The Rock ’n’ Roll Era: Elvis, The King: 1954–1965

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloValutazioneDurata
1Good Rockin’ Tonight
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1954) e Elvis Presley (“The King of Rock and Roll”) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e BMG Entertainment (nel 1955)
registrata presso:
Sun Studio in Memphis (nel 1954, dal 1954-09-12 al 1954-09-16)
registrazione cover di:
Good Rockin’ Tonight (il 1954-09-10)
paroliere e compositore:
Roy Brown (blues musician) (nel 1947-07)
editore:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. e Wixen Music UK Ltd.
52:14
2My Baby Left Me
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
batteria :
D.J. Fontana (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10, dal 1956-01-30 al 1956-02-03) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e BMG Music (nel 1956)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30, dal 1956-01-30 al 1956-01-31, il 1956-02-03)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 29)
registrazione cover di:
My Baby Left Me (dal 1956-01-30 al 1956-02-03)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
registrazione di:
My Baby Left Me
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
3.252:10
3Anyway You Want Me (That’s How I Will Be)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1956-07-02)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione di:
Any Way You Want Me (il 1956-07-02)
autore:
Cliff Owens e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music e Ross Jungnickel, Inc.
42:14
4Blue Suede Shoes
assistente tecnico:
Dror Mohar
tecnico di missaggio:
Ray Bardani
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-30) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
mixata presso:
Electric Lady Studios in Greenwich Village
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 423)
registrazione cover di:
Blue Suede Shoes (il 1956-01-30)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
42:00
5Lawdy, Miss Clawdy
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-02-03)
batteria :
D.J. Fontana (il 1956-02-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-02-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-02-03)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-02-03)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-02-03)
registrazione cover di:
Lawdy Miss Clawdy (il 1956-02-03)
paroliere e compositore:
Lloyd Price (US R&B/soul singer) (nel 1952-03)
editore:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC e Venice Music
3.42:09
6That’s When Your Heartaches Begin
registrazione cover di:
That’s When Your Heartaches Begin (il 1957-01-13)
autore:
Fred Fisher, Billy Hill (US songwriter) e William Raskin
editore:
Fred Fisher Music Co., Inc. e Sony/ATV Tunes LLC (ASCAP)
3.53:23
7Mystery Train
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955)
registrata presso:
Sun Studio in Memphis (nel 1955-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 77)
registrazione cover di:
Mystery Train (il 1955-07-11)
autore:
Junior Parker e Sam Phillips (founder of Sun Records)
editore:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Hilo Music Inc. (nel 1953)
32:24
8Treat Me Nice
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-09-05)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1957-09-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrazione di:
Treat Me Nice (il 1957-09-05)
autore:
Jerry Leiber e Mike Stoller
editore:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) e Sony/ATV Songs LLC
42:14
9Money Honey
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
registrata presso:
RCA Victor Studios (Nashville) in Nashville (il 1956-01-10)
registrazione cover di:
Money Honey (il 1956-01-10)
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
3.352:34
10(You’re So Square) Baby I Don’t Care
registrazione cover di:
(You’re So Square) Baby I Don’t Care
paroliere:
Jerry Leiber (nel 1957)
compositore:
Mike Stoller (nel 1957)
editore:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC e WB Music Corp. (1929–2019)
1:54
11Loving You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-02-23 al 1957-02-24)
batteria :
D.J. Fontana (dal 1957-02-23 al 1957-02-24)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-02-23 al 1957-02-24) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-02-23 al 1957-02-24)
pianoforte :
Dudley Brooks (dal 1957-02-23 al 1957-02-24)
voce:
The Jordanaires (southern gospel group) (dal 1957-02-23 al 1957-02-24)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-02-24)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1957-02-24)
diritti fonografici (℗) detenuti da:
BMG Music e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (dal 1957-02-23 al 1957-02-24)
registrazione di:
Loving You (dal 1957-02-23 al 1957-02-24)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) e Sony/ATV Songs LLC
registrazione cover di:
Loving You
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) e Sony/ATV Songs LLC
3.52:16
12Party
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-15 al 1957-01-18)
batteria :
