Frederick Fennell Conducts Cole Porter & George Gershwin: The Studio Recordings

~ Release by Cole Porter, George Gershwin; Frederick Fennell (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Blow, Gabriel, Blow
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
Blow, Gabriel Blow (Anything Goes) (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Cole Porter2:33
2So in Love
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
So in Love (from Kiss Me, Kate) (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
Cole Porter3:03
3It’s All Right With Me
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
It’s All Right with Me (Can‐Can musical) (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Cole Porter3:27
4Ridin’ High
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
Ridin’ High (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1936)
Cole Porter2:47
5In the Still of the Night
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
In the Still of the Night (Cole Porter song) (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Cole Porter3:00
6Begin the Beguine
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
Begin the Beguine (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Cole Porter3:27
7Night and Day
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Cole Porter3:18
8My Heart Belongs to Daddy
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
cover recording of:
My Heart Belongs to Daddy (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Cole Porter2:28
9Anything Goes
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
Anything Goes (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
Cole Porter2:22
10I’ve Got You Under My Skin
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
I’ve Got You Under My Skin (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Cole Porter3:56
11It’s De‐Lovely
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
It’s De‐Lovely (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Cole Porter3:15
12You’d Be So Nice to Come Home To
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
You’d Be So Nice to Come Home To (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Cole Porter2:55
13I Got Rhythm
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
I Got Rhythm (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
George Gershwin3:09
14Love Is Sweeping the Country
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
Love Is Sweeping the Country (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music Co. (in 1931)
part of:
Of Thee I Sing (1931 musical)
George Gershwin2:37
15Love Walked In
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
Love Walked In (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
George Gershwin3:34
16’S Wonderful
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
’S Wonderful (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
George Gershwin2:45
17Bidin’ My Time
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
Bidin’ My Time (from Girl Crazy) (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
New World Music Co. (in 1930)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
George Gershwin2:49
18Oh, Lady, Be Good
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
Oh, Lady Be Good! (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
George Gershwin3:32
19Fascinating Rhythm
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
Fascinatin’ Rhythm (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
George Gershwin2:00
20Liza
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
Liza (All the Clouds’ll Roll Away) (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
included in:
An American in Paris (2015 Broadway musical)
George Gershwin3:49
21Embraceable You
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
Embraceable You (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
George Gershwin2:37
22The Man I Love
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
The Man I Love (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
George Gershwin3:29
23Someone to Watch Over Me
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
Someone to Watch Over Me (Oh, Kay!) (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
George Gershwin3:19
24But Not for Me
orchestra:
The Studio Orchestra (from 1960-09-26 until 1960-09-27)
conductor:
Frederick Fennell (conductor) (from 1960-09-26 until 1960-09-27)
recorded at:
Ballroom Studio A (part of Fine Recording Studios) in New York, New York, United States (from 1960-09-26 until 1960-09-27)
recording of:
But Not for Me (from 1960-09-26 until 1960-09-27)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
George Gershwin3:16

Credits

Release

manufactured in:U.S.A.
printed in:USA