Epiphany Mass

~ Release by Johann Sebastian Bach; Gabrieli Consort & Players, Paul McCreesh (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Church Bells
producer:
Christopher Adler (American composer & musician)
performer:
[church chimes] (Special Purpose Artist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[traditional]0:49
2Puer natus in Bethlehem, BWV603
producer:
Christopher Adler (American composer & musician)
organ:
James Johnstone (classical organist & harpsichordist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Puer natus in Bethlehem, BWV 603 (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 5) and Bach-Werke-Verzeichnis (number: BWV 603)
Johann Sebastian Bach1:04
3Puer Natus in Bethlehem (Benedictine Processional, 14th C.)
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]3:37
4Fantasia in E-flat major
producer:
Christopher Adler (American composer & musician)
organ:
James Johnstone (classical organist & harpsichordist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Fantasia in E-flat major, P. 127, T. 254 (in 1997-05)
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 127), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (number: PC. 182) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 254)
Johann Pachelbel3:32
5Mass in F major, BWV 233: I. Kyrie
producer:
Christopher Adler (American composer & musician)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (in 1997-05)
premiered in:
Leipzig
composed in:
Leipzig (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:03
6Mass in F major, BWV 233: II. Gloria in excelsis
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (in 1997-05)
premiered in:
Leipzig
composed in:
Leipzig (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:08
7Mass in F major, BWV 233: III. Domine Deus
producer:
Christopher Adler (American composer & musician)
bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (in 1997-05)
premiered in:
Leipzig
composed in:
Leipzig (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach3:38
8Mass in F major, BWV 233: IV. Qui tollis peccata
producer:
Christopher Adler (American composer & musician)
soprano vocals:
Ann Monoyios (soprano) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1997-05)
premiered in:
Leipzig
composed in:
Leipzig (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:22
9Mass in F major, BWV 233: V. Quoniam tu solus sanctus
producer:
Christopher Adler (American composer & musician)
alto vocals:
Angus Davidson (Countertenor) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Missa in F major, BWV 233: Quoniam tu solus sanctus (for organ, Isoir) (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
organ arranger:
André Isoir (organist)
arrangement of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus"
Johann Sebastian Bach3:18
10Mass in F major, BWV 233: VI. Cum sancto Spiritu
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (in 1997-05)
premiered in:
Leipzig
composed in:
Leipzig (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach2:23
11Salutation and Response: "Dominus vobiscum: Deus illuminator"
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]1:31
12Epistle: So schreibt der Prophet Jesaja
producer:
Christopher Adler (American composer & musician)
spoken vocals:
Matthias Fischer (violinist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]1:40
13Christum wir sollen loben schon, BWV611
producer:
Christopher Adler (American composer & musician)
organ:
James O’Donnell (organist and choir master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Christum wir sollen loben schon, BWV 611 (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 13) and Bach-Werke-Verzeichnis (number: BWV 611)
Johann Sebastian Bach2:03
14Gradual hymn: Was fürcht'st du, Feind Herodes, sehr
producer:
Christopher Adler (American composer & musician)
organ:
James Johnstone (classical organist & harpsichordist) (in 1997-05)
choir vocals:
Gemeindechor Dresden (in 1997-05) and Gemeindechor Freiberg (in 1997-05)
spoken vocals:
Andreas Vogt (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]6:05
15Gospel: Der Herr sei mit euch: Da Jesus geboren war
producer:
Christopher Adler (American composer & musician)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]3:52
16Toccata in B-flat major
producer:
Christopher Adler (American composer & musician)
organ:
James Johnstone (classical organist & harpsichordist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Toccata and Fugue in B-flat major, P. 470, T. 247: I. Toccata (in 1997-05)
composer:
Johann Pachelbel (composer)
part of:
Toccata and Fugue in B-flat major, P. 470, T. 247
Johann Pachelbel1:47
17Sie werden aus Saba alle kommen, Cantata BWV 65: I. "Sie werden aus Saba alle kommen"
producer:
Christopher Adler (American composer & musician)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach4:28
18Sie werden aus Saba alle kommen, Cantata BWV 65: II. "Die Könige aus Saba kamen dar"
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach0:32
19Sie werden aus Saba alle kommen, Cantata BWV 65: III. "Was dort Jesaias vorhergesehn"
producer:
Christopher Adler (American composer & musician)
bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:43
20Sie werden aus Saba alle kommen, Cantata BWV 65: IV. "Gold aus Ophir ist zu schlecht"
producer:
Christopher Adler (American composer & musician)
bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach2:13
21Sie werden aus Saba alle kommen, Cantata BWV 65: V. "Verschmähe nicht, du, meiner Seelen Licht"
producer:
Christopher Adler (American composer & musician)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:20
22Sie werden aus Saba alle kommen, Cantata BWV 65: VI. "Nimm mich dir zu eigen hin"
producer:
Christopher Adler (American composer & musician)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach3:12
23Sie werden aus Saba alle kommen, Cantata BWV 65: VII. "Ei nun, mein Gott, so fall ich dir getrost"
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1997-05)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
Johann Sebastian Bach1:03
24Credal hymn: Wir glauben all an einen Gott
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gemeindechor Dresden (in 1997-05) and Gemeindechor Freiberg (in 1997-05)
spoken vocals:
Andreas Vogt (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]5:29
25Salutation: Gnade sei mit euch
producer:
Christopher Adler (American composer & musician)
spoken vocals:
Andreas Vogt (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]0:28
26Der Tag ist so freudenreich, BWV 719
producer:
Christopher Adler (American composer & musician)
organ:
James O’Donnell (organist and choir master) (in 1997-05)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Der Tag, der ist so freudenreich, BWV 719 (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Neumeister-Sammlung (Neumeister Collection) (number: 11), Emans-Verzeichnis (Emans catalogue) (number: Emans 52) and Bach-Werke-Verzeichnis (number: BWV 719)
Johann Sebastian Bach1:20
27Pulpit hymn: Ein Kindelein so löblich
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gemeindechor Dresden (in 1997-05) and Gemeindechor Freiberg (in 1997-05)
spoken vocals:
Andreas Vogt (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]1:07
28Sermon: Lesung aus dem Heiligen Evangelisten Matthäo
producer:
Christopher Adler (American composer & musician)
spoken vocals:
Andreas Vogt (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]5:58
2▼CD
#TitleArtistRatingLength
1Nun danket alle Gott, BWV 657
producer:
Christopher Adler (American composer & musician)
organ:
James O’Donnell (organist and choir master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 657 "Nun danket alle Gott" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 7) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 657)
is based on:
Nun danket alle Gott (Lutheran choral)
Johann Sebastian Bach4:44
2Hymn of the day: Was soll ich liebstes Kind
producer:
Christopher Adler (American composer & musician)
organ:
James Johnstone (classical organist & harpsichordist) (in 1997-05)
choir vocals:
Gemeindechor Dresden (in 1997-05) and Gemeindechor Freiberg (in 1997-05)
spoken vocals:
Andreas Vogt (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]6:46
3Prelude in C, BWV 567
producer:
Christopher Adler (American composer & musician)
organ:
James O’Donnell (organist and choir master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Prelude in C major, BWV 567 (in 1997-05)
composer:
Johann Ludwig Krebs (German composer and organist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Krebs‐Werkverzeichnis (number: KWV 401), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 705) and Bach-Werke-Verzeichnis (number: BWV 567)
Johann Sebastian Bach1:19
4Preface for Epiphany
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]2:54
5Sanctus in D major, BWV 238
producer:
Christopher Adler (American composer & musician) and Christopher Alder (editor/engineer/producer)
alto vocals and countertenor vocals:
Angus Davidson (Countertenor) (in 1997-05)
baritone vocals and bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
soprano vocals:
Ann Monoyios (soprano) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Sanctus D-Dur, BWV 238 (in 1997-05)
premiered in:
Leipzig
composed in:
Leipzig
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 238)
Johann Sebastian Bach2:30
6The Lord's Prayer: Vater unser / Unser Herr Jesus Christ
producer:
Christopher Adler (American composer & musician)
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]2:22
7Schmücke dich, o liebe Seele, BWV 654
producer:
Christopher Adler (American composer & musician)
organ:
James Johnstone (classical organist & harpsichordist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Choralvorspiele für Orgel in Es-Dur, BWV 654 "Schmücke dich, o liebe Seele" (~Choralbearbeitung) (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 4) and Bach-Werke-Verzeichnis (number: BWV 654)
version of:
Choralvorspiele für Orgel in Es-Dur, BWV 654a "Schmücke dich, o liebe Seele"
Johann Sebastian Bach7:57
8Schmücke dich, o liebe Seele, Cantata BWV 180: I. "Schmücke dich, o liebe Seele"
producer:
Christopher Adler (American composer & musician)
alto vocals and countertenor vocals:
Angus Davidson (Countertenor) (in 1997-05)
baritone vocals and bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
soprano vocals:
Ann Monoyios (soprano) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 1997-05) and Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": I. Choral "Schmücke dich, o liebe Seele" (in 1997-05)
premiered in:
Leipzig (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach5:05
9Schmücke dich, o liebe Seele, Cantata BWV 180: II. "Ermuntre dich, dein Heiland klopft"
producer:
Christopher Adler (American composer & musician)
baritone vocals:
Peter Harvey (bass-baritone) (in 1997-05)
countertenor vocals:
Angus Davidson (Countertenor) (in 1997-05)
soprano vocals:
Ann Monoyios (soprano) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 1997-05) and Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": II. Aria (Tenor) "Ermuntre dich: dein Heiland klopft" (in 1997-05)
premiered in:
Leipzig (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach4:51
10Schmücke dich, o liebe Seele, Cantata BWV 180: III. "Wie teuer sind des heiligen Mahles Gaben"
producer:
Christopher Adler (American composer & musician)
baritone vocals:
Peter Harvey (bass-baritone) (in 1997-05)
