Interstellar: Original Motion Picture Soundtrack (Deluxe Version)

~ Veröffentlichung von Hans Zimmer (alle Versionen dieser Veröffentlichung ansehen, 18 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Dreaming of the Crash
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Dreaming of the Crash (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Interstellar
Hans Zimmer3.53:55
2Cornfield Chase
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Cornfield Chase (Interstellar)
Komponist(in):
Alex Gibson (musician/editor), Ryan Rubin und Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar (Live in Prague)
Teil von:
Interstellar
Hans Zimmer42:06
3Dust
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Dust (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer45:41
4Day One
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Day One (Interstellar)
Komponist(in):
Alex Gibson (musician/editor), Ryan Rubin und Hans Zimmer (German score composer)
publisher:
Paramount Allegra Music, Paramount Bella Music, Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Warner Olive Music LLC und Warner–Barham Music LLC
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar (Live in Prague)
Teil von:
Interstellar
Hans Zimmer4.653:19
5Stay
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Stay (Interstellar)
Komponist(in):
Alex Gibson (musician/editor), Ryan Rubin und Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer4.56:52
6Message From Home
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Message From Home (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer3.51:40
7The Wormhole
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
The Wormhole (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer3.51:30
8Mountains
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Mountains (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer43:39
9Afraid of Time
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Afraid of Time (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer3.52:32
10A Place Among the Stars
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
A Place Among the Stars (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer33:27
11Running Out
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Running Out (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer3.51:57
12I’m Going Home
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
I’m Going Home (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer35:48
13Coward
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Coward (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer48:26
14Detach
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Detach (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer3.56:42
15S.T.A.Y.
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
S.T.A.Y. (Interstellar)
Komponist(in):
Alex Gibson (musician/editor), Ryan Rubin und Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar (Live in Prague)
Teil von:
Interstellar
Hans Zimmer4.56:23
16Where We’re Going
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Where We’re Going (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Premiere bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
Teil von:
Interstellar
Hans Zimmer47:41
17First Step
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
First Step (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Interstellar
Hans Zimmer31:47
18Flying Drone
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Flying Drone (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Interstellar
Hans Zimmer21:53
19Atmospheric Entry
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Atmospheric Entry (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Interstellar
Hans Zimmer21:40
20No Need to Come Back
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
No Need to Come Back (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Interstellar
Hans Zimmer24:32
21Imperfect Lock
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Imperfect Lock (Interstellar)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
Interstellar
Hans Zimmer26:54
22No Time for Caution
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
No Time for Caution (Interstellar)
Komponist(in):
Alex Gibson (musician/editor), Ryan Rubin und Hans Zimmer (German score composer)
Teil von:
Interstellar (Live in Prague)
Teil von:
Interstellar
Hans Zimmer34:06
23What Happens Now?
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Klavier:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
What Happens Now? (Interstellar)
Komponist(in):
Alex Gibson (musician/editor), Ryan Rubin und Hans Zimmer (German score composer)
publisher:
Paramount Bella Music und Warner–Barham Music LLC
Teil von:
Interstellar
Hans Zimmer22:26
24Do Not Go Gentle Into That Good Night
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson und John Prestage (engineer)
assistierende(r) Techniker(in):
Leland Cox (engineer) und Jacqueline Friedberg (engineer)
Techniker(in):
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) und Mark Wherry
zusätzliche(r) Techniker(in):
Daniel Kresco, Seth Waldmann und Christian Wenger
Produzent(in):
Alex Gibson (musician/editor), Christopher Nolan und Hans Zimmer (German score composer)
assistierende(r) Mix:
John Witt Chapman (engineer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor)
Sprecher:
Casey Affleck, Ellen Burstyn, Jessica Chastain, Mackenzie Foy, John Lithgow und Matthew McConaughey (actor and producer)
conductor:
Gavin Greenaway und Richard Harvey (UK multi‐instrumentalist and composer)
Orchestrator(in):
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty und Carl Rydlund
zusätzliche(r) Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
aufgenommen bei:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead und Temple Church in London (Greater London)
mixed at:
Remote Control Productions in Santa Monica
recording of:
Do Not Go Gentle Into That Good Night (Interstellar)
Texter:
Dylan Thomas (the poet)
Komponist(in):
Hans Zimmer (German score composer)
Arrangement von:
Do Not Go Gentle Into That Good Night
Teil von:
Interstellar
John Lithgow, Ellen Burstyn, Casey Affleck, Jessica Chastain, Matthew McConaughey & Mackenzie Foy21:39

Nennungen

Veröffentlichung

Bassklarinette [bass clarinet c extension] und Klarinette:Martin Robertson (saxophonist & clarinetist)