Decca & Philips Recordings 1956-1964

~ Release by Pierre Monteux (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Orchestral Suite No. 2 In B Minor, BWV 1067: 1. Ouverture
producer:
Christopher Raeburn (producer)
flute:
Claude Monteux (American flutist and conductor) (from 1963-11-03 until 1963-11-08)
orchestra:
London Symphony Orchestra (from 1963-11-03 until 1963-11-08)
conductor:
Pierre Monteux (conductor) (from 1963-11-03 until 1963-11-08)
balance engineer:
Kenneth Wilkinson (engineer) (from 1963-11-03 until 1963-11-08)
recorded at:
Decca Studio No. 3 in West Hampstead (from 1963-11-03 until 1963-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) (from 1963-11-03 until 1963-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach7:16
2Orchestral Suite No. 2 In B Minor, BWV 1067: 2. Rondeau
producer:
Christopher Raeburn (producer)
flute:
Claude Monteux (American flutist and conductor) (from 1963-11-03 until 1963-11-08)
orchestra:
London Symphony Orchestra (from 1963-11-03 until 1963-11-08)
conductor:
Pierre Monteux (conductor) (from 1963-11-03 until 1963-11-08)
balance engineer:
Kenneth Wilkinson (engineer) (from 1963-11-03 until 1963-11-08)
recorded at:
Decca Studio No. 3 in West Hampstead (from 1963-11-03 until 1963-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) (from 1963-11-03 until 1963-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:32
3Orchestral Suite No. 2 In B Minor, BWV 1067: 3. Sarabande
producer:
Christopher Raeburn (producer)
flute:
Claude Monteux (American flutist and conductor) (from 1963-11-03 until 1963-11-08)
orchestra:
London Symphony Orchestra (from 1963-11-03 until 1963-11-08)
conductor:
Pierre Monteux (conductor) (from 1963-11-03 until 1963-11-08)
balance engineer:
Kenneth Wilkinson (engineer) (from 1963-11-03 until 1963-11-08)
recorded at:
Decca Studio No. 3 in West Hampstead (from 1963-11-03 until 1963-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (from 1963-11-03 until 1963-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:02
4Orchestral Suite No. 2 In B Minor, BWV 1067: 4. Bourrée I-II
producer:
Christopher Raeburn (producer)
flute:
Claude Monteux (American flutist and conductor) (from 1963-11-03 until 1963-11-08)
orchestra:
London Symphony Orchestra (from 1963-11-03 until 1963-11-08)
conductor:
Pierre Monteux (conductor) (from 1963-11-03 until 1963-11-08)
balance engineer:
Kenneth Wilkinson (engineer) (from 1963-11-03 until 1963-11-08)
recorded at:
Decca Studio No. 3 in West Hampstead (from 1963-11-03 until 1963-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II) (from 1963-11-03 until 1963-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:14
5Orchestral Suite No. 2 In B Minor, BWV 1067: 6. Polonaise
producer:
Christopher Raeburn (producer)
flute:
Claude Monteux (American flutist and conductor) (from 1963-11-03 until 1963-11-08)
orchestra:
London Symphony Orchestra (from 1963-11-03 until 1963-11-08)
conductor:
Pierre Monteux (conductor) (from 1963-11-03 until 1963-11-08)
balance engineer:
Kenneth Wilkinson (engineer) (from 1963-11-03 until 1963-11-08)
recorded at:
Decca Studio No. 3 in West Hampstead (from 1963-11-03 until 1963-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) (from 1963-11-03 until 1963-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:54
6Orchestral Suite No. 2 In B Minor, BWV 1067: 7. Menuet
producer:
Christopher Raeburn (producer)
flute:
Claude Monteux (American flutist and conductor) (from 1963-11-03 until 1963-11-08)
orchestra:
London Symphony Orchestra (from 1963-11-03 until 1963-11-08)
conductor:
Pierre Monteux (conductor) (from 1963-11-03 until 1963-11-08)
balance engineer:
Kenneth Wilkinson (engineer) (from 1963-11-03 until 1963-11-08)
recorded at:
Decca Studio No. 3 in West Hampstead (from 1963-11-03 until 1963-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (from 1963-11-03 until 1963-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:33
7Orchestral Suite No. 2 In B Minor, BWV 1067: Badinerie
producer:
Christopher Raeburn (producer)
flute:
Claude Monteux (American flutist and conductor) (from 1963-11-03 until 1963-11-08)
orchestra:
London Symphony Orchestra (from 1963-11-03 until 1963-11-08)
conductor:
Pierre Monteux (conductor) (from 1963-11-03 until 1963-11-08)
balance engineer:
Kenneth Wilkinson (engineer) (from 1963-11-03 until 1963-11-08)
recorded at:
Decca Studio No. 3 in West Hampstead (from 1963-11-03 until 1963-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1963-11-03 until 1963-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach11:23
