100 Best Adagios

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ «2008 as shown. The copyright in this sound recording is owned by EMI Records Ltd./Virgin Classics except where otherwise stated. This compilation»
℗ «2008 by EMI Records Ltd./Virgin Classics»

Countries excluded (Deezer)

(As of 2023-01-02).

Northern America: 🇨🇦 Canada (ca)

Annotation last modified on 2023-01-02 14:50 UTC.

Tracklist

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1▼Digital Media
#	Title	Artist	Rating	Length
1	Adagio for Strings and Organ in G Minor, “Albinoni’s Adagio” (Excerpt, Opening) producer: John H. West (classical engineer/producer) organ: Ian Watson (conductor and keyboardist) orchestra: English Chamber Orchestra conductor: Ian Watson (conductor and keyboardist) partial recording of: Adagio for Strings and Organ in G minor composer: Remo Giazotto previously attributed to: Tomaso Giovanni Albinoni (Italian Baroque composer) publisher: Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)	Remo Giazotto		2:42
2	Canon and Gigue for Three Violins and Continuo in D Major: Canon orchestra: Taverner Players conductor: Andrew Parrott (conductor) recording of: Canon and Gigue in D major, P. 37, T. 337: I. Canon composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, P. 37, T. 337	Johann Pachelbel		3:41
3	Miserere mei, Deus engineer: Neville Boyling (engineer) producer: John Fraser (UK producer) baritone vocals: Gerald Finley (bass-baritone) choir vocals: Choir of King’s College, Cambridge countertenor vocals: Timothy Beasley-Murray (treble vocalist) conductor: Stephen Cleobury (organist, conductor) recording of: Miserere mei, Deus composer: Gregorio Allegri (composer) part of: ABC Classic 100 (2001) (number: 9) quotes lyrics from: Miserere mei (words from Psalm 51)	Gregorio Allegri		13:02
4	Flute Concerto in G Minor, Op. 10 No. 2, RV 439 “La notte”: V. Largo. Il Sonno producer: David R. Murray flute: Janet See orchestra: Taverner Players conductor: Andrew Parrott (conductor) recording of: Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: V. Largo “Il sonno” composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto in G minor, op. 10 no. 2, RV 439 “La notte”	Antonio Vivaldi		1:45
5	The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 “Spring”: II. Largo e pianissimo sempre producer: Tim Handley (engineer/editor/producer) violin: Christopher Warren‐Green (violinist and conductor) orchestra: London Chamber Orchestra conductor: Christopher Warren‐Green (violinist and conductor) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		2:43
6	The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 “Summer”: II. Adagio producer: Tim Handley (engineer/editor/producer) violin: Christopher Warren‐Green (violinist and conductor) orchestra: London Chamber Orchestra conductor: Christopher Warren‐Green (violinist and conductor) recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)	Antonio Vivaldi		2:06
7	The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 “Autumn”: II. Adagio molto violin: Christopher Warren‐Green (violinist and conductor) orchestra: London Chamber Orchestra conductor: Christopher Warren‐Green (violinist and conductor) recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)	Antonio Vivaldi		2:57
8	The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 “Winter”: II. Largo producer: Tim Handley (engineer/editor/producer) violin: Christopher Warren‐Green (violinist and conductor) orchestra: London Chamber Orchestra conductor: Christopher Warren‐Green (violinist and conductor) recording of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)	Antonio Vivaldi		2:29
9	Mandolin Concerto in C Major, RV 425: II. Largo mandolin: Giovanni Scaramuzzino (mandolinist) orchestra: Europa Galante (Italian Baroque orchestra) conductor: Fabio Biondi (conductor/violinist) recording of: Concerto for Mandolin in C major, RV 425: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto for Mandolin in C major, RV 425	Antonio Vivaldi		2:56
10	Harpsichord Concerto No. 4 in A Major, BWV 1055: II. Larghetto harpsichord: Bob van Asperen (harpsichordist and organist) orchestra: Melante Amsterdam conductor: Bob van Asperen (harpsichordist and organist) recording of: Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Keyboard Concerto no. 4 in A major, BWV 1055	Johann Sebastian Bach		4:56
11	Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo harpsichord: Bob van Asperen (harpsichordist and organist) orchestra: Melante Amsterdam conductor: Bob van Asperen (harpsichordist and organist) recording of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056	Johann Sebastian Bach		2:35
12	Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto violin: Jane Murdoch (violinist) and Jonathan Rees orchestra: Scottish Ensemble conductor: Jonathan Rees recording of: Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		6:53
