Tag “baroque”

Recordings tagged as “baroque”

11,701 recordings found

• 1 - Der Friede sie mit dir, BWV 158: IV. Choral, "Hier ist das rechte Osterlamm" by Dominik Wörner (bass), Il Gardellino (Belgian baroque ensemble), Ryo Terakado (violinist)
• 1 - Der Messias: Teil 2: Nr. 42. Chorus "Hallelujah" (in engl. Sprache) by Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Ach, du bist wieder da!" (Marschallin, Octavian) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Christa Ludwig (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Als Morgengabe …" (Baron, Notar, Sänger) by Harald Pröglhöf (Austrian operatic bass-baritone), Otto Edelmann (austrian bass-baritone), Nicolai Gedda (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) by Christa Ludwig (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Di rigori armato il seno" (Ein Sänger) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) by Otto Edelmann (austrian bass-baritone), Christa Ludwig (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) by Anny Felbermayer (soprano), Paul Kuën (tenor), Christa Ludwig (mezzo-soprano), Kerstin Meyer, Elisabeth Schwarzkopf (German-born Austrian/British soprano), Gerhard Unger (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) by Christa Ludwig (mezzo-soprano), Erich Majkut (tenor), Harald Pröglhöf (Austrian operatic bass-baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Gerhard Unger (tenor), Eberhard Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian) by Otto Edelmann (austrian bass-baritone), Christa Ludwig (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) by Otto Edelmann (austrian bass-baritone), Paul Kuën (tenor), Kerstin Meyer, Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) by Otto Edelmann (austrian bass-baritone), Christa Ludwig (mezzo-soprano), Erich Majkut (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) by Otto Edelmann (austrian bass-baritone), Erich Majkut (tenor), Harald Pröglhöf (Austrian operatic bass-baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Gerhard Unger (tenor), Eberhard Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) by Christa Ludwig (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug I. Einleitung by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina) by Otto Edelmann (austrian bass-baritone), Kerstin Meyer, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister) by Gerhard Unger (tenor), Ljuba Welitsch (soprano), Eberhard Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug II. "Hab' nichts dawider" (Baron, Octavian, Sophie, Faninals Haushofmeister, Marianne) by Otto Edelmann (austrian bass-baritone), Christa Ludwig (mezzo-soprano), Teresa Stich‐Randall (soprano), Gerhard Unger (tenor), Ljuba Welitsch (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal) by Otto Edelmann (austrian bass-baritone), Paul Kuën (tenor), Christa Ludwig (mezzo-soprano), Kerstin Meyer, Teresa Stich‐Randall (soprano), Ljuba Welitsch (soprano), Eberhard Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian) by Christa Ludwig (mezzo-soprano), Teresa Stich‐Randall (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer) by Teresa Stich‐Randall (soprano), Ljuba Welitsch (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne) by Otto Edelmann (austrian bass-baritone), Christa Ludwig (mezzo-soprano), Teresa Stich‐Randall (soprano), Ljuba Welitsch (soprano), Eberhard Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug II. "Mir ist die Ehre widerfahren" (Octavian, Sophie) by Christa Ludwig (mezzo-soprano), Teresa Stich‐Randall (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug II. "Was sie ist … mit ihren Augen voll Tränen" (Octavian, Sophie) by Christa Ludwig (mezzo-soprano), Teresa Stich‐Randall (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug II. Einleitung by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Die schöne Musi!" (Octavian, Baron) by Otto Edelmann (austrian bass-baritone), Christa Ludwig (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron) by Franz Bierbach (operatic bass), Otto Edelmann (austrian bass-baritone), Karl Friedrich (tenor), Erich Majkut (tenor), Gerhard Unger (tenor), Eberhard Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Heut oder morgen oder den übernächsten Tag" (Marschallin, Octavian, Sophie) by Christa Ludwig (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Teresa Stich‐Randall (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin) by Christa Ludwig (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Teresa Stich‐Randall (soprano), Eberhard Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian) by Christa Ludwig (mezzo-soprano), Teresa Stich‐Randall (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Ist halt vorbei" (Marschallin, Sophie, Baron, Annina, Die Kinder, Kellner, Wirt, Valzacchi, Die Musikanten, Die Kutscher, Hausknecht) by Kerstin Meyer, Eberhard Wächter (baritone), Franz Bierbach (operatic bass), Otto Edelmann (austrian bass-baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Teresa Stich‐Randall (soprano), Karl Friedrich (tenor), Paul Kuën (tenor), Erich Majkut (tenor), Gerhard Unger (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Marie Theres'!" … "Hab' mir's gelobt" (Octavian, Marschallin, Sophie) by Christa Ludwig (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Teresa Stich‐Randall (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin) by Christa Ludwig (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Teresa Stich‐Randall (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Muss jetzt partout zu ihr!" … "Ihre hochfürstliche Gnaden" (Baron, Wirt, Octavian, Kommissarius, Marschallin, Sophie) by Franz Bierbach (operatic bass), Otto Edelmann (austrian bass-baritone), Christa Ludwig (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Teresa Stich‐Randall (soprano), Karl Friedrich (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron) by Otto Edelmann (austrian bass-baritone), Christa Ludwig (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Oh weh, was maken wir?" … "Halt! Keiner rührt sich!" (Valzacchi, Kommissarius, Octavian, Baron, Wirt, Faninal, Vier Kinder) by Franz Bierbach (operatic bass), Otto Edelmann (austrian bass-baritone), Karl Friedrich (tenor), Paul Kuën (tenor), Christa Ludwig (mezzo-soprano), Eberhard Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian) by Franz Bierbach (operatic bass), Otto Edelmann (austrian bass-baritone), Christa Ludwig (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. "Wie die Stund' hingeht" (Octavian, Baron, Annina, Wirt, Vier Kinder, Kellner, Valzacchi) by Franz Bierbach (operatic bass), Otto Edelmann (austrian bass-baritone), Karl Friedrich (tenor), Paul Kuën (tenor), Christa Ludwig (mezzo-soprano), Erich Majkut (tenor), Kerstin Meyer, Gerhard Unger (tenor), Eberhard Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Aufzug III. Einleitung und Pantomime by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Kann mich auch an ein Mädel erinnern by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier, Op. 59: Quinquin, er soll jetzt geh'n by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Der Rosenkavalier: “Da geht er hin...” (Marschallin) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Tag, der ist so freudenreich, BWV 605 (1969 recording) by Helmut Walcha (German organist)
• 1 - Der Tag, der ist so freudenreich, BWV 605 by James Kibbie
• 1 - Der Zigeunerbaron - Ouvertüre by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Der Zigeunerbaron: Overture by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Der Zigeunerbaron: Overture by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Der Zigeunerbaron: So elend und treu by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Deus in adiutorium by Ex Cathedra (English super group choir ensemble specialising in medieval music), Jeffrey Skidmore (Ex Cathedra conductor)
• 1 - Deus in adjutorium by Les Pages et Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli
• 1 - Deus noster refugium: Doux "Deus in medio ejus" by Nicolas Cavallier (operatic bass), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Deus noster refugium: Gayment "Fluminis impetus" by Noémi Rime (Soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Deus noster refugium: Légèrement "Arcum conteret et confringet arma" by Nicolas Cavallier (operatic bass), Nicolas Rivenq (bass-baritone), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Deus noster refugium: Légèrement "Venite et videte" by Paul Agnew (tenor and conductor), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Deus noster refugium: Prélude du Choeur: Gay "Dominum virtutum nobiscum" by Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Deus noster refugium: Prélude du Choeur: Gay "Dominus virtutum nobiscum" by Nicolas Rivenq (bass-baritone), Sophie Daneman (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Deus noster refugium: Prélude du Choeur: Vivement "Sonuerunt et turbatae sunt" by Nicolas Cavallier (operatic bass), Nicolas Rivenq (bass-baritone), Sophie Daneman (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Deus noster refugium: Quatuor "Conturbatae sunt gentes" by Nicolas Cavallier (operatic bass), Nicolas Rivenq (bass-baritone), Paul Agnew (tenor and conductor), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Deus noster refugium: Trio "Propterea non timebimus" by Nicolas Rivenq (bass-baritone), Noémi Rime (Soprano), Sophie Daneman (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Devil’s Trill by Vanessa‐Mae