8Orfeo Ed Euridice, Wq. 30 - Act 2: Ballo (Andante)
producer:
Christopher Raeburn (producer)
flute:
Claude Monteux (American flutist and conductor) (from 1963-11-03 until 1963-11-08)
orchestra:
London Symphony Orchestra (from 1963-11-03 until 1963-11-08)
conductor:
Pierre Monteux (conductor) (from 1963-11-03 until 1963-11-08)
balance engineer:
Kenneth Wilkinson (engineer) (from 1963-11-03 until 1963-11-08)
recorded at:
Decca Studio No. 3 in West Hampstead (from 1963-11-03 until 1963-11-08)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (from 1963-11-03 until 1963-11-08)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck9:10
9Flute Concerto No.2 In D, K.314: 1. Allegro Aperto
producer:
Christopher Raeburn (producer)
flute:
Claude Monteux (American flutist and conductor) (from 1963-11-03 until 1963-11-08)
orchestra:
London Symphony Orchestra (from 1963-11-03 until 1963-11-08)
conductor:
Pierre Monteux (conductor) (from 1963-11-03 until 1963-11-08)
balance engineer:
Kenneth Wilkinson (engineer) (from 1963-11-03 until 1963-11-08)
recorded at:
Decca Studio No. 3 in West Hampstead (from 1963-11-03 until 1963-11-08)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: I. Allegro aperto (from 1963-11-03 until 1963-11-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: I. Allegro aperto
Wolfgang Amadeus Mozart8:35
10Flute Concerto No.2 In D, K.314: 2. Andante Ma Non Troppo
producer:
Christopher Raeburn (producer)
flute:
Claude Monteux (American flutist and conductor) (from 1963-11-03 until 1963-11-08)
orchestra:
London Symphony Orchestra (from 1963-11-03 until 1963-11-08)
conductor:
Pierre Monteux (conductor) (from 1963-11-03 until 1963-11-08)
balance engineer:
Kenneth Wilkinson (engineer) (from 1963-11-03 until 1963-11-08)
recorded at:
Decca Studio No. 3 in West Hampstead (from 1963-11-03 until 1963-11-08)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: II. Adagio ma non troppo (from 1963-11-03 until 1963-11-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: II. Adagio non troppo
Wolfgang Amadeus Mozart6:39
11Flute Concerto No.2 In D, K.314: 3. Allegro
producer:
Christopher Raeburn (producer)
flute:
Claude Monteux (American flutist and conductor) (from 1963-11-03 until 1963-11-08)
orchestra:
London Symphony Orchestra (from 1963-11-03 until 1963-11-08)
conductor:
Pierre Monteux (conductor) (from 1963-11-03 until 1963-11-08)
balance engineer:
Kenneth Wilkinson (engineer) (from 1963-11-03 until 1963-11-08)
recorded at:
Decca Studio No. 3 in West Hampstead (from 1963-11-03 until 1963-11-08)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: I. Allegro aperto (from 1963-11-03 until 1963-11-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: I. Allegro aperto
Wolfgang Amadeus Mozart5:27
12Symphony No.101 In D Major, Hob.I:101 - "The Clock": 1. Adagio - Presto
engineer:
James Brown (Decca engineer, 1960s) (from 1959-04-20 until 1959-04-21) and Gordon Parry (engineer) (from 1959-04-20 until 1959-04-21)
producer:
John Culshaw and Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1959-04-20 until 1959-04-21)
conductor:
Pierre Monteux (conductor) (from 1959-04-20 until 1959-04-21)
recorded at:
Sofiensaal in Landstraße (from 1959-04-20 until 1959-04-21)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: I. Adagio - Presto (from 1959-04-20 until 1959-04-21)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn8:53
13Symphony No.101 In D Major, Hob.I:101 - "The Clock": 2. Andante
engineer:
James Brown (Decca engineer, 1960s) (from 1959-04-20 until 1959-04-21) and Gordon Parry (engineer) (from 1959-04-20 until 1959-04-21)
producer:
John Culshaw and Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1959-04-20 until 1959-04-21)
conductor:
Pierre Monteux (conductor) (from 1959-04-20 until 1959-04-21)
recorded at:
Sofiensaal in Landstraße (from 1959-04-20 until 1959-04-21)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: II. Andante (from 1959-04-20 until 1959-04-21)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn6:06
14Symphony No.101 In D Major, Hob.I:101 - "The Clock": 3. Menuet (Allegretto) - Trio
engineer:
James Brown (Decca engineer, 1960s) (from 1959-04-20 until 1959-04-21) and Gordon Parry (engineer) (from 1959-04-20 until 1959-04-21)
producer:
John Culshaw and Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1959-04-20 until 1959-04-21)
conductor:
Pierre Monteux (conductor) (from 1959-04-20 until 1959-04-21)
recorded at:
Sofiensaal in Landstraße (from 1959-04-20 until 1959-04-21)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: III. Menuet. Allegretto - Trio - Menuet (from 1959-04-20 until 1959-04-21)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn6:34
