Tag “baroque”
~ Tag
Recordings tagged as “baroque”
11,701 recordings found
- 1 - Lohengrin: Act III, Scene II. "Hilf Gott, was muß ich hören!" (Elsa, Lohengrin) by René Kollo (tenor), Anna Tomowa‐Sintow (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III, Scene II. "Höchstes vertraun hast du mir schon zu danken" (Lohengrin) by Richard Wagner (composer), Herbert von Karajan (conductor), Berliner Philharmoniker (Berlin Philharmonic Orchestra) & René Kollo (tenor)
- 1 - Lohengrin: Act III, Scene II. "Weh! Nun ist all unser gluck dahin!" (Lohengrin, Elsa) by René Kollo (tenor), Anna Tomowa‐Sintow (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III, Scene II. "Wie hehr erkenn' ich unsrer liebe wesen!" (Lohengrin, Elsa) by René Kollo (tenor), Anna Tomowa‐Sintow (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III, Scene III. "Heil könig heinrich!" (Chor, Königs Heinrichs) by Karl Ridderbusch (operatic bass), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III, Scene III. "In fernem land" (Lohengrin, Chor) by René Kollo (tenor), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III, Scene III. "Mein herr und könig, laß dir melden" (Lohengrin, Königs Heinrichs, Chor) by René Kollo (tenor), Karl Ridderbusch (operatic bass), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III, Scene III. "Mein lieber schwan!" (Lohengrin) by René Kollo (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III, Scene III. "Mir schwankt der boden!" (Elsa, Lohengrin, Chor, Königs Heinrichs) by Karl Ridderbusch (operatic bass), Anna Tomowa‐Sintow (soprano), René Kollo (tenor), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III, Scene III. "O bleib, und zieh uns nicht von dannen!" (Chor, Königs Heinrichs) by Karl Ridderbusch (operatic bass), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III, Scene III. "Was bringen die? Was tun sie kund?" (Chor, Königs Heinrichs, Vier Edlen) by Josef Becker (bass-baritone), Karl Ridderbusch (operatic bass), Klaus Lang (operatic bass), Martin Vantin (tenor), Peter Maus (German operatic tenor), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III, Scene III. "Weh! weh! du edler, holder mann!" (Chor, Königs Heinrichs, Ortrud, Lohengrin, Elsa) by Karl Ridderbusch (operatic bass), Anna Tomowa‐Sintow (soprano), Dunja Vejzovic (mezzo-soprano), René Kollo (tenor), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III. Prelude by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
- 1 - Lohengrin: Act III. Vorspiel (Orchester) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Chœur Des Fiançailles by Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Prélude de L'Acte by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Prelude to Act I by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Lohengrin: Vorspiel (Orchester) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Longe mala, umbrae, terrores, RV 629: Alleluia by Philippe Jaroussky (countertenor), Ensemble Artaserse
- 1 - Longe mala, umbrae, terrores, RV 629: Descende, o coeli vox by Philippe Jaroussky (countertenor), Ensemble Artaserse
- 1 - Longe mala, umbrae, terrores, RV 629: Longe mala, umbrae, terrores by Philippe Jaroussky (countertenor), Ensemble Artaserse
- 1 - Longe mala, umbrae, terrores, RV 629: Recedite, nubes et fulgura by Philippe Jaroussky (countertenor), Ensemble Artaserse
- 1 - Longe mala, umbrae, terrores, RV629: I. Longe mala, umbrae, terrores by Catherine Denley (contralto, mezzo‐soprano), The King’s Consort, Robert King (conductor and harpsichordist)
- 1 - Longe mala, umbrae, terrores, RV629: II. Recedite, nubes et fulgura by Catherine Denley (contralto, mezzo‐soprano), The King’s Consort, Robert King (conductor and harpsichordist)
- 1 - Longe mala, umbrae, terrores, RV629: III. Descende, o coeli vox by Catherine Denley (contralto, mezzo‐soprano), The King’s Consort, Robert King (conductor and harpsichordist)
- 1 - Longe mala, umbrae, terrores, RV629: IV. Alleluia by Catherine Denley (contralto, mezzo‐soprano), The King’s Consort, Robert King (conductor and harpsichordist)
- 1 - Loquebantur variis linguis by Choir of King’s College, Cambridge, Stephen Cleobury (organist, conductor)
- 1 - Lounging at the Waldorf by Canadian Brass
- 1 - Lucia di Lammermoor: “Regnava nel silenzio” … “Quando rapito in etasi” by Maria Callas (soprano)
