Tag “classical”
~ Tag
Recordings tagged as “classical”
87,012 recordings found
- 1 - El majo discreto by Kim Kashkashian (violist), Robert Levin (American classical pianist)
- 1 - El niño judío: “De España vengo” by Montserrat Caballé (soprano), Orquestra Simfònica de Barcelona i Nacional de Catalunya (Barcelona Symphony and Catalonia National Orchestra), Eugenio M. Marco (conductor)
- 1 - El noy de la mare by Steve Hackett
- 1 - El paño moruno by Kim Kashkashian (violist), Robert Levin (American classical pianist)
- 1 - El pelele, for piano, H. 106, DLR 2:5 by Alicia de Larrocha (pianist)
- 1 - El Puerto (from Iberia) arranged for Violin and Piano by Leonid Kogan (Soviet classical violinist, 1924-1982), Andrei Mytnik (Soviet classical pianist)
- 1 - El retrato de Isabela by Victoria de los Ángeles (Spanish soprano), Gerald Moore (pianist)
- 1 - El rincón de los niños, Golliwogg's cake-walk (el muñeco de trapo) by Werner Haas (classical pianist, NOT the 50s schlager singer Werner Hass)
- 1 - El Salon México by Minnesota Orchestra, Antal Doráti (conductor)
- 1 - El Salón México by Royal Philharmonic Orchestra, Philip Ellis
- 1 - El Sombrero de Tres Picos, G. 53 Part II: Danza del molinero by Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Lorin Maazel (conductor)
- 1 - El sombrero de tres picos, Pt. 2: Danza de los vecinos by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
- 1 - El sombrero de tres picos, suite from the ballet for piano: Danza de la molinera by Alicia de Larrocha (pianist)
- 1 - El sombrero de tres picos, suite from the ballet for piano: Danza de los vecinos by Alicia de Larrocha (pianist)
- 1 - El Sombrero de tres picos: Danza del Corregidor by Ann Murray (Irish mezzo-soprano), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
- 1 - El sombrero de tres picos: Danza final (Jota). Poco mosso – Allegro ritmico, molto moderato e pesante – Poco più mosso – Accelerando, ma non troppo – Giusto – Animato assai – Giocoso – Doppio meno vivo – Molto animato – Tempo doppio meno vivo (come prima) (molto ritmico) – Poco più mosso (ritmico) – Stesso tempo – Giocoso doppio più vivo – Tempo, ma doppio meno vivo e pesante come prima – Sempre pesante – Giusto – Poco più mosso che – Più vivo ancora, ma non troppo – Poco a poco affretando. sino al fine by BBC Philharmonic, Juanjo Mena (conductor)
- 1 - El sombrero de tres picos: III. Danza de la molinera (Fandango) by Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
- 1 - El sombrero de tres picos: Introducción by Orquesta Filarmónica de Gran Canaria, Pedro Halffter
- 1 - El sombrero de tres picos: IV. Las uvas by Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
- 1 - El sombrero de tres picos: Part 2. Danza de los vecinos (Seguidillas). Allegro ma non troppo – Liberamente, con fantasia by BBC Philharmonic, Juanjo Mena (conductor)
- 1 - El testament d'Amelia by John Williams (classical guitarist)
- 1 - Elanor by Howard Shore (Canadian score composer) feat. Sir James Galway (flautist)
- 1 - Eleanor Rigby by The King’s Singers
- 1 - Eleanor Rigby (Orchestral version) by Erich Kunzel (conductor) and the Cincinnati Pops Orchestra feat. King's Singers
- 1 - Electric Counterpoint: III. Fast by Steve Reich (American composer)
- 1 - Electric Counterpoint: III. Fast by Jonny Greenwood (English musician and score composer)
- 1 - Electricity by Ed Starink (keyboardist, songwriter & producer)
- 1 - Elegiac Melody no. 2 (The Last Spring) by National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Willi Boskovsky (violinist and conductor)
- 1 - Elegiaco op. 76/10. Poco agitato by Leif Ove Andsnes (pianist)
- 1 - Elegiaco, op. 76 no. 10 by Marita Viitasalo (pianist)
- 1 - Elegie by The Philadelphia Orchestra, Eugene Ormandy (conductor)
- 1 - Elegie by Pablo Baleta, Orquesta de cámara del Conservatorio de Zaragoza, Demetri Motatu
- 1 - Élégie (for cello and piano) by Pavel Gililov (pianist), Mischa Maisky (cellist)