15Symphony No.101 In D Major, Hob.I:101 - "The Clock": 4. Finale (Vivace)
engineer:
James Brown (Decca engineer, 1960s) (from 1959-04-20 until 1959-04-21) and Gordon Parry (engineer) (from 1959-04-20 until 1959-04-21)
producer:
John Culshaw and Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1959-04-20 until 1959-04-21)
conductor:
Pierre Monteux (conductor) (from 1959-04-20 until 1959-04-21)
recorded at:
Sofiensaal in Landstraße (from 1959-04-20 until 1959-04-21)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: IV. Finale. Vivace (from 1959-04-20 until 1959-04-21)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn4:23
2▼CD
#TitleArtistRatingLength
1Tragic Overture, Op.81
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra
conductor:
Pierre Monteux (conductor)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1962-11-28 until 1962-12-01)
recording of:
Tragische Ouvertüre, op. 81 (Tragic Overture, op. 81)
composer:
Johannes Brahms (German composer) (in 1880)
premiered by:
Hans Richter (conductor, 1843-1916) (on 1880-12-26) and Wiener Philharmoniker (Vienna Philharmonic) (on 1880-12-26)
premiered at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (on 1880-12-26)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 81)
Johannes Brahms13:04
2Academic Festival Overture, Op. 80
producer and balance engineer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra
conductor:
Pierre Monteux (conductor)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1962-11-28 until 1962-12-01)
recording of:
Akademische Fest‐Ouvertüre, op. 80 (Academic Festival Overture, op. 80)
composer:
Johannes Brahms (German composer) (in 1880)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 80)
Johannes Brahms10:21
3Symphony No. 2 In D Major, Op. 73: 1. Allegro Non Troppo
recording engineer:
James Brown (Decca engineer, 1960s) (from 1959-04-13 until 1959-04-15)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1959-04-13 until 1959-04-15)
conductor:
Pierre Monteux (conductor) (from 1959-04-13 until 1959-04-15)
recorded at:
Sofiensaal in Landstraße (from 1959-04-13 until 1959-04-15)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: I. Allegro non troppo (from 1959-04-13 until 1959-04-15)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms20:28
4Symphony No. 2 In D Major, Op. 73: 2. Adagio Non Troppo - L'istesso Tempo, Ma Grazioso
recording engineer:
James Brown (Decca engineer, 1960s) (from 1959-04-13 until 1959-04-15)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1959-04-13 until 1959-04-15)
conductor:
Pierre Monteux (conductor) (from 1959-04-13 until 1959-04-15)
recorded at:
Sofiensaal in Landstraße (from 1959-04-13 until 1959-04-15)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: II. Adagio non troppo (from 1959-04-13 until 1959-04-15)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms9:20
5Symphony No. 2 In D Major, Op. 73: 3. Allegretto Grazioso (Quasi Andantino) - Presto Ma Non Assai
recording engineer:
James Brown (Decca engineer, 1960s) (from 1959-04-13 until 1959-04-15)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1959-04-13 until 1959-04-15)
conductor:
Pierre Monteux (conductor) (from 1959-04-13 until 1959-04-15)
recorded at:
Sofiensaal in Landstraße (from 1959-04-13 until 1959-04-15)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino) (from 1959-04-13 until 1959-04-15)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms5:06
6Symphony No. 2 In D Major, Op. 73: 4. Allegro Con Spirito
recording engineer:
James Brown (Decca engineer, 1960s) (from 1959-04-13 until 1959-04-15)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1959-04-13 until 1959-04-15)
conductor:
Pierre Monteux (conductor) (from 1959-04-13 until 1959-04-15)
recorded at:
Sofiensaal in Landstraße (from 1959-04-13 until 1959-04-15)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: IV. Allegro con spirito (from 1959-04-13 until 1959-04-15)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms9:00
3▼CD
#TitleArtistRatingLength
1Prelude à l'apres-midi d'un faune
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo flute:
Alexander Murray (flautist) (on 1961-12-13)
orchestra:
London Symphony Orchestra (from 1961-12-11 until 1961-12-13)
conductor:
Pierre Monteux (conductor) (from 1961-12-11 until 1961-12-13)
balance engineer:
Kenneth Wilkinson (engineer) (from 1961-12-11 until 1961-12-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1961-12-11 until 1961-12-13)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1961-12-11 until 1961-12-13)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:28
2Nocturnes: I. Nuages
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1961-12-11 until 1961-12-13)
conductor:
Pierre Monteux (conductor) (from 1961-12-11 until 1961-12-13)
balance engineer:
Kenneth Wilkinson (engineer) (from 1961-12-11 until 1961-12-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1961-12-11 until 1961-12-13)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (from 1961-12-11 until 1961-12-13)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:54
3Nocturnes: II. Fêtes
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1961-12-11 until 1961-12-13)
conductor:
Pierre Monteux (conductor) (from 1961-12-11 until 1961-12-13)
balance engineer:
Kenneth Wilkinson (engineer) (from 1961-12-11 until 1961-12-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1961-12-11 until 1961-12-13)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (from 1961-12-11 until 1961-12-13)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:06
4Images pour orchestre: I. Gigues
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (conductor) (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (conductor) (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1963-05-18 until 1963-05-21)
recording of:
Images pour orchestre, L. 122, CD 118: I. Gigues (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (French composer) (in 1912)
publisher:
Durand et Cie (1909–1947) (in 1913-12)
part of:
Images pour orchestre, L. 122, CD 118
Claude Debussy7:18
5Images pour orchestre: II. Ibéria: 1. Par les rues et par les chemins
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (conductor) (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (conductor) (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1963-05-18 until 1963-05-21)
recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy7:14
6Images pour orchestre: II. Ibéria: 2. Les parfums de la nuit
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (conductor) (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (conductor) (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1963-05-18 until 1963-05-21)
recording of:
Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy8:05
7Images pour orchestre: II. Ibéria: 3. Le matin d'un jour de fête
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (conductor) (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (conductor) (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1963-05-18 until 1963-05-21)
recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy4:56
8Images pour orchestre: III. Rondes de printemps
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (conductor) (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (conductor) (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1963-05-18 until 1963-05-21)
recording of:
Images pour orchestre, L. 122, CD 118: III. Rondes de printemps (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (French composer) (from 1905 until 1909)
premiered at:
[concert] (1910-03-02)
publisher:
Durand et Cie (1909–1947) (in 1910-04)
premiered at:
Salle Gaveau in Paris (on 1910-03-02)
part of:
Images pour orchestre, L. 122, CD 118
Claude Debussy7:59
9Le martyre de Saint Sébastien 1. La Cour de Lys
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (conductor) (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (conductor) (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1963-05-18 until 1963-05-21)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: I. La Cour des lys (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (French composer) (in 1911)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy3:31
10Le martyre de Saint Sébastien 2. Danse extatique et Finale du 1er acte
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (conductor) (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (conductor) (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1963-05-18 until 1963-05-21)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: I. La Cour des lys: Danse extatique (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (French composer) (in 1911)
arranger:
André Caplet (French composer)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy7:22
11Le martyre de Saint Sébastien 3. La Passion