13	Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande orchestra: English Chamber Orchestra conductor: Philip Ledger recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)	Johann Sebastian Bach		3:12
14	Orchestral Suite No. 3 in D Major, BWV 1068: II. Air orchestra: English Chamber Orchestra conductor: Philip Ledger recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		4:49
15	Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande cello: Ralph Kirshbaum (cellist) recording of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011: IV. Sarabande (Cello Suite No. 5 in C minor, BWV 1011: IV. Sarabande) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)	Johann Sebastian Bach		4:20
16	Symphony No. 88 in G Major, Hob. I:88: II. Largo (Excerpt) orchestra: La Petite Bande (Belgian chamber orchestra) conductor: Sigiswald Kuijken partial recording of: Symphony no. 88 in G major, Hob. I:88: II. Largo composer: Joseph Haydn (composer) (in 1787) part of: Symphony no. 88 in G major, Hob. I:88	Joseph Haydn		2:34
17	Stabat Mater: I. Stabat mater dolorosa countertenor vocals: Gérard Lesne (countertenor) soprano vocals: Véronique Gens (soprano) orchestra: Il Seminario Musicale (French baroque music ensemble) conductor: Gérard Lesne (countertenor) recording of: Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa composer: Giovanni Battista Pergolesi (composer) part of: Stabat Mater for soprano, alto, strings and basso continuo	Giovanni Battista Pergolesi		4:46
18	Ave verum corpus, K. 618 choir vocals: The Schütz Choir of London orchestra: London Classical Players conductor: Sir Roger Norrington (conductor) recording of: Ave verum corpus, K. 618 (for chorus, string and organ) composer: Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18) part of: Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)	Wolfgang Amadeus Mozart		2:42
19	Serse, HWV 40, Act 1, Scene 1: Arioso. “Ombra mai fù” (Serse) countertenor vocals: David Daniels (American countertenor) orchestra: Orchestra of the Age of Enlightenment conductor: Sir Roger Norrington (conductor) recording of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) composer: George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09) librettist: [anonymous] (special purpose artist) part of: Serse, HWV 40: Atto I	George Frideric Handel		3:08
20	Solfeggio choir vocals: Eesti Filharmoonia Kammerkoor (Estonian Philharmonic Chamber Choir) conductor: Tõnu Kaljuste (conductor) recording of: Solfedžo (Solfeggio, for mixed choir a cappella) premiered in: Tallinn (in 1964) composer: Arvo Pärt (Estonian composer) (in 1963)	Arvo Pärt		4:04
21	The Protecting Veil: VIII. The Protecting Veil cello: Steven Isserlis (cellist) orchestra: London Symphony Orchestra conductor: Геннадий Николаевич Рождественский (Gennady Rozhdestvensky, conductor) recording of: The Protecting Veil: VIII. The Protecting Veil composer: John Tavener (20th century composer) (from 1987 until 1988) part of: The Protecting Veil	John Tavener		2:58

2▼Digital Media
#	Title	Artist	Rating	Length
1	Piano Concerto No. 21 in C Major, K. 467: II. Andante piano: Diana Ambache (conductor/pianist) orchestra: Ambache Chamber Orchestra conductor: Diana Ambache (conductor/pianist) recording of: Concerto for Piano no. 21 in C major, K. 467: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart		6:48
2	Clarinet Concerto in A Major, K. 622: II. Adagio clarinet: Paul Meyer (clarinetist and conductor) orchestra: Ensemble orchestral de Paris conductor: John Nelson (American conductor) recording of: Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) composer: Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07) part of: Concerto for Clarinet in A major, K. 622	Wolfgang Amadeus Mozart		6:42
3	Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) [Excerpt] piano: Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) orchestra: Deutsche Kammerphilharmonie Bremen conductor: Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) recording of: Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai composer: Wolfgang Amadeus Mozart (classical composer) (in 1785) part of: Concerto for Piano no. 20 in D minor, K. 466	Wolfgang Amadeus Mozart		4:16
4	Eine kleine Nachtmusik, K. 525: II. Romance. Andante orchestra: London Chamber Orchestra conductor: Christopher Warren‐Green (violinist and conductor) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		5:53
5	Piano Concerto No. 22 in E‐Flat Major, K. 482: II. Andante piano: Annie Fischer (pianist) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Wolfgang Sawallisch (conductor) recording of: Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (in 1785-12) part of: Concerto for Piano no. 22 in E-flat major, K. 482	Wolfgang Amadeus Mozart		9:44
6	Symphony No. 40 in G Minor, K. 550: II. Andante orchestra: Sinfonia Varsovia conductor: Yehudi Menuhin (violinist) recording of: Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version) composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		7:27