- 1 - Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiaggie vicine” (Normanno, Coro) by Mario Carlin (tenor), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiaggie vicine” (Normanno, Coro) by Mario Carlin (tenor), Chorus of the Teatro alla Scala, RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) "Tu sei turbato!" (Normanno, Enrico, Raimondo) by Mario Carlin (tenor), Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) by Mario Carlin (tenor), Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza” (Coro, Normanno, Enrico, Raimondo) by Mario Carlin (tenor), Chorus of the Teatro alla Scala, Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) by Coro del Teatro alla Scala di Milano, Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto I, Scena 2. (no. 3a) Scena “Ancor non giunse!” (Lucia, Alisa) by Maria Callas (soprano), Luisa Villa (mezzo-soprano), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) by Maria Callas (soprano), Giuseppe Di Stefano (tenor), Luisa Villa (mezzo-soprano), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) by Maria Callas (soprano), Giuseppe Di Stefano (tenor), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) ”Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) ... “Ah! Soltanto il nostro foco” by RIAS Deutsches Symphonie‐Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) ”Qui di sposa eterna fede” (Edgardo, Lucia) / (no 4d) “Verranno a te sull'aure” (Edgardo, Lucia) by RIAS Deutsches Symphonie‐Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) by Maria Callas (soprano), Rolando Panerai (baritone), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 1. (no. 6a) Recitativo “Appressati, Lucia” (Enrico) by RIAS Deutsches Symphonie‐Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) by RIAS Deutsches Symphonie‐Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) by Maria Callas (soprano), Rolando Panerai (baritone), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) by Maria Callas (soprano), Rolando Panerai (baritone), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) by Maria Callas (soprano), Rolando Panerai (baritone), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) by Coro del Teatro alla Scala di Milano, Giuseppe Zampieri (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena "Dov'è Lucia?" (Arturo, Enrico, Coro) by Coro del Teatro alla Scala di Milano, Rolando Panerai (baritone), Giuseppe Zampieri (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Piange la madre estinta” (Arturo, Enrico, Coro) by Coro del Teatro alla Scala di Milano, Rolando Panerai (baritone), Giuseppe Zampieri (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) by Maria Callas (soprano), Coro del Teatro alla Scala di Milano, Rolando Panerai (baritone), Luisa Villa (mezzo-soprano), Nicola Zaccaria (operatic bass), Giuseppe Zampieri (tenor), Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “Sconsigliato, in queste porte chi ti guida?” (Enrico, Arturo, Edgardo, Lucia, Raimondo) by Maria Callas (soprano), Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), Giuseppe Zampieri (tenor), Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) by Chorus of the Teatro alla Scala, Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), Giuseppe Zampieri (tenor), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena II. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) by Maria Callas (soprano), Coro del Teatro alla Scala di Milano, Rolando Panerai (baritone), Luisa Villa (mezzo-soprano), Nicola Zaccaria (operatic bass), Giuseppe Zampieri (tenor), Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) by Coro del Teatro alla Scala di Milano, Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) by Coro del Teatro alla Scala di Milano, Nicola Zaccaria (operatic bass), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) by Coro del Teatro alla Scala di Milano, Nicola Zaccaria (operatic bass), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) – “Ardon gli incensi” (Lucia, Raimondo) by Maria Callas (soprano), Mario Carlin (tenor), Chorus of the Teatro alla Scala, Nicola Zaccaria (operatic bass), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) by Maria Callas (soprano), Chorus of the Teatro alla Scala, Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) by Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) by Coro del Teatro alla Scala di Milano, Nicola Zaccaria (operatic bass), Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) by Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) by Chorus of the Teatro alla Scala, Giuseppe Di Stefano (tenor), Nicola Zaccaria (operatic bass), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lungi dal vago volto, RV 680: I. Recitative "Lungi dal vago volto" by Emma Kirkby (soprano), Tafelmusik Baroque Orchestra (Canadian Baroque orchestra), Jeanne Lamon (conductor/violinist)
- 1 - Lungi dal vago volto, RV 680: II. Aria "Augelletti, voi col canto" by Emma Kirkby (soprano), Tafelmusik Baroque Orchestra (Canadian Baroque orchestra), Jeanne Lamon (conductor/violinist)
- 1 - Lungi dal vago volto, RV 680: III. Recitative "Allegrezza, mio core" by Emma Kirkby (soprano), Tafelmusik Baroque Orchestra (Canadian Baroque orchestra), Jeanne Lamon (conductor/violinist)