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (conductor) (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (conductor) (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1963-05-18 until 1963-05-21)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: III. Le Concile des faux dieux: La Passion (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (French composer) (in 1911)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy4:56
12Le martyre de Saint Sébastien 4. Le Bon Pasteur
producer:
Vittorio Negri (conductor)
solo cor anglais:
Roger Lord (oboist) (from 1963-05-18 until 1963-05-21)
orchestra:
London Symphony Orchestra (from 1963-05-18 until 1963-05-21)
conductor:
Pierre Monteux (conductor) (from 1963-05-18 until 1963-05-21)
balance engineer:
Vittorio Negri (conductor) (from 1963-05-18 until 1963-05-21)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1963-05-18 until 1963-05-21)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: IV. Le Laurier blessé: Le Bon Pasteur (from 1963-05-18 until 1963-05-21)
composer:
Claude Debussy (French composer) (in 1911)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy6:07
4▼CD
#TitleArtistRatingLength
1The Firebird: Introduction
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: I. Introduction (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
recording of:
L’Oiseau de feu: I. L’Oiseau de feu et sa danse (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stavinsky3:31
2The Firebird: Dance of the Firebird
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: I. Variation de l’Oiseau de feu (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stavinsky1:29
3The Firebird: Round Dance of the Princess
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: II. Ronde des princesses (Khorovode) (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stavinsky3:42
4The Firebird: Infernal Dance of King Katchei
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stavinsky4:46
5The Firebird: Berceuse
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: III. Berceuse (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stavinsky3:24
6The Firebird: Finale
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: III. Finale (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stavinsky2:56
7La Valse
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
La Valse (for orchestra) (from 1964-02-22 until 1964-02-26)
composer:
Maurice Ravel (French composer) (from 1919 until 1920)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 72)
Maurice Ravel11:36
8Ma mère l’Oye : Prélude
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Ma mère l’Oye : Prélude: Très lent (from 1964-02-22 until 1964-02-26)
orchestrator and composer:
Maurice Ravel (French composer) (in 1912)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel3:25
9Ma mère l’Oye : Danse du rouet et scène – Interlude
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Ma mère l’Oye : Tableau I : Danse du rouet et scène (from 1964-02-22 until 1964-02-26)
orchestrator and composer:
Maurice Ravel (French composer) (in 1912)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel3:28
10Ma mère l’Oye : Pavane de la Belle au bois dormant
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Ma mère l’Oye : Tableau II : Pavane de la Belle au bois dormant (from 1964-02-22 until 1964-02-26)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel1:39
11Ma mère l’Oye : Interlude
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Ma mère l’Oye : Interlude I (from 1964-02-22 until 1964-02-26)
composer:
Maurice Ravel (French composer) (in 1912)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel0:53
12Ma mère l’Oye : Les entretiens de la Belle et de la Bête
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Ma mère l’Oye : Tableau III : Les Entretiens de la Belle et de la Bête (from 1964-02-22 until 1964-02-26)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel4:11
13Ma mère l’Oye : Interlude
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Ma mère l’Oye : Interlude II (from 1964-02-22 until 1964-02-26)
composer:
Maurice Ravel (French composer) (in 1912)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel0:45
14Ma mère l’Oye : Petit Poucet
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Ma mère l’Oye : Tableau IV : Petit Poucet (from 1964-02-22 until 1964-02-26)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: II. Petit poucet (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel3:20
15Ma mère l’Oye : Interlude
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Ma mère l’Oye : Interlude III (from 1964-02-22 until 1964-02-26)
composer:
Maurice Ravel (French composer) (in 1912)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel1:09