7	Piano Concerto No. 23 in A Major, K. 488: II. Andante orchestra: Deutsche Kammerphilharmonie Bremen conductor: Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) recording of: Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) composer: Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02) part of: Concerto for Piano and Orchestra no. 23 in A major, K. 488	Wolfgang Amadeus Mozart		6:18
8	Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto piano: Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) orchestra: Deutsche Kammerphilharmonie Bremen conductor: Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) recording of: Concerto for Piano no. 24 in C minor, K. 491: II. Larghetto composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1786-03-24) part of: Concerto for Piano no. 24 in C minor, K. 491	Wolfgang Amadeus Mozart		8:24
9	Maurerische Trauermusik, K. 477 orchestra: London Classical Players conductor: Sir Roger Norrington (conductor) recording of: Maurerische Trauermusik für Orchester c-Moll, K. 479a/477 (Masonic Funeral Music for Orchestra in C minor, K. 479a/477) composer: Wolfgang Amadeus Mozart (classical composer) (in 1785) part of: Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 477), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 477) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 479a)	Wolfgang Amadeus Mozart		3:35
10	Clarinet Quintet in A Major, K. 581: II. Larghetto clarinet: Sabine Meyer (clarinetist) orchestra: Wiener Streichsextett (Vienna String Sextet) recording of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto composer: Wolfgang Amadeus Mozart (classical composer) (in 1789) part of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"	Wolfgang Amadeus Mozart		6:31
11	Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione piano: Jean‐Bernard Pommier (pianist and conductor) recording of: Sonata for Piano no. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione composed in: Paris (in 1778) composer: Wolfgang Amadeus Mozart (classical composer) (in 1778) part of: Sonata for Piano no. 8 in A minor, K. 300d/310	Wolfgang Amadeus Mozart		2:39
12	Concerto for Flute and Harp in C Major, K. 299/297c: II. Andantino flute: Samuel Coles (flautist) harp: 吉野直子 (Naoko Yoshino, harpist) orchestra: English Chamber Orchestra conductor: Yehudi Menuhin (violinist) recording of: Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino composer: Wolfgang Amadeus Mozart (classical composer) (in 1778-04) part of: Concerto in C major for Flute, Harp & Orchestra, K. 297c/299	Wolfgang Amadeus Mozart		9:13

3▼Digital Media
#	Title	Artist	Rating	Length
1	Piano Sonata No. 14 in C‐Sharp Minor, Op. 27 No. 2 “Moonlight”: I. Adagio sostenuto piano: François‐René Duchâble (French pianist) recording of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (German composer) (in 1801) part of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven		6:13
2	Symphony No. 3 in E‐Flat Major, Op. 55 “Eroica”: II. Marcia funebre. Adagio assai orchestra: London Classical Players conductor: Sir Roger Norrington (conductor) recording of: Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai composer: Ludwig van Beethoven (German composer) (from 1803 until 1804) part of: Symphony no. 3 in E‐flat major, op. 55 “Eroica”	Ludwig van Beethoven		12:38
3	Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto fortepiano: Melvyn Tan (pianist) orchestra: London Classical Players conductor: Sir Roger Norrington (conductor) recording of: Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto composer: Ludwig van Beethoven (German composer) (from 1804 until 1807) part of: Concerto for Piano and Orchestra no. 4 in G major, op. 58	Ludwig van Beethoven		4:07
4	Piano Sonata No. 8 in C Minor, Op. 13 “Pathétique”: II. Adagio cantabile piano: François‐René Duchâble (French pianist) recording of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile composer: Ludwig van Beethoven (German composer) (in 1798) part of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”	Ludwig van Beethoven		5:01
5	Piano Concerto No. 5 in E‐Flat Major, Op. 73 “Emperor”: II. Adagio un poco mosso fortepiano: Melvyn Tan (pianist) orchestra: London Classical Players conductor: Sir Roger Norrington (conductor) recording of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso composer: Ludwig van Beethoven (German composer) (in 1809) part of: Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”	Ludwig van Beethoven		5:47
6	Symphony No. 3 in F Major, Op. 90: III. Poco allegretto orchestra: Deutsche Kammerphilharmonie Bremen conductor: Daniel Harding (conductor) recording of: Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto composer: Johannes Brahms (German composer) (in 1883) part of: Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)	Johannes Brahms		5:56
