Tag “classical”

Recordings tagged as “classical”

87,012 recordings found

• 1 - „Loretomesse‟ Missa brevis B-Dur, KV 275: II. Gloria by Judith Kopecky, Elisabeth Lang (alto), Christian Bauer (Tenor), Wolfgang Bankl (operatic bass), Chor von St. Augustin, Wien, Orchester von St. Augustin, Wien, Alois Glaßner
• 1 - „Loretomesse‟ Missa brevis B-Dur, KV 275: III. Credo by Judith Kopecky, Elisabeth Lang (alto), Christian Bauer (Tenor), Wolfgang Bankl (operatic bass), Chor von St. Augustin, Wien, Orchester von St. Augustin, Wien, Alois Glaßner
• 1 - „Loretomesse‟ Missa brevis B-Dur, KV 275: IV. Sanctus by Chor von St. Augustin, Wien, Orchester von St. Augustin, Wien, Alois Glaßner
• 1 - „Loretomesse‟ Missa brevis B-Dur, KV 275: V. Benedictus by Judith Kopecky, Chor von St. Augustin, Wien, Orchester von St. Augustin, Wien, Alois Glaßner
• 1 - „Loretomesse‟ Missa brevis B-Dur, KV 275: VI. Agnus Dei by Judith Kopecky, Elisabeth Lang (alto), Christian Bauer (Tenor), Wolfgang Bankl (operatic bass), Chor von St. Augustin, Wien, Orchester von St. Augustin, Wien, Alois Glaßner
• 1 - "Love Is a Many Splendored Thing" by John Williams (American score composer and conductor)
• 1 - "Ma tu tremi", WoO 99 No. 6/Hess 212 by Christina Klopsch (soprano), Astrid Pilzecker (contralto), Joachim Vogt (tenor)
• 1 - "Magic Flute": "Papageno's Song" by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
• 1 - "Mathis der Maler", Symphonie: Concert of Angels: Ruhig bewegt - Ziemlich lebhafte Halbe by The Philadelphia Orchestra, Wolfgang Sawallisch (conductor)
• 1 - "Mathis der Maler", Symphonie: Entombment: Sehr langsam by The Philadelphia Orchestra, Wolfgang Sawallisch (conductor)
• 1 - "Mathis der Maler", Symphonie: The Temptation of St. Anthony: Sehr langsam, frei im Zeitmass -Sehr lebhaft by The Philadelphia Orchestra, Wolfgang Sawallisch (conductor)
• 1 - "Merry Mount" Suite: I. Overture by Nashville Symphony Orchestra, Kenneth Schermerhorn
• 1 - "Merry Mount" Suite: II. Children´s Dance by Nashville Symphony Orchestra, Kenneth Schermerhorn
• 1 - "Merry Mount" Suite: IV. Prelude to Act II and Maypole Dances by Nashville Symphony Orchestra, Kenneth Schermerhorn
• 1 - “Metamorphosen”: Study for 23 solo strings by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & Continuo, RV 690: Part I, IX. Aria "Nò, che non è viltà" (Eurilla) by Petya Grigorova, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & Continuo, RV 690: Part I, VI. Aria "Mi sento in petto" (Alcindo) by Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio Cor, Povero Cor", Serenata À Tre for Chorus & Continuo, RV 690: Part I, VII. Recitativo "Bella Ninfa" (Alcindo, Eurilla) by Petya Grigorova, Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & Continuo, RV 690: Part I, VIII. Aria "Se all estivo ardor cocente" (Eurilla) by Petya Grigorova, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & Continuo, RV 690: Part I, X. Recitativo "Si folle non son io" (Alcindo) by Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & Continuo, RV 690: Part I, XII. Recitativo "O quanto folle egl'è" (Eurilla) by Petya Grigorova, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & Continuo, RV 690: Part I, XIII. Aria "Alla caccia D'un cuore spietato" (Eurilla) by Petya Grigorova, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio Cor, Povero Cor", Serenata À Tre for Chorus & Continuo, RV 690: Part I, XIV. Recitativo "Amica Eurilla, Dimmi" (Nice, Eurilla) by Petya Grigorova, Marjorie Vance, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & Continuo, RV 690: Part I, XV. Aria "Ad