Tag “classical”
~ Tag
Recordings tagged as “classical”
87,012 recordings found
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Choral “Dir, dir, Jehova will ich singen”, BWV 299 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Choral “O Ewigekeit, du Donnerwort”, BWV 513 by Sibylla Rubens (soprano), Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Choralvorspiel, BWV 691 “Wer nur den lieben Gott läßt walten” by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Marche D-Dur, BWV Anh. 122 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Marche Es-Dur, BWV Anh. 127 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Marche G-Dur, BWV Anh. 124 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Menuet d-Moll, BWV Anh. 132 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Menuet G-Dur, BWV Anh. 114 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Menuet G-Dur, BWV Anh. 116 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Menuet g-Moll, BWV Anh. 115 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Musette D-Dur, BWV Anh. 126 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 3 a-Moll, BWV 827: I. Prélude by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 3 a-Moll, BWV 827: II. Allemande by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 3 a-Moll, BWV 827: III. Corrente by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 3 a-Moll, BWV 827: IV. Sarabande by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 3 a-Moll, BWV 827: V. Menuet by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 3 a-Moll, BWV 827: VI. Gigue by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 4 e-Moll, BWV 830: I. Prélude by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 4 e-Moll, BWV 830: II. Allemande by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 4 e-Moll, BWV 830: III. Corrente by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 4 e-Moll, BWV 830: IV. Sarabande by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 4 e-Moll, BWV 830: V. Tempo di Gavotta by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Partita no. 4 e-Moll, BWV 830: VI. Gigue by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Polonaise g-Moll, BWV Anh. 119 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Polonaise g-Moll, BWV Anh. 125 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Präludium C-Dur, BWV 846/1 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Recitativo “Ich habe genug!” aus, BWV 82 by Sibylla Rubens (soprano), Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Rondeau B-Dur, BWV Anh. 183 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: I. Allemande by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: II. Courante by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: III. Sarabande by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: IV. Menuet 1 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: V. Menuet 2 by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: VI. Gigue by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Suite 2 pour le Clavessin, BWV 813: I. Allemande by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Suite 2 pour le Clavessin, BWV 813: II. Courante by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Clavier-büchlein für Anna Magdalena Bach 1725: Suite 2 pour le Clavessin, BWV 813: III. Sarabande by Michael Behringer (conductor, organist and harpsichordist)
- 1 - Cleanup by Joel McNeely (American score composer), Royal Scottish National Orchestra
- 1 - Cleared of All Charges by Alexandre Desplat (French score composer)
- 1 - Cliffhanger by Slovenský filharmonický zbor (Slovak Philharmonic Choir), Slovenská filharmónia (Slovak Philharmonic), Zdeněk Košler (conductor)
- 1 - Cliffs by Alarm Will Sound
- 1 - Cliffs (remix) by Alarm Will Sound
- 1 - Climb Ev'ry Mountain by Plácido Domingo (tenor), Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi), Marcello Viotti (conductor)
- 1 - Cloches à travers les feuilles by Samson François (pianist)
- 1 - Clocks by 女子十二乐坊 (12 Girls Band)
- 1 - Clocks by Eklipse (string quartet)
- 1 - Clori amorosa by Sergio Vartolo (Italian harpsichordist & conductor), Concerto delle Dame di Ferrara
- 1 - Close Encounters of the Third Kind by The Allen Toussaint Orchestra
- 1 - Close Encounters of the Third Kind by London Starlight Orchestra (keyboardist, songwriter & producer)
- 1 - Close Encounters of the Third Kind: Suite by Boston Pops Orchestra, The American Boychoir, Tanglewood Festival Chorus & John Williams (American score composer and conductor)