7	Piano Concerto No. 2 in B‐Flat Major, Op. 83: III. Andante (Excerpt) cello: Timothy Hugh (cellist) piano: Stephen Hough (pianist) orchestra: BBC Symphony Orchestra conductor: Sir Andrew Davis (conductor, keyboardist, composer, arranger) partial recording of: Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio composer: Johannes Brahms (German composer) (from 1878 until 1881) part of: Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83	Johannes Brahms		2:59
8	A Midsummer Night’s Dream, Op. 61, MWV M13: Nocturne orchestra: Orchestra of the Age of Enlightenment conductor: Charles Mackerras (Australian conductor) recording of: Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		5:53
9	Symphony No. 8 in B Minor, D. 759 “Unfinished”: II. Andante con moto orchestra: Orchestra of the Age of Enlightenment conductor: Charles Mackerras (Australian conductor) recording of: Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto composer: Franz Schubert (composer) (in 1822) part of: Symphony no. 8 in B minor, D. 759 “Unfinished”	Franz Schubert		10:28
10	String Quartet No. 14 in D Minor, D. 810 “Death and the Maiden”: II. Andante con moto string quartet: Hungarian Quartet (1935-1972) recording of: String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: II. Andante con moto composer: Franz Schubert (composer) part of: String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”	Franz Schubert		13:54
11	Symphony No. 9 in C Major, D. 944 “The Great”: II. Andante con moto orchestra: Orchestra of the Age of Enlightenment conductor: Charles Mackerras (Australian conductor) recording of: Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto composer: Franz Schubert (composer) (from 1825-07 until 1826-07) part of: Symphony no. 9 in C major, D. 944 “The Great”	Franz Schubert		14:01
12	Piano Trio No. 2 in E‐Flat Major, Op. 100, D. 929: II. Andante con moto cello: Gautier Capuçon (cellist) piano: Frank Braley (pianist) violin: Renaud Capuçon (violinist) recording of: Piano Trio no. 2 in E-flat major, op. 100, D. 929: II. Andante con moto composer: Franz Schubert (composer) (in 1827-11) part of: Piano Trio no. 2 in E-flat major, op. 100, D. 929	Franz Schubert		8:43
13	Kinderszenen, Op. 15: No. 7, Träumerei piano: Alexis Weissenberg recording of: Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) composer: Robert Schumann (German classical composer) (in 1838) part of: Classic 100: Piano (2004) (number: 17) part of: Kinderszenen, op. 15	Robert Schumann		2:09
14	Symphony No. 3 in E‐Flat Major, Op. 97 “Rhenish”: IV. Feierlich orchestra: Bamberger Symphoniker (Bamberg Symphony) conductor: Christoph Eschenbach (pianist and conductor) recording of: Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: IV. Feierlich composer: Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09) part of: Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”	Robert Schumann		6:56
15	R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) soprano vocals: Gundula Janowitz (soprano) orchestra: Academy of London conductor: Richard Stamp recording of: Morgen!, op. 27 no. 4 (for voice and orchestra) lyricist: John Henry Mackay (Scottish-German egoist anarchist, thinker and writer) composer: Richard Strauss (German composer) (in 1894) arranger: Richard Strauss (German composer) (in 1897) arrangement of: Morgen!, op. 27 no. 4 (for voice and piano)	Richard Strauss		3:49
16	Siegfried‐Idyll, WWV 103: (Ruhig bewegt) orchestra: Orchestre philharmonique de Radio France conductor: Marek Janowski (conductor) recording of: Siegfried Idyll, WWV 103 composer: Richard Wagner (composer) (in 1870) dedicated to: Cosima Wagner part of: Wagner-Werk-Verzeichnis (number: 103) is based on: Siegfried Idyll (original version for 13 instruments)	Richard Wagner		17:19
17	Symphony No. 5 in C‐Sharp Minor: IV. Adagietto. Sehr langsam (Excerpt) orchestra: Radion sinfoniaorkesteri (Finnish Radio Symphony Orchestra) conductor: Jukka‐Pekka Saraste (conductor) partial recording of: Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam composer: Gustav Mahler (composer) (from 1901 until 1902) part of: Symphony no. 5	Gustav Mahler		2:55
18	Verklärte Nacht, Op. 4: Introduction (Grave, Excerpt) (Sextet Version) cello: Christopher van Kampen (British cellist) and Moray Welsh (British cellist) viola: Roger Chase (violist) and 井上祐子 (Yuko Inoue, violist) violin: Marcia Crayford (violinist) and Elizabeth Layton (violinist) orchestra: Nash Ensemble partial recording of: Verklärte Nacht, op. 4: I. Sehr langsam composer: Arnold Schönberg (Arnold Schoenberg, composer) (in 1899) part of: Verklärte Nacht, op. 4 (Transfigured Night, op. 4)	Arnold Schönberg		2:52

4▼Digital Media
#	Title	Artist	Rating	Length
1	Saint‐Saëns: Le carnaval des animaux, R 125: VII. Aquarium orchestra: Nash Ensemble recording of: Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) composer: Camille Saint‐Saëns (composer) (in 1886-02) part of: Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)	Camille Saint‐Saëns		2:41
