Tag “baroque”
~ Tag
Registrazioni taggate come “baroque”
11.701 registrazioni trovate
- 1 - Variations on a Theme by Haydn, op. 56a "St Antoni": Variation VIII. Presto non troppo di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Variations on a Theme by Haydn, op. 56a: Chorale St. Antoni: Andante di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Variations on a Theme by Haydn, op. 56a: Finale: Andante di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Variations on a Theme by Haydn, op. 56a: Variation I: Poco piu animato di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Variations on a Theme by Haydn, op. 56a: Variation II: Piu Vivace di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Variations on a Theme by Haydn, op. 56a: Variation III: Con moto di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Variations on a Theme by Haydn, op. 56a: Variation IV: Andante con moto di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Variations on a Theme by Haydn, op. 56a: Variation V: Vivace di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Variations on a Theme by Haydn, op. 56a: Variation VI: Vivace di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Variations on a Theme by Haydn, op. 56a: Variation VII: Grazioso di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Variations on a Theme by Haydn, op. 56a: Variation VIII: Presto non troppo di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Variations on a Theme from "Carmen" di Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - Variations on a Theme from Bizet's "Carmen" di Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - Variations on a theme from Bizet's Carmen di Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - Variations on a Theme From Carmen di Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - Variations on a Theme from Gioacchino Rossini’s “Moses” di Yo‐Yo Ma (cellist), Patricia Zander
- 1 - Variations on a Theme of Frank Bridge, op. 10: Adagio. Adagio – (mono) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Frank Bridge, op. 10: Aria italiana. Allegro brillante – (mono) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Frank Bridge, op. 10: Bourrée classique. Allegro e pesante – (mono) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Frank Bridge, op. 10: Chant. Lento – (mono) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne (mono) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Frank Bridge, op. 10: Funeral March. Andante ritmico – (mono) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento – (mono) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia – (mono) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto – (mono) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso – (mono) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Frank Bridge, op. 10: Wiener Walzer. Lento – Vivace – (mono) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Haydn, op. 56a "St Antoni": Chorale (St. Antoni) di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Haydn, op. 56a "St Antoni": IX. Finale: Andante di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Haydn, op. 56a "St Antoni": Variation I: Poco più animato di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Haydn, op. 56a "St Antoni": Variation II: Più vivace di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Haydn, op. 56a "St Antoni": Variation III: Con moto di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Haydn, op. 56a "St Antoni": Variation IV: Andante con moto di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Haydn, op. 56a "St Antoni": Variation V: Vivace di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Haydn, op. 56a "St Antoni": Variation VI: Vivace di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Haydn, op. 56a "St Antoni": Variation VII: Grazioso di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on a Theme of Haydn, op. 56a "St Antoni": Variation VIII: Presto non troppo di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. I. Tempo della Thema di Yo‐Yo Ma (cellist), Pittsburgh Symphony Orchestra, Lorin Maazel (conductor)
- 1 - Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. II. Tempo della Theme di Yo‐Yo Ma (cellist), Pittsburgh Symphony Orchestra, Lorin Maazel (conductor)
- 1 - Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. III. Andante sostenuto di Yo‐Yo Ma (cellist), Pittsburgh Symphony Orchestra, Lorin Maazel (conductor)
- 1 - Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. IV. Andante grazioso di Yo‐Yo Ma (cellist), Pittsburgh Symphony Orchestra, Lorin Maazel (conductor)
- 1 - Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. V. Allegro moderato di Yo‐Yo Ma (cellist), Pittsburgh Symphony Orchestra, Lorin Maazel (conductor)
- 1 - Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. VI. Andante di Yo‐Yo Ma (cellist), Pittsburgh Symphony Orchestra, Lorin Maazel (conductor)
- 1 - Variations on Rococo Theme for Cello and Orchestra, op. 33: Var. VII. e Coda. Allegro vivo di Yo‐Yo Ma (cellist), Pittsburgh Symphony Orchestra, Lorin Maazel (conductor)
- 1 - Variations Sur "Le Carnaval de Venise" di Eastman Wind Ensemble, Wynton Marsalis, Donald Hunsberger (American conductor and arranger for winds)
- 1 - Variations sur un theme de Beethoven, op. 35 di Gaby Casadesus (French pianist), Philippe Entremont (French pianist/conductor)
- 1 - Variations symphoniques di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor), Walter Gieseking (classical pianist 1895–1956)
- 1 - Vater unser im Himmelreich BWV 737 di Wolfgang Stockmeier (organist and composer)
- 1 - Vater unser im Himmelreich, BWV 636 di Helmut Walcha (German organist)
- 1 - Vater unser im Himmelreich, BWV 682 di Helmut Walcha (German organist)
