Tag “classical”

Recordings tagged as “classical”

87,012 recordings found

• 1 - Mass no. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo" by Orquestra Gulbenkian (The Gulbenkian Orchestra), Theodor Guschlbauer (conductor)
• 1 - Mass no. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus" by Orquestra Gulbenkian (The Gulbenkian Orchestra), Theodor Guschlbauer (conductor)
• 1 - Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus" by Gerhard Eder (operatic bass), Peter Jelosits (tenor), Solist der Wiener Sängerknaben, Michael G. Gormley (organist), Wiener Symphoniker (Vienna Symphony Orchestra), Uwe Christian Harrer (chorus master/conductor), Chorus Viennensis, Wiener Sängerknaben (The Vienna Boys Choir)
• 1 - Mass no. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus" by Orquestra Gulbenkian (The Gulbenkian Orchestra), Theodor Guschlbauer (conductor)
• 1 - Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus" by Gerhard Eder (operatic bass), Peter Jelosits (tenor), Solist der Wiener Sängerknaben, Michael G. Gormley (organist), Wiener Symphoniker (Vienna Symphony Orchestra), Uwe Christian Harrer (chorus master/conductor), Chorus Viennensis, Wiener Sängerknaben (The Vienna Boys Choir)
• 1 - Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus" by Erwin Ortner, Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Mass no. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei" by Orquestra Gulbenkian (The Gulbenkian Orchestra), Theodor Guschlbauer (conductor)
• 1 - Mass no. 15 in C major “Coronation”, K. 317: VI. Agnus Dei by Academy of St. Martin in the Fields Chorus, Barbara Hendricks (soprano), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Mass no. 15 in C major, K. 317 "Coronation Mass": II. Gloria by Patrizia Kwella (soprano), Ulla Groenewold (German contralto), Christoph Prégardien (tenor), Franz-Josef Selig (operatic bass), Kölner Kammerchor, Collegium Cartusianum, Peter Neumann (conductor)
• 1 - Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a): Kyrie by Margaret Marshall (Scots soprano active in late 20th century), Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": I. "Kyrie" by Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIa. Gloria: "Gloria in excelsis" by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIb. Gloria: "Laudamus te" by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIc. Gloria: "Gratias agimus tibi" by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IId. Gloria: "Domine Deus" by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIf. Gloria: "Quoniam tu solus" by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIg. Gloria: "Jesu Christe" by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIh. Gloria: "Cum Sancto Spiritu" by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIIa. Credo: "Credo in unum Deum" by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIIb. Credo: "Et incarnatus est" by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IVa. Sanctus: "Sanctus" by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": V. Benedictus by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great":IIe. Gloria: "Qui tollis" by English Baroque Soloists (The English Baroque Soloists), Monteverdi Choir (English vocal Baroque ensemble), John Eliot Gardiner
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" by Arleen Augér (soprano), Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music & Christopher Hogwood (conductor, harpsichordist)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" by John Mark Ainsley (tenor), Arleen Augér (soprano), Lynne Dawson (soprano), David Thomas (British operatic bass), Winchester Cathedral Choir, Winchester College Quiristers, Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" by Kölner Kammerchor, Collegium Cartusianum, Peter Neumann (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" by Krisztina Laki (soprano), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" by Gabrieli Consort & Players (UK early music ensemble), Paul McCreesh (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" by Camilla Tilling (soprano), Gabrieli Consort & Players (UK early music ensemble), Paul McCreesh (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IV. Sanctus by Gabrieli Consort & Players (UK early music ensemble), Paul McCreesh (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna" by Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna" by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus by Chamber Choir of Europe, Valentina Farcas, Christof Fischesser (operatic bass), Annemarie Kremer (soprano), Daniel Sans (tenor), Jens Wollenschläger (organist), Camerata Würzburg, Nicol Matt (conductor)
• 1 - Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus by Gabrieli Consort & Players (UK early music ensemble), Paul McCreesh (conductor)
• 1 - Mass, K.427: Et incarnatus est by Edith Mathis (soprano), Helen Donath (soprano), Theo Altmeyer (German tenor), Franz Crass (operatic bass), Südwestdeutsches Kammerorchester, Wolfgang Gönnenwein (conductor)
• 1 - Mass: “A Simple Song” by Renée Fleming (soprano), Royal Philharmonic Orchestra, Andreas Delfs (conductor)