- 1 - Close Encounters of the Third Kind: Suite by Los Angeles Philharmonic, Zubin Mehta (conductor)
- 1 - Close Every Door by Andrew Lloyd Webber (English composer and impresario of musical theatre)
- 1 - Close to the Borderline by Billy Joel (American singer‐songwriter and pianist)
- 1 - Close Up by Teho Teardo & Blixa Bargeld (German musician)
- 1 - Closer by Ark Sano
- 1 - Closer by Ne‐Yo
- 1 - Cloud on My Tongue by Tori Amos
- 1 - Cloudburst by Johnny Cash (country music legend)
- 1 - Cloudbusting by Eklipse (string quartet)
- 1 - Cloudless by Peter Gabriel (formerly of Genesis)
- 1 - Clowns by Jean Martin (classical pianist)
- 1 - Coburger Marsch by Berliner Philharmonisches Bläserensemble (Berlin Philharmonic Wind Ensemble), Herbert von Karajan (conductor)
- 1 - Cock/Ver 10 by Alarm Will Sound
- 1 - Cockaigne (In London Town), Concert Overture, op. 40 by London Symphony Orchestra, Sir Charles Mackerras (Australian conductor)
- 1 - Cockaigne (in London Town): Concert Overture, op. 40 by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Cockaigne Overture by English Symphony Orchestra (aka English String Orchestra), William Boughton (conductor)
- 1 - Cockaigne Overture, op. 40 (In London Town) by Scottish National Orchestra, Sir Alexander Gibson (conductor)
- 1 - Code of Silence by Billy Joel (American singer‐songwriter and pianist) feat. Cyndi Lauper
- 1 - Codiad yr haul. The rising sun, Hob. XXXIb:12 by Lorna Anderson (soprano), Jamie MacDougall (tenor), Haydn Trio Eisenstadt
- 1 - Codiad yr hedyyd. The rising of the lark, Hob. XXXIb:1 by Lorna Anderson (soprano), Jamie MacDougall (tenor), Haydn Trio Eisenstadt
- 1 - Códice de Las Huelgas: "Quis dabit capiti" by Paul Van Nevel (Belgian conductor & musicologist), Huelgas Ensemble (Belgian early music ensemble)
- 1 - Coffee Cantata: Hat Man Nicht Mit Seinen Kindern by Gregory Reinhart (operatic bass), Linde Consort (Swiss ensemble led by Hans-Martin Linde), Hans-Martin Linde (flutist and conductor)
- 1 - Cognac at Night by Thomas Newman (American score composer)
- 1 - Coker and Kirby by Bear McCreary (American score composer)
- 1 - Coker's Interlude by Bear McCreary (American score composer)
- 1 - Coker's Photo by Bear McCreary (American score composer)
- 1 - Colas Breugnon, op. 24: Overture by Chicago Symphony Orchestra, Fritz Reiner (conductor)
- 1 - Colas Breugnon, op. 24: Overture by Russian National Orchestra, Mikhail Pletnev (pianist & conductor)
- 1 - Colas Breugnon: Overture by NBC Symphony Orchestra, Arturo Toscanini (conductor)
- 1 - Cold Song by Sting (singer, songwriter & member of The Police)
- 1 - Colette Shows Him Le Ropes by Michael Giacchino (American score composer)
- 1 - Collage on the Theme B-A-C-H: Ricercar by Congress Orchestra, Vladimir Norets
- 1 - Collage on the Theme B-A-C-H: Sarabande by Congress Orchestra, Vladimir Norets
- 1 - Collage on the Theme B-A-C-H: Toccata by Congress Orchestra, Vladimir Norets
- 1 - Collage Sur B-A-C-H: I. Toccata. Preciso by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Neeme Järvi (Estonian conductor)
- 1 - Collage Sur B-A-C-H: II. Sarabande. Lento by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Neeme Järvi (Estonian conductor)
- 1 - Collage Sur B-A-C-H: III. Ricercar. Deciso by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Neeme Järvi (Estonian conductor)
- 1 - Colombian Necktie by Thomas Newman (American score composer)
- 1 - Colonel Bogey by New York Philharmonic, Leonard Bernstein (American conductor, composer, pianist)
- 1 - Colonel Gardner, Hob. XXXIa:97 by Lorna Anderson (soprano), Jamie MacDougall (tenor), Haydn Trio Eisenstadt
- 1 - Colors of the Wind (Pocahontas) by London Symphony Orchestra, John Williams (American score composer and conductor)
- 1 - Colours in the Clouds by Alexandre Desplat (French score composer)
- 1 - Colours in the Clouds (strings) by Alexandre Desplat (French score composer)
- 1 - Come Again: Sweet Love Doth Now Invite by Collegium Vocale Bydgoszcz
- 1 - Come Away With Me by Royal Philharmonic Orchestra
- 1 - Come Away, Come Sweet Love by Collegium Vocale Bydgoszcz
- 1 - Come Away, Death by Ian Bostridge (tenor), Julius Drake (pianist)
- 1 - Come Away, Death (From Let Us Garlands Bring, op. 18) by Marianne Beate Kielland (mezzo‐soprano), Sergej Osadchuk
- 1 - Come Away, Death (From Songs of the Clown, op. 29) by Marianne Beate Kielland (mezzo‐soprano), Sergej Osadchuk
- 1 - Come Back to Sorrento by Luciano Pavarotti (tenor) feat. Meat Loaf