16Ma mère l’Oye : Laideronnette, impératrice des pagodes
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Ma mère l’Oye : Tableau V : Laideronnette, impératrice des pagodes (from 1964-02-22 until 1964-02-26)
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel3:54
17Ma mère l’Oye : Interlude
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Ma mère l’Oye : Interlude IV (from 1964-02-22 until 1964-02-26)
composer:
Maurice Ravel (French composer)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel1:23
18Ma mère l’Oye : Apothèose : Le jardin féerique
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Ma mère l’Oye : Tableau VI : Le Jardin féerique (from 1964-02-22 until 1964-02-26)
composer:
Maurice Ravel (French composer)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel3:39
19Boléro
recording engineer:
Vittorio Negri (conductor) (from 1964-02-22 until 1964-02-26)
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (from 1964-02-22 until 1964-02-26)
conductor:
Pierre Monteux (conductor) (from 1964-02-22 until 1964-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1964)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (from 1964-02-22 until 1964-02-26)
recording of:
Boléro (from 1964-02-22 until 1964-02-26)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel15:15
5▼CD
#TitleArtistRatingLength
1Variations on a Theme of Haydn (St. Anthony Variations), Op. 56a
orchestra:
London Symphony Orchestra (on 1958-06-25)
conductor:
Pierre Monteux (conductor) (on 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (on 1958-06-25)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version) (on 1958-06-25)
premiered in:
Wien (Vienna) (on 1873-11-02)
composer:
Johannes Brahms (German composer) (in 1873)
premiered by:
Johannes Brahms (German composer) (on 1873-11-02) and Wiener Philharmoniker (Vienna Philharmonic) (on 1873-11-02)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 56a)
orchestration of:
Variations on a Theme by Joseph Haydn, op. 56b (for two pianos)
Johannes Brahms17:04
2The Sleeping Beauty, op. 66, TH.13: Prologue: Introduction
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
partial recording of:
The Sleeping Beauty, op. 66: Introduction (from 1957-06-03 until 1957-06-13)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Pyotr Ilyich Tchaikovsky2:12
3The Sleeping Beauty, op. 66, TH.13: Act I: 6. Valse
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
partial recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky4:34
4The Sleeping Beauty, op. 66, TH.13: Act I: Rose Adagio
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
partial recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: a. Introduction ("Rose adagio") (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky5:07
5The Sleeping Beauty, op. 66, TH.13: Prologue: 1. Marche (Entrance of King and Court)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
partial recording of:
The Sleeping Beauty, op. 66: Prolog. no. 1 Marche (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Prologue
Pyotr Ilyich Tchaikovsky2:40
6The Sleeping Beauty, op. 66, TH.13: Prologue: 3. Pas de six: Intrada – Adagio (Allegro vivo)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Prolog. No. 3 Pas de six: Introduction (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Prologue
Pyotr Ilyich Tchaikovsky4:11
7The Sleeping Beauty, op. 66, TH.13: Prologue: 3f. Pas de six: Variation IV (Song-bird Fairy)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Prolog. No. 3 Pas de six: Var. IV: Canari qui chante (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Prologue
Pyotr Ilyich Tchaikovsky0:33
8The Sleeping Beauty, op. 66, TH.13: Prologue: 3g. Pas de six: Variation V (Violente)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Prolog. no. 3 Pas de six: Var. V: Violente (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Prologue
Pyotr Ilyich Tchaikovsky1:00
9The Sleeping Beauty, op. 66, TH.13: Act I: 8c. Pas d’action: Variation d'Aurore
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: c. Variation d’Aurore (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky2:18
10The Sleeping Beauty, op. 66, TH.13: Act I: 8d. Pas d’action: Coda
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
partial recording of:
The Sleeping Beauty, op. 66: Acte I, no. 9. Finale (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky1:00
11The Sleeping Beauty, op. 66, TH.13: Act I: 9. Final (La Fée des lilas paraît)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
partial recording of:
The Sleeping Beauty, op. 66: Acte I, no. 9. Finale (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky2:10
12The Sleeping Beauty, op. 66, TH.13: Act II: 13a. Farandole: Scène
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte II, no. 13. Farandole: a. Scène (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte II
recording of:
The Sleeping Beauty, op. 66: Acte II, no. 13. Farandole: b. Danse (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte II
Pyotr Ilyich Tchaikovsky1:39
13The Sleeping Beauty, op. 66, TH.13: Act II: 17. Panorama (Andantino)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte II, no. 17. Panorama (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte II
Pyotr Ilyich Tchaikovsky2:18
14The Sleeping Beauty, op. 66, TH.13: Act III: 22. Polacca (Allegro moderato)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
partial recording of:
The Sleeping Beauty, op. 66: Acte III, no. 22. Polacca (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky3:15
15The Sleeping Beauty, op. 66, TH.13: Act III: 23a. Pas de quatre: Intrada (Allegro non tanto)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: a. Introduction (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky1:05
16The Sleeping Beauty, op. 66, TH.13: Act III: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: c. Var. II: La Fée-Argent (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky0:52
17The Sleeping Beauty, op. 66, TH.13: Act III: 23e. Pas de quatre: Variation IV (Diamond Fairy)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: e. Var. IV: La Fée-Diamant (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky0:45
18The Sleeping Beauty, op. 66, TH.13: Act III: 23f. Pas de quatre: Coda
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre: d. Coda (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky0:43
19The Sleeping Beauty, op. 66, TH.13: Act III: 25a. Pas de quatre: Adagio
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre: a. Introduction (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky2:13
20The Sleeping Beauty, op. 66, TH.13: Act III: 25b. Pas de quatre: Variation 1: Cinderella & Fortune
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre: b. Var. I: Cendrillon et Fortune (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky0:54
21The Sleeping Beauty, op. 66, TH.13: Act III: 25c: Pas de quatre: Variation 2: The Bluebird & Princess Florine
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre: c. Var. II: L’Oiseau bleu et la princesse Florine (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky0:47
22The Sleeping Beauty, op. 66, TH.13: Act III: 25d: Pas de quatre – Coda
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre: d. Coda (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky1:44
23The Sleeping Beauty, op. 66, TH.13: Act III: 26: Pas de caractère – Red Riding Hood & The Wolf
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 26. Pas de caractère: a. Le Petit Chaperon rouge et le loup (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky1:18
24The Sleeping Beauty, op. 66, TH.13: Act III: 28b: Pas de deux – Adagio
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
partial recording of:
The Sleeping Beauty, op. 66: Acte III, no. 28. Pas des deux: c. Adagio (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky3:19
25The Sleeping Beauty, op. 66, TH.13: Act III: 28e: Pas de deux – Coda
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 28. Pas des deux: f. Coda (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky1:08
26The Sleeping Beauty, op. 66, TH.13: Act III: 30: Finale – Allegro Brillante (Mazurka)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
partial recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: a. Introduction (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky3:39
27The Sleeping Beauty, op. 66, TH.13: Act III: 30b: Finale – Apotheosis
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1957-06-03 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-03 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-03 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-03 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-03 until 1957-06-13)
partial recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose (from 1957-06-03 until 1957-06-13)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Pyotr Ilyich Tchaikovsky1:35
6▼CD
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1Symphony no. 2 in D, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro
producer:
John Culshaw
