TopGear Turbo Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Also sprach Zarathustra (extract)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Lorin Maazel (conductor)
partial recording of:
Also sprach Zarathustra, op. 30 (TrV 176)
premiered in:
Frankfurt am Main (Frankfurt) (on 1896-11-27)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Works of Richard Strauss by opus number (number: op. 30) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 176)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
R. Strauss2:00
2Ride of Valkyries
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Werner Mayer (classical producer) (in 1983-01)
orchestra:
Orchestre de Paris (in 1983-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1983-01)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1983-01)
recorded at:
Salle Pleyel (1927-) in Paris (in 1983-01)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1983-01)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Wagner4:56
3The Planets: Mars
orchestra:
Boston Symphony Orchestra (in 1970-10)
conductor:
William Steinberg (conductor) (in 1970-10)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (in 1970-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Holst6:36
4William Tell Overture: Finale
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) (Lone Ranger theme)
composer:
Gioachino Rossini (composer)
part of:
Guillaume Tell : Ouverture (William Tell: Overture)
Rossini3:28
5Sabre Dance
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennadi Rozhdestvensky (Gennady Rozhdestvensky, conductor) (in 1960-09) and Геннадий Николаевич Рождественский (Gennady Rozhdestvensky, conductor) (in 1961)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1960-09)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (in 1960-09)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Khatchaturian2:19
6Carmina Burana: O Fortuna
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Orff2:39
7Pomp and Circumstance March No.1 (Land of Hope and Glory)
orchestra:
Royal Philharmonic Orchestra (in 1975-06)
conductor:
Norman Del Mar (conductor) (in 1975-06)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1975-06)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1975-06)
premiered in:
Liverpool (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
recording of:
Pomp and Circumstance Marches, op. 39: March no. 1 in D major (catch‐all for arrangements)
composer:
Edward Elgar (composer) (in 1901)
arrangement of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
Elgar5:57
8Symphony no. 5: 1st Movement
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
orchestra:
Vienna Philharmonic (in 1970-04)
conductor:
Karl Böhm (Austrian conductor) (in 1970-04)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Simmeringer Hof in Wien (Vienna) (in 1970-04)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1970-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Beethoven8:37
9The Firebird: Infernal Dance
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-11)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Stravinsky3:59
10Aida: Grand March
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Grand March (catch-all for arrangements)
composer:
Giuseppe Verdi (Italian opera composer)
arrangement of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Verdi5:12
11Romeo and Juliet: Dance of the Knights
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Prokofiev5:24
12Lohengrin: Prelude to Act III
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1975-06)
conductor:
Karl Böhm (Austrian conductor) (in 1975-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1975-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (in 1975-06)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel (in 1975-06)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Wagner3:20
13Requiem: Dies Irae (extract)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Verdi2:33
14L’Arlisienne Suite: Farandole
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1984-02-19)
recorded at:
Berliner Philharmonie in Mitte (from 1983-09-28 until 1984-02-19)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (from 1983-09-28 until 1984-02-19)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Bizet3:21
15Symphonie Fantastique: March to the Scaffold
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Berlioz4:37
16Messiah: Hallelujah Chorus
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
vocals:
The John Alldis Choir
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Handel4:05
171812 Overture (finale)
orchestra:
Chicago Symphony Orchestra
conductor:
Daniel Barenboim (pianist and conductor)
partial recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Tchaikovsky3:58