Tag “classical”
~ Tag
Recordings tagged as “classical”
87,012 recordings found
- 1 - Lucia di Lammermoor: Atto II, Scena II. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) by Maria Callas (soprano), Coro del Teatro alla Scala di Milano, Rolando Panerai (baritone), Luisa Villa (mezzo-soprano), Nicola Zaccaria (operatic bass), Giuseppe Zampieri (tenor), Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II. “Ardon gli incensi…” by Andrea Concetti (Italian operatic bass), Anna Netrebko (soprano), Mahler Chamber Orchestra, Claudio Abbado (conductor)
- 1 - Lucia di Lammermoor: Atto II. Nº 5. Scena "Lucia fra poco a te verrà" (Normanno, Enrico) by Piero Cappuccilli (baritone), Keith Erwen (operatic tenor), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto II. Nº 6. "Appressati, Lucia" (Enrico) by Piero Cappuccilli (baritone), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto II. Nº 6. Duetto "Il pallor, funesto, orrendo" (Lucia, Enrico) by Piero Cappuccilli (baritone), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto II. Nº 7. "Ah! Cedi, cedi o piùo sciagure" (Raimondo, Lucia) by Justino Díaz (operatic bass), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto II. Nº 7. Scena ed aria "Ebben?" – "Di tua speranza" (Lucia, Raimondo) by Justino Díaz (operatic bass), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto II. Nº 8. Coro e cavatina "Per te d'immenso giubilo" (Coro, Arturo) / "Per poco fra le tenebre" (Arturo, Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Adolf Dallapozza (tenor), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto II. Nº 9. Scena e quartetto "Dov'e Lucia?" – "Qui giungere or la vedrem…" (Arturo, Enrico, Coro) / "Ecco il tuo sposo" (Enrico, Lucia, Arturo, Raimondo, Alisa, Coro, Edgardo) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Piero Cappuccilli (baritone), Adolf Dallapozza (tenor), Justino Díaz (operatic bass), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto II. Nº 9. Sestetto con coro "Chi mi frena in tal momento?" / "Chi raffrena il mio furore?" (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Carlo Bergonzi (tenor), Piero Cappuccilli (baritone), Adolf Dallapozza (tenor), Justino Díaz (operatic bass), Patricia Kern (mezzo-soprano), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto II. Nº 10. Seguito e stretta del finale II "T'allontana, sciagurato" – "Maledetto sia I'istante" (Arturo, Enrico, Coro, Edgardo, Raimondo, Lucia, Alisa) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Carlo Bergonzi (tenor), Piero Cappuccilli (baritone), Adolf Dallapozza (tenor), Justino Díaz (operatic bass), Patricia Kern (mezzo-soprano), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. “Ah ! … Deh, cessate quel contento ! … Dalle stanze ove Lucia” by Raffaele Arié (operatic bass), Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. “Ardon gli incensi; Splendon le sacre fa” by Raffaele Arié (operatic bass), Maria Callas (soprano), Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. “Oh ! Qual funesto avvenimento !” by Raffaele Arié (operatic bass), Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. “Oh giusto cielo ! … Il dolce suono” by Maria Callas (soprano), Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. “Ohimè! Sorge il tremendo” by Maria Callas (soprano), Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, scena 1. “Spargi d'amaro pianto” (Lucia, Raimondo, Coro, Enrico) by Roberto Benaglio (conductor), Maria Callas (soprano), Piero Cappuccilli (baritone), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Bernard Ładysz (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) by Coro del Teatro alla Scala di Milano, Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) by Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) by Coro del Teatro alla Scala di Milano, Nicola Zaccaria (operatic bass), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) by Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) by Coro del Teatro alla Scala di Milano, Nicola Zaccaria (operatic bass), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) by Montserrat Caballé (soprano), Samuel Ramey (bass-baritone), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Jesús López Cobos (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) – “Ardon gli incensi” (Lucia, Raimondo) by Maria Callas (soprano), Mario Carlin (tenor), Chorus of the Teatro alla Scala, Nicola Zaccaria (operatic bass), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 14. “S'avanza Enrico!” (Raimondo, Enrico, Coro, Lucia) by Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Montserrat Caballé (soprano), Samuel Ramey (bass-baritone), Vicente Sardinero (baritone), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Jesús López Cobos (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) by Maria Callas (soprano)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) by Maria Callas (soprano), Chorus of the Teatro alla Scala, Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) by Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. “Che facesti?” by Raffaele Arié (operatic bass), Coro del Maggio Musicale Fiorentino, Giuseppe di Stefano (tenor), Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. “Dove corri, sventurato ?” by Raffaele Arié (operatic bass), Coro del Maggio Musicale Fiorentino, Giuseppe di Stefano (tenor), Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. “Fra poco a me ricovero” by Giuseppe di Stefano (tenor), Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. “Oh, meschina! Oh, fato orrendo!” by Raffaele Arié (operatic bass), Coro del Maggio Musicale Fiorentino, Giuseppe di Stefano (tenor), Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, scena 2. “Oh, meschina! Oh, fato orrendo!” (Coro, Edgardo) by Roberto Benaglio (conductor), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Ferruccio Tagliavini (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. “Tu che a dio spiegasti l'ali” by Raffaele Arié (operatic bass), Coro del Maggio Musicale Fiorentino, Giuseppe di Stefano (tenor), Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. Maestoso... “Tombe degli avi miei… Fra poco a me ricovero” (Edgardo) by Giuseppe di Stefano (tenor), Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) by Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) by Coro del Teatro alla Scala di Milano, Nicola Zaccaria (operatic bass), Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) by Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) by Raffaele Arié (operatic bass), Giuseppe Di Stefano (tenor), Orchestra del Maggio Musicale Fiorentino, Tullio Serafin (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) by Chorus of the Teatro alla Scala, Giuseppe Di Stefano (tenor), Nicola Zaccaria (operatic bass), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto III, scena 3. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) by Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge (conductor and pianist)
- 1 - Lucia di Lammermoor: Atto III, Scena II. "O giusto cielo" - "Il dolce suono" (Coro, Lucia) by Joan Sutherland (soprano), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Sir John Pritchard (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena II. "Ohimè! sorge il tremendo fantasma" (Lucia) by Joan Sutherland (soprano), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Sir John Pritchard (conductor)
- 1 - Lucia di Lammermoor: Atto III, Scena II. "Spargi d'amaro pianto" (Lucia) by Joan Sutherland (soprano), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Sir John Pritchard (conductor)
- 1 - Lucia di Lammermoor: Atto III. “Il dolce suono“ by Maria Callas (soprano)
- 1 - Lucia di Lammermoor: Atto III. “Il dolce suono” (Lucia) by Montserrat Caballé (soprano), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Jesús López Cobos (conductor)
- 1 - Lucia di Lammermoor: Atto III. Nº 11. "Ashton!" – "Si" / "Qui del padre ancor respira" (Edgardo, Enrico) by Carlo Bergonzi (tenor), Piero Cappuccilli (baritone), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III. Nº 11. Uragano, scena e duetto "Orrida è questa notte" (Edgardo, Enrico) by Carlo Bergonzi (tenor), Piero Cappuccilli (baritone), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III. Nº 12. Coro "D'immenso giubilo" (Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III. Nº 13. Gran scena con cori "Deh, cessate quel contento" (Raimondo, Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Justino Díaz (operatic bass), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III. Nº 14. "Ardon gli incensi" (Lucia, Normanno, Raimondo, Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Justino Díaz (operatic bass), Keith Erwen (operatic tenor), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III. Nº 14. "S'avanza Enrico!" (Raimondo, Enrico, Coro, Lucia) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Piero Cappuccilli (baritone), Justino Díaz (operatic bass), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III. Nº 14. "Spargi d'amaro pianto" (Lucia, Enrico, Raimondo, Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Piero Cappuccilli (baritone), Justino Díaz (operatic bass), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III. Nº 14. Scena ed aria "O giusto cielo!" – "Il dolce suono" (Lucia, Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Beverly Sills (soprano), William Bennett (flautist), Osian Ellis (Welsh harpist and composer), Bruno Hoffmann (glass harmonica player), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III. Nº 15. "Fra poco a me ricovero" (Edgardo) by Carlo Bergonzi (tenor), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III. Nº 15. "Oh meschina!" (Coro, Edgardo, Raimondo) / "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Carlo Bergonzi (tenor), Justino Díaz (operatic bass), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III. Nº 15. Aria e finale "Tombe degli avi miei" (Edgardo) by Carlo Bergonzi (tenor), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Atto III. Nº 15. Scena — Recitativo "Si tragga altrove" (Enrico, Raimondo, Normanno) by Piero Cappuccilli (baritone), Justino Díaz (operatic bass), Keith Erwen (operatic tenor), London Symphony Orchestra, Thomas Schippers (conductor and composer)
- 1 - Lucia di Lammermoor: Il dolce suono by Edita Gruberová (soprano), Bruno Lazzaretti (italian tenor), Robert Lloyd (operatic bass), Renato Bruson (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Royal Philharmonic Orchestra, Nicola Rescigno (conductor)
- 1 - Lucian and Sonja’s Love Theme by Paul Haslinger (Austrian score composer)
- 1 - Lucie de Lammermoor : Acte III, Scène et air de la folie. « Ashton s’avance » (Raymond, Lucie, Chœur, Ashton) by Nicolas Cavallier (operatic bass), Chœur de l'Opéra National de Lyon, Natalie Dessay (soprano), Ludovic Tézier (baritone), Orchestre de l’Opéra National de Lyon, Evelino Pidò (conductor)
- 1 - Lucie de Lammermoor : Acte III, Scène et air de la folie. « Elle s’avance, hélas, pauvre victime » (Raymond, Lucie) by Nicolas Cavallier (operatic bass), Chœur de l'Opéra National de Lyon, Natalie Dessay (soprano), Orchestre de l’Opéra National de Lyon, Evelino Pidò (conductor)
- 1 - Lucie de Lammermoor : Acte III, Scène et air de la folie. « Je vais quitter la terre » (Lucie, Ashton, Raymond, Chœur) by Nicolas Cavallier (operatic bass), Chœur de l'Opéra National de Lyon, Natalie Dessay (soprano), Ludovic Tézier (baritone), Orchestre de l’Opéra National de Lyon, Evelino Pidò (conductor)
- 1 - Lucio Silla, K. 135: Accompagnato "Cecilio, a che t'arresti" / Aria "Quest'improvviso tremito" by Cecilia Bartoli (mezzo‐soprano), Yvonne Kenny (Australian soprano), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
- 1 - Lucio Silla, K. 135: Act 1 "Il tenero momento" (Cecilio) by Cecilia Bartoli (mezzo‐soprano), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
- 1 - Lucio Silla, K. 135: Act I, Scene II. No. 2 Aria "Il tenero momento" (Cecilio) by Orchestre du Théâtre Royal de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt), Sylvain Cambreling (conductor)
- 1 - Lucio Silla, K. 135: Act I, Scene V. No. 4 Aria "Dalla sponda tenebrosa" (Giunia) by Orchestre du Théâtre Royal de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt), Sylvain Cambreling (conductor)
- 1 - Lucio Silla, K. 135: Act II, Scene III. No. 9 Aria "Quest'improvviso tremito" (Cecilio) by Orchestre du Théâtre Royal de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt), Sylvain Cambreling (conductor)