• 1 - Mass: I. Devotions before Mass: 1. Antiphon: Kyrie eleison by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: I. Devotions before Mass: 2. Hymn and Psalm: "A Simple Song" (1971) by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: I. Devotions before Mass: 3. Responsory: Alleluia by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: II. First Introit (Rondo): 1. Prefatory Prayers by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: II. First Introit (Rondo): 2. Thrice-Triple Canon: Dominus vobiscum by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: III. Second Introit: 1. In nomine Patris by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: III. Second Introit: 2. Prayer for the Congregation (Chorale: "Almighty Father") by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: III. Second Introit: 3. Epiphany by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: IV. Confession: 1. Confiteor by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: IV. Confession: 2. Trope: "I Don't Know" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: IV. Confession: 3. Trope: "Easy" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: IX. Gospel-Sermon: "God Said" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: V. Meditation No. 1 by Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: VI. Gloria: 1. Gloria tibi by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: VI. Gloria: 2. Gloria in excelsis by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: VI. Gloria: 3. Trope: "Half of the People by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: VI. Gloria: 4. Trope: "Thank You" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: VII. Meditation No. 2 by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: VIII. Epistle: "The Word of the Lord" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: X. Credo: 1. Credo in unum Deum by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: X. Credo: 2. Trope: "Non Credo" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: X. Credo: 3. Trope: "Hurry" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: X. Credo: 4. Trope: "World Without End" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: X. Credo: 5. Trope: "I Believe In God" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: XI. Meditation No. 3: (De profundis, part 1) by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: XII. Offertory: (De profundis, part 2) by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: XIII. The Lord's Prayer: 1. Our Father by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: XIII. The Lord's Prayer: 2. Trope: "I Go On" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: XIV. Sanctus: "Holy! Holy! Holy!..." by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: XV. Agnus Dei by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: XVI. Fraction: "Things Get Broken" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Mass: XVII. Pax: Communion: "Secret Songs" by The Berkshire Boy Choir, The Norman Scribner Choir, Leonard Bernstein (American conductor, composer, pianist)
• 1 - Massman by Philip Glass (US composer & pianist)
• 1 - Master of Magic by C64 Orchestra, Bas Wiegers
• 1 - Master Peregrin’s Plan by Howard Shore (Canadian score composer)
• 1 - Masterblaster 2000 (original mix) (part of a “Soundtrack to the Weekend” DJ‐mix) by DJ Luck & MC Neat (UK house & garage duo) feat. JJ (UK Garage vocalist & dancer, features with DJ Luck & MC Neat)
• 1 - Mathyus Arises by John Debney (American score composer)
• 1 - Matinées musicales, op. 24: I. March by National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
• 1 - Matinées musicales, op. 24: II. Nocturne by National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
• 1 - Matinées musicales, op. 24: III. Waltz by National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
• 1 - Matrosen-Tango by Dagmar Krause
• 1 - Matt Gets Turned On by James Horner (American score composer)
• 1 - Matter? I Barely Know Her! by Michael Giacchino (American score composer)
• 1 - Matthäus Passion, BWV 244: Erster Teil. Nr. 4. Rezitativ "Da versammleten sich die Hohenpriester und Schriftgelehrten und die Ältesten" (Evangelist) / Nr. 5. Chor "Ja nicht auf das Fest" by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Matthäus Passion, BWV 244: Erster Teil. Nr. 6. Rezitativ "Da nun Jesus war zu Bethanien, im Hause Simonis" (Evangelist) / Nr. 7. Chor "Wozu dienet dieser Uhrar?" by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Matthäus Passion, BWV 244: Erster Teil. Nr. 13. Rezitativ "Aber am ersten Tage der süßen Brot" (Evangelist) / Nr. 14. Chor "Wo willst du, daß wir dir bereiten" by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Matthäus Passion, BWV 244: Seconda parte. LII. Aria „Können Tränen meinen Wangen“ (Alto) by Kai Wessel (countertenor), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
• 1 - Matthäus Passion, BWV 244: Zweiter Teil. Nr. 45. Rezitativ "Petrus aber saß draußen im Palast!" (Evangelist, Erste Magd, Petrus, Zweite Magd, Chor) / Nr. 46. Rezitativ "Da hub er, sich zu verfluchen" (Evangelist, Petrus) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Matthäus Passion, BWV 244: Zweiter Teil. Nr. 49. Rezitativ "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas, Chor) / Nr. 50. Rezitativ "Und er warf die Silberlinge in den Tempel" (Evangelist, Pontifex) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Matthäus Passion, BWV 244: Zweiter Teil. Nr. 73. Rezitativ "Und siehe da, der Vorhang im Tempel zerriß" (Evangelist, Chor) / Nr. 73b. Rezitativ "Und es waren viel Weiber da" (Evangelist) by Peter Schreier (German tenor and conductor), Wiener Singverein, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Matthäus Passion: Chorus: Wir setzen uns mit Tränen nieder by English Chamber Orchestra, Johannes Somary
• 1 - Matthäus-Passion BWV 244, 2. LIX. Recitativo (Alto 1) "Ach, Golgatha" by Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Matthäus-Passion BWV 244, 2. LVIII. Evangelista "Und da sind die Stätte kamen" / Chorus (1,2) "Der du den Tempel Gottes zerbrichst" / Evangelista "Desgleichen auch die Hohenpriester" / Chorus (1,2) "Andern hat er gehoffen" / Evangelista "Desgleichen schmäheten ihn auch die Mörder" by Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)