| 453 | Symphony no. 6 in F major, op. 68 “Pastorale” | | | | | Symphony | | | |
| 544 | Symphony no. 7 in A major, op. 92 | | | | | Symphony | | - 0O7-3141-4 (JASRAC ID)
- A major (Key)
| |
| Bia 1 | 9 Variations for Piano in C minor on a March by Ernst Christoph Dressler, WoO 63 | | | | | | | | |
| Bia 7 | Song for Voice and Piano, WoO 107: "Schilderung eines Mädchens" | | | | | Song | | | |
| Bia 9 | Song for voice and piano, WoO 108 "An einen Säugling" | | | | | Song | | | |
| Bia 13 | Song for Voice and Piano, WoO 109: "Trinklied" | | | | | Song | | | |
| Bia 14 | Song for Voice and Piano, WoO 110: "Elegie auf den Tod eines Pudels" | | | | | Song | | | |
| Bia 20 | Klaviersatz, Hess 63 | | | | | | | | |
| Bia 21 | Sonata for Piano in F major, WoO 50 | | | | | Sonata | | | |
| Bia 25 | 6 Variations for Piano on a Swiss Song in F major, WoO 64 | | | | | | | | |
| Bia 29 | Musik zu einem Ritterballett, WoO 1 | | | | | | | | |
| Bia 35 | 8 Variations for 2 Pianos in C major on a theme by Count Waldstein, WoO 67 | | | | | | | | |
| Bia 37 | 13 Variations for Piano in A major on the Arietta "Es war einmal ein alter Mann" from Dittersdorf's Singspiel "Das rote Käppchen", WoO 66 | | | | | | | | |
| Bia 52 | Andante in C major, WoO 211 | | | | | | | | |
| Bia 66 | Minuet for Piano in F major, Biamonti 66, WoO 217 | | | | | | | | |
| Bia 69 | 3 Small Sketches for Study, Biamonti 69 | | | | | | | | |
| Bia 74 | Minuet for Piano in C major, Biamonti 74 | | | | | | | | |
| Bia 77 | Song for Voice, monodical Chorus and Piano, WoO 117: "Der freie Mann" | | | | | Song | | | |
| Bia 80 | Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30 | | | | | | | | |
| Bia 83 | Canon for 4 "Im Arm der Liebe ruht sich's wohl", WoO 159 | | | | | | | | |
| Bia 90 | 9 Variations for Piano in A major on the Aria "Quant'è più bello" from Giovanni Paisello's opera "La molinara", WoO 69 | | | | | | | | |
| Bia 91 | 6 Variations for Piano in G major on the Duet "Nel cor più non mi sento" from Giovanni Paisiello's opera "La molinara", WoO 70 | | | | | | | | |
| Bia 94 | 12 Variations for Piano in C major on the "Menuett à la Viganò" from Jakob Hailbel, tirè du ballet "Le nozze disturbate", WoO 68 | | | | | | | | |
| Bia 107 | 12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen", WoO 71 | | | | | | | | |
| Bia 117 | Opferlied (sketch of 1st setting), Hess 145 | | | | | | | | |
| Bia 138 | 8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion", WoO 72 | | | | | | | | |
| Bia 163 | 7 Ländler for Piano in D major, WoO 11 | | | | | | | | |
| Bia 164 | Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)" | | | | | | | | |
| Bia 173 | Song for Voice and Piano, WoO 126: "Opferlied" | | | | | Song | | | |
| Bia 175 | 10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff", WoO 73 | | | | | | | | |
| Bia 177 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74 | | | | | | | | |
| Bia 179 | 8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II", WoO 76 | | | | | | | | |
