Notes From the Underground: Radical Music of the Twentieth Century

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo flute:
Alexander Murray (flautist) (on 1961-12-13)
orchestra:
London Symphony Orchestra (from 1961-12-11 until 1961-12-13)
conductor:
Pierre Monteux (conductor) (from 1961-12-11 until 1961-12-13)
balance engineer:
Kenneth Wilkinson (engineer) (from 1961-12-11 until 1961-12-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1961-12-11 until 1961-12-13)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1961-12-11 until 1961-12-13)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:25
2The Rite of Spring, Part One - "Adorations of the Earth": Introduction
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:01
3The Rite of Spring, Part One - "Adorations of the Earth": The Augurs of Spring – Dances of the Young Girls
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:16
4The Rite of Spring, Part One - "Adorations of the Earth": Ritual of Abduction
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:20
5The Rite of Spring, Part One - "Adorations of the Earth": Spring Rounds
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:08
6The Rite of Spring, Part One - "Adorations of the Earth": Games of the Rival Tribes
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:58
7The Rite of Spring, Part One - "Adorations of the Earth": Procession of the Sage
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:42
8The Rite of Spring, Part One - "Adorations of the Earth": The Sage
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:21
9The Rite of Spring, Part One - "Adorations of the Earth": Dance of the Earth
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:11
10The Rite of Spring, Part Two - "The Sacrifice": Introduction
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:41
11The Rite of Spring, Part Two - "The Sacrifice": Mystic Circles of the Young Girls
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky2:55
12The Rite of Spring, Part Two - "The Sacrifice": Glorification of the Chosen One
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:35
13The Rite of Spring, Part Two - "The Sacrifice": Evocation of the Ancients
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky0:41
14The Rite of Spring, Part Two - "The Sacrifice": Ritual of the Ancients
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:07
15The Rite of Spring, Part Two - "The Sacrifice":Sacrificial Dance
orchestra:
Boston Symphony Orchestra (on 1951-01-28)
conductor:
Pierre Monteux (conductor) (on 1951-01-28)
recorded at:
Symphony Hall (Boston) in Boston (on 1951-01-28)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (on 1951-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:26
16Studie I
recorded at:
Studio for Electronic Music of West German Radio in Köln (Cologne) (in 1953)
recording of:
Studie I (in 1953)
composer:
Karlheinz Stockhausen (composer) (until 1953)
Karlheinz Stockhausen9:24
17Cinq études de bruits: Étude violette
recording engineer:
Pierre Boulez (composer and conductor) (piano [piano sounds])
recorded at:
Studio d'Essai at Radiodiffusion française (RDF) in Paris (in 1948)
recording of:
Cinq études de bruits: III. Étude violette (in 1948)
composer:
Pierre Schaeffer (French musique concrète composer) (in 1948)
part of:
Cinq études de bruits
Pierre Schaeffer3:18
18Cinq études de bruits: Étude noire
recording engineer:
Pierre Boulez (composer and conductor) (piano [piano sounds])
recorded at:
Studio d'Essai at Radiodiffusion française (RDF) in Paris (in 1948)
recording of:
Cinq études de bruits: IV. Étude noire (in 1948)
composer:
Pierre Schaeffer (French musique concrète composer) (in 1948)
part of:
Cinq études de bruits
Pierre Schaeffer3:56
19My Favorite Things
double bass:
Reggie Workman (on 1961-11-23)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-11-23)
flute:
Eric Dolphy (on 1961-11-23)
piano:
McCoy Tyner (jazz pianist) (on 1961-11-23)
soprano saxophone:
John Coltrane (on 1961-11-23)
recorded at:
Stockholms konserthus (Stockholm Concert Hall, Konserthuset Stockholm) in Stockholm (on 1961-11-23)
live instrumental cover recording of:
My Favorite Things (The Sound of Music) (on 1961-11-23)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
John Coltrane Quintet featuring Eric Dolphy20:27
20Off Beat Moods, Part 3 - Dramatic Sustained
performer:
Virtuosi Moderne (in 1960)
Virtuosi Moderne0:33
21Dry Bones
producer:
Joe Sherman
baritone vocals:
Frankie Busseri (in 1961)
bass vocals:
Connie Codarini (in 1961)
lead vocals:
Jimmy Arnold (The Four Lads) (in 1961)
tenor vocals:
Bernie Toorish (in 1961)
arranger:
Joe Sherman
recording of:
Dem Bones (aka "Dry Bones" or "Dem Dry Bones", traditional spiritual song) (in 1961)
lyricist:
[traditional] (special purpose artist)
composer:
James Weldon Johnson (US songwriter, author)
The Four Lads3:08
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#TitleArtistRatingLength
1Déserts for wind, percussion and electronic tape
tape [magnetic tape operator]:
Pierre Henry (French musique concrète composer) (on 1954-12-02)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (on 1954-12-02)
conductor:
Hermann Scherchen (conductor) (on 1954-12-02)
recorded at:
Théâtre des Champs-Élysées in Paris (on 1954-12-02)
live recording of:
Déserts (on 1954-12-02)
composer:
Edgard Varèse (composer) (from 1950 until 1954)
premiered at:
Théâtre des Champs-Élysées in Paris (on 1954-12-02)
Edgard Varèse27:34
2Amphitryon 38
performer:
Daphne Oram (in 1957)
recording of:
Amphitryon 38 (in 1957)
composer:
Daphne Oram
Daphne Oram0:52
3The Ocean
performer:
Daphne Oram (in 1958-04)
recording of:
Amphitryon (The Ocean)
composer:
Daphne Oram
Daphne Oram1:07
4Winter's Journey (intro)
performer:
Daphne Oram (in 1958)
Daphne Oram0:17
5Sonatine for flute and piano
flute:
Severino Gazzelloni (flutist) (in 1957)
piano:
David Tudor (American musician and composer) (in 1957)
recorded at:
Salle Gaveau in Paris (in 1957)
recording of:
Sonatine
premiered in:
Brussels (Brussels-Capital Region) (in 1947)
composer:
Pierre Boulez (composer and conductor) (in 1946)
Pierre Boulez11:42
6Tango Argentino
performer:
Vicente Alvarez and his Tropical Orchestra (in 1959)
Vicente Alvarez and his Tropical Orchestra1:49
7Concierto de Aranjuez (Adagio) from "Sketches of Spain"
bass clarinet:
Danny Bank (reeds) (on 1959-11-15, on 1959-11-20)
clarinet:
Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-11-15, on 1959-11-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-20)
drums (drum set) [drums]:
Jimmy Cobb (US jazz drummer) (on 1959-11-15)
flugelhorn:
Al Block (US jazz flute/saxaphone) and Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20)
flute:
Albert Block (US jazz flute/saxaphone) (on 1959-11-15, on 1959-11-20) and Eddie Caine (saxophone player, not the rapper) (on 1959-11-15, on 1959-11-20)
French horn:
John Barrows (American wind instrumentalist) (on 1959-11-15, on 1959-11-20), Earl Chapin (on 1959-11-15, on 1959-11-20) and Jim Buffington (US jazz, studio and classical hornist) (on 1959-11-15, on 1959-11-20)
harp:
Janet Putnam (harpist) (on 1959-11-15, on 1959-11-20)
oboe:
Romeo Penque and Harold Feldman (woodwind player) (on 1959-11-15, on 1959-11-20)
percussion:
José Mangual and Elvin Jones (jazz drummer) (on 1959-11-15, on 1959-11-20)
trombone:
Dick Hixson (trombonist) (on 1959-11-15, on 1959-11-20) and Frank Rehak (US jazz trombonist) (on 1959-11-15, on 1959-11-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-15, on 1959-11-20), Bernie Glow (on 1959-11-15, on 1959-11-20), Taft Jordan (on 1959-11-15, on 1959-11-20), Louis Mucci (trumpetist) (on 1959-11-15, on 1959-11-20) and Ernie Royal (on 1959-11-15, on 1959-11-20)
tuba:
Jimmy McAllister (tuba) (on 1959-11-15) and Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (Canadian‐American jazz pianist and composer) (on 1959-11-15, on 1959-11-20)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Columbia 30th Street Studios in Manhattan, New York, New York, United States (on 1959-11-15) and Columbia Studios in New York, New York, United States (on 1959-11-20)
remaster of:
Concierto de Aranjuez (1959-11-20, master take, mono) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Concierto de Aranjuez: II. Adagio (on 1959-11-15)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Miles Davis16:22
8Howl (For Carl Solomon)
recorded in:
Chicago (in 1959-01)
recording of:
Howl (in 1959-01)
lyricist:
Allen Ginsberg (American poet and writer) (from 1954 until 1955)
composer:
Lee Hyla (American composer) (in 1993)
Allen Ginsberg21:48
3▼CD
#TitleArtistRatingLength
1Façade - An Entertainment: Fanfare
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Fanfare
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
Edith Sitwell0:32
2Façade - An Entertainment: Hornpipe
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Hornpipe
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:17
