Tag “baroque”

Recordings tagged as “baroque”

11,701 recordings found

• 1 - Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" by Hertha Töpper (mezzo soprano), Peter Schreier (German tenor and conductor), Detlef Kühl (bassoonist), Fritz Kiskalt (cellist), Karl Kolbinger (bassoonist), Herbert Duft (double bass player), Elmar Schloter (organist), Hedwig Bilgram (harpsichordist and organist), Johannes Fink (cellist and viola da gamba player), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia by Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott" by Emma Kirkby (soprano), Sir John Eliot Gardiner (John Eliot Gardiner), English Baroque Soloists (The English Baroque Soloists)
• 1 - Kantate, BWV 51 “Jauchzet Gott in allen Landen”: I. Arie (Sopran): »Jauchzet Gott in allen Landen« by Maria Stader (soprano), Pierre Thibaud (French trumpeter), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" by Collegium Vocale, Philippe Herreweghe (Belgian conductor)
• 1 - Kantate, BWV 63 (appendix) "Christen, ätzet diesen Tag": III(alt). Duet (Soprano & Bass) "Gott, du hast es wohl gefüget" by Amsterdam Baroque Choir, Ruth Holton (soprano), Klaus Mertens (classical singer, bass‐baritone), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
• 1 - Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro e Concerto "Sie werden aus Saba alle kommen" by Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Chorale "Die Kön'ge aus Saba kamen dar" by Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Basso) "Was dort Jesaias vorhergesehn" by Theo Adam (German classical bass-baritone), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Basso) "Gold aus Ophir ist zu schlecht" by Theo Adam (German classical bass-baritone), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenore) "Verschmähe nicht, Du, meiner Seele Licht" by Ernst Haefliger (tenor), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenore) "Nimm mich dir zu eigen hin" by Ernst Haefliger (tenor), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Chorale "Ei nun, mein Gott, so fall ich dir" by Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Chor "Wachet auf, ruft uns die Stimme" by Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, der Bräutigam kommt" by Kurt Equiluz (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria, Duetto (Soprano, Basso) "Wann kommst du, mein Heil?" by Allan Bergius (boy soprano, classical cellist and conductor), Thomas Hampson (baritone), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) "Zion hört die Wächter singen" by Peter Schreier (German tenor and conductor), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir " by Thomas Hampson (baritone), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Rezitativ (Bass) "So geh herein zu mir" by Dietrich Fischer‐Dieskau (baritone), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria, Duetto (Soprano, Basso) "Mein Freund ist mein, und ich bin sein" by Allan Bergius (boy soprano, classical cellist and conductor), Thomas Hampson (baritone), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" by Gerhard Schmidt‐Gaden (conductor), Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" by Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
• 1 - Kantate, BWV 147 „Herz und Mund und Tat und Leben“: I. Coro „Herz und Mund und Tat und Leben“ by Frankfurter Kantorei, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 147 "Herz und Mund und Tat und Leben": II. Recitativo (Tenore) "Gebenedeiter Mund!" by Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 147 "Herz und Mund und Tat und Leben": III. Aria (Alto) "Schäme dich , o Seele, nicht" by Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 147 "Herz und Mund und Tat und Leben": IV. Recitativo (Basso) "Verstockung kann Gewaltige verblenden" by Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 147 "Herz und Mund und Tat und Leben": IX. Aria (Basso) "Ich will von Jesu Wundern singen" by Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 147 "Herz und Mund und Tat und Leben": V. Aria (Soprano) "Bereite dir, Jesu, noch itzo die Bahn" by Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 147 "Herz und Mund und Tat und Leben": VI. Choral "Wohl mir, daß ich Jesum habe" by Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 147 "Herz und Mund und Tat und Leben": VII. Aria (Tenore) "Hilf, Jesu, hilf" by Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 147 "Herz und Mund und Tat und Leben": VIII. Recitativo (Alto) "Der höchsten Allmacht Wunderhand" by Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Kantate, BWV 147 "Jesu bleibet meine Freude" by Peter Hurford (organist)
