Evans in England

~ Release by Bill Evans (see all versions of this release, 4 available)

Annotation

Record Store Day 2019
Limited to 2000 copies

Annotation last modified on 2019-07-26 10:03 UTC.

Tracklist

| |
1▼12" Vinyl
#TitleRatingLength
A1Our Love Is Here to Stay
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
Love Is Here to Stay (in 1969-12)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
4:44
A2Sugar Plum
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live recording of:
Sugar Plum (in 1969-12)
composer:
Bill Evans (pianist)
publisher:
Pennywhistle Music
9:44
A3Stella by Starlight
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
Stella by Starlight (in 1969-12)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
6:23
A4My Foolish Heart
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
My Foolish Heart (in 1969-12)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
4:41
B1Waltz for Debby
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live recording of:
Waltz for Debby (instrumental) (in 1969-12)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
7:59
B2'round Midnight
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
’Round Midnight (in 1969-12)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:37
B3The Two Lonely People
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live recording of:
The Two Lonely People (in 1969-12)
lyricist:
Carol Hall (musical theatre songwriter)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
8:07
B4Who Can I Turn To (When Nobody Needs Me)
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
Who Can I Turn To (When Nobody Needs Me) (in 1969-12)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
7:20
2▼12" Vinyl
#TitleRatingLength
C1Elsa
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
Elsa (in 1969-12)
composer:
Earl Zindars
publisher:
Zindars Music and Zindars Publishing
7:16
C2What Are You Doing the Rest of Your Life?
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
What Are You Doing the Rest of Your Life? (in 1969-12)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
EMI April Music Inc. (ended), EMI U Catalog Inc. (publisher; do NOT use as release label) (ended) and Anthem Grand Film
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
part of:
The 42nd Academy Award for Best Original Song (number: 2)
5:50
C3Turn Out the Stars
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live recording of:
Turn Out the Stars (in 1969-12)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
5:20
C4Re: Person I Knew
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live recording of:
Re: Person I Knew (in 1969-12)
composer:
Bill Evans (pianist)
publisher:
Folkways Music, Kensington Music Ltd. and TRO-Acorn Music
8:51
C5Goodbye
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live instrumental cover recording of:
Goodbye (in 1969-12)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
2:39
D1Come Rain or Come Shine
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live instrumental cover recording of:
Come Rain or Come Shine (in 1969-12)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
5:11
D2Very Early
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live recording of:
Very Early (in 1969-12)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. and TRO-Acorn Music
5:03
D3So What
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
So What (in 1969-12)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, volume I)
9:35
D4Midnight Mood
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
Midnight Mood (in 1969-12)
composer:
Ben Raleigh and Joe Zawinul (jazz and fusion keyboard player)
publisher:
Helios Music and Helios Music Corp.
5:07
D5Polka Dots and Moonbeams
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
Polka Dots and Moonbeams (in 1969-12)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
4:15

Credits

Release

manufactured in:United States