3Façade - An Entertainment: En Famille
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: En famille
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell2:43
4Façade - An Entertainment: Mariner Man
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Mariner Man
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell0:34
5Façade - An Entertainment: Trio for Two Cats and Trombone
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Long Steel Grass
lyricist:
Edith Sitwell (poet)
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:53
6Façade - An Entertainment: Through Gilded Trellises
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Through Gilded Trellises
lyricist:
Edith Sitwell (poet)
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:54
7Façade - An Entertainment: Tango Pasodoble
spoken vocals [reader]:
David Horner (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Tango-Pasodoble
lyricist:
Edith Sitwell (poet)
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:35
8Façade - An Entertainment: Scotch Rhapsody
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Scotch Rhapsody
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:15
9Façade - An Entertainment: Lullaby For Jumbo
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Lullaby for Jumbo
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:28
10Façade - An Entertainment: Fox-trot
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Fox-Trot
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
Edith Sitwell1:49
11Façade - An Entertainment: By the Lake
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: By the Lake
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:43
12Façade - An Entertainment: The Man From a Far Countree
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: A Man from a Far Countree
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:20
13Façade - An Entertainment: Jodelling Song
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Jodelling Song
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell2:13
14Façade - An Entertainment: Country Dance
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Country Dance
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:34
15Façade - An Entertainment: Black Mrs. Behemoth
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Black Mrs. Behemoth
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell0:51
16Façade - An Entertainment: Popular Song
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Popular Song
lyricist:
Edith Sitwell (poet)
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell2:02
17Façade - An Entertainment: Polka
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Polka
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:22
18Façade - An Entertainment: Waltz
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Valse
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell2:45
19Façade - An Entertainment: Four in the Morning
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Four in the Morning
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:54
20Façade - An Entertainment: Something Lies Beyond the Scene
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Something Lies Beyond the Scene
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell0:50
21Façade - An Entertainment: Sir Beelzebub
spoken vocals [reader]:
Edith Sitwell (poet) (in 1948)
conductor:
Frederik Prausnitz (in 1948)
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan (in 1948)
recording of:
Façade: Sir Beelzebub
composer:
William Walton (British composer and conductor)
part of:
Façade: An Entertainment (Sitwell - Walton 1951 version)
part of:
Façade: An Entertainment (42-number set compiled by Pamela Hunter)
Edith Sitwell1:01
22Kafi-Holi (Spring Festival of Colours)
producer:
Richard Bock (record producer)
sitar:
Ravi Shankar (in 1959)
tabla:
Chatur Lal (in 1959)
tanpura [tambura]:
Nodu C. Mullick (in 1959)
recorded at:
Forum Theatre in Los Angeles (in 1959)
Ravi Shankar7:10
23Electra Suite No. 9
conductor:
Mikis Theodorakis (Greek composer and lyricist) (in 1962)
Mikis Theodorakis1:27
24Kaleidoscope
sound engineer:
Tom Dowd (on 1960-07-19) and Phil Iehle (on 1960-07-19)
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (on 1960-07-19)
cornet:
Don Cherry (jazz trumpeter) (on 1960-07-19)
double bass [bass]:
Charlie Haden (American jazz bassist) (on 1960-07-19)
drums (drum set) [drums]:
Ed Blackwell (on 1960-07-19)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (on 1960-07-19)
Ornette Coleman Quartet6:33
25Thema (Omaggio a Joyce) for voice and tape
vocals:
Cathy Berberian (mezzo‐soprano)
recording of:
Thema (Omaggio a Joyce)
lyricist:
James Joyce (Irish writer)
composer:
Luciano Berio (Italian composer) (in 1958)
Luciano Berio8:10
26Missa Luba: Kyrie
recorded in:
Paris (in 1958)
choir vocals:
Les Troubadours du Roi Baudouin (Congolese 1950s children’s choir)
recording of:
Missa Luba: I. Kyrie
arranger:
Guido Haazen (Belgian conductor & missionary, working in Congo)
part of:
Missa Luba (parts sung in various languages used in the Democratic Republic of the Congo)
Les Troubadours du Roi Baudouin2:04
27Missa Luba: Gloria
recorded in:
Paris (in 1958)
choir vocals:
Les Troubadours du Roi Baudouin (Congolese 1950s children’s choir)
recording of:
Missa Luba: II. Gloria
arranger:
Guido Haazen (Belgian conductor & missionary, working in Congo)
part of:
Missa Luba (parts sung in various languages used in the Democratic Republic of the Congo)
Les Troubadours du Roi Baudouin2:42
28Missa Luba: Credo
recorded in:
Paris (in 1958)
choir vocals:
Les Troubadours du Roi Baudouin (Congolese 1950s children’s choir)
recording of:
Missa Luba: III. Credo
arranger:
Guido Haazen (Belgian conductor & missionary, working in Congo)
part of:
Missa Luba (parts sung in various languages used in the Democratic Republic of the Congo)
Les Troubadours du Roi Baudouin4:09
29Missa Luba: Sanctus
recorded in:
Paris (in 1958)
choir vocals:
Les Troubadours du Roi Baudouin (Congolese 1950s children’s choir)
recording of:
Missa Luba: IV. Sanctus
arranger:
Guido Haazen (Belgian conductor & missionary, working in Congo)
part of:
Missa Luba (parts sung in various languages used in the Democratic Republic of the Congo)
Les Troubadours du Roi Baudouin1:37
30Missa Luba: Benedictus
recorded in:
Paris (in 1958)
choir vocals:
Les Troubadours du Roi Baudouin (Congolese 1950s children’s choir)
recording of:
Missa Luba: V. Benedictus
arranger:
Guido Haazen (Belgian conductor & missionary, working in Congo)
part of:
Missa Luba (parts sung in various languages used in the Democratic Republic of the Congo)
Les Troubadours du Roi Baudouin0:54
31Missa Luba: Agnus Dei
recorded in:
Paris (in 1958)
choir vocals:
Les Troubadours du Roi Baudouin (Congolese 1950s children’s choir)
recording of:
Missa Luba: VI. Agnus Dei
arranger:
Guido Haazen (Belgian conductor & missionary, working in Congo)
part of:
Missa Luba (parts sung in various languages used in the Democratic Republic of the Congo)
Les Troubadours du Roi Baudouin1:57
32Quatuor pour la fin du Temps: 8. Louange à l'immortalité de Jésus
piano:
Olivier Messiaen (composer and organist) (in 1956)
violin:
Jean Pasquier (in 1956)
recording of:
Quatuor pour la fin du Temps : VIII. Louange à l'Immortalité de Jésus (Quartet for the End of Time: VII. Praise to the Immortality of Jesus) (in 1956)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen7:27
33My Foolish Heart
recording engineer:
Dave Jones (engineer) (on 1961-06-25)
producer:
Orrin Keepnews
double bass [bass]:
Scott LaFaro (on 1961-06-25)
drums (drum set) [drums]:
Paul Motian (US jazz drummer, percussionist & composer) (on 1961-06-25)
piano:
Bill Evans (pianist) (on 1961-06-25)
recorded at:
The Village Vanguard in Greenwich Village (on 1961-06-25)
instrumental cover recording of:
My Foolish Heart (on 1961-06-25)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Bill Evans Trio4:58
4▼CD
#TitleArtistRatingLength
1Symphony No. 5 in C-sharp minor: IV. Adagietto - Sehr langsam
orchestra:
New York Philharmonic Orchestra (New York Philharmonic) (on 1947-02-10)
conductor:
Bruno Walter (conductor) (on 1947-02-10)
recorded at:
Carnegie Hall in Midtown Manhattan (on 1947-02-10)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (on 1947-02-10)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler7:40
2Four Sonatas (for Prepared Piano): Sonata VII
prepared piano:
Maro Ajemian (pianist) (on 1946-04-14)
recorded at:
Town Hall in Theater District (on 1946-04-14)
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 7
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
John Cage2:23
3Four Sonatas (for Prepared Piano): Sonata IV
prepared piano:
Maro Ajemian (pianist) (on 1946-04-14)
recorded at:
Town Hall in Theater District (on 1946-04-14)
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 4
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
John Cage2:49
