Tag “classical”
~ Tag
Recordings tagged as “classical”
87,012 recordings found
- 2 - Contrapunctus XIII from "The Art of the Fugue" by Edgar Meyer (contemporary bassist and composer) with Béla Fleck and Mike Marshall (US mandolinist & multi-instrumentalist)
- 2 - Contredance in C, KV 587 «Der Sieg vom Helden Koburg» by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - Contredance in D, KV 534 «Das Donnerwetter» (orch. Erik Smith) by Wiener Mozart-Ensemble (recorded for Decca), Willi Boskovsky (violinist and conductor)
- 2 - Contredanse in G flat major, B. 17 by Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
- 2 - Coppélia, Ballet Suite: 1. Vorspiel und Mazurka by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Coppélia, Ballet Suite: 2. Szene und Walzer des Swanhilde by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Coppélia, Ballet Suite: 3. Czárdás by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Coppélia, Ballet Suite: 4. Scene und Puppenwalzer by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Coppélia, Ballet Suite: 6. Slawische Volkmelodie mit variationen by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Coppélia, Suite: V. Ballade by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Corcovado – Quiet Nights of Quiet Stars by Andrea Bocelli (tenor) duet with Nelly Furtado
- 2 - Cordoba by John Williams (classical guitarist)
- 2 - Core 'ngrato by The Three Tenors, Orchestre de Paris, James Levine (US conductor and pianist)
- 2 - Core ’ngrato (live, 1990-07-07: Terme di Caracalla, Rome, Italy) by José Carreras (Spanish tenor)
- 2 - Coriolan op. 62: Ouvertüre: Allegro con brio by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Wilhelm Furtwängler (conductor)
- 2 - Coriolan Overture, op. 62 by The Chamber Orchestra of Europe, Nikolaus Harnoncourt (conductor)
- 2 - Coriolan, op. 62 by Gewandhausorchester (Leipzig Gewandhaus Orchestra), Kurt Masur (conductor)
- 2 - Coronation Anthem no. 1: “Zadok the Priest” (HWV 258) by Huddersfield Choral Society, Royal Northern Sinfonia, Sir John Pritchard (conductor)
- 2 - Coronation Mass in C major, KV 317: I. Kyrie by Pamela Heuvelmans (soprano), Benoît Haller (tenor), Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Coronation Mass in C major, KV 317: II. Gloria by Pamela Heuvelmans (soprano), Barbara Werner (mezzo-soprano / alto), Benoît Haller (tenor), Manfred Bittner (operatic bass), Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Coronation Mass in C major, KV 317: III. Credo by Pamela Heuvelmans (soprano), Barbara Werner (mezzo-soprano / alto), Benoît Haller (tenor), Manfred Bittner (operatic bass), Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Coronation Mass in C major, KV 317: IV. Sanctus by Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Coronation Mass in C major, KV 317: V. Benedictus by Pamela Heuvelmans (soprano), Barbara Werner (mezzo-soprano / alto), Benoît Haller (tenor), Manfred Bittner (operatic bass), Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Coronation Mass in C major, KV 317: VI. Agnus Dei by Pamela Heuvelmans (soprano), Barbara Werner (mezzo-soprano / alto), Benoît Haller (tenor), Manfred Bittner (operatic bass), Chamber Choir of Europe, Südwestdeutsches Kammerorchester Pforzheim, Nicol Matt (conductor)
- 2 - Cortège solennel, op. 50 by Moscow Symphony Orchestra (founded in 1989, assoc. with Naxos and Marco Polo labels), Konstantin Krimets (Soviet and Russian conductor)
- 2 - Così fan tutte, K. 588: Act I, Scene I No. 1 Terzetto. Allegro "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) / Act I, Scene I Recitativo "Fuor la spada" (Ferrando, Guglielmo, Don Alfonso) by Richard van Allan (operatic bass-baritone), Wladimiro Ganzarolli (bass-baritone), Nicolai Gedda (tenor), John Constable (pianist), Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis (English conductor)
- 2 - Così fan tutte, K. 588: Act I, Scene IX. No. 12 Aria "In uomini, in soldati sperare" (Despina) by Magdalena Kožená (mezzo-soprano), Orchestra of the Age of Enlightenment, Simon Rattle (conductor)
- 2 - Così fan tutte, K. 588: Act I, Scene XIII Recitativo "Ho, la saria da ridere" (Don Alfonso, Despina) by Richard van Allan (operatic bass-baritone), Ileana Cotrubaş (Romanian soprano), John Constable (pianist), Sir Colin Davis (English conductor)