infiammar quel seno" (Nice) by Marjorie Vance, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio Cor, Povero Cor", Serenata À Tre for Chorus & Continuo, RV 690: Part I. II. Recitativo "Ben, Che Ti Sembra" (Eurilla, Nice) by Petya Grigorova, Marjorie Vance, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio Cor, Povero Cor", Serenata À Tre for Chorus & Continuo, RV 690: Part I. III. Aria "Con I vezzi lusinghieri" (Eurilla) by Petya Grigorova, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XIX. Recitativo "A' suo grado" (Alcindo, Eurilla) by Petya Grigorova, Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XVI. Aria "Aque placide che correte" (Alcindo) by Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XVII. Recitativo "Tenta lò sò" (Alcindo, Eurilla, Nice) by Petya Grigorova, Marjorie Vance, Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XVIII. Aria "Come l'erba in vago prato" (Nice) by Marjorie Vance, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XX. Aria "Dell' alma superba" (Alcindo) by Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXI. Recitativo "Alcindo, Alcindo" (Eurilla) by Petya Grigorova, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXII. Aria "La dolce auretta" (Eurilla) by Petya Grigorova, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXIII. Recitativo "Non dileggiarmi più" (Alcindo) by Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXIV. Aria "L'altero bianco giglio" (Alcindo) by Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXIX. Recitativo "Nò, non fingo" (Alcindo, Eurilla) by Petya Grigorova, Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXV. Recitativo "Dove,dimmi, o indiscreto" (Nice) by Marjorie Vance, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXVI. Aria "Di Cocito nell' orrido Regno" (Nice) by Marjorie Vance, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXVII. Recitativo "Almen fingi d'amarmi" (Eurilla, Alcindo) by Petya Grigorova, Kurt Spanier, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXVIII. Aria "Vorresti lusingarmi" (Eurilla) by Petya Grigorova, Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Mio cor, povero cor", serenata à tre for chorus & continuo, RV 690: Part II, XXX. Coro "Si punisca" by Clemencic Consort (Austrian baroque / early music ensemble), René Clemencic (conductor)
• 1 - "Nacht Musique" in C minor, K. 388 (384a): Allegro by Wiener Mozart-Bläser, Nikolaus Harnoncourt (conductor)
• 1 - "Nacht Musique" in C minor, K. 388 (384a): Allegro by Wiener Mozart-Bläser, Nikolaus Harnoncourt (conductor)
• 1 - "Nacht Musique" in C minor, K. 388 (384a): Andante by Wiener Mozart-Bläser, Nikolaus Harnoncourt (conductor)
• 1 - "Nacht Musique" in C minor, K. 388 (384a): Menuetto in canone - Trio by Wiener Mozart-Bläser, Nikolaus Harnoncourt (conductor)
• 1 - "Nei campi e nelle selve" (1st version), WoO 99 No. 7a/Hess 217 by Günther Beyer (operatic bass), Christina Klopsch (soprano), Astrid Pilzecker (contralto), Joachim Vogt (tenor)
• 1 - "Nei campi e nelle selve" (2nd version), WoO 99 No. 7b/Hess 220 by Gisela Fetting (soprano), Siegfried Hausmann (operatic bass), Wolfgang Wagner (tenor), Hella Weigmann (alto)
• 1 - "New World" Symphony no. 9 in E minor, op. 95: I. Adagio - Allegro molto by Berlin Philharmonic Orchestra, Klaus Tennstedt (conductor)
• 1 - "New World" Symphony no. 9 in E minor, op. 95: III. Scherzo. Molto vivace by Berlin Philharmonic Orchestra, Klaus Tennstedt (conductor)
• 1 - "New World" Symphony no. 9 in E minor, op. 95: IV. Allegro con fuoco by Berlin Philharmonic Orchestra, Klaus Tennstedt (conductor)
