Tag “baroque”
~ Tag
Recordings tagged as “baroque”
11,701 recordings found
- 1 - Goldberg‐Variationen, BWV 988: Variatio 5. a 1 oovero 2 Clav. by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 7. a 1 oovero 2 Clav. Al tempo di Giga by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 8. a 2 Clav. by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 11. a 2 Clav. by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 12. Canone alla Quarta. (a 1 Clav.) by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 13. a 2 Clav. by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 14. a 2 Clav. by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 19. a 1 Clav. by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 20. a 2 Clav. by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 23. a 2 Clav. Adagio by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 24. Canone all’Ottava. a 1 Clav. by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 25. a 2 Clav. Adagio by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 26. a 2 Clav. by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 27. Canone alla Nona. a 2 Clav. by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 29. a 1 oovero 2 Clav. by Keith Jarrett (pianist)
- 1 - Goldberg‐Variationen, BWV 988: Variatio 30. Quodlibet. a 1 Clav. by Keith Jarrett (pianist)
- 1 - Good Night, folk song for voice & piano trio, WoO 155/26 by Robert White (tenor), Yo‐Yo Ma (cellist), Ani Kavafian (violinist), Samuel Sanders (pianist)
- 1 - Gott, durch deine Guete, BWV 600 by Helmut Walcha (German organist)
- 1 - Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: I. Chorus "Gott, wie dein Name" by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
- 1 - Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: II. Aria "Herr, so weit die Wolken gehen" (Tenore) by Gerd Türk (German tenor), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
- 1 - Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: III. Recitativo "Du süßer Jesus-Name du" (Alto) by Robin Blaze (countertenor), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
- 1 - Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: IV. Aria "Jesus soll mein erstes Wort" (Soprano) by Rachel Nicholls (soprano), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
- 1 - Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: V. Recitativo "Und da du, Herr, gesagt" (Basso) by Peter Kooij (Peter Kooy, baritone), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
- 1 - Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: VI. Choral "Lass uns das Jahr vollbringen" by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
- 1 - Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 1. Sonatina by Leonhardt‐Consort (Netherlands-based baroque ensemble), Jürgen Jürgens (chorus master and conductor)
- 1 - Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2. Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" by Julia Falk (alto/contralto), Bert van t'Hoff (tenor), Jacques Villisech (bass-baritone), Monteverdi‐Chor Hamburg, Leonhardt‐Consort (Netherlands-based baroque ensemble), Jürgen Jürgens (chorus master and conductor)
- 1 - Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 3. Aria, Arioso und Choral. "deine Hände befehl ich meinen Geist" by Julia Falk (alto/contralto), Jacques Villisech (bass-baritone), Leonhardt‐Consort (Netherlands-based baroque ensemble), Jürgen Jürgens (chorus master and conductor)
- 1 - Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 4. Chor. "Glorie, Lob, Ehr und Herrlichkeit" by Monteverdi‐Chor Hamburg, Leonhardt‐Consort (Netherlands-based baroque ensemble), Jürgen Jürgens (chorus master and conductor)
- 1 - Goyescas - Intermezzo by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Gran Duo Concertante by Joshua Bell (violinist), Edgar Meyer (contemporary bassist and composer), Saint Paul Chamber Orchestra, Hugh Wolff (conductor)
- 1 - Grande Polonaise in E-flat, op. 22 by Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - Grande Valse Brillante in A minor, Op. 34 No. 2 by Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - Grandpa’s Spells by Canadian Brass
- 1 - Grands Motets: Dies Irae by La Chapelle Royale (French baroque vocal ensemble), Philippe Herreweghe (Belgian conductor)