countertenor vocals:
Angus Davidson (Countertenor) (in 1997-05)
soprano vocals:
Ann Monoyios (soprano) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 1997-05) and Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": III. Recitativo e Choral (Sopran) "Wie teuer sind des heilgen Mahles Gaben" (in 1997-05)
premiered in:
Leipzig (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach3:00
11Schmücke dich, o liebe Seele, Cantata BWV 180: IV. "Mein Herz fühlt in sich Furcht und Freude"
producer:
Christopher Adler (American composer & musician)
alto vocals and countertenor vocals:
Angus Davidson (Countertenor) (in 1997-05)
baritone vocals:
Peter Harvey (bass-baritone) (in 1997-05)
soprano vocals:
Ann Monoyios (soprano) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 1997-05) and Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": IV. Recitativo (Alt) "Mein Herz fühlt in sich Furcht und Freude" (in 1997-05)
premiered in:
Leipzig (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:11
12Schmücke dich, o liebe Seele, Cantata BWV 180: V. "Lebens Sonne, Licht der Sinnen"
producer:
Christopher Adler (American composer & musician)
baritone vocals:
Peter Harvey (bass-baritone) (in 1997-05)
countertenor vocals:
Angus Davidson (Countertenor) (in 1997-05)
soprano vocals:
Ann Monoyios (soprano) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 1997-05) and Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": V. Aria (Sopran) "Lebens Sonne, Licht der Sinnen" (in 1997-05)
premiered in:
Leipzig (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach3:41
13Schmücke dich, o liebe Seele, Cantata BWV 180: VI. "Herr, lass an mir dein treues Lieben"
producer:
Christopher Adler (American composer & musician)
baritone vocals and bass vocals:
Peter Harvey (bass-baritone) (in 1997-05)
countertenor vocals:
Angus Davidson (Countertenor) (in 1997-05)
soprano vocals:
Ann Monoyios (soprano) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 1997-05) and Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VI. Recitativo (Bass) "Herr, laß an mir dein treues Lieben" (in 1997-05)
premiered in:
Leipzig (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach0:54
14Schmücke dich, o liebe Seele, Cantata BWV 180: VII. "Jesu, wahres Brot des Lebens"
producer:
Christopher Adler (American composer & musician)
baritone vocals:
Peter Harvey (bass-baritone) (in 1997-05)
choir vocals:
Gabrieli Consort (in 1997-05)
countertenor vocals:
Angus Davidson (Countertenor) (in 1997-05)
soprano vocals:
Ann Monoyios (soprano) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 1997-05) and Gabrieli Players (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VII. Choral "Jesu, wahres Brot des Lebens" (in 1997-05)
premiered in:
Leipzig (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 304)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:09
15Nun freut euch, liebe Christen g'mein, BWV 734
producer:
Christopher Adler (American composer & musician)
organ:
James O’Donnell (organist and choir master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Nun freut euch, lieben Christen g’mein, BWV 734 (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 734), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 734) and Bach Compendium (number: BC K 125)
Johann Sebastian Bach2:02
16Hymn: Nun freut euch, liebe Christen g'mein
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gemeindechor Dresden (in 1997-05) and Gemeindechor Freiberg (in 1997-05)
spoken vocals:
Andreas Vogt (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]3:28
17Christe, du Lamm Gottes, BWV619
producer:
Christopher Adler (American composer & musician)
organ:
James O’Donnell (organist and choir master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Christe, du Lamm Gottes, BWV 619 (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 619) and Das Orgel-Büchlein (number: 21)
Johann Sebastian Bach0:58
18Hymn: Christe, du Lamm Gottes
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gemeindechor Dresden (in 1997-05) and Gemeindechor Freiberg (in 1997-05)
spoken vocals:
Andreas Vogt (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]1:37
19Gott sei uns gnädig und barmherzig, BWV 323
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gabrieli Consort (in 1997-05), Gemeindechor Dresden (in 1997-05) and Gemeindechor Freiberg (in 1997-05)
spoken vocals:
Andreas Vogt (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Choralsatz, BWV 323 "Gott sei uns gnädig und barmherzig" (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 120) and Bach-Werke-Verzeichnis (number: BWV 323)
Johann Sebastian Bach2:51
20Vom Himmel hoch, da komm ich her, BWV 738
producer:
Christopher Adler (American composer & musician)
organ:
James Johnstone (classical organist & harpsichordist) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Vom Himmel hoch, da komm ich her, BWV 738 (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 738)
Johann Sebastian Bach1:22
21Vom Himmel hoch, o Englein kommt (Kölner Gesangbuch 1625)
producer:
Christopher Adler (American composer & musician)
choir vocals:
Gemeindechor Dresden (in 1997-05) and Gemeindechor Freiberg (in 1997-05)
spoken vocals:
Andreas Vogt (in 1997-05)
conductor:
Paul McCreesh (conductor) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
[unknown]10:48
22Fantasia in G major, BWV 572
producer:
Christopher Adler (American composer & musician)
organ:
James O’Donnell (organist and choir master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf (in 1997-05)
recording of:
Fantasia G-Dur, BWV 572 “Pièce d’Orgue” (in 1997-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 572)
Johann Sebastian Bach8:21

Credits

Release

editor:Jürgen Bulgrin (sound engineer)