D.J. Fontana (dal 1957-01-15 al 1957-01-18)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-15 al 1957-01-18) e Tiny Timbrell (dal 1957-01-15 al 1957-01-18)
pianoforte :
Dudley Brooks (dal 1957-01-15 al 1957-01-18)
voce:
The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1957) e RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1957)
registrata presso:
Paramount Pictures Scoring Stage M in Los Angeles (dal 1957-01-15 al 1957-01-18)
registrazione cover di:
Let’s Have a Party (dal 1957-01-15 al 1957-01-18)
paroliere e compositore:
Jessie Mae Robinson
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
3.451:29
13I Feel So Bad
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1961-03-12)
diritti fonografici (℗) detenuti da:
BMG Music e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrazione cover di:
I Feel So Bad (il 1961-03-12)
paroliere e compositore:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
editore:
Berkshire Music Inc., Cecil Lennox Ltd, Chuck Willis Music Co., Elvis Presley Music Inc. e Tideland Music Publishing Corporation
12:53
14Return to Sender
produttore:
Hugo & Luigi (US producers Hugo Peretti & Luigi Creatore)
basso :
Ray Siegel (il 1962-03-27)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1962-03-27), D.J. Fontana (il 1962-03-27) e Bernie Mattinson (il 1962-03-27)
chitarra :
Barney Kessel (il 1962-03-27), Scotty Moore (American guitarist and recording engineer) (il 1962-03-27) e Tiny Timbrell (il 1962-03-27)
clarinetto e sassofono :
Boots Randolph (il 1962-03-27)
pianoforte :
Dudley Brooks (il 1962-03-27)
voce:
The Jordanaires (southern gospel group) (il 1962-03-27)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1962-03-27)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1962) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (il 1962-03-27)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 21)
registrazione di:
Return to Sender (il 1962-03-27)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Winfield Scott
traduttore:
Margot Borgström
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), The Manor Music Co. Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Carlin Music Corp. (nel 1981)
versione di:
Verkeerd verbonden
registrazione cover di:
Return to Sender
autore:
Otis Blackwell (American pianist, singer and songwriter) e Winfield Scott
traduttore:
Margot Borgström
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), The Manor Music Co. Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Carlin Music Corp. (nel 1981)
versione di:
Verkeerd verbonden
42:09
15(You’re the) Devil in Disguise
basso :
Bob Moore (U.S. bassist and bandleader) (dal 1963-05-26 al 1963-05-27)
batteria :
D.J. Fontana (dal 1963-05-26 al 1963-05-27) e Buddy Harman (Session drummer and songwriter) (dal 1963-05-26 al 1963-05-27)
chitarra :
Harold Bradley (dal 1963-05-26 al 1963-05-27), Jerry Kennedy (dal 1963-05-26 al 1963-05-27), Grady Martin (country/rockabilly guitarist) (dal 1963-05-26 al 1963-05-27) e Scotty Moore (American guitarist and recording engineer) (dal 1963-05-26 al 1963-05-27)
pianoforte :
Floyd Cramer (dal 1963-05-26 al 1963-05-27)
sassofono , shaker e vibrafono [vibes] :
Boots Randolph (dal 1963-05-26 al 1963-05-27)
voce:
The Jordanaires (southern gospel group) (dal 1963-05-26 al 1963-05-27) e Millie Kirkham (dal 1963-05-26 al 1963-05-27)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1963-05-26)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1963), BMG Music (nel 1963) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville (dal 1963-05-26 al 1963-05-27)
registrazione cover di:
(You’re the) Devil in Disguise (dal 1963-05-26 al 1963-05-27)
autore:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) e Florence Kaye
editore:
Carlin Music Corporation e R&H Music
2.752:18
16I Got Stung
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1958-06-10)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1958-06-10)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1958) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrazione di:
I Got Stung (il 1958-06-10)
autore:
David Hill (US songwriter) e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Carlin Music Corporation, Gladys Music, Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
registrazione cover di:
I Got Stung (il 1958-06-11)
autore:
David Hill (US songwriter) e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Carlin Music Corporation, Gladys Music, Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
11:51
17I Need Your Love Tonight
basso :
Bob Moore (U.S. bassist and bandleader) (il 1958-06-10)
batteria :
D.J. Fontana (il 1958-06-10) e Buddy Harman (Session drummer and songwriter) (il 1958-06-10)
chitarra :
Chet Atkins (il 1958-06-10), Hank Garland (il 1958-06-10) e Elvis Presley (“The King of Rock and Roll”) (il 1958-06-10)
pianoforte :
Floyd Cramer (il 1958-06-10)
voce:
The Jordanaires (southern gospel group) (il 1958-06-10)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1958-06-10)
diritti fonografici (℗) detenuti da:
BMG Music e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville (il 1958-06-10)