• 1 - Dichterliebe, op. 48: 1. Im wunderschönen Monat Mai by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 2. Aus meinen Tränen sprießen by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 3. Die Rose, die Lilie by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 4. Wenn ich in deine Augen seh' by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 5. Ich will meine Seele tauchen by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 6. Im Rhein, im heiligen Strome by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 7. Ich grolle nicht by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 8. Und wüssten's die Blumen by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 9. Das ist ein Flöten und Geigen by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 10. Hör' ich das Liedchen klingen by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 11. Ein Jüngling liebt ein Mädchen by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 12. Am leuchtenden Sommermorgen by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 13. Ich hab' im Traum geweinet by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 14. Allnächtlich im Traume by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 15. Aus alten Märchen winkt es by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dichterliebe, op. 48: 16. Die alten, bösen Lieder by Dietrich Fischer‐Dieskau (baritone), Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Dido & Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda, Chorus) by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido & Belinda: 'Whence could so much virtue spring?' by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido and Aeneas, Z 626: Act III "Thy Hand Belinda" / Dido's Lament "When I am Laid in Earth" by Barbara Bonney (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Come away, fellow sailors" (First Sailor) by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido and Aeneas, Z. 626: Act III, Scene I. The Sailor's Dance by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
• 1 - Dido and Aeneas, Z. 626: Aria “Ah! Belinda, I Am Press’d with Torment” by Anna Prohaska (soprano), Il giardino armonico (Italian baroque ensemble), Giovanni Antonini (conductor and flautist)
• 1 - Dido and Aeneas, Z. 626: Aria “Oft She Visits This Lone Mountain” by Anna Prohaska (soprano), Il giardino armonico (Italian baroque ensemble), Giovanni Antonini (conductor and flautist)
• 1 - Dido and Aeneas, Z. 626: Overture by Il giardino armonico (Italian baroque ensemble), Giovanni Antonini (conductor and flautist)
• 1 - Dido and Aeneas, Z. 626: Recitative & Aria “Thy Hand, Belinda...When I Am Laid in Earth” by Anna Prohaska (soprano), Il giardino armonico (Italian baroque ensemble), Giovanni Antonini (conductor and flautist)
• 1 - Dido and Aeneas, Z. 626: When I am laid in earth (Dido) by English Chamber Choir, Victoria de los Ángeles (Spanish soprano), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra, Sir John Barbirolli (conductor and cellist)
• 1 - Dido and Aeneas: Act I. "Fear no danger to ensue" (Belinda, chorus) by Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act I. "If not for mine, for Empire's sake" (Aeneas) - "Pursue thy conquest, Love" (Belinda) - "To the hills and the vales" (Chorus) by Nathan Berg (operatic bass-baritone), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act I. "See our royal guest appears" (Belinda, Aeneas) - "Cupid only throws the dart" (Chorus) by Nathan Berg (operatic bass-baritone), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act I. "Whence could so much virtue spring?" (Dido, Belinda) by Véronique Gens (soprano), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. "But ere we this perform" (Two Witches) by Sophie Daneman (soprano), Gaëlle Méchaly (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. "In our deep vaulted cell" (Chorus) - Echo Dance by Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. "The Queen of Carthage" (Sorceress) - "Ho! ho! ho!" (Chorus) - "Ruin'd ere the set of sun?" (Two Witches, Sorceress) - "Ho! ho! ho!" (Chorus) by Claire Brua, Sophie Daneman (soprano), Gaëlle Méchaly (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene I. Prelude for the Witches "Wayward sisters, you that fright" (Sorceress) - "Harm's our delight" (Chorus) by Claire Brua, Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. "Behold upon my bending spear" (Aeneas, Dido) - "Haste, haste to town" (Belinda, chorus) by Nathan Berg (operatic bass-baritone), Véronique Gens (soprano), Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. "Oft she visits this lone mountain" (Second Woman) by Sophie Daneman (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. "Stay Prince" (Spirit, Aeneas) by Nathan Berg (operatic bass-baritone), Jean-Paul Fouchécourt (tenor), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act II, Scene II. Ritornelle - "Thanks to these lonesome vales" (Belinda, chorus) by Sophie Marin-Degor (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
• 1 - Dido and Aeneas: Act III, Scene I. "Destruction's our delight" (Chorus) by Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)