Exhibition: XIV. The Hut on Fowl’s Legs (Baba-Yaga), orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky3:20
15Pictures at an Exhibition: The Great Gate of Kiev
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (on 1967-07-18)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky4:47
16The Young Person's Guide to the Orchestra, op. 34: Theme: Full Orchestra
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:28
17The Young Person's Guide to the Orchestra, op. 34: Theme: Woodwinds
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:25
18The Young Person's Guide to the Orchestra, op. 34: Theme: Brass
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:20
19The Young Person's Guide to the Orchestra, op. 34: Theme: Strings
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:20
20The Young Person's Guide to the Orchestra, op. 34: Theme: Percussion
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:17
21The Young Person's Guide to the Orchestra, op. 34: Theme: Full Orchestra
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:21
22The Young Person's Guide to the Orchestra, op. 34: Var. A (Piccolo & Flutes)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:36
23The Young Person's Guide to the Orchestra, op. 34: Var. B (Oboes)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:56
24The Young Person's Guide to the Orchestra, op. 34: Var. C (Clarinets)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:38
25The Young Person's Guide to the Orchestra, op. 34: Var. D (Bassoons)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:53
26The Young Person's Guide to the Orchestra, op. 34: Var. E (Violins)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:36
27The Young Person's Guide to the Orchestra, op. 34: Var. F (Violas)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:59
28The Young Person's Guide to the Orchestra, op. 34: Var. G (Cellos)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:04
29The Young Person's Guide to the Orchestra, op. 34: Var. H (Double Basses)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:08
30The Young Person's Guide to the Orchestra, op. 34: Var. I (Harp)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:52
31The Young Person's Guide to the Orchestra, op. 34: Var. J (French Horns)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:51
32The Young Person's Guide to the Orchestra, op. 34: Var. K (Trumpets)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:30
33The Young Person's Guide to the Orchestra, op. 34: Var. L (Trombones & Tuba)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:06
34The Young Person's Guide to the Orchestra, op. 34: Var. M (Percussion)
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion) (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:49
35The Young Person's Guide to the Orchestra, op. 34: Fugue
orchestra:
Chicago Symphony Orchestra (on 1967-07-18)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-18)
recorded at:
Medinah Temple in Chicago (on 1967-07-18)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (on 1967-07-18)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten3:01
36A Night on Bare Mountain
orchestra:
Chicago Symphony Orchestra (on 1968-08-09)
conductor:
Seiji Ozawa (conductor and composer) (on 1968-08-09)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-08-09)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov) (on 1968-08-09)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Modest Moussorgsky10:50
3▼CD
#TitleArtistRatingLength
1Fireworks, op. 4
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-08)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-08)
recording of:
Feu d’artifice, op. 4 (Fireworks, op. 4) (on 1968-07-08)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1908)
premiered at:
[concert] (1909-02-06)
part of:
K Catalog (number: K007)
recording of:
Feu d’artifice, op. 4 (Fireworks, op. 4) (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1908)
premiered at:
[concert] (1909-02-06)
part of:
K Catalog (number: K007)
Igor Stravinsky3:34
2The Rite of Spring: Part I (The Adoration of the Earth). Introduction
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:08
3The Rite of Spring: Part I (The Adoration of the Earth). Harbingers of Spring (Dances of the Young Girls)
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:09
4The Rite of Spring: Part I (The Adoration of the Earth). Mock Abduction
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:22
5The Rite of Spring: Part I (The Adoration of the Earth). Spring Khorovod (Round Dances)
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:33
6The Rite of Spring: Part I (The Adoration of the Earth). Games of the Rival Tribes
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:48
7The Rite of Spring: Part I (The Adoration of the Earth). Procession of the Wise Elder
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:40
8The Rite of Spring: Part I (The Adoration of The Earth). Adoration of the Earth (Wise Elder)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:19
9The Rite of Spring: Part I (The Adoration of The Earth). Dance of the Earth
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:05
10The Rite of Spring: Part II (The Sacrifice). Introduction
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:26
11The Rite of Spring: Part II (The Sacrifice). Mystic Circles of the Young Girls
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:14
12The Rite of Spring: Part II (The Sacrifice). Glorification of the Chosen Victim
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:24
13The Rite of Spring: Part II (The Sacrifice). Summoning of the Ancestors
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky0:53
14The Rite of Spring: Part II (The Sacrifice). Ritual of the Ancestors
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:30
15The Rite of Spring: Part II (The Sacrifice). Sacrificial Dance (Chosen One)
orchestra:
Chicago Symphony Orchestra (in 1968, on 1968-07-01)
conductor:
Seiji Ozawa (conductor and composer) (in 1968, on 1968-07-01)
recorded at:
Symphony Center: Orchestra Hall in Chicago (on 1968-07-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (on 1968-07-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (in 1968)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:12
4▼CD
#TitleArtistRatingLength
1Concerto for Piano and Orchestra, op. 42: I. Andante
recording engineer:
Richard Gardner (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Peter Serkin (pianist) (on 1967-07-17)
orchestra:
Chicago Symphony Orchestra (on 1967-07-17)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-17)
recorded at:
Medinah Temple in Chicago (on 1967-07-17)
recording of:
Concerto for Piano and Orchestra, op. 42: Andante (on 1967-07-17)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Concerto for Piano and Orchestra, op. 42
Arnold Schönberg5:55
2Concerto for Piano and Orchestra, op. 42: II. Molto allegro
recording engineer:
Richard Gardner (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Peter Serkin (pianist) (on 1967-07-17)