- 1 - Élégie by Zoltán Kocsis (pianist, conductor)
- 1 - Élégie (Gallet) in French (for voice, violin and orchestra) by Plácido Domingo (tenor), Itzhak Perlman (violinist and conductor), New York Studio Orchestra, Jonathan Tunick
- 1 - Elegie auf den Tod eines Pudels, for voice & piano, WoO 110 by Peter Schreier (German tenor and conductor), Walter Olbertz (German pianist)
- 1 - Elégie for cello and orchestra in C minor, op. 24 by Orchestre de Paris, Paavo Järvi (conductor), Eric Picard (cellist)
- 1 - Élégie for Cello and Orchestra in C minor, op. 24 by English Chamber Orchestra, Paul Tortelier (cellist)
- 1 - Élégie for cello and piano, Op. 24 by Frédéric Lodéon (cellist and conductor), Jean‐Philippe Collard (French classical pianist)
- 1 - Elegie from King Christian II Suite (mx. JB 463) by Willem van Emmenes (cellist), Norwalk Symphony Orchestra (Norwalk, CT), Quinto Maganini (flute player, conductor and composer)
- 1 - Élégie in C minor, op. 24 by Paul Tortelier (cellist), Orchestre national du Capitole de Toulouse
- 1 - Elégie pour violoncelle & piano en ut mineur, op. 24 by Paul Tortelier (cellist), Éric Heidsieck (pianist)
- 1 - Élégie, L146 by Steven Osborne (pianist)
- 1 - Elegie, op. 24 by Maria Kliegel (cellist), Nina Tichman (American pianist)
- 1 - Élégie, op. 24 by 堤剛 (Tsuyoshi Tsutsumi, Japanese cellist), Tim Smith (US classical pianist, see annotation)
- 1 - Élégie, op. 24 by Jamie Walton (German-born British cellist), Daniel Grimwood (British classical pianist)
- 1 - Élégie, Op. 24 by Gautier Capuçon (cellist), Michel Dalberto (pianist)
- 1 - Élégie, op. 24 en Ut mineur, pour violoncelle et piano by Paul Tortelier (cellist), Jean Hubeau (French pianist and composer)
- 1 - Élégie: O doux printemps (for violin and orchestra) by Joshua Bell (violinist), Academy of St Martin in the Fields, Michael Stern (American conductor)
- 1 - Elegy by Britten Sinfonia, Nicholas Cleobury (conductor)
- 1 - Elegy by Leaves’ Eyes
- 1 - Elegy (In Memoriam Williams Morris) by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Atherton (conductor)
- 1 - Elegy for String Orchestra - Adagio by Orpheus Chamber Orchestra (US orchestra)
- 1 - Elegy for Strings, op. 58 by Academy of St Martin in the Fields, Neville Marriner (conductor)
- 1 - Elegy, op. 58 by Hallé Orchestra, Sir John Barbirolli (conductor and cellist)
- 1 - Elegy, op. 58 by Royal Stockholm Philharmonic Orchestra, Sakari Oramo (conductor)
- 1 - Elegy, op. 58 by London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Ross Pople (New Zealand-born British conductor and cellist)
- 1 - Elektra, op. 58: Elektra’s Soliloquy “Allein! Weh, ganz allein” by Inge Borkh (soprano), Chicago Symphony Orchestra, Fritz Reiner (conductor)
- 1 - Elektra, op. 58: Finale “Elektra! Schwester! Komm mit uns!” by Frances Yeend, Chicago Lyric Theater Chorus, Chicago Symphony Orchestra, Fritz Reiner (conductor)
- 1 - Elektra, op. 58: Recognition Scene “Was willst du, fremder Mensch?” by Inge Borkh (soprano), Paul Schöffler (bass-baritone), Chicago Symphony Orchestra, Fritz Reiner (conductor)
- 1 - Elektra: "Allein! Weh, ganz allein" (Elektra) by Birgit Nilsson (soprano), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
- 1 - Eleven Bagatelles, op. 119: No. 7 in C major: Allegro ma non troppo by Steven Osborne (pianist)
- 1 - Eleven Bagatelles, op. 119: No. 9 in A minor: Vivace moderato by Steven Osborne (pianist)
- 1 - Eleven Chorale Preludes, op. 122: Es ist ein Ros' entsprungen by Robert Parkins (organist)
- 1 - Eleven Chorale Preludes, op. 122: O Welt, ich muss dich lassen by Robert Parkins (organist)
- 1 - Eleven Chorale Preludes, op. 122: Schmucke dich, o liebe Seele by Robert Parkins (organist)
- 1 - Elfenlied by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Gerald Moore (pianist)
- 1 - Elfentanz, op. 39 by Hai-Ye Ni (cellist), Hélène Jeanney (pianist)