- 1 - Lungi dal vago volto, RV 680: IV. Aria "Mi stringerai sì" by Emma Kirkby (soprano), Tafelmusik Baroque Orchestra (Canadian Baroque orchestra), Jeanne Lamon (conductor/violinist)
- 1 - Lute Concerto in D major, RV 93: II. Largo by Jeffrey Biegel (pianist)
- 1 - Lute Suite in E minor, BWV 996: V. Bourrée by Sean Shibe (Scottish guitarist)
- 1 - Lutheran Mass in A major, BWV 234: Domine Deus (Basso) by Peter Kooij (Peter Kooy, baritone), Bach Collegium Japan, Masaaki Suzuki (keyboardist, conductor)
- 1 - Lutheran Mass in A major, BWV 234: Qui tollis peccata mundi (Soprano) by Hana Blažíková, Bach Collegium Japan, Masaaki Suzuki (keyboardist, conductor)
- 1 - Lutheran Mass in A major, BWV 234: Quoniam tu solus sanctus (Alto) by Robin Blaze (countertenor), Bach Collegium Japan, Masaaki Suzuki (keyboardist, conductor)
- 1 - Lutheran Mass in F major, BWV 233: Domine Deus (Basso) by Peter Kooij (Peter Kooy, baritone), Bach Collegium Japan, Masaaki Suzuki (keyboardist, conductor)
- 1 - Lutheran Mass in F major, BWV 233: Qui tollis peccata mundi (Soprano) by Hana Blažíková, Bach Collegium Japan, Masaaki Suzuki (keyboardist, conductor)
- 1 - Lutheran Mass in F major, BWV 233: Quoniam tu solus sanctus (Alto) by Robin Blaze (countertenor), Bach Collegium Japan, Masaaki Suzuki (keyboardist, conductor)
- 1 - Lyric Suite For String Quartet (1926): I. Allegretto gioviale by Emerson String Quartet
- 1 - Lyric Suite For String Quartet (1926): II. Andante amoroso by Emerson String Quartet
- 1 - Lyric Suite For String Quartet (1926): III. Allegro misterioso: Trio estatico by Emerson String Quartet
- 1 - Lyric Suite For String Quartet (1926): IV. Adagio appassionato by Emerson String Quartet
- 1 - Lyric Suite For String Quartet (1926): Largo desolato (Version with Soprano) by Renée Fleming (soprano), Emerson String Quartet
- 1 - Lyric Suite For String Quartet (1926): V. Presto delirando: Tenebroso by Emerson String Quartet
- 1 - Lyric Suite For String Quartet (1926): VI. Largo desolato by Emerson String Quartet
- 1 - Ma Vlast: I. Vysehrad by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Ma Vlast: II. Vltava by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Má Vlast: No. 2: Vltava (Die Moldau) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Má vlast: Vltava by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: “Vogliatemi bene, un bene piccolino” by Maria Callas (soprano), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Act I. “Quale smania vi prende!” by Mario Borriello (baritone), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Act II. “Glielo dirai?” by Lucia Danieli (mezzo-soprano), Luisa Villa (mezzo-soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto I. “Bimba dagli acchi pieni di malia” (Pinkerton, Butterfly) by Maria Callas (soprano), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless, Goro) by Mario Borriello (baritone), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto I. “E soffitto… e pareti” (Pinkerton, Goro) by Renato Ercolani (tenor), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto I. “Ed eccoci in famiglia” (Pinkerton, Coro, Bonzo, Butterfly, Goro, Suzuki) by Norberto Mola (chorus master), Maria Callas (soprano), Plinio Clabassi (operatic bass), Coro del Teatro alla Scala di Milano, Lucia Danieli (mezzo-soprano), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto I. “Gran ventura” (Butterfly, Coro, Pinkerton, Sharpless, Goro) by Norberto Mola (chorus master), Maria Callas (soprano), Coro del Teatro alla Scala di Milano, Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly, Goro, Commissario, Coro, Sharpless, Ufficiale del Registro, Pinkerton) by Maria Callas (soprano), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto I. “L'imperial Commissario” (Goro, Pinkerton, Coro, Butterfly, Cugina, Madre, Yokuside, Zia, Sharpless) by Norberto Mola (chorus master), Maria Callas (soprano), Coro del Teatro alla Scala di Milano, Renato Ercolani (tenor), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto I. “Quanto cielo!…Ancora un passa or via” (Coro, Butterfly, Sharpless) by Mario Borriello (baritone), Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto I. “Questa è la cameriera” (Goro, Pinkerton, Suzuki, Sharpless) by Renato Ercolani (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto I. “Vieni la sera” (Pinkerton, Butterfly, Suzuki) by Maria Callas (soprano), Lucia Danieli (mezzo-soprano), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro) by Maria Callas (soprano), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: Atto II. “Addio, firito asil” (Pinkerton, Sharpless) by Mario Borriello (baritone), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)