- 1 - Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio) by Kiri Te Kanawa (soprano), London Symphony Orchestra, Sir Colin Davis (English conductor)
- 1 - Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio) by Orchestre du Théâtre Royal de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt), Sylvain Cambreling (conductor)
- 1 - Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio) by Cecilia Bartoli (mezzo‐soprano), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
- 1 - Lucio Silla, K. 135: Act III, Scene V. No. 22 Aria "Fra i pensier più funesti di morte" (Giunia) by Orchestre du Théâtre Royal de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt), Sylvain Cambreling (conductor)
- 1 - Lucio Silla, K. 135: Ouverture. Allegro molto by Staatskapelle Dresden (Dresden Symphonic Orchestra), Hans Vonk (conductor)
- 1 - Lucio Silla, K. 135: Ouverture. Allegro molto by Orchestre du Théâtre Royal de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt), Sylvain Cambreling (conductor)
- 1 - Lucio Silla, K. 135: Ouverture. Allegro molto by Orchestre du Théâtre Royal de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt), Sylvain Cambreling (conductor)
- 1 - Lucio Silla, K. 135: Ouverture. Andante by Orchestre du Théâtre Royal de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt), Sylvain Cambreling (conductor)
- 1 - Lucio Silla, K. 135: Overture by Wurttemberg Chamber Orchestra, Heilbronn (Württemberg Chamber Orchestra Heilbronn)
- 1 - Lucio Silla, opera, K. 135 Overture by Dresden Staatskapelle (Dresden Symphonic Orchestra), Hans Vonk (conductor)
- 1 - Lucio Silla: "Il tenero momento" by Cecilia Bartoli (mezzo‐soprano), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
- 1 - Lucio Silla: In un instante...Parto, m'affretto (Giunia) by Diana Damrau (soprano), Le Cercle de l'Harmonie, Jérémie Rhorer (conductor)
- 1 - Lucky Man by Gregorian (German band)
- 1 - Lucrezia Borgia: Act I. "Tranquillo ei posa... Com'è bello" by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
- 1 - Lucrezia Borgia: Prologo. “Tranquillo ei posa” … “Com’e bello” by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Antonio Tonini (conductor)
- 1 - Lucrezia: A voi, a voi, padre, consorte by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
- 1 - Lucrezia: Ah! che ancor nell'abisso by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
- 1 - Lucrezia: Gia nel seno comincia compir by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
- 1 - Lucrezia: Il suol che preme by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
- 1 - Lucrezia: Ma voi forse nel cielo by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
- 1 - Lucrezia: O Numi eterni! by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
- 1 - Lucrezia: Questi la disperata anima by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
- 1 - Lucrezia: Sento ch'il cor by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
- 1 - Lucy and Lucy by Éric Serra (French bassist and score composer)
- 1 - Lucy and the Sniffer Dog by Éric Serra (French bassist and score composer)
- 1 - Lucy Is Going Out, Part 1 by Éric Serra (French bassist and score composer)
- 1 - Lucy Is Going Out, Part 2 by Éric Serra (French bassist and score composer)
- 1 - Lucy's Bitten by Michael Riesman (American composer, conductor, keyboardist)
- 1 - Luisa Miller, Atto II: Oh! Fede negar potessi … Quando le sere al placido (Rodolfo) by Andrea Bocelli (tenor), Israel Philharmonic Orchestra (Israeli orchestra), Zubin Mehta (conductor)
- 1 - Luisa Miller: "L'ara o l'avello apprestami" by Gianluca Alfano (baritone), Coro Sinfonico di Milano Giuseppe Verdi, Rolando Villazón (tenor), Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi), Daniele Callegari (conductor)
- 1 - Luisa Miller: "Oh! Fede negar potessi... Quando le sere al placido" by José Carreras (Spanish tenor), Royal Philharmonic Orchestra, Roberto Benzi (conductor)
- 1 - Luisa Miller: "Oh! fede negar potessi" by Rolando Villazón (tenor), Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi), Daniele Callegari (conductor)