orchestra:
London Symphony Orchestra (from 1958-06-18 until 1958-06-20)
conductor:
Pierre Monteux (conductor) (from 1958-06-18 until 1958-06-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-18 until 1958-06-20)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-18 until 1958-06-20)
recording of:
Sinfonia nro 2 D-duuri, op. 43: I. Allegretto (Symphony no. 2 in D major, op. 43: I. Allegretto) (from 1958-06-18 until 1958-06-20)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius10:17
2Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato - Andante sostenuto
producer:
John Culshaw
orchestra:
London Symphony Orchestra (from 1958-06-18 until 1958-06-20)
conductor:
Pierre Monteux (conductor) (from 1958-06-18 until 1958-06-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-18 until 1958-06-20)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-18 until 1958-06-20)
recording of:
Sinfonia nro 2 D-duuri, op. 43: II. Tempo andante, ma rubato (Symphony no. 2 in D major, op. 43: II: Tempo andante, ma rubato) (from 1958-06-18 until 1958-06-20)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius14:36
3Symphony no. 2 in D, op. 43: III. Vivacissimo - Lento e suave - Largamente
producer:
John Culshaw
orchestra:
London Symphony Orchestra (from 1958-06-18 until 1958-06-20)
conductor:
Pierre Monteux (conductor) (from 1958-06-18 until 1958-06-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-18 until 1958-06-20)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-18 until 1958-06-20)
recording of:
Sinfonia nro 2 D-duuri, op. 43: III. Vivacissimo (Symphony no. 2 in D major, op. 43: III. Vivacissimo) (from 1958-06-18 until 1958-06-20)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius6:16
4Symphony no. 2 in D, op. 43: IV. Finale (Allegro moderato)
producer:
John Culshaw
orchestra:
London Symphony Orchestra (from 1958-06-18 until 1958-06-20)
conductor:
Pierre Monteux (conductor) (from 1958-06-18 until 1958-06-20)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-18 until 1958-06-20)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-18 until 1958-06-20)
recording of:
Sinfonia nro 2 D-duuri, op. 43: IV. Finale. Allegro moderato (Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato) (from 1958-06-18 until 1958-06-20)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius12:50
5Enigma Variations: Theme (Andante)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:25
6Enigma Variations: Variation I (L'istesso tempo) "C.A.E."
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:47
7Enigma Variations: Variation II (Allegro) "H.D.S.-P."
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:47
8Enigma Variations: Variation III (Allegretto) "R.B.T."
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:21
9Enigma Variations: Variation IV (Allegro di molto) "W.M.B."
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:27
10Enigma Variations: Variation V (Moderato) "R.P.A."
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:55
11Enigma Variations: Variation VI (Andantino) "Ysobel"
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:20
12Enigma Variations: Variation VII (Presto) "Troyte"
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:56
13Enigma Variations: Variation VIII (Allegretto) "W.N."
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:55
14Enigma Variations: Variation IX (Adagio) "Nimrod"
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1958-06-24 until 1958-06-25)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:51
15Enigma Variations: Variation X (Intermezzo: Allegretto) "Dorabella"
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:39
16Enigma Variations: Variation XI (Allegro di molto) "G.R.S."
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:56
17Enigma Variations: Variation XII (Andante) "B.G.N."
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:25
18Enigma Variations: Variation XIII (Romanza: Moderato) "* * *"
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:39
19Enigma Variations: Variation XIV (Finale: Allegro presto) "E.D.U."
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
London Symphony Orchestra (from 1958-06-24 until 1958-06-25)
conductor:
Pierre Monteux (conductor) (from 1958-06-24 until 1958-06-25)
balance engineer:
Kenneth Wilkinson (engineer) (from 1958-06-24 until 1958-06-25)
recorded at:
Kingsway Hall in London (Greater London) (from 1958-06-24 until 1958-06-25)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1958-06-24 until 1958-06-25)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:56
7▶CD