Tag “classical”
~ Tag
Recordings tagged as “classical”
87,012 recordings found
- 1 - Feuerwerksmusik, I. Ouvertüre. Adagio - Allegro - Lentement by Philharmonica Symphony Orchestra, Igor Ivanenko
- 1 - Feuerwerksmusik, II. Bourrée by Philharmonica Symphony Orchestra, Igor Ivanenko
- 1 - Feuerwerksmusik, III. La paix Largo alla Siciliana by Philharmonica Symphony Orchestra, Igor Ivanenko
- 1 - Feuerwerksmusik, IV. La Réjouissance. Allegro by Philharmonica Symphony Orchestra, Igor Ivanenko
- 1 - Feuerwerksmusik: 3. La Paix. Largo alla Siciliana by Wolfgang Meyer (organist, harpsichordist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Rafael Kubelík (conductor)
- 1 - Feuerwerksmusik: 4. La Réjouissance. Allegro by Wolfgang Meyer (organist, harpsichordist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Rafael Kubelík (conductor)
- 1 - Feuerwerksmusik: Overtüre by Collegium Aureum
- 1 - Feuilles mortes by Samson François (pianist)
- 1 - Feuilles mortes, L. 123/2 by Monique Haas (pianist)
- 1 - Feuillet d'album in E-flat major, op. 45, no. 1 by Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - Feuillet d'album, op. 45/1 by Arcadi Volodos (pianist)
- 1 - Feux d'artifice by Samson François (pianist)
- 1 - Feux d'artifice by Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
- 1 - Feux d'artifice by Amur Tebenikhin (pianist)
- 1 - Ffanwel jeuengetid. Adieu to my juvenile days, Hob. XXXIb:40 by Lorna Anderson (soprano), Jamie MacDougall (tenor), Haydn Trio Eisenstadt
- 1 - Ffarwel Ffranses. Farewell, Frances, Hob. XXXIb:13 by Lorna Anderson (soprano), Jamie MacDougall (tenor), Haydn Trio Eisenstadt
- 1 - Fidelio - Concerto for Piano and Orchestra No. 3 in C minor, Op. 37 – 2nd movement by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Fidelio - Ha, welch ein Augenblick (Pizarro’s Aria) by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Fidelio - O welche Lust (Prisoners’ Chorus) by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Fidelio - Overture by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Fidelio op. 72, Act 1: "Mir ist so wunderbar" by Hildegard Behrens (soprano), Sona Ghazarian (soprano), David Kuebler (tenor), Hans Sotin (operatic bass), Chicago Symphony Orchestra, Sir Georg Solti (conductor)
- 1 - Fidelio op. 72, Act 2 "O namenlose Freude" by Hildegard Behrens (soprano), Peter Hofmann (German tenor/rock singer), Chicago Symphony Orchestra, Sir Georg Solti (conductor)
- 1 - Fidelio op.72 / Act 1 - "O welche Lust, in freier Luft den Atem leicht zu heben!" by Robert Johnson (tenor), Philip Kraus (baritone), Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti (conductor)
- 1 - Fidelio Overture, op. 72 by Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra), Václav Neumann (Czech conductor)
- 1 - Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar" by Gottlob Frick (operatic bass), Ingeborg Hallstein (soprano), Christa Ludwig (mezzo-soprano), Gerhard Unger (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 9: Rezitativ und Arie: Abscheulicher! Wo eilst du hin? by Christa Ludwig (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, op. 72: Akt I. „O welche Lust“ by Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”), Sofia Philharmonic Orchestra (Sofia Philharmonic), Georgi Robev (conductor)
- 1 - Fidelio, op. 72: Erster Akt. »Aber Marzelline! Früher, da war ich der gute« (Jaquino, Marzelline, Rocco, Leonore) by Wolfgang Spier (actor, voice actor, dubbing artist), Ruth Hellberg (actress and dubbing speaker), Wilhelm Borchert (actor and dubbing speaker), Anne Kersten (actress)