| Bia 181 | 7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest", WoO 75 | | | | | | | | |
| Bia 209 | 6 Easy Variations for Piano in G major on an Original Theme, WoO 77 | | | | | | | | |
| Bia 213 | Composition for Piano in D major, Bia. 213 | | | | | | | | |
| Bia 215 | "Giura il nocchier", WoO 99 No. 5b/Hess 230 | | | | | | | | |
| Bia 218 | 12 German Dances for Piano, WoO 13 | | | | | | | | |
| Bia 263 | 14 Variations for Piano, Violin, and Cello in E-flat major, op. 44 | | | | | | | | |
| Bia 266 | Allemande for Piano in A major, WoO 81 | | | | | | | | |
| Bia 275 | 4 Bagatelles, WoO 213: No. 4 in A major. Rondo | | | | | | | | |
| Bia 277 | Presto in G major, Bia. 277 | | | | | | | | |
| Bia 279 | Allegro in C major, Bia. 279 | | | | | | | | |
| Bia 282 | 4 Bagatelles, WoO 213: No. 2 in G major. Finale | | | | | | | | |
| Bia 283 | 4 Bagatelles, WoO 213: No. 1 in D‐flat major. Andante | | | | | | | | |
| Bia 284 | 4 Bagatelles, WoO 213: No. 3 in A major. Allegro | | | | | | | | |
| Bia 284 | Sonata for Piano no. 10 in G major, op. 14 no. 2 | | | | | Sonata | | | |
| Bia 285 | Sonata for Piano no. 9 in E major, op. 14 no. 1 | | | | | Sonata | | | |
| Bia 287 | Zärtliche Liebe, WoO 123 "Ich liebe dich so wie du mich" | | | | | Song | | | |
| Bia 299 | 24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65 | | | | | | | | |
| Bia 303 | Musical joke for three voices "Lob auf den Dicken", WoO 100 | | - Kammerchor der Berliner Singakademie, Siegfried Hausmann, Joachim Vogt
- Kammerchor der Berliner Singakademie, Günther Beyer, Siegfried Hausmann, Joachim Vogt, Dietrich Knothe
- Christophe Grapperon, Accentus
- Stefan Tauber, Martin Weiser, Franz Schneckenleitner, Cantus Novus Wien, Thomas Holmes
- Joachim Vogt, Günther Beyer, Siegfried Hausmann, Kammerchor der Berliner Singakademie
| | | | | | |
| Bia 304 | Aria for Soprano and Strings, WoO 92a "No, non turbati" | | | | | | | | |
| Bia 331 | Musical joke "Graf, liebster Graf, liebstes Schaf", WoO 101 | | - Christina Klopsch, Astrid Pilzecker, Joachim Vogt
- Christina Klopsch, Astrid Pilzecker, Joachim Vogt, Hermann Franke, Thomas Franke, Günter Wäsch, Dietrich Knothe
- Kammerchor der Berliner Singakademie, Berliner Solisten
- Cantus Novus Wien, Thomas Holmes
- Christophe Grapperon, Accentus
| | | | | | |
| Bia 368 | 7 Variations for Piano in C major on “God Save the King”, WoO 78 | | | | | | | | |
| Bia 369 | 5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred", WoO 79 | | | | | | | | |
| Bia 416 | Song for Voice and Piano, WoO 130: "Gedenke mein!" | | | | | Song | | | |
| Bia 418 | 6 Variations for 2 Pianos in D major on “Ich denke dein”, WoO 74 | | | | | | | | |
| Bia 428 | Song for Voice and Piano, WoO 132: "Als die Geliebte sich trennen wollte" | | | | | Song | | | |
| Bia 446 | Song for Voice and Piano, WoO 134: "Sehnsucht" | | | | | Song | | | |
| Bia 486 | Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy” | | | | | | | | |
| Bia 528 | "Ewig dein", WoO 161 | | | | | | | | |