4Four Sonatas (for Prepared Piano): Sonata II
prepared piano:
Maro Ajemian (pianist) (on 1946-04-14)
recorded at:
Town Hall in Theater District (on 1946-04-14)
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 2
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
John Cage2:27
5Four Sonatas (for Prepared Piano): Sonata III
prepared piano:
Maro Ajemian (pianist) (on 1946-04-14)
recorded at:
Town Hall in Theater District (on 1946-04-14)
recording of:
Sonatas and Interludes for Prepared Piano: Sonata no. 3
composer:
John Cage (American composer) (from 1946 until 1948)
part of:
Sonatas and Interludes for Prepared Piano
John Cage2:45
6Parade: Prélude du rideau rouge
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: Prélude du rideau rouge (for orchestra)
composer:
Erik Satie (French composer)
part of:
Parade
Erik Satie3:03
7Parade: Prestidigitateur chinois
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: I. Prestidigitateur chinois (for orchestra) (in 1959)
composer:
Erik Satie (French composer)
part of:
Parade
Erik Satie2:18
8Parade: Petite fille Américaine
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: II. Petite fille américaine (for orchestra) (in 1959)
composer:
Erik Satie (French composer)
part of:
Parade
Erik Satie1:49
9Parade: Ragtime du paquebot
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: Ragtime du paquebot (in 1959)
composer:
Erik Satie (French composer) (in 1917)
part of:
Parade
Erik Satie2:28
10Parade: Acrobates
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: III. Acrobates (in 1959)
composer:
Erik Satie (French composer) (in 1917)
part of:
Parade
Erik Satie3:13
11Parade: Suite au prélude du rideau rouge
orchestra:
Orchestre National de l'ORTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959)
recording of:
Parade: Suite au "Prélude du rideau rouge" (for orchestra) (in 1959)
composer:
Erik Satie (French composer)
part of:
Parade
Erik Satie3:25
12Pierrot Lunaire, Op. 21, Part 1: Mondestrunken
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 1. „Mondestrunken“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:46
13Pierrot Lunaire, Op. 21, Part 1: Colombine
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 2. „Colombine“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:33
14Pierrot Lunaire, Op. 21, Part 1: Der Dandy
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 3. „Der Dandy“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:09
15Pierrot Lunaire, Op. 21, Part 1: Eine blasse Wäscherin
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 4. „Eine blasse Wäscherin“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:28
16Pierrot Lunaire, Op. 21, Part 1: Valse de Chopin
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 5. „Valse de Chopin“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:10
17Pierrot Lunaire, Op. 21, Part 1: Madonna
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 6. „Madonna“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg1:47
18Pierrot Lunaire, Op. 21, Part 1: Der kranke Mond
bass clarinet:
Louis Montaigne (in 1962)
cello:
Jean Huchot (cellist) (in 1962)
clarinet:
Guy Deplus (French clarinetist) (in 1962)
flute and piccolo:
Jacques Castagner (French flautist) (in 1962)
instruments:
Maria Bergmann (in 1962)
violin:
Serge Collot (violist) (in 1962) and Luben Yordanoff (violinist) (in 1962)
vocals:
Helga Pilarczyk (soprano) (in 1962)
conductor:
Pierre Boulez (composer and conductor) (in 1962)
recorded at:
Théâtre de l'Odéon in Paris (in 1962)
recording of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil: 7. „Der kranke Mond“ (in 1962)
lyricist:
Albert Giraud (Belgian symbolist poet Emile Albert Kayenbergh)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (until 1912)
translator:
Otto Erich Hartleben
part of:
Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21: I. Teil
Arnold Schoenberg2:10
19Piano Sonata no. 2, Op. 19 "Concord, Mass., 1840-1860" III.: The Alcotts
recorded in:
New York, New York, United States (on 1945-04-09)
piano:
John Kirkpatrick (pianist) (on 1945-04-09)
recording of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: III. The Alcotts. Moderately (on 1945-04-09)
composer:
Charles Ives (American composer) (from 1916 until 1919)
part of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Charles Ives4:49
20Raag Chandrakauns - Alap & Gat
sarod:
Ali Akbar Khan (Indian classical musician, sarod player) (on 1960-10-30)
Ali Akbar Khan29:38