Hinübergehen: Das Wunder des Spätwerks

~ Release by Joachim-Ernst Berendt (see all versions of this release, 1 available)

Tracklist

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1▼CD: Fragen
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1Messe in h-moll: Credo in unum Deum
choir vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
Johann Sebastian Bach1:59
2Messe in h-moll: Credo in unum Deum / Patrem Omnipotentem
choir vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
Johann Sebastian Bach1:53
3Messe in h-moll: Confiteor
choir vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
Johann Sebastian Bach3:05
4Messe in h-moll: Et exspecto resurrectionem
choir vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
Johann Sebastian Bach4:19
5Choral Nr.3 a-moll
organ:
Wolfgang Rübsam (organist)
recording of:
Choral n° 3 en la mineur, FWV 40 (Chorale no. 3 in A minor)
composer:
César Franck (Belgian‐born French composer) (in 1890)
dedicated to:
Augusta Holmès
part of:
Catalogue of the works of César Franck by Joël-Marie Fauquet (CFF) (number: CFF 107) and Franck Werke Verzeichnis (number: 40)
part of:
Trois chorals pour orgue
César Franck13:32
6Streichquartett B-Dur, op. 130: Cavatina
strings:
Alban Berg Quartett (Alban Berg Quartet, string quartet)
recording of:
String Quartet no. 13 in B‐flat major, op. 130: V. Cavatina. Adagio molto espressivo
composer:
Ludwig van Beethoven (German composer) (from 1825 until 1826)
part of:
String Quartet no. 13 in B‐flat major, op. 130
Ludwig van Beethoven7:06
7Klaviersonate B-Dur D960, op. posth: Andante sostenuto
piano:
Claudio Arrau (pianist)
recording of:
Sonata for Piano no. 21 in B-flat major, D. 960: II. Andante sostenuto
composer:
Franz Schubert (composer) (in 1828-09)
part of:
Sonata for Piano no. 21 in B-flat major, D. 960
Franz Schubert10:56
8Streichquartett, op. 80: 2.Satz. Allegro assai
strings:
Artis Quartett
recording of:
String Quartet no. 6 in F minor, op. 80: II. Allegro assai
composer:
Felix Mendelssohn (composer) (in 1847)
part of:
String Quartet no. 6 in F minor, op. 80
Felix Mendelssohn Bartholdy5:05
9Streichquartett Nr. 6 in D-Dur: Mesto
strings:
Alban Berg Quartett (Alban Berg Quartet, string quartet)
recording of:
String Quartet no. 6, Sz. 114, BB 119: IV. Mesto
composer:
Bartók Béla (Béla Bartók, composer) (in 1939)
part of:
String Quartet no. 6, Sz. 114, BB 119
Béla Bartók6:39
10Geistervariationen über den letzten Gedanken: Thema
piano:
Matthias Kellig (pianist)
recording of:
"Geistervariationen" in E-flat major for piano solo, WoO 24: Thema: Moderato
composer:
Robert Schumann (German classical composer) (in 1854-02)
is based on:
Thema, WoO 10 Nr. 9
part of:
"Geistervariationen" in E-flat major for piano solo, WoO 24
Robert Schumann2:10
11Geistervariationen über den letzten Gedanken: 2.Variation
piano:
Matthias Kellig (pianist)
Robert Schumann2:00
12Geistervariationen über den letzten Gedanken: Schlussvariation
piano:
Matthias Kellig (pianist)
recording of:
"Geistervariationen" in E-flat major for piano solo, WoO 24: Variation V
composer:
Robert Schumann (German classical composer)
part of:
"Geistervariationen" in E-flat major for piano solo, WoO 24
Robert Schumann2:19
13Choral-Vorspiele, op. 122 no. 11
organ:
Rudolf Innig (organist)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 11. O Welt, ich muß dich lassen (second setting)
composer:
Johannes Brahms (German composer) (in 1896)
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms2:49
14Suite nach Gedichten von Michelangelo, op. 145
piano:
Aribert Reimann (German pianist, composer and musicologist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
Dimitrij Schostakowitsch4:19
15Sinfonie Nr. 6 in b-moll: Finale. Adagio lamentoso
orchestra:
The Philadelphia Orchestra
conductor:
Riccardo Muti (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Peter Iljitsch Tschaikowsky10:24
2▼CD: Antworten
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1Sinfonie Nr. 9 d-moll: Adagio (Langsam, Feierlich)
orchestra:
Kölner Rundfunk-Sinfonieorchester (WDR Symphony Orchestra Cologne) (on 1979-10-06)
conductor:
Günter Wand (conductor) (on 1979-10-06)
recording of:
Symphony no. 9 in D-minor, WAB 109: I. Feierlich, misterioso (1894 version, ed. Nowak 1951) (on 1979-10-06)
composer:
Anton Bruckner (Austrian composer) (in 1896)
part of:
Symphony no. 9 in D-minor, WAB 109 (Symphony no. 9 in D minor, WAB 109, 1894 version, ed. Nowak 1951)
Anton Bruckner23:51
2Requiem: Introitus
instruments:
English Baroque Soloists (The English Baroque Soloists)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
Wolfgang Amadeus Mozart4:29
3Requiem: Kyrie
instruments:
English Baroque Soloists (The English Baroque Soloists)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
Wolfgang Amadeus Mozart2:43
4Requiem Canticles: Dies irae
choir vocals:
The Ithaca College Concert Choir
orchestra:
Columbia Symphony Orchestra
conductor:
Robert Craft (conductor)
recording of:
Requiem Canticles: III. Dies Irae
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1966)
part of:
Requiem Canticles
Igor Stravinsky0:57
5Requiem Canticles: Libera me
choir vocals:
The Ithaca College Concert Choir
orchestra:
Columbia Symphony Orchestra
conductor:
Robert Craft (conductor)
recording of:
Requiem Canticles: VIII. Libera me
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1966)
part of:
Requiem Canticles
Igor Stravinsky1:05
6Requiem: Dies Irae
instruments:
English Baroque Soloists (The English Baroque Soloists)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
Wolfgang Amadeus Mozart1:54
7Yamantaka-Ritual
choir vocals:
Gyuto Tantric Choir
[traditional]6:22
8Requiem: Lacrimosa
instruments:
English Baroque Soloists (The English Baroque Soloists)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
Wolfgang Amadeus Mozart2:51
9Sinfonie Nr. 10: Adagio
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
Gustav Mahler26:25
3▼CD: Ja
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1Die Krönung der Poppea: Finale. Liebesduett Poppea-Nero
guitar:
Paula Chateauneuf (Lute & theorbo player)
mezzo-soprano vocals:
Della Jones (mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra:
City of London Baroque Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
recording of:
L'incoronazione di Poppea, SV 308, Atto III, Scena 8: Ascendi, o mia diletta (Nerone, Poppea)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi5:51
2Parsifal: Vorspiel zum dritten Aufzug
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra)
conductor:
James Levine (US conductor and pianist)
recording of:
Parsifal, WWV 111: I. Aufzug, Vorspiel
composer:
Richard Wagner (composer) (from 1877-09 until 1882-01)
part of:
Parsifal, WWV 111: I. Aufzug
part of:
Parsifal: Atto I
Richard Wagner5:41
3Parsifal: Schlußchor "Höchsten Heiles Wunder - Erlösung dem Erlöser"
choir vocals:
Chor der Bayreuther Festspiele (Bayreuth Festival Chorus)
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra)
conductor:
James Levine (US conductor and pianist)
Richard Wagner5:32
4Vier letzte Lieder: Beim Schlafengehen
orchestra:
Radiosymphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
George Szell (conductor, pianist, composer)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:28
5Vier heilige Gesänge: Te Deum
choir vocals:
Stockholmer Kammerchor (Stockholm Chamber Choir) and Swedischer Rundfunkchor (Swedish Radio Choir)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Eric Ericson
Giuseppe Verdi16:19
6Der Heilige Franz Von Assisi: Schluss des 7. Bildes "Die Stigmata"
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus)
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Seiji Ozawa (conductor and composer)
Olivier Messiaen6:10
7Dem Andenken eines Engels: Adagio und Coda
violin:
Isaac Stern (violinist)
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
Alban Berg7:57
8Streichquartett No. 3: Largo
recording of:
String Quartet no. 3: III. Largo
composer:
Viktor Ullmann (Czech-Austrian composer) (in 1943)
part of:
String Quartet no. 3
Viktor Ullmann3:18
9Die Kunst der Fuge: Contrapunctus 14
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach14:23
10Vor deinen Thron tret ich Hiermit
recording of:
Vor deinen Thron tret ich hiermit, BWV 668.2 (former BWV 668, fragment)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 18), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 668.2) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 668)
revision of:
Wenn wir in höchsten Nöten sein, BWV 668.1 (former BWV 668a, published in Art of the Fugue)
Johann Sebastian Bach4:19