2	Saint‐Saëns: Le carnaval des animaux, R 125: XIII. Le cygne orchestra: Nash Ensemble recording of: Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) composer: Camille Saint‐Saëns (composer) (in 1886-02) arranger: Pege Aladár part of: Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)	Camille Saint‐Saëns		2:58
3	Suite bergamasque, CD 82, L. 75: III. Clair de lune piano: Kun Woo Paik (pianist) recording of: Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) composer: Claude Debussy (French composer) (from 1890 until 1905) part of: Classic 100: Piano (2004) (number: 3) included in: Granblue Fantasy (video game soundtrack) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy		5:43
4	Préludes, Livre I, CD 125, L. 117: No. 6, Des pas sur la neige piano: Jean‐Bernard Pommier (pianist and conductor) recording of: Préludes, Livre I, L. 117, CD 125: VI. Des pas sur la neige. Triste et lent composer: Claude Debussy (French composer) (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy		4:31
5	Préludes, Livre I, CD 125, L. 117: No. 10, La cathédrale engloutie piano: Jean‐Bernard Pommier (pianist and conductor) recording of: Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme composer: Claude Debussy (French composer) (from 1909-12 until 1910-02) premiered at: [concert] (1910-05-25) part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy		5:29
6	Élégie, Op. 24 (Orchestral Version) cello: Paul Tortelier (cellist) orchestra: English Chamber Orchestra conductor: Paul Tortelier (cellist) recording of: Élégie, op. 24 (for cello and orchestra) orchestrator: Gabriel Fauré (French composer) composer: Gabriel Fauré (French composer) (in 1883) orchestration of: Élégie pour violoncelle et piano, op. 24	Gabriel Fauré		7:31
7	Pavane, Op. 50 orchestra: English Chamber Orchestra conductor: Paul Tortelier (cellist) recording of: Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) lyricist: Robert de Montesquiou composer: Gabriel Fauré (French composer) (in 1887) arrangement of: Pavane, op. 50 (for piano and chorus)	Gabriel Fauré		5:33
8	Requiem, Op. 48: I. Introït et Kyrie choir vocals: Ensemble Vocal de Lausanne orchestra: Ensemble Instrumental de Lausanne conductor: Michel Corboz (conductor and composer) recording of: Requiem, op. 48: I. Introït et Kyrie (1890, second version) composer: Gabriel Fauré (French composer) (from 1886 until 1900) part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré		7:16
9	Concerto for Two Pianos in D Minor, FP 61: II. Larghetto piano: Jean‐Bernard Pommier (pianist and conductor) and Anne Queffélec (pianist) orchestra: City of London Sinfonia (chamber orchestra) conductor: Richard Hickox (conductor) recording of: Concerto for Two Pianos and Orchestra in D minor, FP 61: II. Larghetto composer: Francis Poulenc (French composer and pianist) part of: Concerto for Two Pianos and Orchestra in D minor, FP 61	Francis Poulenc		5:50
10	Concert champêtre for Harpsichord and Orchestra, FP 49: II. Andante. Mouvement de sicilienne harpsichord: Maggie Cole (harpsichordist) orchestra: City of London Sinfonia (chamber orchestra) conductor: Richard Hickox (conductor) recording of: Concert champêtre, FP 49 : II. Andante, Mouvement de Sicilienne (for harpsichord) composer: Francis Poulenc (French composer and pianist) (from 1927 until 1928) part of: Concert champêtre, FP 49 (for harpsichord)	Francis Poulenc		6:14
11	6 Gnossiennes: No. 1, Lent piano: Anne Queffélec (pianist) recording of: Gnossienne no. 1 composer: Erik Satie (French composer) (in 1890) part of: Trois Gnossiennes	Erik Satie		3:25
12	3 Gymnopédies: No. 3, Lent et grave piano: Anne Queffélec (pianist) recording of: Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3) composer: Erik Satie (French composer) (in 1888) part of: Gymnopédies	Erik Satie		2:45
13	Piano Concerto in G Major, M. 83: II. Adagio assai piano: Andrew Litton (conductor) orchestra: Bournemouth Symphony Orchestra conductor: Andrew Litton (conductor) recording of: Piano Concerto in G major: II. Adagio assai composer: Maurice Ravel (French composer) (from 1929 until 1931) part of: Piano Concerto in G major	Maurice Ravel		10:00
14	Vocalise-Étude en forme de Habanera, M. 51 (Orch. Hoérée) soprano vocals: Arleen Augér (soprano) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Libor Pešek (conductor) recording of: Vocalise-Étude en forme de habanera composer: Maurice Ravel (French composer) part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 51)	Maurice Ravel		3:08
15	Ma mère l’Oye, ballet en un acte, M. 62: Pavane de la Belle au bois dormant (Excerpt) orchestra: Scottish Chamber Orchestra conductor: Jukka‐Pekka Saraste (conductor) recording of: Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour orchestre) orchestrator: Maurice Ravel (French composer) (in 1911) composer: Maurice Ravel (French composer) (from 1908 until 1910) orchestration of: Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains) part of: Ma mère l’Oye (suite pour orchestre)	Maurice Ravel		1:46
