Tag “classical”

Recordings tagged as “classical”

87,012 recordings found

• 1 - Cantata "Ich hatte viel Bekümmernis", BWV 21: 7. Zweiter Teil, Recitativo (Soprano, Basso) "Ach Jesu, meine Ruh" by La Petite Bande (Belgian chamber orchestra), Sigiswald Kuijken
• 1 - Cantata "Ich hatte viel Bekümmernis", BWV 21: 8. Zweiter Teil, Duetto (Soprano, Basso) "Komm, mein Jesu" by La Petite Bande (Belgian chamber orchestra), Sigiswald Kuijken
• 1 - Cantata "Ich hatte viel Bekümmernis", BWV 21: 9. Zweiter Teil, Coro "Sei nun wieder zufrieden" by La Petite Bande (Belgian chamber orchestra), Sigiswald Kuijken
• 1 - Cantata "Ich hatte viel Bekümmernis", BWV 21: 10. Zweiter Teil, Aria (Tenore) "Erfreue dich, Seele" by La Petite Bande (Belgian chamber orchestra), Sigiswald Kuijken
• 1 - Cantata "Ich hatte viel Bekümmernis", BWV 21: 11. Zweiter Teil, Coro "Das Lamm, das erwürget ist" by La Petite Bande (Belgian chamber orchestra), Sigiswald Kuijken
• 1 - Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: I. Aria "Ich will den Kreuzstab gerne tragen" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
• 1 - Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: II. Recitativo "Mein Wandel auf der Welt ist einer Schiffahrt gleich" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
• 1 - Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: III. Aria "Endlich, endlich wird mein Joch wieder von mir weichen müssen" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
• 1 - Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: IV. Recitativo "Ich stehe fertig und bereit" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
• 1 - Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: V. Choral "Komm, o Tod, du Schlafes Bruder" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
• 1 - Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 1 Aria. “Jauchzet Gott in allen Landen” by Helen Donath (soprano), Maurice André (French trumpeter), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Cantata "Schmücke Dich, O Liebe Seele" BWV 180: I. Chorus: "Schmücke Dich, O Liebe Seele" by Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
• 1 - Cantata "Was Gott tut, das ist wohlgetan", BWV 99: No. 1 Chorus "Was Gott tut, das ist wohlgetan" by Collegium Vocale Gent, Philippe Herreweghe (Belgian conductor)
• 1 - Cantata "Was Gott tut, das ist wohlgetan", BWV 99: No. 2 Recitative "Sein Wort der Wahrheit stehet fest und wird mich nicht betrügen" by Peter Kooij (Peter Kooy, baritone), Collegium Vocale Gent, Philippe Herreweghe (Belgian conductor)
• 1 - Cantata "Was Gott tut, das ist wohlgetan", BWV 99: No. 3 Aria "Erschüttre dich nur nicht, verzagte Seele" by Guy Cutting (British tenor / countertenor), Collegium Vocale Gent, Philippe Herreweghe (Belgian conductor)
• 1 - Cantata "Was Gott tut, das ist wohlgetan", BWV 99: No. 4 Recitative "Nun, der von Ewigkeit geschloß"ne Bund bleibt meines Glaubens Grund" by Alex Potter (countertenor), Collegium Vocale Gent, Philippe Herreweghe (Belgian conductor)
• 1 - Cantata "Was Gott tut, das ist wohlgetan", BWV 99: No. 5 Aria "Wenn des Kreuzes Bitterkeiten mit des Fleisches Schwachheit streiten" by Dorothee Mields (German soprano), Alex Potter (countertenor), Collegium Vocale Gent, Philippe Herreweghe (Belgian conductor)
• 1 - Cantata "Was Gott tut, das ist wohlgetan", BWV 99: No. 6 Chorale "Was Gott tut, das ist wohlgetan" by Collegium Vocale Gent, Philippe Herreweghe (Belgian conductor)
• 1 - Cantata “Was mir behagt, ist nur die muntre Jagd”, BWV 208: No. 9. Aria, “Schafe können sicher weiden” (Arr. for Solo Piano by Egon Petri). Andante piacevole by Aline Piboule (French pianist)
• 1 - Cantata "Wer da gläubet und getauft wird", BWV 37: Aria: "Der Glaube ist das Pfand der Liebe" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
• 1 - Cantata "Wer da gläubet und getauft wird", BWV 37: Aria: "Der Glaube schafft der Seele Flügel" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
• 1 - Cantata "Wer da gläubet und getauft wird", BWV 37: Chor: "Herr Gott Vater, mein starker Held" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
• 1 - Cantata "Wer da gläubet und getauft wird", BWV 37: Chor: "Wer da glaubet und getauft wird" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
• 1 - Cantata "Wer da gläubet und getauft wird", BWV 37: Chorale: "Den Glauben mir verleihe" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
• 1 - Cantata "Wer da gläubet und getauft wird", BWV 37: Recitative: "Ihr Sterblichen" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
• 1 - Cantata "Widerstehe doch der Sünde" BWV 54: I. Aria: "Widerstehe doch der Sünde" by Russell Oberlin (countertenor)