- 2 - Così fan tutte, K. 588: Act I, Scene XIV No. 18 Finale. Andante "Ah, che tutta in un momento" (Fiordiligi, Dorabella) by Dame Janet Baker (mezzo‐soprano and alto), Montserrat Caballé (soprano), Ileana Cotrubaş (Romanian soprano), Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis (English conductor)
- 2 - Così fan tutte, K. 588: Act II, Scene VII Recitativo. Allegretto "Ei parte... senti...! Ah no... partir si lasci" (Fiordiligi) by Montserrat Caballé (soprano), John Constable (pianist), Sir Colin Davis (English conductor)
- 2 - Così fan tutte, K. 588: Act II, Scene X. No. 28 Aria "È amore un ladroncello" (Dorabella) by Magdalena Kožená (mezzo-soprano), Orchestra of the Age of Enlightenment, Simon Rattle (conductor)
- 2 - Cosi fan tutte, K.588: <Ei parte...Senti...> <Perpiete, ben mio perdona> by Kiri Te Kanawa (soprano), London Symphony Orchestra, Sir Colin Davis (English conductor)
- 2 - Così fan tutte, KV 588: Ei parte... Senti!... Ah, no! - Per pietà, ben mio, perdona by Magdalena Kožená (mezzo-soprano), Orchestra of the Age of Enlightenment, Simon Rattle (conductor)
- 2 - Così fan tutte: Act II. "Una donna a quindici anni" (Despina) by Kathleen Battle (soprano), Metropolitan Opera Orchestra, James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I, scena 2. “Soave sia il vento” by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Christa Ludwig (mezzo-soprano), Walter Berry (bass‐baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Karl Böhm (Austrian conductor)
- 2 - Così fan tutte: Atto I, scena 3. “Come scoglio immoto resta” by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Karl Böhm (Austrian conductor)
- 2 - Così fan tutte: Atto I. “Ah scostati! / No. 11: "Smanie implacabili che m’agitate” by Nan Merriman (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. “Ah, scostati!” by Ann Murray (Irish mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “Alla bella Despinetta” by Hans Peter Blochwitz (tenor), Ferruccio Furlanetto (bass-baritone), Thomas Hampson (baritone), Marie McLaughlin (soprano), Ann Murray (Irish mezzo-soprano), Kiri Te Kanawa (soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “E de’ cento zecchini, che faremo?” by Hans Peter Blochwitz (tenor), Ferruccio Furlanetto (bass-baritone), Thomas Hampson (baritone), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “E voi ridete?” by Hans Peter Blochwitz (tenor), Ferruccio Furlanetto (bass-baritone), Thomas Hampson (baritone), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “La mia Dorabella capace non è” by Hans Peter Blochwitz (tenor), Ferruccio Furlanetto (bass-baritone), Thomas Hampson (baritone), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “Rivolgete a lui lo sguardo” by Thomas Hampson (baritone), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “Soave sia il vento” by Ferruccio Furlanetto (bass-baritone), Ann Murray (Irish mezzo-soprano), Kiri Te Kanawa (soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. “Soave sia il vento” (Trio) by Leontyne Price (soprano), Tatiana Troyanos (mezzo-soprano), Ezio Flagello (operatic bass / baritone), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Erich Leinsdorf (conductor)
- 2 - Così fan tutte: Atto I. “Un’ aura amorosa del nostro tesoro” by Hans Peter Blochwitz (tenor), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto I. Appendix. No. 15 Aria “Non siate ritrosi” (Guglielmo) by Rolando Panerai (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) by Sesto Bruscantini (bass-baritone), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 2 Terzetto “E la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) by Sesto Bruscantini (bass-baritone), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) by Sesto Bruscantini (bass-baritone), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) by Sesto Bruscantini (bass-baritone), Nan Merriman (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) by Lisa Otto (German operatic soprano, 1919–2013), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 14: “Come scoglio immoto resta” by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) by Sesto Bruscantini (bass-baritone), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. No. 17 Aria “Un’aura amorosa” (Ferrando) by Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto I. Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) by Sesto Bruscantini (bass-baritone), Nan Merriman (mezzo-soprano), Lisa Otto (German operatic soprano, 1919–2013), Rolando Panerai (baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. “Fortunato l’uom che prende” by Sesto Bruscantini (bass-baritone), Nan Merriman (mezzo-soprano), Lisa Otto (German operatic soprano, 1919–2013), Rolando Panerai (baritone), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) by Marie McLaughlin (soprano), Kiri Te Kanawa (soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) by Nan Merriman (mezzo-soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 22 Quartetto “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) by Sesto Bruscantini (bass-baritone), Lisa Otto (German operatic soprano, 1919–2013), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) by Nan Merriman (mezzo-soprano), Rolando Panerai (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) by Kiri Te Kanawa (soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto II. No. 25: “Per pietà, ben mio, perdona” by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) by Rolando Panerai (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) by Hans Peter Blochwitz (tenor), Ferruccio Furlanetto (bass-baritone), Thomas Hampson (baritone), Kiri Te Kanawa (soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Guglielmo) by Sesto Bruscantini (bass-baritone), Rolando Panerai (baritone), Léopold Simoneau (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. No.19 Aria “Una donna a quindici anni” (Despina) by Lisa Otto (German operatic soprano, 1919–2013), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. Recitativo “Ei parte… Scenti!… Ah, no!” (Fiordiligi) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Atto II. Recitativo. Allegretto “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) by Kiri Te Kanawa (soprano), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Così fan tutte: Ouverture by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Così fan tutte: Overture by Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
- 2 - Country Gardens by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 2 - Cradle Song (Wiegenlied) by Budapest Strings (Budapest String Orchestra; Budapest Strings)
- 2 - Credo by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Neeme Järvi (Estonian conductor), Boris Berman (pianist), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Simon Halsey (conductor)
- 2 - Credo in Us by Michael Dietz (percussionist), Christoph Keller (pianist/producer), Johann-Nikolaus Matthes (sound engineer), Burkhard Wissemann, Rainer Riehn (German composer, conductor and editor)
- 2 - Creep by G4 (British vocal troupe, performed on The X Factor)
- 2 - Creep (live) by Scala & Kolacny Brothers
- 2 - Creeping Death by Apocalyptica
- 2 - Creeping Death (live, 2005-12-05: Düsseldorf, Germany) by Apocalyptica
- 2 - Cristal (live) by Yo‐Yo Ma (cellist)
- 2 - Cristal by Yo‐Yo Ma (cellist), César Camargo Mariano
- 2 - Croquis et agaceries d'un gros bonhomme en bois : I. Tyrolienne turque by Jean‐Yves Thibaudet (pianist)
- 2 - Croquis et agaceries d'un gros bonhomme en bois : I. Tyrolienne turque. Avec précaution et lent by Philippe Entremont (French pianist/conductor)
- 2 - Croquis et agaceries d'un gros bonhomme en bois : II. Danse maigre (à la manière de ces Messieurs) by Jean‐Yves Thibaudet (pianist)
- 2 - Croquis et agaceries d'un gros bonhomme en bois : II. Danse maigre. Assez lent, si vous le voulez bien by Philippe Entremont (French pianist/conductor)
- 2 - Croquis et agaceries d'un gros bonhomme en bois : III. Españaña (sorte de valse) by Jean‐Yves Thibaudet (pianist)
- 2 - Croquis et agaceries d'un gros bonhomme en bois : III. Españaña. Sorte de Valse by Philippe Entremont (French pianist/conductor)
- 2 - Crown Imperial by Orchestra of Opera North (English Northern Philharmonia), Paul Daniel (conductor)
- 2 - Csárdás – Gypsy Dance by David Garrett (classical violinist)
- 2 - Cuatro milpas by Kronos Quartet
- 2 - Cuban Overture by Chicago Symphony Orchestra, James Levine (US conductor and pianist)
- 2 - Cuban Overture by Dallas Symphony Orchestra, Eduardo Mata (conductor)
- 2 - Cuban Overture by George Gershwin (composer)
- 2 - Cueca by John Williams (classical guitarist)
- 2 - Cumulonimbus by Chris Worsey (cellist), Joby Talbot (English score composer)
- 2 - Curse Upon Iron by Eesti Filharmoonia Kammerkoor (Estonian Philharmonic Chamber Choir), Tõnu Kaljuste (conductor)
- 2 - Cybernoid II by C64 Orchestra, Bas Wiegers
- 2 - Da quel sorriso che non ride più by Hayley Westenra & Ennio Morricone (Italian classical and score composer)
- 2 - Dance no. 4 by Jascha Heifetz (violinist), Emanuel Bay