The Michael Parkinson Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Notes

Tenderly is from Hallelujah Hamp MGV 8226

Annotation last modified on 2007-12-31 16:53 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Look of Love
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
bass:
Christian McBride (American jazz bassist)
drums (drum set):
Peter Erskine (US jazz drummer) (in 2001)
guitar:
Romero Lubambo (in 2001)
percussion:
Luis Conte (percussionist) (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood (from 2001-03-19 until 2001-03-23)
cover recording of:
The Look of Love (in 2001)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Diana Krall4:42
2What a Difference a Day Makes
bass:
Geoff Gascoyne
guitar:
John Parricelli
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
percussion:
Francis Fuster
vocals:
Jamie Cullum (pianist, jazz‐pop artist)
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
What a Diff’rence a Day Made
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Jamie Cullum45:09
3Summertime
recorded in:
Los Angeles (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Louis Armstrong (on 1957-08-18) and Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (American jazz singer) (on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong2.854:58
4Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Astrud Gilberto2:21
5But Not for Me
recorded in:
Los Angeles (on 1957-01-07)
engineer:
Val Valentin (on 1957-01-07)
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-07)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood (on 1957-01-07)
recording of:
But Not for Me (on 1957-01-07)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Billie Holiday43:50
6So in Love
cover recording of:
So in Love (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
Dinah Washington4:26
7I Was Doing All Right
Carmen McRae2:49
8Blue Moon
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Mel Tormé3:43
9Solitary Moon
recording of:
Solitary Moon
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Marissa Music and Spirit Two Music Crescendo
Shirley Horn5:07
10At Last
Marion Montgomery3:02
11What the World Needs Now
guitar:
Colin Oxley (from 2003-02-18 until 2003-02-22)
piano:
David Newton (Scottish jazz pianist and composer) (from 2003-02-18 until 2003-02-22)
lead vocals:
Stacey Kent (US jazz singer) (from 2003-02-18 until 2003-02-22)
recorded at:
Curtis Schwartz Studio in West Sussex (from 2003-02-18 until 2003-02-22)
cover recording of:
What the World Needs Now Is Love (from 2003-02-18 until 2003-02-22)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Stacey Kent4:11
12Dearly Beloved
engineer:
Val Valentin
producer:
Bryan Koniarz
vocals:
Margaret Whiting
conductor:
Russell Garcia
arranger:
Russell Garcia
recording of:
Dearly Beloved (from “You Were Never Lovelier”)
lyricist:
Johnny Mercer
composer:
Jerome Kern
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
Margaret Whiting2:52
13Haunted Heart
Jane Monheit4:16
14I Used to Be Colorblind
producer:
Norman Granz and Anita O’Day
double bass [bass]:
Joe Mondragon (on 1956-12-18)
drums (drum set):
Alvin Stoller (on 1956-12-18)
guitar:
Barney Kessel (on 1956-12-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-12-18)
trumpet:
Harry Edison (on 1956-12-18)
vibraphone:
Larry Bunker (on 1956-12-18)
vocals:
Anita O’Day (on 1956-12-18)
recording of:
I Used to Be Color Blind (from "Carefree")
lyricist and composer:
Irving Berlin (in 1938)
Anita O’Day3:10
15The Shadow of Your Smile
The Singers Unlimited4:31
16Tenderly
recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Lionel Hampton5:18
17Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Duke Ellington & His Orchestra3:04
18Aguas de marco
engineer:
Humberto Gatica
producer:
Aloysio de Oliveira
bass:
Luizão Maia (from 1974-02-22 until 1974-03-09)
drums (drum set):
Paulinho Braga (from 1974-02-22 until 1974-03-09)
guitar:
Oscar Castro‐Neves (from 1974-02-22 until 1974-03-09), Hélio Delmiro (from 1974-02-22 until 1974-03-09) and Antônio Carlos Jobim (from 1974-02-22 until 1974-03-09)
piano:
Cesar C. Mariano (from 1974-02-22 until 1974-03-09) and Antônio Carlos Jobim (from 1974-02-22 until 1974-03-09)
vocals:
Elis Regina (Brazilian pop & jazz singer) (from 1974-02-22 until 1974-03-09) and Antônio Carlos Jobim (from 1974-02-22 until 1974-03-09)
phonographic copyright (℗) by:
Universal Music Ltda. (Brazil) (in 1974)
recorded at:
MGM (Los Angeles) in Los Angeles (from 1974-02-22 until 1974-03-09)
recording of:
Águas de março (from 1974-02-22 until 1974-03-09)
lyricist and composer:
Antônio Carlos Jobim
Antonio Carlos Jobim & Elis Regina3:33
19Straight No Chaser
Quincy Jones2:26
2▼CD
#TitleArtistRatingLength
1The Very Thought of You
cover recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
Tony Bennett4:33
2These Foolish Things
recorded in:
Hollywood (on 1945-07-30)
producer:
Bill Richards (producer)
cello:
Fred Goerner (on 1945-07-30)
double bass:
John Ryan (double bassist) (on 1945-07-30)
drums (drum set):
Ray Hagan (on 1945-07-30)
flute:
John Mayhew (flutist) (on 1945-07-30)
guitar:
George van Eps (on 1945-07-30)
piano:
Mark McIntyre (American pianist, orchestra leader and songwriter.) (on 1945-07-30)
viola:
Sam Freed (on 1945-07-30)
violin:
David Frisina (on 1945-07-30) and Mischa Russell (violinist) (on 1945-07-30)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1945-07-30)
conductor:
Axel Stordahl (on 1945-07-30)
arranger:
Axel Stordahl
cover recording of:
These Foolish Things (Remind Me of You) (on 1945-07-30)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Frank Sinatra3:12
3I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Nina Simone4.252:35
4Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:07
5I’m Glad There Is You
cover recording of:
I’m Glad There Is You
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
Natalie Cole5:17
6You’re Blase
cover recording of:
You’re Blasé
lyricist:
Bruce Sievier
composer:
Ord Hamilton
Ella Fitzgerald3:58
7It Never Entered My Mind
vocals:
Sarah Vaughan
cover recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan3:41
8When You’re Smiling (the Whole World Smiles With You)
Louis Armstrong4:04
9Bye Bye Blackbird
engineer:
Ray Moore (engineer, 1957–1995)
producer:
George Avakian (US 1940–90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-06-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
instrumental cover recording of:
Bye Bye Blackbird (on 1956-06-05)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Miles Davis47:57
10Tuning In
Woody Herman4:18
11You Got to My Head
Roy Hargrove6:06
12Night & Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Clare Teal3:50
13Manhattan
Blossom Dearie4:18
14Lover Man
recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Charlie Parker3:24
15Roll ’em Pete
Joe Williams2:43
16Don’t Explain
recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Charlie Parker & Chet Baker3:28
17Now It Can Be Told
cover recording of:
Now It Can Be Told
lyricist and composer:
Irving Berlin (in 1938)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
Billy Eckstine & Sarah Vaughan3:43
18What a Little Moonlight Can Do
Steve Tyrell3:44

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Universal Classics & Jazz UK (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2003)