- 1 - Vater unser im Himmelreich, BWV 683 di Helmut Walcha (German organist)
- 1 - Vater unser, der du bist im Himmel, SWV411 di The Sixteen (UK choir), Orchestra of The Sixteen, Harry Christophers (conductor)
- 1 - Ved en ung kunstners baare, op. 58 di Emerson String Quartet
- 1 - Vergnügte Ruh, beliebte Seelenlust, BWV 170: I. Aria: Vergnügte Ruh, beliebte Seelenlust di Magdalena Kožená (mezzo-soprano), Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
- 1 - Vergnügte Ruh, beliebte Seelenlust, BWV 170: II. Recitative: Die welt, das Sündenhaus di Magdalena Kožená (mezzo-soprano), Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
- 1 - Vergnügte Ruh, beliebte Seelenlust, BWV 170: III. Aria: Wie jammern mich doch die verkehrten Herzen di Magdalena Kožená (mezzo-soprano), Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
- 1 - Vergnügte Ruh, beliebte Seelenlust, BWV 170: IV. Recitative: Wer sollte sich demnach di Magdalena Kožená (mezzo-soprano), Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
- 1 - Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 5. Aria. "Mir ekelt mehr zu leben" di René Jacobs (conductor), Linde Consort (Swiss ensemble led by Hans-Martin Linde), Hans-Martin Linde (flutist and conductor)
- 1 - Vergnügte Ruh, beliebte Seelenlust, BWV 170: V. Aria: Mir ekelt mehr zu leben di Magdalena Kožená (mezzo-soprano), Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
- 1 - Verklärte Nacht, op. 4: I. Sehr langsam (Bar 1) di Juilliard String Quartet, Walter Trampler (violist), Yo‐Yo Ma (cellist)
- 1 - Verklärte Nacht, op. 4: II. Breiter (Bar 100) di Juilliard String Quartet, Walter Trampler (violist), Yo‐Yo Ma (cellist)
- 1 - Verklärte Nacht, op. 4: III. Schwer betont (Bar 201) di Juilliard String Quartet, Walter Trampler (violist), Yo‐Yo Ma (cellist)
- 1 - Verklärte Nacht, op. 4: IV. Sehr breit und langsam (Bar 229) di Juilliard String Quartet, Walter Trampler (violist), Yo‐Yo Ma (cellist)
- 1 - Verklärte Nacht, op. 4: V. Sehr ruhig (Bar 370) di Juilliard String Quartet, Walter Trampler (violist), Yo‐Yo Ma (cellist)
- 1 - Vers la flamme - Poème, op. 72 di Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - Vespro della beata vergine: Psalmus 112: Laudate pueri di Antonio Abete (operatic bass), Daniele Carnovich (operatic bass), Vincenzo di Donato (tenor), Luca Dordolo (tenor), Gianluca Ferrarini (organist and tenor), Francesco Ghelardini (countertenor), Monica Piccinini (soprano), Anna Simboli (soprano), Concerto Italiano, Rinaldo Alessandrini (baroque keyboardist and conductor)
- 1 - Vespro della Beate Vergine, SV 206: I. Introitus "Deus in adiutorium" / Toccata "Domine ad adiuvandum" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: II. Psalmus 109 "Dixit Dominus" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: III. Concerto "Nigra sum" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: IV. Psalmus 112 "Laudate pueri" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: IX. Concerto "Audio coelum" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: V. Concerto "Pulchra es" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: VI. Psalmus 121 "Laetatus sum" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: VII. Concert "Duo Seraphim" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: VIII. Psalmus 126 "Nisi Dominus" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: X. Psalmus 147 "Lauda Jerusalem" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XI. Sonata sopra Sancta Maria, ora pro nobis di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XII. Hymnus "Ave maris stella" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIIa. Magnificat, "Magnificat" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIIb. Magnificat, "Et exsultavit" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIIc. Magnificat, "Quia respexit" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIId. Magnificat, "Quia fecit" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIIe. Magnificat, "Et misericordia eius" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIIf. Magnificat, "Fecit potentiam" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIIg. Magnificat, "Deposuit potentes" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIIh. Magnificat, "Esurientes" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIIi. Magnificat, "Suscepit Israel" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIIj. Magnificat, "Sicut locutus" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIIk. Magnificat, "Gloria Patri" di Christina Pluhar, L'Arpeggiata
- 1 - Vespro della Beate Vergine, SV 206: XIIIl. Magnificat, "Sicut erat" di Christina Pluhar, L'Arpeggiata
- 1 - Vezzosissima filli di Modo Antiquo
- 1 - VI D-moll di Keith Jarrett (pianist)
- 1 - Vibro il ferro di Vivica Genaux (mezzo-soprano), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
- 1 - Vier Letzte Lieder, AV 150 Op. posth: I. Frühling (Hesse) di Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Vier Letzte Lieder, AV 150 Op. posth: II. Beim Schlafengehen (Hesse) di Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Vier Letzte Lieder, AV 150 Op. posth: III. Im Abendrot (Eichendorff) di Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Vier Letzte Lieder, AV 150 Op. posth: IV. September (Hesse) di Elisabeth Schwarzkopf (German-born Austrian/British soprano), Dennis Brain (horn player), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Vier Lieder, Op. 2: I. Erwartung di Ellen Faull, Glenn Gould (pianist)
- 1 - Vier Lieder, Op. 2: II. Schenk mir deinen goldenen Kamm di Ellen Faull, Glenn Gould (pianist)
- 1 - Vier Lieder, Op. 2: III. Erhebung di Ellen Faull, Glenn Gould (pianist)