The Broadway Album

~ Release by Barbra Streisand (see all versions of this release, 11 available)

Tracklist

1▼CD
#TitleRatingLength
1Putting It Together
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
synthesizer:
Randy Waldman (in 1985)
additional spoken vocals:
David Geffen (in 1985), Sydney Pollack (in 1985) and Ken Sylk (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz and Barbra Streisand
orchestrator:
Peter Matz
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood (in 1985)
cover recording of:
Sunday in the Park With George: Putting It Together (in 1985)
lyricist and composer:
Stephen Sondheim
publisher:
Revelation Music Publishing Corp. and Rilting Music, Inc.
part of:
Sunday in the Park With George
?:??
2If I Loved You
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
French horn:
Brian O’Connor (French hornist) (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood (in 1985)
cover recording of:
If I Loved You (Carousel) (in 1985)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
?:??
3Something’s Coming
recording engineer and mixer:
John Arrias (engineer)
producer:
Richard Baskin (film composer and producer)
synthesizer:
Randy Waldman (in 1985)
vocals:
Barbra Streisand (in 1985)
brass [horns] arranger:
Jerry Hey
arranger:
Richard Baskin (film composer and producer) and Randy Waldman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
Randy Waldman Studio in Van Nuys (in 1985) and The Village (Village Studios, aka The Village Recorder) in Los Angeles (in 1985)
cover recording of:
West Side Story: Something’s Coming (Tony) (in 1985)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and G. Schirmer Inc.
part of:
West Side Story
?:??
4Not While I’m Around
recording engineer and mixer:
Don Hahn (engineer)
producer:
Richard Baskin (film composer and producer)
vocals:
Barbra Streisand (in 1985)
conductor:
Jeremy Lubbock (in 1985)
orchestrator:
Jeremy Lubbock
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood (in 1985)
cover recording of:
Not While I’m Around (contemporary version) (in 1985)
lyricist and composer:
Stephen Sondheim
publisher:
Revelation Music Publishing Corp. and Rilting Music, Inc.
?:??
5Being Alive
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
bass guitar [bass]:
Neil Stubenhaus (in 1985)
drums (drum set):
Steve Schaeffer (drummer) (in 1985)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1985)
solo alto saxophone:
Gary Herbig (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz and Barbra Streisand
orchestrator:
Peter Matz
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood (in 1985)
cover recording of:
Company: Being Alive (in 1985)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation, Quartet Music Inc., Range Road Music Inc. and Rilting Music, Inc.
part of:
Company
?:??
6I Have Dreamed / We Kiss in a Shadow / Something Wonderful
recording engineer:
John Arrias (engineer)
keyboard programming:
Rhett Lawrence
producer:
Bob Esty (disco songwriter - producer from Massachusetts), Paul Jabara and Barbra Streisand
keyboard:
Bob Esty (disco songwriter - producer from Massachusetts) (in 1985)
strings:
Jeremy Lubbock (in 1985)
vocals:
Barbra Streisand (in 1985)
remixer:
John Arrias (engineer)
arranger:
Bob Esty (disco songwriter - producer from Massachusetts) and Paul Jabara
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood (in 1985)
medley including a cover recording of:
I Have Dreamed (The King and I) (in 1985)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
medley including a cover recording of:
Something Wonderful (The King and I) (in 1985)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
translated version of:
דבר מה נפלא כל כך
part of:
The King and I (Rodgers & Hammerstein musical)
medley including a cover recording of:
We Kiss in a Shadow (The King and I) (in 1985)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
?:??
7Adelaide’s Lament
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
double bass:
Chuck Berghofer (Jazz bassist) (in 1985)
membranophone:
Sol Gubin (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
orchestrator:
Sid Ramin
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
cover recording of:
Adelaide’s Lament (in 1985)
lyricist and composer:
Frank Loesser
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
?:??
8Send In the Clowns
recording engineer:
John Arrias (engineer)
producer:
Barbra Streisand
cor anglais and oboe:
Earle Dumler (multi-instrumentalist) (in 1985)
French horn:
Richard Todd (American hornist) (in 1985)
piano:
Randy Kerber (in 1985)
synthesizer:
Randy Waldman (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Jeremy Lubbock (in 1985)
remixer:
John Arrias (engineer)
orchestrator:
Jeremy Lubbock
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
Evergreen Recording Studios in Burbank (in 1985)
cover recording of:
Send In the Clowns (A Little Night Music) (in 1985)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
?:??
9Pretty Women / The Ladies Who Lunch
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
drums (drum set):
Sol Gubin (in 1985)
guitar:
Oscar Castro‐Neves (in 1985)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz and Barbra Streisand
orchestrator:
Peter Matz
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood (in 1985)
medley including a cover recording of:
Company: The Ladies Who Lunch (in 1985)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation, Quartet Music Inc., Range Road Music Inc. and Rilting Music, Inc.
part of:
Company
medley including a cover recording of:
Pretty Women (Sweeney Todd) (in 1985)
orchestrator:
Jonathan Tunick (, in 1979) and Sarah Travis (orchestrator, musical supervisor) (in 2004)
lyricist and composer:
Stephen Sondheim
publisher:
Revelation Music Publishing Corp. and Rilting Music, Inc.
part of:
Sweeney Todd: The Demon Barber of Fleet Street
?:??
10Can’t Help Lovin’ That Man
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
harmonica:
Stevie Wonder (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
John Arrias (engineer)
additional orchestrator:
Peter Matz
orchestrator:
Conrad Salinger (, in 1951)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood (in 1985)
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (in 1985)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, volume I)
?:??
11I Loves You Porgy / Porgy, I’s Your Woman Now (Bess, You Is My Woman)
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz and Barbra Streisand
orchestrator:
Alexander Courage
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood (in 1985)
medley including a cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (in 1985)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
medley including a cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1985)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
?:??
12Somewhere
synthesizer programming:
Michael Boddicker
additional engineer:
Magic Moreno
assistant engineer:
Jeffrey 'Woody' Woodruff (engineer)
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
keyboard and synthesizer:
David Foster (Canadian music producer, arranger and composer) (in 1985) and Randy Waldman (in 1985)
vocals:
Barbra Streisand (in 1985)
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
Randy Waldman Studio in Van Nuys (in 1985) and The Lighthouse (studio located in N. Hollywood, California) in North Hollywood (in 1985)
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1985)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
?:??
13I Know Him So Well (session outtake)
guest background vocals:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) (in 1985)
vocals:
Barbra Streisand (in 1985)
cover recording of:
I Know Him So Well (Chess) (in 1985)
lyricist:
Tim Rice and Björn Ulvaeus
composer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Chess (full musical)
?:??

Credits

Release

manufactured by:Sony Music Japan International Inc. (do not use as a label, see the annotation)