16	Ma mère l’Oye, ballet en un acte, M. 62: Le jardin féerique orchestra: Scottish Chamber Orchestra conductor: Jukka‐Pekka Saraste (conductor) recording of: Ma mère l’Oye: V. Le Jardin féerique (pour orchestre) orchestrator: Maurice Ravel (French composer) (in 1911) composer: Maurice Ravel (French composer) (from 1908 until 1910) orchestration of: Ma mère l’Oye: V. Le Jardin féerique (pour piano à quatre mains) part of: Ma mère l’Oye (suite pour orchestre)	Maurice Ravel		3:46
17	Pavane pour une infante défunte, M. 19 (Orchestral Version) orchestra: Scottish Chamber Orchestra conductor: Jukka‐Pekka Saraste (conductor) recording of: Pavane pour une infante défunte (orchestrated version) orchestrator: Maurice Ravel (French composer) (in 1910) composer: Maurice Ravel (French composer) (in 1899) publisher: Editions Max Eschig part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a) orchestration of: Pavane pour une infante défunte (original version for solo piano)	Maurice Ravel		6:08

5▼Digital Media
#	Title	Artist	Rating	Length
1	Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz orchestra: Orchestre philharmonique de Radio France conductor: Paavo Järvi (conductor) recording of: Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite) composer: Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) part of: Suite for Variety Orchestra	Дмитрий Дмитриевич Шостакович		3:53
2	Les Contes d’Hoffmann, Act 4: “Belle nuit, ô nuit d’amour” (Barcarolle) [Nicklausse, Giulietta, Chorus] choir vocals: Choeurs de l'Opéra Royal de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) mezzo-soprano vocals: Ann Murray (Irish mezzo-soprano) soprano vocals: Jessye Norman (soprano) conductor: Sylvain Cambreling (conductor) recording of: Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) composer: Jacques Offenbach (German-French composer, cellist and impresario) part of: Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)	Jacques Offenbach		4:23
3	Symphonie espagnole in D Minor for Violin, Op. 21: IV. Andante violin: Christian Tetzlaff (violinist) orchestra: Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) conductor: Libor Pešek (conductor) recording of: Symphonie espagnole in D minor, op. 21: IV. Andante composer: Édouard Lalo (French composer) (in 1874) part of: Symphonie espagnole in D minor, op. 21	Édouard Lalo		6:27
4	Thaïs, Act 2: Méditation violin: Renaud Capuçon (violinist) orchestra: Deutsche Kammerphilharmonie Bremen conductor: Daniel Harding (conductor) recording of: Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) composer: Jules Massenet (French Romantic composer) (in 1894) part of: Classic 100: Music of France (2012) (number: 14) part of: Thaïs: Acte II	Jules Massenet		5:18
5	Pictures at an Exhibition: No. 4, Il Vecchio Castello saxophone: Simon Haram (saxophonist) orchestra: Royal Liverpool Philharmonic Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) orchestrator: Maurice Ravel (French composer) (in 1922) composer: Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22) orchestration of: Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version) part of: Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)	Модест Петрович Мусоргский		4:35
6	Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto piano: Jean‐Bernard Pommier (pianist and conductor) orchestra: Hallé Orchestra conductor: Lawrence Foster (conductor) recording of: Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto premiered in: Moscow, Russia (on 1900-12-15) composer: Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04) part of: Piano Concerto no. 2 in C minor, op. 18	Сергей Васильевич Рахманинов		12:28
7	Symphony No. 2 in E Minor, Op. 27: III. Adagio orchestra: Royal Philharmonic Orchestra conductor: Andrew Litton (conductor) recording of: Symphony no. 2 in E minor, op. 27: III. Adagio composer: Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1906 until 1907) part of: Symphony no. 2 in E minor, op. 27	Сергей Васильевич Рахманинов		15:06
8	14 Romances, Op. 34: No. 14, Vocalise soprano vocals: Natalie Dessay (soprano) orchestra: Berliner Sinfonie-Orchester (Konzerthausorchester Berlin, Berliner Sinfonie-Orchester prior to 2006) conductor: Michael Schønwandt (Danish conductor) phonographic copyright (℗) by: EMI Music France (1994–2013) (from 1998 to present), Parlophone (in 1998) and Warner Music France (in 1998) recording of: Vocalise, op. 34 no. 14 (arr. by composer for soprano and orchestra) orchestrator: Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1916) composer: Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912) orchestration of: 14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)	Сергей Васильевич Рахманинов		5:21
9	Pulcinella: II. Serenata. “Mentre l’erbetta” tenor vocals: Martyn Hill (tenor) vocals: Ann Murray (Irish mezzo-soprano) orchestra: City of London Sinfonia (chamber orchestra) conductor: Richard Hickox (conductor) recording of: Pulcinella: Serenata "Mentre l'erbetta" composer: Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920) part of: Pulcinella (ballet)	Игорь Фёдорович Стравинский		3:20
10	Nocturne No. 5 in F‐Sharp Major, Op. 15 No. 2 piano: Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) recording of: Nocturne no. 5 in F‐sharp major, op. 15 no. 2: Larghetto composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832) part of: Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 55) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 112) part of: Nocturnes, op. 15	Fryderyk Chopin		3:41
11	Nocturne No. 20 in C‐Sharp Minor, Op. Posth. piano: François‐René Duchâble (French pianist) recording of: Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16 composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1830) part of: Chopin National Edition: WN Catalogue (number: WN 37), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 49) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 127)	Fryderyk Chopin		4:12
12	24 Preludes, Op. 28: No. 4 in E Minor piano: François‐René Duchâble (French pianist) recording of: Prélude no. 4 in E minor, op. 28: Largo composer: Fryderyk Chopin (Frédéric Chopin, composer) part of: Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 123) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 169) part of: 24 Préludes pour le piano, op. 28	Fryderyk Chopin		2:28
13	Piano Sonata No. 2 in B‐Flat Minor, Op. 35 “Funeral March”: III. Marche funèbre. Lento piano: Leif Ove Andsnes (pianist) recording of: Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1839) part of: Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”	Fryderyk Chopin		8:27
14	Piano Concerto No. 1 in B‐Flat Minor, Op. 23: II. Andantino semplice - Prestissimo piano: Jean‐Bernard Pommier (pianist and conductor) orchestra: Hallé Orchestra conductor: Lawrence Foster (conductor) recording of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02) part of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed) revision of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed) revision of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)	Пётр Ильич Чайковский		7:31
15	Violin Concerto in D Major, Op. 35: II. Canzonetta. Andante violin: Augustin Dumay (violinist) orchestra: London Symphony Orchestra conductor: Емил Чакъров (conductor) recording of: Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878) part of: Concerto for Violin and Orchestra in D major, op. 35	Пётр Ильич Чайковский		6:31
16	Symphony No. 6 in B Minor, Op. 74 “Pathétique”: IV. Finale. Adagio lamentoso orchestra: Bournemouth Symphony Orchestra conductor: Andrew Litton (conductor) recording of: Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08) part of: Symphony no. 6 in B minor, op. 74 “Pathétique”	Пётр Ильич Чайковский		11:17

6▼Digital Media
#	Title	Artist	Rating	Length
1	Adagio for Strings, Op. 11 orchestra: Scottish Chamber Orchestra conductor: Jukka‐Pekka Saraste (conductor) recording of: Adagio for Strings orchestrator: Samuel Barber (American composer) (in 1938) composer: Samuel Barber (American composer) (in 1936) premiered by: NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05) premiered at: [radio broadcast] (1938-11-05) publisher: Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc. arrangement of: String Quartet, op. 11: II. Molto adagio	Samuel Barber		7:14
2	8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) conductor: Lorin Maazel (conductor) recording of: Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra) composer: Antonín Dvořák (composer) (from 1886-11 until 1887-01-05) premiered at: [concert] (1887-01-06) orchestration of: Slawische Tänze, op. 72 no. 2 e-Moll (Slavonic Dance, op. 72 no. 2 in E minor, for Piano, four hands) part of: Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)	Antonín Dvořák		2:36
3	8 Slavonic Dances, Op. 46, B. 83: No. 2 in E Minor orchestra: Berliner Philharmoniker (Berlin Philharmonic Orchestra) conductor: Lorin Maazel (conductor) recording of: Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka) composer: Antonín Dvořák (composer) (from 1878-04 until 1878-08-22) part of: Slavonic Dances, op. 46, B. 83 (for orchestra)	Antonín Dvořák		5:34
4	From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods cello: Timothy Walden (cellist) orchestra: Royal Liverpool Philharmonic Orchestra conductor: Libor Pešek (conductor) recording of: Klid (Silent Woods) for Cello and Orchestra, op. 68 no. 5 composer: Antonín Dvořák (composer) (on 1893-10-28) dedicated to: Hanuš Wihan premiered at: [concert] (1894-12-16) part of: Works of Antonín Dvořák by opus number (number: op. 65/5) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 182) orchestration of: Ze Šumavy, op. 68, B. 133: č. 5. Klid (Lento e molto cantabile) (From the Bohemian Forest, op. 68, B. 133: no. 5. Silent Woods (Lento e molto cantabile), for four-hand piano)	Antonín Dvořák		5:22
5	Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse orchestra: Eesti Riiklik Sümfooniaorkester (Estonian National Symphony Orchestra) conductor: Paavo Järvi (conductor) recording of: Peer Gynt, op. 23: 3. akt: Åses død composer: Edvard Grieg (composer) (in 1875) librettist: Henrik Ibsen (in 1867) part of: Peer Gynt, op. 23	Edvard Grieg		5:03
6	Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood orchestra: Eesti Riiklik Sümfooniaorkester (Estonian National Symphony Orchestra) conductor: Paavo Järvi (conductor) recording of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning composer: Edvard Grieg (composer) (in 1875) librettist: Henrik Ibsen (in 1867) part of: Peer Gynt, op. 23	Edvard Grieg		4:12
7	Piano Concerto in A Minor, Op. 16: II. Adagio piano: Leif Ove Andsnes (pianist) orchestra: Bergen filharmoniske orkester (Bergen Philharmonic Orchestra) conductor: Дмитрий Китаенко (Dmitri Kitayenko, Soviet, Russian conductor b. 1940) recording of: Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio composer: Edvard Grieg (composer) (in 1868) part of: Concerto in A minor for Piano and Orchestra, op. 16	Edvard Grieg		6:50
8	Holberg Suite, Op. 40: IV. Air orchestra: Eesti Riiklik Sümfooniaorkester (Estonian National Symphony Orchestra) conductor: Paavo Järvi (conductor) recording of: Fra Holbergs tid, op. 40: IV. Air (Andante religioso) (for string orchestra) composer: Edvard Grieg (composer) (in 1884) part of: Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)	Edvard Grieg		5:47
9	Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela cor anglais: Jesper Harryson orchestra: Kungliga Filharmoniska kören (Royal Stockholm Philharmonic Chorus) conductor: Paavo Järvi (conductor) recording of: Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (Lemminkäinen Suite, op. 22: II. The Swan of Tuonela) composer: Jean Sibelius (Finnish composer) (in 1895) part of: Lemminkäis-sarja (Neljä legendaa), op. 22 (Lemminkäinen Suite, op. 22)	Jean Sibelius		9:49
10	2 Pieces from Kuolema, Op. 44: No. 1, Valse triste orchestra: Eesti Riiklik Sümfooniaorkester (Estonian National Symphony Orchestra) conductor: Paavo Järvi (conductor) recording of: Valse triste, op. 44 no. 1 (for orchestra) composer: Jean Sibelius (Finnish composer) (in 1903) revised by: Jean Sibelius (Finnish composer) (in 1904) premiered at: Konsertti (1904-04-25) premiered at: Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki (on 1904-04-25) part of: 2 Pieces from Kuolema, op. 44 revision of: Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)	Jean Sibelius		4:49
11	6 Consolations, S. 172: No. 3 in D‐Flat Major piano: François‐René Duchâble (French pianist) recording of: Consolation in D‐flat major, S. 172 no. 3: Lento placido composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: Consolations, S. 172	Franz Liszt		3:50
12	Liebesträume, S. 541: No. 3 in A‐Flat Major piano: François‐René Duchâble (French pianist) recording of: Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano) composer: Franz Liszt (Hungarian composer, pianist and conductor) (in 1850) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) arrangement of: O lieb, so lang du lieben kannst, S. 298/2 (second version) part of: Liebesträume, S. 541	Franz Liszt		4:01
13	Fantasia on Greensleeves flute: Jonathan Snowden (flutist) harp: Skaila Kanga (harpist) orchestra: London Chamber Orchestra conductor: Christopher Warren‐Green (violinist and conductor) recording of: Fantasia on “Greensleeves” composer: Ralph Vaughan Williams (English composer) (from 1924 until 1928) arranger: Ralph Greaves (in 1934) publisher: Oxford University Press (in 1936) is based on: Greensleeves (generic entry for traditional and unknown arrangements) is based on: Lovely Joan (traditional English folk song) is based on: Sir John in Love	Ralph Vaughan Williams		4:18
14	Bachianas brasileiras No. 5, W389-3: I. Aria in A Minor (Cantilena. Adagio) cello: Eldon Fox (cellist) vocals: Barbara Hendricks (soprano) orchestra: Royal Philharmonic Orchestra conductor: Enrique Bátiz (conductor and pianist) recording of: Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos) composer: Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938) part of: Bachianas Brasileiras nº 5, W389 (for voice and cellos)	Heitor Villa‐Lobos		6:08
15	Floresta do Amazonas, W551: Melodia Sentimental (Arr. for Guitar) classical guitar: Sharon Isbin (classical guitarist) recording of: Floresta do Amazonas: Melodia sentimental lyricist: Dora Vasconcellos composer: Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1958) part of: Floresta do Amazonas, W551	Heitor Villa‐Lobos		4:05
16	Concierto de Aranjuez: II. Adagio engineer: Mike Hatch (engineer/editor) producer: Steve Barnett (classical producer) classical guitar: Sharon Isbin (classical guitarist) orchestra: Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) conductor: Lawrence Foster (conductor) recording of: Concierto de Aranjuez: II. Adagio composer: Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939) part of: Concierto de Aranjuez	Joaquín Rodrigo		11:39

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