orchestra:
Chicago Symphony Orchestra (on 1967-07-17)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-17)
recorded at:
Medinah Temple in Chicago (on 1967-07-17)
recording of:
Concerto for Piano and Orchestra, op. 42: Molto allegro (Bar 176) (on 1967-07-17)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Concerto for Piano and Orchestra, op. 42
Arnold Schönberg2:48
3Concerto for Piano and Orchestra, op. 42: III. Adagio
recording engineer:
Richard Gardner (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Peter Serkin (pianist) (on 1967-07-17)
orchestra:
Chicago Symphony Orchestra (on 1967-07-17)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-17)
recorded at:
Medinah Temple in Chicago (on 1967-07-17)
recording of:
Concerto for Piano and Orchestra, op. 42: Adagio (Bar 264) (on 1967-07-17)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Concerto for Piano and Orchestra, op. 42
Arnold Schönberg8:24
4Concerto for Piano and Orchestra, op. 42: IV. Giocoso (moderato)
recording engineer:
Richard Gardner (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Peter Serkin (pianist) (on 1967-07-17)
orchestra:
Chicago Symphony Orchestra (on 1967-07-17)
conductor:
Seiji Ozawa (conductor and composer) (on 1967-07-17)
recorded at:
Medinah Temple in Chicago (on 1967-07-17)
recording of:
Concerto for Piano and Orchestra, op. 42: Giocoso (Moderato) (Bar 329) (on 1967-07-17)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Concerto for Piano and Orchestra, op. 42
Arnold Schönberg6:53
5Fünf Klavierstücke, op. 23 (1920/23): Nr. 1: Sehr langsam (1920)
recording engineer:
Richard Gardner (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Peter Serkin (pianist) (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recorded at:
Webster Hall in East Village (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recording of:
Fünf Klavierstücke, op. 23: I. Sehr langsam (from 1967-10-30 until 1967-11-03)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (from 1920 until 1923)
part of:
Fünf Klavierstücke, op. 23
Arnold Schönberg3:09
6Fünf Klavierstücke, op. 23 (1920/23): Nr. 2: Sehr rasch (1920)
recording engineer:
Richard Gardner (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Peter Serkin (pianist) (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recorded at:
Webster Hall in East Village (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recording of:
Fünf Klavierstücke, op. 23: II. Sehr rasch (from 1967-10-30 until 1967-11-03)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (from 1920 until 1923)
part of:
Fünf Klavierstücke, op. 23
Arnold Schönberg1:27
7Fünf Klavierstücke, op. 23 (1920/23): Nr. 3: Langsam (1923)
recording engineer:
Richard Gardner (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Peter Serkin (pianist) (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recorded at:
Webster Hall in East Village (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recording of:
Fünf Klavierstücke, op. 23: III. Langsam (from 1967-10-30 until 1967-11-03)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (from 1920 until 1923)
part of:
Fünf Klavierstücke, op. 23
Arnold Schönberg4:58
8Fünf Klavierstücke, op. 23 (1920/23): Nr. 4: Schwungvoll (1920/1923)
recording engineer:
Richard Gardner (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Peter Serkin (pianist) (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recorded at:
Webster Hall in East Village (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recording of:
Fünf Klavierstücke, op. 23: IV. Schwungvoll. Mäßige Viertel (from 1967-10-30 until 1967-11-03)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (from 1920 until 1923)
part of:
Fünf Klavierstücke, op. 23
Arnold Schönberg1:40
9Fünf Klavierstücke, op. 23 (1920/23): Nr. 5: Walzer (1923)
recording engineer:
Richard Gardner (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Peter Serkin (pianist) (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recorded at:
Webster Hall in East Village (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recording of:
Fünf Klavierstücke, op. 23: V. Walzer (from 1967-10-30 until 1967-11-03)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (from 1920 until 1923)
part of:
Fünf Klavierstücke, op. 23
Arnold Schönberg2:57
10Phantasy for Violin with Piano Accompaniment, op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso
recording engineer:
Richard Gardner (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Peter Serkin (pianist) (on 1967-10-30, from 1967-11-01 until 1967-11-03)
violin:
Arnold Steinhardt (violinist) (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recorded at:
Webster Hall in East Village (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recording of:
Fantasy for Violin with Piano Accompaniment, op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso - (from 1967-10-30 until 1967-11-03)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Phantasy for Violin with Piano Accompaniment, op. 47
Arnold Schönberg6:53
11Phantasy for Violin with Piano Accompaniment, op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso Tempo I
recording engineer:
Richard Gardner (engineer)
producer:
Max Wilcox (engineer/editor/producer)
piano:
Peter Serkin (pianist) (on 1967-10-30, from 1967-11-01 until 1967-11-03)
violin:
Arnold Steinhardt (violinist) (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recorded at:
Webster Hall in East Village (on 1967-10-30, from 1967-11-01 until 1967-11-03)
recording of:
Fantasy for Violin with Piano Accompaniment, op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I (from 1967-10-30 until 1967-11-03)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Phantasy for Violin with Piano Accompaniment, op. 47
Arnold Schönberg2:58
5▼CD
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1Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima - Allegro con anima
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky14:06
2Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky12:20
3Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky5:54
4Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Allegro vivace
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso (Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky11:58
5Night on Bald Mountain
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Modest Mussorgsky10:50
6▼CD
#TitleArtistRatingLength
1Symphony no. 5 in C minor, op. 67: I. Allegro con brio
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:25
2Symphony no. 5 in C minor, op. 67: II. Andante con moto
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven10:36
3Symphony no. 5 in C minor, op. 67: III. Allegro
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven5:18
4Symphony no. 5 in C minor, op. 67: IV. Allegro
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:32
5Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert12:10
6Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto
orchestra:
Chicago Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert10:57