registrazione di:
I Need Your Love Tonight (il 1958-06-10)
autore:
Bickley Reichner e Sid Wayne
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Holly-Hill Music Publishing Co., Malvern Music Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Williamson Music Company
3.12:04
18(Marie’s the Name) His Latest Flame
basso :
Bob Moore (U.S. bassist and bandleader) (il 1961-06-25)
batteria :
D.J. Fontana (il 1961-06-25) e Buddy Harman (Session drummer and songwriter) (il 1961-06-25)
chitarra :
Hank Garland (il 1961-06-25), Neal Matthews (il 1961-06-25) e Scotty Moore (American guitarist and recording engineer) (il 1961-06-25)
legnetti :
Boots Randolph (il 1961-06-25)
organo :
Floyd Cramer (il 1961-06-25) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1961-06-25)
pianoforte :
Floyd Cramer (il 1961-06-25)
voce:
The Jordanaires (southern gospel group) (il 1961-06-25) e Millie Kirkham (il 1961-06-25)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1961-06-25)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1961), BMG Music (nel 1961) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville (il 1961-06-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 31)
registrazione cover di:
(Marie’s the Name) His Latest Flame (il 1961-06-25)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music e R&H Music
2.252:06
19Such a Night
tecnico di registrazione:
Bill Porter (engineer) (il 1960-04-03)
produttore:
Chet Atkins e Steve Sholes
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Music e BMG Entertainment (nel 1960)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville (il 1960-04-03) e RCA Victor Studios (Nashville) in Nashville (il 1960-04-03)
mixata presso:
RCA Victor Studios (Nashville) in Nashville
registrazione cover di:
Such a Night (il 1960-04-03)
paroliere e compositore:
Lincoln Chase (songwriter)
editore:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation e Raleigh Music, Inc.
33:00
20Good Luck Charm
basso :
Bob Moore (U.S. bassist and bandleader) (il 1961-10-15)
batteria :
D.J. Fontana (il 1961-10-15) e Buddy Harman (Session drummer and songwriter) (il 1961-10-15)
chitarra :
Jerry Kennedy (il 1961-10-15) e Scotty Moore (American guitarist and recording engineer) (il 1961-10-15)
clarinetto e sassofono :
Boots Randolph (il 1961-10-15)
fisarmonica :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1961-10-15)
organo e pianoforte :
Floyd Cramer (il 1961-10-15)
voce:
Elvis Presley (“The King of Rock and Roll”), The Jordanaires (southern gospel group) (il 1961-10-15) e Millie Kirkham (il 1961-10-15)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1961), BMG Music (nel 1961, nel 1962) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville (il 1961-10-15)
registrazione cover di:
Good Luck Charm (il 1961-10-15)
autore:
Wally Gold e Aaron Schroeder (1950s~1960s US songwriter)
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Rachel’s Own Music e Williamson Music Company
2.252:24
21A Mess of Blues
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-03-20)
basso elettrico :
Hank Garland (il 1960-03-20)
batteria :
D.J. Fontana (il 1960-03-20) e Buddy Harman (Session drummer and songwriter) (il 1960-03-20)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1960-03-20) e Elvis Presley (“The King of Rock and Roll”) (il 1960-03-20)
pianoforte :
Floyd Cramer (il 1960-03-20)
cori e esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-03-20)
voce:
The Jordanaires (southern gospel group) (il 1960-03-20)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-03-20)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville (il 1960-03-20)
registrazione cover di:
A Mess of Blues (il 1960-03-20)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. e R&H Music
22:41
22Crying in the Chapel
produttore:
Steve Sholes
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-10-30)
batteria :
D.J. Fontana (il 1960-10-30) e Buddy Harman (Session drummer and songwriter) (il 1960-10-30)
chitarra :
Hank Garland (il 1960-10-30) e Scotty Moore (American guitarist and recording engineer) (il 1960-10-30)
contrabbasso :
Bob Moore (U.S. bassist and bandleader)
pianoforte :
Floyd Cramer (il 1960-10-30)
sassofono :
Boots Randolph (il 1960-10-30)
strumenti:
Elvis Presley (“The King of Rock and Roll”) (il 1960-10-30)
voce:
Charlie Hodge (il 1960-10-30), The Jordanaires (southern gospel group) (il 1960-10-30) e Millie Kirkham (il 1960-10-30)
voce di accompagnamento:
The Jordanaires (southern gospel group)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-10-31)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-10-31)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1965), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1965) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville (il 1960-10-30)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 26)
registrazione cover di:
Crying in the Chapel (dal 1960-10-30 al 1960-10-31)
paroliere e compositore:
Artie Glenn (nel 1953)
editore:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) e Mijac Music
2.82:26

Accreditamenti

Pubblicazione

fabbricata a:Stati Uniti