• 1 - Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": I. Sinfonia by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": II. Coro "Nach Dir, Herr, verlanget mich" by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": III. Aria (Soprano) "Doch bin und bleibe ich vergnügt" by Yumiko Kurisu, Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": V. Aria (Terzetto: Alto, Tenore, Basso) "Zedern müssen von den Winden" by Koki Katano, Peter Kooij (Peter Kooy, baritone), 太刀川昭 (Akira Tachikawa), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Kantate, BWV 156 „Ich steh mit einem Fuß im Grabe“: I. Sinfonia by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" by Netherlands Bach Collegium, Pieter Jan Leusink
• 1 - Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" by Netherlands Bach Collegium, Pieter Jan Leusink
• 1 - Kantate, BWV 196 "Der Herr denket an uns": IV. Duetto (Tenore, Basso) "Der Herr segnet euch" by Koki Katano, Peter Kooij (Peter Kooy, baritone), Bach Collegium Japan, Masaaki Suzuki (keyboardist, conductor)
• 1 - Kantate, BWV 200 „Bekennen will ich seinen Namen“: I. Aria (Alt) „Bekennen will ich seinen Namen“ by Mechthild Georg (German mezzo-soprano), Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Soprano, Basso) "Mer hahn en neue Oberkeet" by Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Soprano) "Ach, es schmeckt doch gar zu gut" by Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Basso) "Dein Wachstum sei feste" by Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
• 1 - Karelia Suite, op. 11: I. Intermezzo by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Karelia Suite, op. 11: II. Ballade by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Karelia Suite, op. 11: III. Alla marcia by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Keyboard Concerto in A major, BWV 1055: II. Larghetto by Deutsche Kammerphilharmonie Bremen, David Fray (pianist)
• 1 - Keyboard Concerto in D Minor by Alexandre Tharaud (pianist), Les Violons du Roy (Canadian chamber orchestra), Bernard Labadie (conductor and arranger)
• 1 - Keyboard Concerto no. 1 in D minor, BWV 1052: I. Allegro by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 1 in D minor, BWV 1052: II. Adagio by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 1 in D minor, BWV 1052: III. Allegro by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto No. 1 in D minor, BWV 1052: III. Allegro by Glenn Gould (pianist), Columbia Symphony Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Keyboard Concerto no. 2 in E major, BWV 1053: I. [ ] by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 2 in E major, BWV 1053: II. Siciliano by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 2 in E major, BWV 1053: III. Allegro by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 3 in D major, BWV 1054: I. Allegro by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre by András Schiff (pianist), The Chamber Orchestra of Europe
• 1 - Keyboard Concerto no. 4 in A major, BWV 1055: I. Allegro by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto by András Schiff (pianist), The Chamber Orchestra of Europe
• 1 - Keyboard Concerto no. 4 in A major, BWV 1055: III. Allegro ma non tanto by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 5 in F minor, BWV 1056: I. Allegro by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 5 in F minor, BWV 1056: III. Presto by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 6 in F major, BWV 1057: II. Andante by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 6 in F major, BWV 1057: III. Allegro assai by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 7 in G minor, BWV 1058: I. (Allegro) by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 7 in G minor, BWV 1058: II. Andante by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Concerto no. 7 in G minor, BWV 1058: III. Allegro assai by Murray Perahia (pianist and conductor), Academy of St Martin in the Fields
• 1 - Keyboard Sonata in B minor, K 197 by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Keyboard Sonata in B minor, K. 27 by Mikhail Pletnev (pianist & conductor)
• 1 - Keyboard Sonata in B-flat major, K 267 by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Keyboard Sonata in C minor, K 303 by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Keyboard Sonata in D minor, K. 1 by Mikhail Pletnev (pianist & conductor)
• 1 - Keyboard Sonata in F minor, K 481 by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 1 - Keyboard Sonata in F minor, K. 387 by Mikhail Pletnev (pianist & conductor)