Overtures and Ballet Music

~ Release by Cole Porter; London Sinfonietta, John McGlinn (see all versions of this release, 2 available)

Annotation

Ambrosian Chorus is credited on the medium, and only on the medium, see images.
http://www.sondheimguide.com/porter/recordings/overtures.html

Annotation last modified on 2017-01-05 14:57 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Something for the Boys Overture: Something for the Boys / He’s a Right Guy / Hey Good Lookin’
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
arranger:
Walter Paul (orchestrator/arranger) and Hans Spialek
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
medley including a instrumental recording of:
He’s a Right Guy (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
High Society (stage musical)
part of:
Something for the Boys
medley including a instrumental recording of:
Hey Good Lookin’ (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Something for the Boys
medley including a instrumental recording of:
Something for the Boys (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Something for the Boys
Cole Porter3:34
2Du Barry Was a Lady Overture: Every Day a Holiday / It Was Written in the Stars / Do I Love You? / Friendship
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Walter Paul (orchestrator/arranger) and Hans Spialek
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
medley including a instrumental recording of:
Do I Love You? (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
DuBarry Was a Lady (1939 stage musical)
medley including a instrumental recording of:
Ev’ry Day’s a Holiday (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
DuBarry Was a Lady (1939 stage musical)
medley including a instrumental recording of:
Friendship (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
Anything Goes
part of:
DuBarry Was a Lady (1939 stage musical)
medley including a instrumental recording of:
It Was Written in the Stars (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
DuBarry Was a Lady (1939 stage musical)
Cole Porter3:36
3The Snake in the Grass (Ballet from Fifty Million Frenchmen)
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
recording of:
The Snake in the Grass (from "Fifty Million Frenchmen") (in 1990-12)
composer:
Cole Porter (composer)
part of:
Fifty Million Frenchmen
Cole Porter6:40
4Ballet “Within the Quota”: Opening
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Charles Koechlin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
partial recording of:
Within the Quota (in 1990-12)
composer:
Cole Porter (composer)
librettist:
Gerald Murphy (librettist)
Cole Porter3:25
5Ballet “Within the Quota”: Heiress
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Charles Koechlin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
partial recording of:
Within the Quota (in 1990-12)
composer:
Cole Porter (composer)
librettist:
Gerald Murphy (librettist)
Cole Porter1:31
6Ballet “Within the Quota”: Heiress Reformer
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Charles Koechlin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
partial recording of:
Within the Quota (in 1990-12)
composer:
Cole Porter (composer)
librettist:
Gerald Murphy (librettist)
Cole Porter1:18
7Ballet “Within the Quota”: Colored Gentleman
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Charles Koechlin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
partial recording of:
Within the Quota (in 1990-12)
composer:
Cole Porter (composer)
librettist:
Gerald Murphy (librettist)
Cole Porter1:42
8Ballet “Within the Quota”: Colored Gentleman Reformer
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Charles Koechlin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
partial recording of:
Within the Quota (in 1990-12)
composer:
Cole Porter (composer)
librettist:
Gerald Murphy (librettist)
Cole Porter0:31
9Ballet “Within the Quota”: Jazz Baby
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Charles Koechlin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
partial recording of:
Within the Quota (in 1990-12)
composer:
Cole Porter (composer)
librettist:
Gerald Murphy (librettist)
Cole Porter2:30
10Ballet “Within the Quota”: Jazz Baby Reformer
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Charles Koechlin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
partial recording of:
Within the Quota (in 1990-12)
composer:
Cole Porter (composer)
librettist:
Gerald Murphy (librettist)
Cole Porter0:46
11Ballet “Within the Quota”: Cowboy
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Charles Koechlin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
partial recording of:
Within the Quota (in 1990-12)
composer:
Cole Porter (composer)
librettist:
Gerald Murphy (librettist)
Cole Porter1:41
12Ballet “Within the Quota”: Sweetheart of the World
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Charles Koechlin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
partial recording of:
Within the Quota (in 1990-12)
composer:
Cole Porter (composer)
librettist:
Gerald Murphy (librettist)
Cole Porter1:40
13Ballet “Within the Quota”: Finale
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Charles Koechlin (composer)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
partial recording of:
Within the Quota (in 1990-12)
composer:
Cole Porter (composer)
librettist:
Gerald Murphy (librettist)
Cole Porter1:05
14Leave It to Me Overture: From Now On / Most Gentlemen Don’t Like Love / Get Out of Town
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Don Walker (orchestrator)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
medley including a instrumental recording of:
From Now On (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Leave It to Me!
medley including a instrumental recording of:
Get Out of Town (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
medley including a instrumental recording of:
Most Gentlemen Don't Like Love (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
Cole Porter3:01
15You Never Know Overture: From Alpha to Omega / At Long Last Love / You Never Know / For No Rhyme or Reason
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Walter Paul (orchestrator/arranger) and Hans Spialek
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
medley including a instrumental recording of:
At Long Last Love (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
medley including a instrumental recording of:
For No Rhyme or Reason (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
You Never Know
medley including a instrumental recording of:
From Alpha to Omega (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
You Never Know
medley including a instrumental recording of:
You Never Know (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
You Never Know
Cole Porter4:23
16Anything Goes Overture: Anything Goes / All Through the Night / You’re the Top / Blow, Gabriel, Blow
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Hans Spialek
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
medley including a instrumental recording of:
All Through the Night (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
medley including a instrumental recording of:
Anything Goes (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
medley including a instrumental recording of:
Blow, Gabriel Blow (Anything Goes) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
medley including a instrumental recording of:
You’re the Top (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Cole Porter5:02
17Fifty Million Frenchmen Overture: I’m in Love / You’ve Got That Thing / The Happy Heaven of Harlem / You Do Something to Me / Paree, What Did You Do to Me
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
arranger:
Frank Henri Klickmann (Composer, songwriter, musician, and arranger)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
medley including a instrumental recording of:
I’m in Love (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Fifty Million Frenchmen
medley including a instrumental recording of:
Paree, What Did You Do to Me? (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Fifty Million Frenchmen
medley including a instrumental recording of:
The Happy Heaven of Harlem (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Fifty Million Frenchmen
medley including a instrumental recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
medley including a instrumental recording of:
You’ve Got That Thing (Fifty Million Frenchmen musical comedy) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1929)
part of:
Fifty Million Frenchmen
part of:
High Society (stage musical)
Cole Porter3:44
18Du Barry Was a Lady: Gavotte
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Hans Spialek
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
recording of:
Gavotte (from "Du Barry Was a Lady") (in 1990-12)
composer:
Cole Porter (composer)
part of:
DuBarry Was a Lady (1939 stage musical)
Cole Porter3:49
19Can-Can Overture: Can-Can / Allez‐vous‐en / If You Loved Me Truly / I Love Paris / Montmartre
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Philip Lang
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
medley including a instrumental recording of:
Allez-vous-en (Can-Can [Pistache]) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1953)
part of:
Can‐Can
medley including a instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
medley including a instrumental recording of:
If You Loved Me Truly (from Can-Can) (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Can‐Can
medley including a instrumental recording of:
Montmartre (in 1990-12)
composer:
Cole Porter (composer)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
medley including a instrumental recording of:
Can-Can (Can-Can [Pistache, Women])
lyricist and composer:
Cole Porter (composer)
part of:
Can‐Can (1960 musical film)
Cole Porter4:21
20Gay Divorce Overture: How’s Your Romance? / After You, Who? / You’re in Love / I’ve Got You on My Mind / Salt Air
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Robert Russell Bennett (American composer and arranger) and Hans Spialek
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
medley including a instrumental recording of:
After You, Who? (Cole Porter; from “The Gay Divorcee”) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1932)
part of:
Gay Divorce
medley including a instrumental recording of:
How’s Your Romance? (Gay Divorce musical) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1932)
part of:
Gay Divorce
medley including a instrumental recording of:
I’ve Got You on My Mind (Gay Divorce musical) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1932)
part of:
Gay Divorce
medley including a instrumental recording of:
Salt Air (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Gay Divorce
medley including a instrumental recording of:
You’re in Love (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Gay Divorce
Cole Porter5:10
21Kiss Me Kate Overture: Too Darn Hot / Why Can’t You Behave? / Wunderbar / So in Love / Bianca
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1989-06)
conductor:
John McGlinn (American conductor) (in 1989-06)
orchestrator:
Robert Russell Bennett (American composer and arranger)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1989-06)
remix of:
Overture (Kiss Me Kate, 1989 London studio cast) by London Sinfonietta, John McGlinn (American conductor) (in 1990)
medley including a instrumental recording of:
Bianca (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer)
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
So in Love (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
Too Darn Hot (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
Why Can’t You Behave? (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
Wunderbar (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Kiss Me, Kate (musical)
Cole Porter6:17
22Gay Divorce: Night and Day
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Hans Spialek
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Cole Porter5:28
23Out of This World Overture: Use Your Imagination / Climb Up the Mountain / Where, Oh Where / Nobody’s Chasing Me / I Am Loved
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Robert Russell Bennett (American composer and arranger)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-12)
medley including a instrumental recording of:
Climb Up the Mountain (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Out of This World
medley including a instrumental recording of:
I Am Loved (in 1990-12)
lyricist and composer:
Cole Porter (composer)
publisher:
Buxton Hill Music Corp.
part of:
Out of This World
medley including a instrumental recording of:
Nobody's Chasing Me (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Out of This World
medley including a instrumental recording of:
Use Your Imagination (Out of This World musical) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Out of This World
medley including a instrumental recording of:
Where, Oh Where (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Out of This World
Cole Porter4:55

Credits

Release

manufactured in:United States