- 1 - Fidelio, op. 72: Erster Akt. »Guten Tag, Marzelline. Ist Fidelio noch night zurück?« (Rocco, Marzelline, Leonore) by Wilhelm Borchert (actor and dubbing speaker), Ruth Hellberg (actress and dubbing speaker), Anne Kersten (actress)
- 1 - Fidelio, op. 72: Erster Akt. »Hauptmann! Drei Mann Schildwachen auf den Wall« (Pizarro, Rocco) by Walter Franck, Wilhelm Borchert (actor and dubbing speaker)
- 1 - Fidelio, op. 72: Erster Akt. »Hauptmann! Hören Sie!« (Pizarro, Rocco) by Walter Franck, Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. »Höre, Fidelio« (Rocco, Marzelline) by Wilhelm Borchert (actor and dubbing speaker), Ruth Hellberg (actress and dubbing speaker)
- 1 - Fidelio, op. 72: Erster Akt. »Ihr könnt das leicht sagen, Meister Rocco« (Leonore, Rocco, Marzelline) by Anne Kersten (actress), Wilhelm Borchert (actor and dubbing speaker), Ruth Hellberg (actress and dubbing speaker)
- 1 - Fidelio, op. 72: Erster Akt. »Jaquino, Jaquino!« (Rocco, Marzelline, Jaquino) by Wilhelm Borchert (actor and dubbing speaker), Ruth Hellberg (actress and dubbing speaker), Wolfgang Spier (actor, voice actor, dubbing artist)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 1 Duett: »Jetzt, Schätzchen, jetzt sind wir allein« (Jaquino, Marzelline) by Friedrich Lenz (tenor), Irmgard Seefried (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 2 Arie: »O wär ich schon mit dir vereint« (Marzelline) by Irmgard Seefried (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 3 Quartett: »Mir ist so wunderbar« (Marzelline, Leonore, Rocco, Jaquino) by Irmgard Seefried (soprano), Leonie Rysanek (soprano), Gottlob Frick (operatic bass), Friedrich Lenz (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 4 Arie: »Hat man nicht auch Gold beineben« (Rocco) by Gottlob Frick (operatic bass), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 5 Terzett: »Gut, Söhnchen, gut hab immer Mut« (Rocco, Leonore, Marzelline) by Gottlob Frick (operatic bass), Leonie Rysanek (soprano), Irmgard Seefried (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 6 Marsch by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 7 Arie & Chor: »Ha! Welch ein Augenblick!« (Pizarro, Chor) by Dietrich Fischer‐Dieskau (baritone), Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 8 Duett: »Jetzt, Alter, jetzt hat es Elle!« (Pizarro, Rocco) by Dietrich Fischer‐Dieskau (baritone), Gottlob Frick (operatic bass), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 9 Rezitativ & Arie: »Abscheulicher! Wo eilst dur hin? … Komm, Hoffnung, lass den letzten Stern« (Leonore) by Leonie Rysanek (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 10 Finale: »Leb wohl, du warmes Sonnenlicht« (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) by Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Irmgard Seefried (soprano), Leonie Rysanek (soprano), Friedrich Lenz (tenor), Dietrich Fischer‐Dieskau (baritone), Gottlob Frick (operatic bass), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 10 Finale: »O welche Lust, in freier Luft den Atem leicht zu heben!« (Chor) by Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 10 Finale: [Rezitativ:] »Nun sprecht, wie ging's?« / [Duett:] »Noch heute, noch heute!« (Leonore, Rocco) / [Szene:] »Ach Vater, Vater, eilt!« (Marzelline, Rocco, Pizarro, Jaquino) by Leonie Rysanek (soprano), Gottlob Frick (operatic bass), Irmgard Seefried (soprano), Dietrich Fischer‐Dieskau (baritone), Friedrich Lenz (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Ouvertüre by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Overture by Chicago Symphony Orchestra, Fritz Reiner (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. »Alles ist bereit« (Rocco, Leonore, Florestan, Pizarro) by Wilhelm Borchert (actor and dubbing speaker), Anne Kersten (actress), Siegmar Schneider (actor, voice actor and dubbing speaker), Walter Franck