• 1 - "New World" Symphony: II. Largo (excerpt) by Chicago Symphony Orchestra, Sir Georg Solti (conductor)
• 1 - "New York, New York" from On the Town by Joshua Bell (violinist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), David Zinman (conductor)
• 1 - "Nobilssima visione", Suite: Introduction: Sehr langsam by The Philadelphia Orchestra, Wolfgang Sawallisch (conductor)
• 1 - "Nobilssima visione", Suite: Marsch und Pastorale: Lebhaft by The Philadelphia Orchestra, Wolfgang Sawallisch (conductor)
• 1 - "Nobilssima visione", Suite: Passacaglia: Feierlich bewegt by The Philadelphia Orchestra, Wolfgang Sawallisch (conductor)
• 1 - "Nobilssima visione", Suite: Rondo: Massig schnell by The Philadelphia Orchestra, Wolfgang Sawallisch (conductor)
• 1 - "O Heiliges Band der Freundschaft treuer Brüder", K. 148 by Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir), Jiří Pokorný, Pavel Kühn
• 1 - "O Tobias!", WoO 182 by Günther Beyer (operatic bass), Gisela Fetting (soprano), Christina Klopsch (soprano), Renate Schunke (soprano), Joachim Vogt (tenor), Dietrich Knothe (conductor)
• 1 - "On the Town": I. The Great Lover. Allegro pesante by Boston Pops Orchestra, John Williams (American score composer and conductor)
• 1 - "On the Town": II. Lonely Town: Pas de deux. Andante - Sostenuto by Boston Pops Orchestra, John Williams (American score composer and conductor)
• 1 - "On the Town": III. Times Square: 1944. Allegro by Boston Pops Orchestra, John Williams (American score composer and conductor)
• 1 - “Paan” tsüklist 6 metamorfoosi I by Ele Raik
• 1 - "Parisian" Symphony in D major, KV 297: I. Allegro assai by Bayerische Kammerphilharmonie, Reinhard Goebel (violinist and conductor)
• 1 - "Parisian" Symphony in D major, KV 297: II. Andante by Bayerische Kammerphilharmonie, Reinhard Goebel (violinist and conductor)
• 1 - "Parisian" Symphony in D major, KV 297: III. Allegro by Bayerische Kammerphilharmonie, Reinhard Goebel (violinist and conductor)
• 1 - "Per te d'amico aprile", WoO 99 No. 9/Hess 216 by Gisela Fetting (soprano), Siegfried Hausmann (operatic bass), Wolfgang Wagner (tenor)
• 1 - “Petite suite” From “Jeux d’enfants”, op. 22: 1. Marche: “Trompette et tambour” by Royal Concertgebouw Orchestra, Bernard Haitink (conductor)
• 1 - “Petite suite” From “Jeux d’enfants”, op. 22: 2. Berceuse: “La Poupée” by Royal Concertgebouw Orchestra, Bernard Haitink (conductor)
• 1 - “Petite suite” From “Jeux d’enfants”, op. 22: 3. Impromptu: “La Toupie” by Royal Concertgebouw Orchestra, Bernard Haitink (conductor)
• 1 - “Petite suite” From “Jeux d’enfants”, op. 22: 4. Duo: “Petit Mari, Petite Femme” by Royal Concertgebouw Orchestra, Bernard Haitink (conductor)
• 1 - “Petite suite” From “Jeux d’enfants”, op. 22: 5. Galop: “Le Bal” by Royal Concertgebouw Orchestra, Bernard Haitink (conductor)
• 1 - “Pictures At An Exhibition”: XIII. Con Mortuis In Lingua Mortua by Mikhail Pletnev (pianist & conductor)
• 1 - "Porgy and Bess" Suite (Catfish Row): III. Fugue by Chicago Symphony Orchestra, James Levine (US conductor and pianist)
• 1 - "Porgy and Bess" Suite (Catfish Row): IV. Hurricane by Chicago Symphony Orchestra, James Levine (US conductor and pianist)
• 1 - "Porgy and Bess" Suite (Catfish Row): V. Good Morning, Brother by Chicago Symphony Orchestra, James Levine (US conductor and pianist)
• 1 - "Praise We Great Men" for Voices, Chorus and Orchestra: I. by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - "Praise We Great Men" for Voices, Chorus and Orchestra: II. by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - "Praise We Great Men" for Voices, Chorus and Orchestra: III. by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - "Quella cetra ah pur tu sei" (1st version), WoO 99 No. 10a/Hess 213 by Gisela Fetting (soprano), Siegfried Hausmann (operatic bass), Wolfgang Wagner (tenor), Hella Weigmann (alto)
• 1 - "Quella cetra ah pur tu sei" (2nd version), WoO 99 No. 10c/Hess 219 by Günther Beyer (operatic bass), Christina Klopsch (soprano), Astrid Pilzecker (contralto), Joachim Vogt (tenor)
• 1 - "Quella cetra ah pur tu sei", WoO 99 No. 10b/Hess 218 by Gisela Fetting (soprano), Siegfried Hausmann (operatic bass), Wolfgang Wagner (tenor)
• 1 - "Raindrop" Prelude by Andrei Nikolsky (Russian/Belgian pianist)
• 1 - "Reich' mir die Hand, mein Leben" (aus "Don Giovanni") by Klaus Stoll (double bass player), Margit-Anna Süß (harpist)
• 1 - "Romeo and Juliet", Love Theme by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
• 1 - "Rondo alla turca" by Daniela Ruso (pianist and harpsichordist)
• 1 - "Salvo tu vuoi lo sposo?", Hess 228 by Peter Maus (German operatic tenor), Heidi Person (soprano)
• 1 - "Sankt Petrus war ein Fels!", WoO 175 by Kammerchor der Berliner Singakademie, Günther Beyer (operatic bass), Siegfried Hausmann (operatic bass), Joachim Vogt (tenor), Wolfgang Wagner (tenor), Dietrich Knothe (conductor)
• 1 - “Schafe können sicher weiden” (Sheep May Safely Graze), BWV 208 (for cello and orchestra) by Yo‐Yo Ma (cellist), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
• 1 - "Schwenke dich ohne Schwänke!", WoO 187 by Gisela Fetting (soprano), Christina Klopsch (soprano), Renate Schunke (soprano), Helga Tietze (alto), Wolfgang Wagner (tenor), Dietrich Knothe (conductor)
• 1 - "Scrivo in te", WoO 99 No. 11/Hess 215 by Peter Maus (German operatic tenor), Heidi Person (soprano)
• 1 - "Sei mio ben", Hess 231 by Peter Maus (German operatic tenor), Heidi Person (soprano)
• 1 - "Si non per portas, per muros", WoO 194 by Volker Horn (tenor), Ralf Lukas (bass-baritone), Dietrich Knothe (conductor)
• 1 - "Signor Abate!", WoO 178 by Günther Beyer (operatic bass), Werner Eberhardt (bass-baritone and counter tenor), Siegfried Hausmann (operatic bass), Dietrich Knothe (conductor)
• 1 - “Sold” by Danny Elfman (American singer and score composer)
• 1 - „Spatzenmesse‟ Missa brevis C-Dur, KV 220: I. Kyrie by Chor von St. Augustin, Wien, Orchester von St. Augustin, Wien, Alois Glaßner
• 1 - „Spatzenmesse‟ Missa brevis C-Dur, KV 220: II. Gloria by Brigitta Karwautz, Ingrid Hofer (Classical Musician), Manfred Equiluz (Austrian tenor), Wolfgang Bankl (operatic bass), Chor von St. Augustin, Wien, Orchester von St. Augustin, Wien, Alois Glaßner
• 1 - „Spatzenmesse‟ Missa brevis C-Dur, KV 220: III. Credo by Brigitta Karwautz, Ingrid Hofer (Classical Musician), Manfred Equiluz (Austrian tenor), Wolfgang Bankl (operatic bass), Chor von St. Augustin, Wien, Orchester von St. Augustin, Wien, Alois Glaßner
• 1 - „Spatzenmesse‟ Missa brevis C-Dur, KV 220: IV. Sanctus by Chor von St. Augustin, Wien, Orchester von St. Augustin, Wien, Alois Glaßner
• 1 - „Spatzenmesse‟ Missa brevis C-Dur, KV 220: V. Benedictus by Brigitta Karwautz, Ingrid Hofer (Classical Musician), Manfred Equiluz (Austrian tenor), Wolfgang Bankl (operatic bass), Chor von St. Augustin, Wien, Orchester von St. Augustin, Wien, Alois Glaßner
• 1 - „Spatzenmesse‟ Missa brevis C-Dur, KV 220: VI. Agnus Dei by Brigitta Karwautz, Ingrid Hofer, Manfred Equiluz (Austrian tenor), Wolfgang Bankl (operatic bass), Chor von St. Augustin, Wien, Orchester von St. Augustin, Wien, Alois Glaßner