- 1 - Elijah (Elias), oratorio, Op. 70 - Aria Ein Engel: Sei stille dem Herrn by Cornelia Kallisch (German mezzo-soprano), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Aria Elias: Es ist genug! by Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Aria Elias: Herr Gott Abrahams, Isaaks und Israels by Gächinger Kantorei Stuttgart, Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Aria Elias: Ist nicht des Herrn Wort wie ein Feuer by Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Aria Obadjah: So ihr mich von ganzem Herzen suchet by Michael Schade (tenor), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Aria soprano: Höre, Israel by Christine Schäfer (soprano), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Aria: Dann werden die Gerechten leuchten by Michael Schade (tenor), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Arioso Elias: Ja, es sollen wohl Berge weichen by Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Arioso: Weh ihnen, dass sie von mir weichen! by Cornelia Kallisch (German mezzo-soprano), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus & recitativo Elias: Gehe wiederum hinab! by Gächinger Kantorei Stuttgart, Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: Aber der Herr sieht es nicht by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: Aber einer erwacht von Mitternacht by Gächinger Kantorei Stuttgart, Cornelia Kallisch (German mezzo-soprano), Michael Schade (tenor), Christine Schäfer (soprano), Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: Baal, erhöre uns! by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: Dank sei dir, Gott by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: Der Herr ging vorüber by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: Fürchte dich nicht by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: Hilf, Herr! by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: Siehe, der Hüter Israels by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: und der Prophet Elias brach hervor by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: Wehe ihm, er muss sterben! by Gächinger Kantorei Stuttgart, Michael Schade (tenor), Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: Wer bis ans. Ende beharrt by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Chorus: Wohl dem, der den Herrn fürchtet by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Double quartet: Denn er hat seinen Engeln befohlen by Gächinger Kantorei Stuttgart, Cornelia Kallisch (German mezzo-soprano), Christine Schäfer (soprano), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Duet & Chorus: Herr, höre unser Gebet! by Gächinger Kantorei Stuttgart, Christine Schäfer (soprano), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Final chorus: Alsdann wird euer. Licht hervorbrechen by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Introduction: So wahr der Herr, der Gott Israels, lebet by Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Ouvertüre by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Quartet: Wirf dein Anliegen auf den Herrn by Cornelia Kallisch (German mezzo-soprano), Michael Schade (tenor), Christine Schäfer (soprano), Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Recitativo & chorus: Der du deine. Diener machst zu Geistern by Gächinger Kantorei Stuttgart, Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Recitativo & chorus: Der Herr hat dich erhoben aus dem Volk by Gächinger Kantorei Stuttgart, Cornelia Kallisch (German mezzo-soprano), Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Recitativo & chorus: Hilf deinem Volk, du Mann Gottes! by Gächinger Kantorei Stuttgart, Michael Schade (tenor), Christine Schäfer (soprano), Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
- 1 - Elijah (Elias), oratorio, Op. 70 - Recitativo & chorus: Rufet lauter! by Gächinger Kantorei Stuttgart, Wolfgang Schöne (bass-baritone), Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)