- 1 - Fidelio, op. 72: Zweiter Akt. »Er erwacht!« (Leonore, Rocco, Florestan) by Anne Kersten (actress), Wilhelm Borchert (actor and dubbing speaker), Siegmar Schneider (actor, voice actor and dubbing speaker)
- 1 - Fidelio, op. 72: Zweiter Akt. »Meine Leonore, was hast du für mich getan!« (Florestan, Leonore) / Nr. 15 Duett: »O namenlose Freude« (Leonore, Florestan) by Ernst Haefliger (tenor), Ernst Haefliger (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. [Rezitativ &] Arie: »Gott! Welch Dunkel hier! … In des Lebens Frühlingstagen« (Florestan) by Ernst Haefliger (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 11 Introduktion »« by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 12 Melodram & Duett: »Nur hurtig fort, nur frisch gegraben« (Rocco, Leonore) by Gottlob Frick (operatic bass), Leonie Rysanek (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 12 Melodram & Duett: »Wie kalt ist es in diesem unterirdischen Gewölbe!« (Leonore, Rocco) by Anne Kersten (actress), Wilhelm Borchert (actor and dubbing speaker), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 13 Terzett: »Euch werde Lohn in bessern Welten« (Florestan, Rocco, Leonore) by Ernst Haefliger (tenor), Gottlob Frick (operatic bass), Leonie Rysanek (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 14 Quartett: »Er sterbe! Doch er soll erst wissen« (Pizarro, Florestan, Leonore, Rocco, Jaquino) / »Vater Rocco, der Herr Minister« (Jaquino, Rocco) / »Es schlägt der Rache Stunde« (Leonore, Florestan, Pizarro, Rocco) by Dietrich Fischer‐Dieskau (baritone), Ernst Haefliger (tenor), Leonie Rysanek (soprano), Gottlob Frick (operatic bass), Friedrich Lenz (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 16 Finale: »Des besten Königs Wilk und Wille« (Fernando, Chor, Rocco, Pizarro, Leonore, Marzelline, Florestan) by Kieth Engen (operatic bass), Gottlob Frick (operatic bass), Dietrich Fischer‐Dieskau (baritone), Leonie Rysanek (soprano), Irmgard Seefried (soprano), Ernst Haefliger (tenor), Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 16 Finale: »Heil sei dem Tag« (Chor) by Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 16 Finale: »Wer ein holdes Weib errungen« (Tutti) by Kieth Engen (operatic bass), Gottlob Frick (operatic bass), Dietrich Fischer‐Dieskau (baritone), Leonie Rysanek (soprano), Irmgard Seefried (soprano), Ernst Haefliger (tenor), Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72b by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Klaus Tennstedt (conductor)
- 1 - Fidelio, op. 72c by Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra), Kurt Masur (conductor)
- 1 - Fidelio, op.72: O welche Lust by Wolfgang Millgramm (German tenor), Egbert Junghanns (baritone), Staatskapelle Dresden (Dresden Symphonic Orchestra), Bernard Haitink (conductor)
- 1 - Fidelio: Act I, no. 3. Quartett: Mir ist so wunderbar by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Sir Simon Rattle (Simon Rattle, conductor)
- 1 - Fidelio: Act I, No. 6. Marsch by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio: Act I. Aria "O wär' ich schon mit dir vereint" (Marzelline) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio: Act II, no. 16. Finale - Wer ein holdes Weib errungen by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Sir Simon Rattle (Simon Rattle, conductor)
- 1 - Fidelio: Akt I. »Ach wär’ ich schon« by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 1 - Fidelio: Ouvertüre by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelis servus, H. 34 by Les Pages et Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli
- 1 - Fidelity by Elly Ameling (soprano), Jörg Demus (pianist)
- 1 - Fiðlukonsert í d-moll, op. 47: I. Allegro moderato by Sigrún Eðvaldsdóttir (violinist), Sinfóníuhljómsveit Íslands (Iceland Symphony Orchestra), Bernharður Wilkinson
- 1 - Fiðlukonsert í d-moll, op. 47: II. Adagio di molto by Sigrún Eðvaldsdóttir (violinist), Sinfóníuhljómsveit Íslands (Iceland Symphony Orchestra), Bernharður Wilkinson
- 1 - Fiðlukonsert í d-moll, op. 47: III. Allegro ma non tanto by Sigrún Eðvaldsdóttir (violinist), Sinfóníuhljómsveit Íslands (Iceland Symphony Orchestra), Bernharður Wilkinson
- 1 - Fields of Gold by 2Cellos (Croatian cellist duo)
- 1 - Fields of Love by Nana Mouskouri
- 1 - Fierabras, D. 767: Overture by Haydn Sinfonietta Wien, Manfred Huss (conductor and pianist)
- 1 - Fife and a' the lands about it, Hob. XXXIa:29 by Lorna Anderson (soprano), Jamie MacDougall (tenor), Haydn Trio Eisenstadt
- 1 - Fifer’s Tale by Clara Ponty
- 1 - Fifteen Hungarian Peasant Songs, Sz. 71 by György Sándor (pianist)
- 1 - Fifth Concert in D minor - L'indiscrète (pour clavecin seul) by Christophe Rousset (French harpsichordist & conductor)
- 1 - Fifth Concert in D minor - La Cupis by Christophe Rousset (French harpsichordist & conductor), Ryo Terakado (violinist), Kaori Uemura (Japanese-born, Belgium-based viola da gamba player)
- 1 - Fifth Movement: In the Late 20th Century the Impossible Becomes Possible by Branca featuring Z’EV (American industrial musician)
- 1 - Fifty Ways to Leave Your Lover by The King’s Singers
- 1 - Figaro-Fantasie by Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 1 - Figaros Hochzeit KV 492 (The Marriage of Figaro): Ouverture by Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), Anton Nanut (conductor)
- 1 - Fight Against Monsters (live, 2013-07: Leipzig, Saxony, Germany) by Apocalyptica & The MDR Symphony Orchestra (MDR Leipzig Radio Symphony Orchestra)
- 1 - Fight Fire With Fire by Apocalyptica
- 1 - Fight Night by Bear McCreary (American score composer)
- 1 - Fight the Power by Public Enemy (US rap group)
- 1 - Figures, Doubles, Prismes, 2ème version 1968 by BBC Symphony Orchestra, Pierre Boulez (composer and conductor)
- 1 - Filiae maestae Jerusalem, RV 638: Filiae maestae Jerusalem by Philippe Jaroussky (countertenor), Ensemble Artaserse
- 1 - Filiae maestae Jerusalem, RV 638: II. Sileant Zephyri by Philippe Jaroussky (countertenor), Ensemble Artaserse
- 1 - Filiae maestae Jerusalem, RV 638: Sed tenebris diffusis by Philippe Jaroussky (countertenor), Ensemble Artaserse
- 1 - Filiae maestae Jerusalem, RV638: I. Filiae maestae Jerusalem by James Bowman (UK countertenor), The King’s Consort, Robert King (conductor and harpsichordist)
- 1 - Filiae maestae Jerusalem, RV638: II. Sileant zephyri by James Bowman (UK countertenor), The King’s Consort, Robert King (conductor and harpsichordist)
- 1 - Filiae maestae Jerusalem, RV638: III. Sed tenebris diffusis by James Bowman (UK countertenor), The King’s Consort, Robert King (conductor and harpsichordist)
- 1 - Fill Me In (part of a “Soundtrack to the Weekend” DJ‐mix) by Craig David
- 1 - Filosofisk Dixieland by Ladies Only
- 1 - Fin McGovern by Thomas Newman (American score composer)