Tag “classical”

Recordings tagged as “classical”

87,012 recordings found

• 1 - Il Bajazet (Il Tamerlano), RV 703: Sinfonia: 3. Allegro by Venice Baroque Orchestra, Andrea Marcon (Italian conductor & keyboardist)
• 1 - Il barbiere de Siviglia: Atto I, Scena III. Recitativo “Ah, ah! che bella vita!” (Figaro, Conte, Bartolo) by Thomas Allen (baritone), Francisco Araiza (tenor), Agnes Baltsa (mezzo-soprano), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto I, Scena IX. No. 7 Duetto “Dunque io son” (Rosina, Figaro) by Thomas Allen (baritone), Agnes Baltsa (mezzo-soprano), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto I, Scena IX. Recitativo “Ah che ne dite?” (Basilio, Bartolo, Figaro, Rosina) by Thomas Allen (baritone), Agnes Baltsa (mezzo-soprano), Robert Lloyd (operatic bass), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto I, Scena V. No. 4 Duetto “All’idea die quel metallo” (Figaro, Conte) by Thomas Allen (baritone), Francisco Araiza (tenor), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto I, Scena VIII. No. 6 “La calunnia è un venticello” (Basilio) by Robert Lloyd (operatic bass), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto I, Scena X. Recitativo “Ora mi sento meglio” (Rosina, Bartolo) by Agnes Baltsa (mezzo-soprano), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto I, Scena XI. No. 8 Aria “A un dottor della mia sorte” (Bartolo) by Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto I, Scena XII. Recitativo “Finora in questa camera” (Berta, Conte) by Thomas Allen (baritone), Ambrosia Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Francisco Araiza (tenor), Agnes Baltsa (mezzo-soprano), Sally Burgess (mezzo-soprano, opera director), Robert Lloyd (operatic bass), John Noble (baritone), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto I, Scene V‐VII. Rectitativo “Sì, sì, la vincerò” (Rosina, Figaro, Bartolo, Basilio) by Thomas Allen (baritone), Agnes Baltsa (mezzo-soprano), Robert Lloyd (operatic bass), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Recitativo: “Alfine, eccoci qua” by Thomas Allen (baritone), Francisco Araiza (tenor), Agnes Baltsa (mezzo-soprano), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena I. Recitativo “Ma vedi il mio destino!” (Bartolo) by Francisco Araiza (tenor), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) by Francisco Araiza (tenor), Agnes Baltsa (mezzo-soprano), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena III. No. 11 Aria “Contro un cor” (Rosina, Conte) by Francisco Araiza (tenor), Agnes Baltsa (mezzo-soprano), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena III. No. 12 Arietta “Quando mi sei vicina” (Bartolo) by Francisco Araiza (tenor), Agnes Baltsa (mezzo-soprano), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena III. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) by Thomas Allen (baritone), Francisco Araiza (tenor), Agnes Baltsa (mezzo-soprano), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena IV. No. 13 Quintetto “Don Basilio” (Rosina, Conte, Bartolo, Figaro, Basilio) by Thomas Allen (baritone), Francisco Araiza (tenor), Agnes Baltsa (mezzo-soprano), Robert Lloyd (operatic bass), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena IX. No. 16 Terzetto “Ah, qual colpo” (Rosina, Conte, Figaro) by Thomas Allen (baritone), Francisco Araiza (tenor), Agnes Baltsa (mezzo-soprano), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena VI. No. 14 Aria “Il vecchiotto cerca moglie” (Berta) by Sally Burgess (mezzo-soprano, opera director), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena VIII. No. 15 Temporale by Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena XI. No. 17 Recitativo strumentato “Il Conte!” (Bartolo, Conte) by Thomas Allen (baritone), Francisco Araiza (tenor), Agnes Baltsa (mezzo-soprano), Robert Lloyd (operatic bass), John Noble (baritone), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena XI. No. 18 Aria “Cessa di più resistere” (Conte, Coro) by Ambrosia Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Francisco Araiza (tenor), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scena XI. Recitativo “Insomma io ho tutti i torti!” (Bartolo, Figaro, Basilio, Conte, Rosina) by Thomas Allen (baritone), Francisco Araiza (tenor), Agnes Baltsa (mezzo-soprano), Robert Lloyd (operatic bass), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il barbiere de Siviglia: Atto II, Scene VII‐VIII. Recitativo “Dunque voi” (Bartolo, Basilio, Rosina) by Agnes Baltsa (mezzo-soprano), Robert Lloyd (operatic bass), Domenico Trimarchi (bass-baritone), Academy of St Martin in the Fields, Neville Marriner (conductor)
• 1 - Il Barbiere di Siviglia, Act 1 Scene 5: “Una voce poco fa” by Sumi Jo (soprano), Orchestre Philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra), Paolo Olmi
• 1 - Il Barbiere di Siviglia, Act I: La ran la le ra la ran la la ... Largo al factotum (Figaro) by Sherrill Milnes (baritone), London Symphony Orchestra, James Levine (US conductor and pianist)
• 1 - Il barbiere di Siviglia: “Io sono docile” by Cecilia Bartoli (mezzo‐soprano), Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè (conductor)
• 1 - Il barbiere di Siviglia: “La calunnia è un venticello” by Nicolaï Ghiaurov (operatic bass), Orchestra Rossini di Napoli, Silvio Varviso (conductor)
• 1 - Il barbiere di Siviglia: “Largo al factotum” by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
• 1 - Il barbiere di Siviglia: “Largo al factotum” by Leo Nucci (baritone), Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè (conductor)
• 1 - Il barbiere di Siviglia: "Una voce poco fa" / "Io sono docile" by Frederica von Stade (mezzo-soprano), Rotterdam Philharmonic Orchestra, Edo de Waart (conductor)
• 1 - Il barbiere di Siviglia: Atto I, scena 1. “Ah, che bella vita!” (Figaro, Conte) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 1. “Ah, che d'amore la fiamma io sento“ (Conte, Figaro) by Luigi Alva (tenor), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 1. “Ecco ridente in cielo” (Conte) by Luigi Alva (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 1. “Ehi, Fiorello?” (Conte, Fiorello, Coro) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 1. “Gente indiscreta!” (Conte, Fiorello, Figaro) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 1. “Mille grazie, mio signore” (Conte, Fiorello, Coro) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 1. “Oh, cielo!” (Conte, Figaro) by Luigi Alva (tenor), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 1. “Oh, il meglio mi scordavo“ (Conte, Figaro) by Luigi Alva (tenor), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 1. “Piano, piano... Un'altra idea!“ (Conte, Figaro) by Luigi Alva (tenor), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 1. “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) by Luigi Alva (tenor), Maria Callas (soprano), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “A un dottor della mia sorte” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ah, disgraziato Figaro!” (Bartolo, Rosina) by Maria Callas (soprano), Gabriella Carturan (mezzo-soprano), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ah, venisse, il caro oggetto” (Conte, Bartolo, Rosina) by Luigi Alva (tenor), Maria Callas (soprano), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ah! Barbiere d'inferno” (Bartolo, Basilio) by Fritz Ollendorff (operatic bass), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ah! Che ne dite?” (Bartolo, Basilio) by Fritz Ollendorff (operatic bass), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Che cosa accadde, signori miei” (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro) by Roberto Benaglio (conductor), Luigi Alva (tenor), Maria Callas (soprano), Gabriella Carturan (mezzo-soprano), Tito Gobbi (baritone), Fritz Ollendorff (operatic bass), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Dunque, lei vuol battaglia?” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro) by Luigi Alva (tenor), Maria Callas (soprano), Gabriella Carturan (mezzo-soprano), Tito Gobbi (baritone), Fritz Ollendorff (operatic bass), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ehi, di casa, buona gente” (Conte, Bartolo) by Luigi Alva (tenor), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Fermi tutti, nessun si muova” (Coro, Bartolo, Figaro, Basilio, Conte, Berta, Rosina, Ufficiale) by Roberto Benaglio (conductor), Luigi Alva (tenor), Maria Callas (soprano), Gabriella Carturan (mezzo-soprano), Tito Gobbi (baritone), Fritz Ollendorff (operatic bass), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Finora in questa camera” (Berta, Conte) by Luigi Alva (tenor), Gabriella Carturan (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Fortunati affetti miei” (Figaro, Rosina) by Maria Callas (soprano), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Fredda ed immobile” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. "La calunnia è un venticello" (Basilio) by Ruggero Raimondi (bass-baritone), London Symphony Orchestra, James Levine (US conductor and pianist)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “La calunnia è un venticello” (Basilio) by Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ma signor... ma un dottor” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Ora mi sento meglio” (Rosina, Bartolo) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I, scena 2. “Sì, sì, la vincerò” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I. "All'idea di quel metallo" (Conte, Figaro) by Luigi Alva (tenor), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I. “Dunque io son” by Maria Callas (soprano), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
• 1 - Il barbiere di Siviglia: Atto I. “Largo al factotum” by Ettore Bastianini (baritone), Orchestra del Maggio Musicale Fiorentino, Alberto Erede (conductor)
• 1 - Il barbiere di Siviglia: Atto I. "Piano, pianissimo, senza parlar" (Fiorello, Coro, Conte) by Roberto Benaglio (conductor), Luigi Alva (tenor), Mario Carlin (tenor), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I. “Una voce poco fa” by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I. “Una voce poco fa” by Teresa Berganza (mezzo-soprano), Orchestra del Teatro di San Carlo (Orchestra of the Teatro di San Carlo), Orchestra Rossini di Napoli, Silvio Varviso (conductor)
• 1 - Il barbiere di Siviglia: Atto I. Aria "Largo al factotum" (Figaro) by Thomas Hampson (baritone), Orchestra della Toscana, Gianluigi Gelmetti (Italian conductor and composer)
• 1 - Il barbiere di Siviglia: Atto I. N. 2 Cavatina: “Largo al factotum” (Figaro) / Recitativo: “Ah, ah! Che bella vita!” (Figaro, conte, Rosina, Bartolo) by Plácido Domingo (tenor), Ronald Schneider (harpsichordist and pianist), Chamber Orchestra of Europe, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Atto I. N. 5 Cavatina: “Una voce poco fa” (Rosina) / Recitativo: “Sì, sì, la vincerò” (Rosina, Figaro, Bartolo, Basilio) by Kathleen Battle (soprano), Ronald Schneider (harpsichordist and pianist), Chamber Orchestra of Europe, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Atto I. N. 7 Duetto: “Dunque io son… tu non m'ingarbiere di Siviglia: Atto I. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo: “Gente indiscreta!” (conte, Fiorello) by Luigi Alva (tenor), Renato Cesari (bass-baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Atto I. N. 7 Duetto: “Dunque io son” (Rosina, Figaro) / Recitativo “Ora mi sento meglio” (Rosina, Bartolo) by Kathleen Battle (soprano), Plácido Domingo (tenor), Ronald Schneider (harpsichordist and pianist), Chamber Orchestra of Europe, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Atto I. N. 8 Aria: “A un dottor della mia sorte” (Bartolo) by Lucio Gallo (operatic baritone), Ronald Schneider (harpsichordist and pianist), Chamber Orchestra of Europe, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Atto I. N. 9 Finale I: “Ehi, di casa! Buona gente!” (conte, Bartolo, Rosina) by Kathleen Battle (soprano), Lucio Gallo (operatic baritone), Frank Lopardo (tenor), Chamber Orchestra of Europe, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Atto I. Recitativo: “Finora in questa camera” (Berta, conte) by Frank Lopardo (tenor), Gabriele Sima (soprano / mezzo-soprano), Chamber Orchestra of Europe, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Atto II. “Ah, disgraziati noi!” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) by Luigi Alva (tenor), Maria Callas (soprano), Tito Gobbi (baritone), Fritz Ollendorff (operatic bass), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto II. “Ah, qual colpo inaspettato!” (Figaro, Conte, Rosina) by Luigi Alva (tenor), Maria Callas (soprano), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto II. “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto II. “Bravo, signor barbiere, ma bravo!” (Bartolo, Figaro, Rosina, Conte) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto II. “Buona sera, mio signore” (Rosina, Conte, Figaro, Bartolo, Basilio) by Luigi Alva (tenor), Maria Callas (soprano), Tito Gobbi (baritone), Fritz Ollendorff (operatic bass), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) by Gabriella Carturan (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto II. "Don Basilio! Cosa veggo!" (Rosina, Conte, Figaro, Bartolo, Basilio) by Luigi Alva (tenor), Maria Callas (soprano), Tito Gobbi (baritone), Fritz Ollendorff (operatic bass), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto II. “Insomma io ho tutti i torti” (Bartolo, Figaro, Conte, Rosina, Basilio) by Luigi Alva (tenor), Maria Callas (soprano), Tito Gobbi (baritone), Fritz Ollendorff (operatic bass), Nicola Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto II. “Insomma, mio signore, chi è lei?” (Conte, Bartolo) by Luigi Alva (tenor), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto II. “Ma vedi il mio destino!” (Bartolo) by Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto II. “Orsu, signor Don Bartolo” (Figaro, Bartolo, Conte, Rosina) by Luigi Alva (tenor), Maria Callas (soprano), Tito Gobbi (baritone), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
• 1 - Il barbiere di Siviglia: Atto II. N. 16 Terzetto: “Ah, qual colpo inaspettato!” (Rosina, Figaro, conte) / Recitativo: “Ah, disgraziati noi!” (Figaro, conte, Rosina, Basilio, Un notaio, Bartolo, ufficiale, coro) by Kathleen Battle (soprano), Plácido Domingo (tenor), Lucio Gallo (operatic baritone), Frank Lopardo (tenor), Ruggero Raimondi (bass-baritone), Goran Simić (operatic bass), Coro del Teatro La Fenice, Chamber Orchestra of Europe, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Atto II. N. 19 Finaletto II: “Di sì felice innesto” (tutti) by Kathleen Battle (soprano), Plácido Domingo (tenor), Lucio Gallo (operatic baritone), Frank Lopardo (tenor), Ruggero Raimondi (bass-baritone), Gabriele Sima (soprano / mezzo-soprano), Coro del Teatro La Fenice, Chamber Orchestra of Europe, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Atto Primo. “Che cosa accadde, signori miei?” (Figaro, Bartolo, conte, Rosina, Berta, Basilio, ufficiale, coro) by Kathleen Battle (soprano), Plácido Domingo (tenor), Lucio Gallo (operatic baritone), Frank Lopardo (tenor), Ruggero Raimondi (bass-baritone), Gabriele Sima (soprano / mezzo-soprano), Goran Simić (operatic bass), Coro del Teatro La Fenice, Chamber Orchestra of Europe, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Ecco ridente in cielo (edit) by Luigi Alva (tenor), Renato Cesari (bass-baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Ouverture by National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Riccardo Chailly (conductor)
• 1 - Il Barbiere di Siviglia: Ouverture by Chicago Symphony Orchestra, Fritz Reiner (conductor)
• 1 - Il barbiere di Siviglia: Overture by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 1 - Il barbiere di Siviglia: Overture by Orpheus Chamber Orchestra (US orchestra)
• 1 - Il barbiere di Siviglia: Overture by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Il barbiere di Siviglia: Overture by Wiener Philharmoniker (Vienna Philharmonic), Sir Malcolm Sargent (conductor)
• 1 - Il barbiere di Siviglia: Overture by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Il barbiere di Siviglia: Overture (arr. Sedlak) by Netherlands Wind Ensemble
• 1 - Il barbiere di Siviglia: Overture (Sinfonia) by Chamber Orchestra of Europe, Claudio Abbado (conductor)
• 1 - Il barbiere di Siviglia: Overture (Sinfonia) by Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
• 1 - Il barbiere di Siviglia: Overture (Sinfonia) by London Symphony Orchestra, Piero Gamba (conductor and pianist)
• 1 - Il barbiere di Siviglia: Sinfonia by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
• 1 - Il barbiere di Siviglia: Sinfonia by Ronald Schneider (harpsichordist and pianist), Chamber Orchestra of Europe, Claudio Abbado (conductor)