| Bia 540/1 | Song for Voice and Piano, WoO 140: "An die Geliebte" (1st version) | | | | | Song | | | |
| Bia 540/2 | Song for Voice and Piano, WoO 140: "An die Geliebte" (2nd version) | | | | | Song | | | |
| Bia 542 | Allegretto for Piano, Violin, and Cello in B-flat major, WoO 39 | | | | | | | | |
| Bia 559 | "Kurz ist der Schmerz", WoO 163 | | | | | | | | |
| Bia 560 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91 | | | | | | | | |
| Bia 573 | Canon for 3 male voices "Abschiedsgesang «Die Stunde schlägt»", WoO 102 | | | | | | | | |
| Bia 579 | "Freundschaft ist die Quelle wahrer Glückseligkeit", WoO 164 | | | | | | | | |
| Bia 585 | “Ich bin der Herr von zu”, WoO 199 | | | | | | | | |
| Bia 593 | "Glück zum neuen Jahr!", WoO 165 | | | | | | | | |
| Bia 594 | "Kurz ist der Schmerz", WoO 166 | | | | | | | | |
| Bia 610 | "Brauchle, Linke", WoO 167 | | | | | | | | |
| Bia 622 | Pastorale in C major, Bia. 622 | | | | | | | | |
| Bia 647 | "Ich küsse Sie", WoO 169 | | | | | | | | |
| Bia 649 | "Das Schweigen", WoO 168 No. 1 | | | | | | | | |
| Bia 650 | "Das Reden", WoO 168 No. 2 | | | | | | | | |
| Bia 651 | "Ars longa, vita brevis", WoO 170 | | | | | | | | |
| Bia 654 | 10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller’s Lied “Ich bin der Schneider Kakadu”, op. 121a | | | | | | | | |
| Bia 684 | Prelude and Fugue, fragment for string quintet in D minor, Hess 40 | | | | | | | | |
| Bia 688 | O Hoffnung, theme in G major, WoO 200 | | | | | | | | |
| Bia 689 | Ich bin bereit..., WoO 201 | | | | | | | | |
| Bia 696 | Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 | | | | | Song | | | |
| Bia 749 | Canon for 3 "Gedenket heute an Baden", WoO 181 No. 1 | | | | | | | | |
| Bia 750 | Canon for 4 "Gehabt euch wohl", WoO 181 No. 2 | | | | | | | | |
| Bia 751 | Riddle Canon for 4 "Tugend ist kein leerer Name", WoO 181 No. 3 | | | | | | | | |
| Bia 768 | Song for Voice and Piano, WoO 151: "Der edle Mensche sei hülfreich und gut" | | | | | Song | | | |
| Bia 772 | Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106 | | | | | Cantata | | | |
| Bia 773 | "Falstafferel, laß dich sehen!", WoO 184 | | - Gisela Fetting, Christina Klopsch, Renate Schunke, Wolf-Dieter Batzdorf, Bernd Niedermayr, Dietrich Knothe
- Kammerchor der Berliner Singakademie, Berliner Solisten
- Cantus Novus Wien, Thomas Holmes
- Wolf-Dieter Batzdorf, Bernd Niedermayr, Berliner Solisten
- Christophe Grapperon, Accentus
| | | | | | |
| Bia 787 | Symphony no. 9 in D minor, op. 125 “Choral” | | | | | Symphony | | - 0Y5-8511-3 (JASRAC ID)
- D minor (Key)
| |
| Bia 789 | "Te solo adoro", WoO 186, Bia 789 | | | | | | | | |
| Bia 793 | Waltz for Piano in E-flat major, WoO 84 | | | | | | | | |
| Bia 807 | "Ich war hier, Doktor, ich war hier", WoO 190 | | | | | Song | | | |
| Bia 824 | "Ars longa, vita brevis", WoO 192 | | | | | Song | | | |
| Bia 826 | Musical joke, WoO 204 "Holz, Holz, geigt die Quartette so" | | | | | | | | |
| Bia 833 | "Ars longa, vita brevis", WoO 193 | | | | | | | | |
| Bia 848 | "Wir irren allesamt", WoO 198 | | | | | | | | |
