Tag “classical”

Recordings tagged as “classical”

87,012 recordings found

• 1 - Music For The Royal Fireworks HWV 351: 6 Minuet 2 by Philharmonica Symphony Orchestra, Igor Ivanenko
• 1 - Music for the Royal Fireworks, HWV 351: I. Ouverture by La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire (conductor and oboist)
• 1 - Music for the Royal Fireworks, HWV 351: I. Ouverture (Adagio) - Allegro - Lentment - Allegro Da Capo by Orpheus Chamber Orchestra (US orchestra)
• 1 - Music for the Royal Fireworks, HWV 351: I. Overture by Aradia Ensemble, Kevin Mallon (conductor)
• 1 - Music for the Royal Fireworks, HWV 351: II. Bouree by La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire (conductor and oboist)
• 1 - Music for the Royal Fireworks, HWV 351: II. Bouree by Tafelmusik (Canadian Baroque orchestra), Jeanne Lamon (conductor/violinist)
• 1 - Music for the Royal Fireworks, HWV 351: II. Bourrée by Orpheus Chamber Orchestra (US orchestra)
• 1 - Music for the Royal Fireworks, HWV 351: II. Bourrée by Aradia Ensemble, Kevin Mallon (conductor)
• 1 - Music for the Royal Fireworks, HWV 351: II. Bourrée by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Music for the Royal Fireworks, HWV 351: III. La Paix by Aradia Ensemble, Kevin Mallon (conductor)
• 1 - Music for the Royal Fireworks, HWV 351: III. La Paix. Largo Alla Siciliana by Orpheus Chamber Orchestra (US orchestra)
• 1 - Music for the Royal Fireworks, HWV 351: III. La réjouissance by Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006), Isaiah Jackson (conductor)
• 1 - Music for the Royal Fireworks, HWV 351: IV. La Réjouissance by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Music for the Royal Fireworks, HWV 351: IV. La Rejouissance (Allegro) by Menuhin Festival Orchestra, Yehudi Menuhin (violinist)
• 1 - Music for the Royal Fireworks, HWV 351: IV. La Réjouissance. Allegro by Orpheus Chamber Orchestra (US orchestra)
• 1 - Music for the Royal Fireworks, HWV 351: V. Menuet I by Orpheus Chamber Orchestra (US orchestra)
• 1 - Music for the Royal Fireworks, HWV 351: V. Menuets I and II by Aradia Ensemble, Kevin Mallon (conductor)
• 1 - Music for the Royal Fireworks, HWV 351: VI. Menuet II by Orpheus Chamber Orchestra (US orchestra)
• 1 - Music for the Royal Fireworks: Bourree by English Baroque Soloists (The English Baroque Soloists), John Eliot Gardiner
• 1 - Music for the Royal Fireworks: I. Ouverture. Allegro - Lentement - Allegro by Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
• 1 - Music for the Royal Fireworks: I. Overture by RCA Victor Symphony Orchestra, Leopold Stokowski (conductor)
• 1 - Music for the Royal Fireworks: I. Overture by London Symphony Orchestra, Antal Doráti (conductor)
• 1 - Music for the Royal Fireworks: II. Alla Siciliana by London Symphony Orchestra, Antal Doráti (conductor)
• 1 - Music for the Royal Fireworks: III. Bourrée by London Symphony Orchestra, Antal Doráti (conductor)
• 1 - Music for the Royal Fireworks: IV. Menuetto by London Symphony Orchestra, Antal Doráti (conductor)
• 1 - Music for the Royal Fireworks: La Paix by Georg Friedrich Händel (George Frideric Handel, German‐British baroque composer)
• 1 - Music for the Royal Fireworks: La Paix by English Baroque Soloists (The English Baroque Soloists), John Eliot Gardiner
• 1 - Music for the Royal Fireworks: La Paix by Pittsburgh Symphony Orchestra, André Previn (pianist, conductor, composer, arranger)
• 1 - Music for the Royal Fireworks: La réjouissance by Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra), Karl Münchinger (German conductor)
• 1 - Music for the Royal Fireworks: Suite HWV 351 V. Menuet I-II by English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
• 1 - Music in Twelve Parts: II by Philip Glass Ensemble (US musical group by composer Philip Glass), Michael Riesman (American composer, conductor, keyboardist)
• 1 - Music in Twelve Parts: IV by Philip Glass Ensemble (US musical group by composer Philip Glass), Michael Riesman (American composer, conductor, keyboardist)
• 1 - Music in Twelve Parts: IX by Philip Glass Ensemble (US musical group by composer Philip Glass), Michael Riesman (American composer, conductor, keyboardist)
• 1 - Music in Twelve Parts: VIII by Philip Glass Ensemble (US musical group by composer Philip Glass), Michael Riesman (American composer, conductor, keyboardist)
• 1 - Music in Twelve Parts: XII by Philip Glass Ensemble (US musical group by composer Philip Glass), Michael Riesman (American composer, conductor, keyboardist)
• 1 - Music on the Death of Queen Mary: In the Midst of Life We Are in Death (Z 17a) by Oxford Camerata (English chamber choir), Jeremy Summerly (conductor), Laurence Cummings (harpsichordist, organist and conductor)
• 1 - Music on the Death of Queen Mary: Man That Is Born of a Woman (Z 27) by Oxford Camerata (English chamber choir), Jeremy Summerly (conductor), Laurence Cummings (harpsichordist, organist and conductor)
• 1 - Music on the Death of Queen Mary: March (Z 860a) by Oxford Camerata (English chamber choir), Laurence Cummings (harpsichordist, organist and conductor), Jeremy Summerly (conductor)
• 1 - Music on the Death of Queen Mary: March (Z 860a) by Oxford Camerata (English chamber choir), Jeremy Summerly (conductor), Laurence Cummings (harpsichordist, organist and conductor)
• 1 - Music on the Death of Queen Mary: March (Z 860a) by Oxford Camerata (English chamber choir), Jeremy Summerly (conductor), Laurence Cummings (harpsichordist, organist and conductor)
• 1 - Music to "King Stephen or Hungary's First Benefactor", Op. 117: I. Chor: "Ruhend von seinen Taten". Andante maestoso e con moto by Norbert Balatsch (baritone, chorus master and conductor), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Music to "King Stephen or Hungary's First Benefactor", Op. 117: II. Chor: "Auf dunkelm Irrweg in finstern Hainen". Allegro con brio by Norbert Balatsch (baritone, chorus master and conductor), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Music to "King Stephen or Hungary's First Benefactor", Op. 117: III. Victory March by Norbert Balatsch (baritone, chorus master and conductor), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Music to "King Stephen or Hungary's First Benefactor", Op. 117: IV. Chor: "Wo die Unschuld Blumen streute". Andante con moto all'Ongarese by Norbert Balatsch (baritone, chorus master and conductor), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Music to "King Stephen or Hungary's First Benefactor", Op. 117: IX. Final Chorus. Presto by Norbert Balatsch (baritone, chorus master and conductor), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Music to "King Stephen or Hungary's First Benefactor", Op. 117: Ouvertüre. Andante con moto - Presto by Norbert Balatsch (baritone, chorus master and conductor), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Music to "King Stephen or Hungary's First Benefactor", Op. 117: V. Melodram: "Du hast dein Vaterland, dein Fürstenhaus verlassen". Vivace by Norbert Balatsch (baritone, chorus master and conductor), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Music to "King Stephen or Hungary's First Benefactor", Op. 117: VI. Chor: "Eine neue strahlende Sonne". Vivace by Norbert Balatsch (baritone, chorus master and conductor), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Music to "King Stephen or Hungary's First Benefactor", Op. 117: VII. Melodram: "Ihr edlen Ungarn! Hört meine Stimme!". Maestoso con moto - Andante maestoso - Maestoso con moto by Norbert Balatsch (baritone, chorus master and conductor), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Music to "King Stephen or Hungary's First Benefactor", Op. 117: VIII. Geistlicher Marsch, Chor und Melodram by Norbert Balatsch (baritone, chorus master and conductor), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Music To Goethe's Tragedy ''Egmont'', op. 84 by Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
• 1 - Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Wilhelm Furtwängler (conductor)
• 1 - Musica dolorosa by Ligita Zemberga, Riga Philharmonic Orchestra (Latvian National Symphony Orchestra, Latvian National Symphony Orchestra), Krišs Russmanis (Kriss Russman)
• 1 - Musica Dolorosa by Mats Levin (cellist), Katarina Andreasson, Svenska Kammarorkestern (Swedish Chamber Orchestra)
• 1 - Música nocturna de Madrid by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
• 1 - Musica Ricercata: I. Sostenuto by Fredrik Ullén (pianist)
• 1 - Musica Universalis (live, 2008-03-07: Guggenheim Museum, Bilbao, Spain) by Mike Oldfield
• 1 - Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..." by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..." by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work" by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement) by [dialogue] (Special Purpose Artist)
• 1 - Musical joke for three voices "Lob auf den Dicken", WoO 100 by Joachim Vogt (tenor), Günther Beyer (operatic bass), Siegfried Hausmann (operatic bass), Kammerchor der Berliner Singakademie
• 1 - Musical Offering, BWV 1079: XII. Sonata a 3: IV. Allegro by Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
• 1 - Musicalisches Gesang-Buch G.C. Schemelli: 14. Ich steh an Deiner Krippen hier by Dominik Wörner (bass), Toru Yamamoto (cellist), Masaaki Suzuki (keyboardist, conductor)
• 1 - Musicalisches Gesang-Buch G.C. Schemelli: 19. Mein Jesu! was vor Seelenweh by Aki Matsui (soprano), Shimon Yoshida (tenor), Toru Yamamoto (cellist), Masaaki Suzuki (keyboardist, conductor)
• 1 - Musicalisches Gesang-Buch G.C. Schemelli: 32. Dir, dir Jehova, will ich singen by Aki Matsui (soprano), Shimon Yoshida (tenor), Masaaki Suzuki (keyboardist, conductor), Toru Yamamoto (cellist)
• 1 - Musicalisches Gesang-Buch G.C. Schemelli: 59. Komm, süßer Tod by Aki Matsui (soprano), Shimon Yoshida (tenor), Masaaki Suzuki (keyboardist, conductor), Toru Yamamoto (cellist)
• 1 - Musicalisches Gesang-Buch G.C. Schemelli: 67. Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist by Aki Matsui (soprano), Shimon Yoshida (tenor), Masaaki Suzuki (keyboardist, conductor), Toru Yamamoto (cellist)
• 1 - Musikalische Exequien, SWV 279-281: Canticum B Simeonis 'Herr, nun lässet du deinen Diener' by The Sixteen (UK choir), Orchestra of The Sixteen, Harry Christophers (conductor)
• 1 - Musikalische Exequien, SWV 279-281: Konzert (in Form einer deutschen Begräbnis-Missa) by The Sixteen (UK choir), Orchestra of The Sixteen, Harry Christophers (conductor)
• 1 - Musikalische Exequien, SWV 279-281: Motette 'Herr, wenn ich nur dich habe' by The Sixteen (UK choir), Orchestra of The Sixteen, Harry Christophers (conductor)
• 1 - Musikalisches Opfer BWV 1079: 6-voice Ricercar by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
• 1 - Musikalisches Opfer BWV 1079: Canon perpetuus from the "Sonata sopr'il Soggetto Reale" by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)