• 1 - Cantata "Widerstehe doch der Sünde": Aria. Widerstehe doch der Sünde by Yoshikazu Mera (Japanese countertenor), Bach Collegium Japan, Masaaki Suzuki (keyboardist, conductor)
• 1 - Cantata « Herr, wie du willt, so schick's mit dir » (Choral) by Zsuzsi Tóth (Hungarian soprano), Vox Luminis (Belgian early music vocal ensemble), Jean-Luc Thellin (organist), Lionel Meunier (Franco-Belgian recorder player & bass vocalist)
• 1 - Cantata BWV 147, "Herz und Mund und Tat und Leben": Jesu, Joy of Man's Desiring by The Philadelphia Orchestra, Eugene Ormandy (conductor)
• 1 - Cantata BWV 147: Jesu Joy of Man’s Desiring by Sydney Philharmonia Symphonic Chorus, Sydney Philharmonia Orchestra, Antony Walker (Australian conductor)
• 1 - Cantata BWV 147: Jesu, Joy of Man's Desiring by King’s College Choir, Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Cantata BWV 208, "Was mir behagt": Sheep May Safely Graze (for orchestra, arr. Walton) by The Philadelphia Orchestra, Eugene Ormandy (conductor)
• 1 - Cantata BWV 211 "Schweigt stille, plaudert nicht": I. Rezitativ: "Schweigt stille, plaudert nicht", Arie: "Hat man nicht mit seinen Kindern" by Rogers Covey‐Crump (tenor), David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 211 "Schweigt stille, plaudert nicht": II. Arie: "Ei! wie schmeckt der Coffee süße" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 211 "Schweigt stille, plaudert nicht": III. Arie: "Mädchen, die von harten Sinnen" by David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 211 "Schweigt stille, plaudert nicht": IV. Arie: "Heute noch" by Rogers Covey‐Crump (tenor), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": II. Arie: "Mer hahn en neue Oberkeet" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": III. Duett: "Ach, es schmeckt doch gar zu gut" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": IV. Arie: "Ach, Herr Schösser, geht nicht gar zu schlimm" by David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": IX. Arie: "Klein-Zschocher müsse" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": V. Arie: "Unser trefflicher lieber Kammerherr" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": VI. Arie: "Das ist galant" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": VII. Arie: "Fünfzig Taler bares Geld" by David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten" by David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": XI. Arie: "Gib, Schöne" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": XII. Arie: "Dein Wachstum sei feste" by David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": XIII. Arie: "Und daß ihr's alle wißt" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": XIV. Duett: "Wir gehn' nun, wo der Tudelsack" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV147 'Herz Und Mund Und Tat Und Leben': Jesu, Bleibet Meine Freude by Philippe Entremont (French pianist/conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!" by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!" by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna) by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin) by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin) by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen” by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for solo alto, RV 671 "Care selve amici prati": I. Aria "Care selve amici" by Antonio Vivaldi (Italian baroque composer and violinist)
• 1 - Cantata for soprano and basso continuo, RV 651, "Amor, hai vinto": IV. Aria "Se a me rivolge il ciglio" by Rossana Bertini (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata For The Third Sunday After Trinity, Prima Parte: Aria “Seufzer, Thanen, Krummer, N” by Guido Mancusi (conductor), Vienna Boys' Choir (The Vienna Boys Choir), Stuttgart Philharmonic Orchestra, Peter Marschik (chorus master)
• 1 - Cantata For The Third Sunday After Trinity, Seconds Parte: Aria “Erfreue Dich, Seele” by Michael Knapp (tenor), Stuttgarter Philharmoniker, Peter Marschik (chorus master)
• 1 - Cantata in F major, K. 469 "Davide penitente": III. "Lungi le cure" by Cecilia Bartoli (mezzo‐soprano), Wiener Kammerorchester (Vienna Chamber Orchestra), György Fischer (pianist and conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : I Chorus - "Sie werden aus Saba alle kommen" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : II Chorale - "Die Kön'ge aus Saba kamen dar" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : III Recitative - "Was dort Jesaias vorhergesehn" by Ruud van der Meer (operatic bass), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : IV Aria - "Gold aus Ophir ist zu schlecht" by Ruud van der Meer (operatic bass), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : V Recitative - "Verschmähe nicht, du, meiner Seelen Licht" by Kurt