- 1 - Greensleeves to a Ground (arr. Olivier Fourés) by Kristian Bezuidenhout (fortepianist, harpsichordist and pianist), Jonathan Cohen (British conductor, cellist & keyboardist), William Conway (UK cellist), Stewart Eaton (violist), Lucy Gould (violinist), Daniel Hope (violinist), Stefan Maas, Stephan Rath (lutenist and theorbist), Enno Senft (double bass player), Hans-Kristian Kjos Sørensen
- 1 - Griselda, RV 718: "Agitata da due venti" by Simone Kermes (soprano), Venice Baroque Orchestra, Andrea Marcon (Italian conductor & keyboardist)
- 1 - Griselda: Agitata da due venti by Vivica Genaux (mezzo-soprano), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
- 1 - Griselda: Dopo un’orrida procella (Ottone) by Cecilia Bartoli (mezzo‐soprano), Arnold Schoenberg Chor, Il giardino armonico (Italian baroque ensemble), Giovanni Antonini (conductor and flautist)
- 1 - Große Fuge B-dur, op. 133 by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Grosse Fuge, op. 133: Overtura: Allegro - Meno mosso e Moderato - Allegro - Fuga: (Allegro) - Mino mosso e moderato - Allegro molto e con brio - Allegro by Emerson String Quartet
- 1 - Ground after the Scotch Humour (from Ayrs for the Violin, Book 4, Suite in F major) by Daniel Hope (violinist)
- 1 - Guillaume Tell: Overture by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Guillaume Tell: Pas de trois et chœur tyrolien by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Guitar Concerto in D major, RV 93: II. Largo by Christopher Parkening (guitarist), Academy of St Martin in the Fields, Iona Brown (violinist and director of the Academy of St Martin in the Fields)
- 1 - Guitar Concerto in D major, RV 93: III. by Eduardo Fernández (guitarist), English Chamber Orchestra, George Malcolm (English harpsichordist, conductor)
- 1 - Guitar Concerto in D: II. Largo (arr. Pujol) by Sharon Isbin (classical guitarist), Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra), Lawrence Foster (conductor)
- 1 - Guitar Dance, 2nd Woman: 'Oft she visits this lone mountain' by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
- 1 - Guitar's Chaconne by Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
- 1 - Guitarre, op. 45 no. 2 by Itzhak Perlman (violinist and conductor), Samuel Sanders (pianist)
- 1 - Gypsy Melodies for Voice & Piano, Op. 55: No. 4, When My Mother Taught Me to Sing - No. 5, The Strings Are Tuned by Frederica von Stade (mezzo-soprano), Rudolf Firkušný (pianist)
- 1 - Hail! bright Cecilia Z328 (Movement 10: In vain the Am'rous Flute and soft Guitar ) by James Bowman (UK countertenor), Michael Chance (British countertenor), Alison Crum (viol player), Robert King (conductor and harpsichordist), Catherine Latham (Classical oboe and recorder player), David Miller (UK lutenist, theorbist and guitarist), Marion Scott (woodwinds)
- 1 - Hallelujah Chorus by Canadian Brass
- 1 - Hallelujah Chorus by Tallis Chamber Choir, Scholars Baroque Ensemble (UK vocal & instrumental ensemble), Kevin Mallon (conductor)
- 1 - Hallelujah Chorus by The Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
- 1 - Hallelujah Chorus from “The Messiah” by Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks (UK composer, organist, choral conductor)
- 1 - Hanacpachap cussicuinin (2005 recording) by Ex Cathedra (English super group choir ensemble specialising in medieval music), Jeffrey Skidmore (Ex Cathedra conductor)
- 1 - Handful of Keys by Canadian Brass
- 1 - Hänsel und Gretel: Act One, Scene 3. Vorspiel: Der Hexenritt by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Hänsel und Gretel: Act Two, Scene 2. “Abends, will ich schlafen gehn” (Hänsel, Gretel) by Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Hänsel und Gretel: Act Two, Scene 2. “Der kleine Sandman bin ich, s-t!” - Lied des Sandmanns (Sandmann, Hänsel, Gretel) by Anny Felbermayer (soprano), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Hänsel und Gretel: Act Two, Scene 3. Orchestra. Traumpantomime by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Hänsel und Gretel: Orchestra. Overture by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto by Andrew Lawrence‐King (Early music harpist and conductor), Taverner Players, Andrew Parrott (conductor)
- 1 - Harp Concerto in B-flat major, op. 4 no. 6: III. Allegro moderato by Andrew Lawrence‐King (Early music harpist and conductor), Taverner Players, Andrew Parrott (conductor)
- 1 - Harp Concerto in B‐flat major, HWV 294: I. Andante allegro by Ursula Holliger (Swiss harpist), The English Concert, Trevor Pinnock (conductor / harpsichord)
- 1 - Harp Concerto, op. 4 no. 6, HWV 294: II. Larghetto by Marisa Robles (Spanish harpist), Academy of St Martin in the Fields, Iona Brown (violinist and director of the Academy of St Martin in the Fields)
- 1 - Harp Concerto, op. 4 no. 6, HWV 294: III. Allegro moderato by Marisa Robles (Spanish harpist), Academy of St Martin in the Fields, Iona Brown (violinist and director of the Academy of St Martin in the Fields)
- 1 - Harpsichord Concerto no. 5 in F minor, BWV 1056: II. Largo by George Malcolm (English harpsichordist, conductor), Menuhin Festival Orchestra, Yehudi Menuhin (violinist)
- 1 - Harpsichord Suite I, no. 8 in F minor, HWV 433: III. Courante by Keith Jarrett (pianist)
- 1 - Harpsichord Suite II, no. 7 in B-flat major, HWV 440: III. Sarabande by Keith Jarrett (pianist)
- 1 - Harpsichord Suite in G minor, HWV 452: II. Courante by Keith Jarrett (pianist)
- 1 - Harpsichord Suite in G minor, HWV 452: III. Sarabande by Keith Jarrett (pianist)
- 1 - Harpsichord Suite, Book I No. 5 in E major, HWV 430: IV. Air and Five Variations "The Harmonious Blacksmith" by Trevor Pinnock (conductor / harpsichord)
- 1 - Háry Janós Suite: Intermezzo by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Háry János Suite: V. Intermezzo (1954 mono) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 1 - Havanaise, Op. 25 by Itzhak Perlman (violinist and conductor), Orchestre de Paris, Jean Martinon (French conductor and composer)
- 1 - Havanaise, op. 83 by Yo‐Yo Ma (cellist), Kathryn Stott (pianist)
- 1 - Have You Seen but a Bright Lily Grow by The Dowland Project
- 1 - Hear My Prayer, O Lord (Z 15) by Oxford Camerata (English chamber choir), Jeremy Summerly (conductor), Laurence Cummings (harpsichordist, organist and conductor)
- 1 - Helft mir Gottes Güte preisen, BWV 613 by Helmut Walcha (German organist)
- 1 - Herr Christ, der ein'ge Gottes-Sohn, BWV 601 by Helmut Walcha (German organist)
- 1 - Herr Christ, der einig Gottes Sohn, BWV deest by Ton Koopman (conductor, organist and harpsichordist)
- 1 - Herr Gott, dich loben wir, BWV 725 (per omnes versus a 5 voci) by Ton Koopman (conductor, organist and harpsichordist)
- 1 - Herr Gott, nun schleuss den Himmel auf, BWV 617 by Helmut Walcha (German organist)
- 1 - Herr Gott, nun schleuß den Himmel auf, BWV 1092 by Ton Koopman (conductor, organist and harpsichordist)
- 1 - Herr Jesu Christ, dich zu uns wend, BWV 632 by Helmut Walcha (German organist)
- 1 - Herr Jesu Christ, dich zu uns wend, BWV 709 by Helmut Walcha (German organist)
- 1 - Herr Jesu Christ, dich zu uns wend, BWV 726 by Ton Koopman (conductor, organist and harpsichordist)
- 1 - Herr Jesu Christ, du höchstes Gut, BWV 1114 by Ton Koopman (conductor, organist and harpsichordist)
- 1 - Herr, nun lässest du deinen Diener, SWV432 by The Sixteen (UK choir), Orchestra of The Sixteen, Harry Christophers (conductor)
- 1 - Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" by Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks (UK composer, organist, choral conductor)
- 1 - Herz und Mund und Tat und Leben, Cantata BWV 147: Jesus bleibet meine Freude by Renée Fleming (soprano), Royal Philharmonic Orchestra, Andreas Delfs (conductor)
- 1 - Herzlich lieb hab ich dich, o Herr, BWV 1115 by Ton Koopman (conductor, organist and harpsichordist)
- 1 - Herzlich tut mich verlangen, BWV 727 by Helmut Walcha (German organist)
- 1 - Herzliebster Jesu, was hast du verbrochen, BWV 1093 by Ton Koopman (conductor, organist and harpsichordist)
- 1 - Heut Triumphieret Gotts Sohn, BWV 630 by Helmut Walcha (German organist)
- 1 - Hilf, Gott, dass mir's gelinge, BWV 624 by Helmut Walcha (German organist)
- 1 - Hippolyte et aricie, Acte i, Scène i : Prélude — Air accompagné "Temple sacré, séjour tranquille" by Nadine Koutcher (soprano), MusicAeterna, Teodor Currentzis
- 1 - Hippolyte et Aricie: Ah! Qu'on daigne du moins by John Shirley‐Quirk (bass-baritone), English Chamber Orchestra, Anthony Lewis (conductor and composer)
- 1 - Historia der Geburt Jesu Christi, SWV 435: "Dank sagen wir alle Gott" by Gabrieli Consort, Gabrieli Players, Boy's Choir of Roskilde Cathedral, Kristian Olesen (organist, chorus master), Finn Evald (chorus master), Paul McCreesh (conductor)