Equiluz (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : VI Aria - "Nimm mich dir zu eigen hin" by Kurt Equiluz (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : VII Chorale - "Ei nun, mein Gott, so fall ich dir" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : I Chorus - "Erfreut euch, ihr Herzen" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : II Recitative - "Es bricht das Grab und damit unsre Not" by Max van Egmond (bass-baritone), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : III Aria - "Lasset dem Höchsten ein Danklied erschallen" by Max van Egmond (bass-baritone), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : IV Recitative - "Bei Jesu Leben freudig sein" by Kurt Equiluz (tenor), Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : V Duet - "Ich furchte zwar des Grabes Finsternissen" by Kurt Equiluz (tenor), Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : VI Chorale - "Alleluja! Alleluja! Alleluja!" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: I. Coro "Halt im Gedächtnis Jesum Christ" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: II. Aria "Mein Jesus ist erstanden" by Kurt Equiluz (tenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: III. Recitative "Mein Jesu, heissest du des Todes Gift" by Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: IV. Choral "Erschienen ist der herrlich Tag" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: V. Recitative "Doch scheinet fast, dass mich der Feinde Rest" by Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 68 "Also hat Gott die Welt geliebt" BWV68 : II. Aria "Mein gläubiges Herze" by Peter Jelosits (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 70 Wachet! betet! betet! wachet! BWV70 : I Chorus - "Wachet! betet! betet! wachtet!" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro: "Weinen, Klagen, Sorgen, Zagen" by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo: "Wir müssen durch viel Trubsal in das Reich" by Yoshikazu Mera (Japanese countertenor), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral: "Was Gott tut, das ist wohlgetan" by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 21, BWV 21 "Ich hatte viel Bekümmernis": Sinfonia by Orchestra of the Antipodes, Neal Peres Da Costa (Australian harpsichordist, fortepianist and organist)
• 1 - Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia by Taverner Players, Andrew Parrott (conductor)
• 1 - Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Aria by Antonia Fahberg (soprano), Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn), Helmuth Rilling (conductor)
• 1 - Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Choral Duet by Ulrich Schaible (Bass), Antonia Fahberg (soprano), Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn), Helmuth Rilling (conductor)
• 1 - Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Choral Motet by Figuralchor der Gedächtniskirche Stuttgart, Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn), Helmuth Rilling (conductor)
• 1 - Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Chorale by Figuralchor der Gedächtniskirche Stuttgart, Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn), Helmuth Rilling (conductor)
• 1 - Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Duet by Margarethe Bence (contralto), Theophil Maier (tenor), Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn), Helmuth Rilling (conductor)
• 1 - Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Recitativo by Ulrich Schaible (Bass), Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn), Helmuth Rilling (conductor)
• 1 - Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Recitativo by Theophil Maier (tenor), Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn), Helmuth Rilling (conductor)
• 1 - Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Unison Chorale by Figuralchor der Gedächtniskirche Stuttgart, Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn), Helmuth Rilling (conductor)
• 1 - Cantata No. 80: VIII. Chorus "Das Wort sie sollen lassen stahn" by Süddeutscher Madrigalchor, Consortium Musicum, Wolfgang Gönnenwein (conductor)
• 1 - Cantata No. 82, "Ich habe genug," BWV 82 BC A169: Aria: "Ich habe genung" by Philippe Huttenlocher (baritone), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No. 82, "Ich habe genug," BWV 82 BC A169: Aria: "Schlummert ein, ihr matten Augen" by Philippe Huttenlocher (baritone), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina by Bach Collegium Japan, Masaaki Suzuki (keyboardist, conductor)
• 1 - Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 106, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso by Gerd Türk (German tenor), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan